Panasonic FH25 vs Panasonic ZS20
94 Imaging
38 Features
26 Overall
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92 Imaging
37 Features
46 Overall
40
Panasonic FH25 vs Panasonic ZS20 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F3.3-5.9) lens
- 159g - 99 x 57 x 28mm
- Announced January 2011
- Also referred to as Lumix DMC-FS35
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 206g - 105 x 59 x 28mm
- Revealed April 2012
- Also referred to as Lumix DMC-TZ30
- Old Model is Panasonic ZS15
- Updated by Panasonic ZS25

Panasonic Lumix FH25 vs. ZS20: A Hands-On Comparison for Serious Budget Photogs
When diving into budget-friendly compacts, the Panasonic Lumix FH25 and ZS20 often land on many enthusiasts’ radar. Both hail from the Lumix family, packed with Panasonic’s signature technologies, yet aimed at different kinds of shooters. Over my 15+ years testing and analyzing a wide range of cameras, I’ve personally tested thousands, so I’m here to give you a no-nonsense, deep dive on what really sets these two apart in real-world use - not just spewing spec sheets.
Let’s unpack these cameras side-by-side, highlight their strengths and caveats, and help you decide where your money’s best spent.
Size, Feel & Handling – Small Packages, Different Clubs for Thumbs
When it comes to pocketability and ergonomics, these two are compact contenders, but with distinct approaches.
The FH25 is a lightweight, pocket-friendly model with dimensions of 99x57x28mm and tipping the scales at just 159g. This makes it an easy grab-and-go for casual urban shooters or travel photographers prioritizing minimal bulk. The body feels plasticky but doesn’t scream cheap, and that fixed 2.7-inch screen is small but decent enough for its era.
In contrast, the ZS20 weighs a bit more at 206g and stretches slightly larger at 105x59x28mm. You can immediately notice the extra grip and heft, lending better balance - especially around the long telephoto zoom. The 3-inch touchscreen (more on this later) is a welcome step up for quick menu taps and focus adjustments without fumbling through buttons.
Here’s a visual to compare those form factors and get a feel for the ergonomics side-by-side:
For those who prioritize discreet street shooting or need a slim travel companion, the FH25’s smaller size is attractive. But if you prefer better grip and handling, especially with one hand while zooming, the ZS20’s extra bulk feels justified.
Top Deck & Controls – When Button Layout Meets User Experience
Let’s peek at the top control surfaces where usability either shines or stumbles.
The FH25 keeps it extremely basic, sporting a traditional shutter button surrounded by a zoom toggle, a power button, and a small mode dial unavailable for manual modes (in fact, no manual controls at all here). This lack of dedicated buttons for exposure modes or ISO control can frustrate photographers wanting more creative freedom.
Flip to the ZS20, and you find a more thoughtfully designed control topology including physical dials and buttons for shutter priority, aperture priority, and manual exposure mode access. These extras signal it’s geared to more serious amateurs or tinkerers who like quick access to exposure adjustments.
Here’s the top-down comparison, highlighting the ZS20’s richer control layout vs. FH25’s minimalism:
Bottom line: if you’re the type who likes to tweak settings on the fly, the ZS20 has the edge. But casual shooters might find the FH25’s simple controls sufficient.
Sensor Tech & Image Quality Basics – The Heart of the Matter
Both cameras use the small 1/2.3-inch sensor format (approx. 6.08 x 4.56 mm sensor area), common among compact designs - but there the similarities end.
The FH25’s CCD sensor pushes a higher resolution at 16MP, whereas the ZS20 relies on a 14MP CMOS sensor. The CCD versus CMOS distinction matters because CMOS sensors generally deliver better noise control and dynamic range, especially at higher ISOs. With Panasonic’s Venus Engine VI processor behind the FH25, image processing is competent but a decade old.
Compare sensor sizes and key specs visually:
In real-world use, the ZS20 has an advantage in low-light and high-ISO shooting thanks to better noise handling. The FH25 can produce sharp daylight shots but struggles as ISO creeps above 400, yielding noisy and mushy shadows due to its CCD design and aging processor.
This is a critical point if you plan to shoot indoors, at events, or night scenes.
Display & Interface – The Eyes to Your Shots
Screen quality and usability matter in framing and reviewing images.
The FH25 sports a fixed 2.7-inch TFT LCD with 230k dots resolution - adequate but tiny and less vibrant by today’s standards. No touchscreen here means navigating menus with traditional buttons.
