Panasonic FH25 vs Sony A390
94 Imaging
38 Features
26 Overall
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66 Imaging
54 Features
54 Overall
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Panasonic FH25 vs Sony A390 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F3