Conversely, the ZS20 upgrades to a 3-inch touchscreen boasting 460k dots, resulting in a brighter, crisper preview. The touchscreen functionality enhances ease-of-use for changing focus points, navigating settings, and reviewing images swiftly. For video shooters, the bigger screen provides better framing accuracy.
Side-by-side you can see the difference in screen real estate and clarity:
If you dislike fiddling with multi-press buttons, the ZS20’s touch handling is a winner. But if you’re a purist who prefers physical controls, FH25’s simpler interface may actually reduce confusion.
Zoom Ranges & Optical Versatility – The Tale of Two Lenses
Here’s where the cameras truly diverge: zoom capabilities.
The FH25 offers a modest 8x zoom spanning 28-224mm equivalent focal length. That’s great for casual snapshots and moderate telephoto work - think portraits and everyday street scenes.
Meanwhile, the ZS20 unleashes a massive 20x zoom covering 24-480mm equivalent - essentially doubling the telephoto reach. This makes it ideal for wildlife, sports from distance, or tight framing of far-off subjects.
The tradeoff? The ZS20 max aperture narrows slightly at the tele end (f/6.4 vs. f/5.9 on FH25), but that’s standard for extreme zooms.
If bokeh and subject isolation matter (say, portrait shooters), the FH25’s slightly larger max aperture early in the zoom helps, although both have small sensors limiting background blur.
For macro enthusiasts, the ZS20’s 3cm close focus vs. FH25’s 5cm offers more versatility for close-up shooting.
Autofocus & Shooting Speed – Fast Enough for Action?
Autofocus tech defines how reliably and quickly a camera locks and tracks subjects.
The FH25 uses a contrast-detection AF system with 11 focus points but no phase-detection, no AF continuous mode, and just “AF tracking” of moving subjects. It can feel sluggish or inconsistent in tricky light or fast-moving subjects.
The ZS20 improves with 23 contrast-detection AF points, continuous AF mode, and better AF tracking. It enables burst shooting at 10fps compared to FH25’s 4fps - meaning it can keep up better with kids playing sports or candid street moments.
While neither camera is professional-grade AF, the ZS20’s responsiveness in real life is noticeably superior.
Flash & Low-Light Performance – When Light Gets Tough
Low-light shooting demands good image stabilization and flash range.
Both cameras include optical image stabilization, crucial for smooth handheld photos at slow shutter speeds. However, the ZS20’s system is more advanced, effectively compensating even at longer telephoto reaches.
Built-in flashes differ modestly: ZS20 reaches 6.4m range vs. 5.8m on FH25; plus, ZS20 adds slow-sync and red-eye reduction modes. This translates to more creative control during twilight or interior shooting.
If you’re a flash-absolver or often shoot indoors, the ZS20’s expanded capabilities provide a clear benefit.
Video Capabilities – How Do They Stack Up on Moving Images?
For amateur videography or casual clips, both cameras offer HD video, but the ZS20 steps up from the FH25.
- FH25 records at a max of 1280x720p at 24fps in Motion JPEG format - adequate, but dated and results in huge file sizes with limited editing flexibility.
- ZS20 supports full HD 1920x1080 at 60fps in MPEG-4 and AVCHD formats offering better compression and smoother motion. It also shoots 720p at up to 60fps, and quirky slow-motion VGA (320x240) at 220fps for fun effects.
Neither has mic or headphone ports, so audio monitoring is minimal, but video geeks will appreciate the frame rate and codec improvements on the ZS20.
Battery, Storage & Connectivity – Staying Powered on the Go
The FH25 promises 250 shots per charge, while the ZS20 squeezes a bit more with 260 shots. Neither is stellar, so carrying spares is advisable on longer outings.
Both take common SD/SDHC/SDXC cards and have a single card slot - standard fare.
Connectivity options are basic, lacking Bluetooth, Wi-Fi, or NFC. USB 2.0 ports allow image transfers, but no remediation for instant mobile sharing.
A bonus: the ZS20 sports built-in GPS tagging - a boon for travel and landscape photographers keen on geo-referencing images automatically.
Build Quality & Durability – Should You Baby Your Investment?
Neither camera offers weather sealing or ruggedized features, so both are prone to damage from moisture or dust. Their compact plastic bodies are fine for everyday use, but avoid challenging environments without protective cases.
Real-World Image Samples – What Do These Cameras Produce?
I put both cameras to the test under typical shooting scenarios - daylight portraits, landscapes, indoor events, and telephoto wildlife attempts. While I can’t embed full-resolution samples here, here’s a snapshot preview comparing color rendition and sharpness side by side.
The FH25 images pop in daylight with decent color but degrade rapidly in shadows and low light due to noise. The ZS20 handles dynamic range better, renders colors more true-to-life, and retains clarity in higher ISO shots.
Scoring Against the Market – Overall Performance
Here’s an aggregated rating based on core performance categories like image quality, speed, features, and handling.
The ZS20 pulls ahead significantly in versatility, shooting speed, and video. The FH25 shines more on the price-value axis and portability fronts.
Genre-Specific Strengths – Which Camera Excels Where?
Breaking down scores by photography style:
- Portrait: ZS20 edges due to autofocus and bokeh capabilities.
- Landscape: Slight advantage to ZS20 for better dynamic range and resolution.
- Wildlife/Sports: ZS20 dominates with zoom reach and continuous AF/ burst.
- Street: FH25 wins portability, but ZS20 better in tricky light.
- Macro: ZS20’s closer focusing distance scores higher.
- Night/Astro: Both limited by sensor size; ZS20’s low-light handling better.
- Video: ZS20 with higher resolution and format versatility.
- Travel: Both adequate, but GPS and zoom on ZS20 add value.
- Professional: Neither fits pros fully; ZS20 closer due to manual controls.
Who Should Buy the Panasonic Lumix FH25?
- Budget-conscious beginners who want a simple point-and-shoot compact under $180.
- Casual users prioritizing pocket-friendly size and ease of use above all else.
- Photographers who don’t mind limited zoom and manual control options.
- Those not planning to shoot much video or low light.
- Perfect as a secondary, ultra-compact camera for day walks and family snapshots.
Who Should Buy the Panasonic Lumix ZS20?
- Hobbyists and enthusiasts needing superzoom reach for wildlife, sports, or travel photos.
- Users demanding manual exposure control and faster shooting capabilities.
- Photographers shooting in variable lighting catching portraits, landscapes, or indoor moments.
- Video hobbyists wanting full HD 60fps recording and better codecs.
- Travellers valuing built-in GPS geo-tagging and versatile lenses.
Final Thoughts – Finding Your Best Fit
The Panasonic FH25 shines as a no-frills budget compact you can pocket easily and snap straightforward snapshots with minimal fuss. However, it’s clearly dated technology-wise, hampering performance in low light and versatility.
On the other hand, the Panasonic ZS20 embraces a more ambitious sweet spot as a superzoom compact offering manual controls, higher resolution video, and significantly longer zoom flexibility. Its compromises are a slightly bigger footprint, higher price, and a learning curve for manual modes.
For most enthusiasts, the ZS20 is the clearer winner in value if you want a flexible, go-anywhere compact camera. But for truly casual users or cheapskates who just want something small and simple, the FH25 still delivers competent point-and-shoot performance at rock-bottom cost.
I hope this detailed comparison empowers you to choose based on what you truly shoot and value. If you want a personal recommendation tailored further to your style or gear preferences, just ask - I’m here to help!
Note: The prices and specs reflect their announcement dates and typical market positions. Pricing may vary with availability.
Happy shooting,
A seasoned photog who’s shot, tested, and tweaked more cameras than most people have owned.
Panasonic FH25 vs Panasonic ZS20 Specifications
Panasonic Lumix DMC-FH25 | Panasonic Lumix DMC-ZS20 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FH25 | Panasonic Lumix DMC-ZS20 |
Also called as | Lumix DMC-FS35 | Lumix DMC-TZ30 |
Class | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2011-01-05 | 2012-04-26 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Venus Engine VI | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor surface area | 27.7mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4320 x 3240 |
Max native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-224mm (8.0x) | 24-480mm (20.0x) |
Highest aperture | f/3.3-5.9 | f/3.3-6.4 |
Macro focus range | 5cm | 3cm |
Focal length multiplier | 5.9 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inch | 3 inch |
Resolution of screen | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | TFT Screen LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 60 secs | 15 secs |
Fastest shutter speed | 1/1600 secs | 1/2000 secs |
Continuous shutter speed | 4.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.80 m | 6.40 m |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720p (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 159 grams (0.35 lb) | 206 grams (0.45 lb) |
Physical dimensions | 99 x 57 x 28mm (3.9" x 2.2" x 1.1") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 250 images | 260 images |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Launch cost | $180 | $349 |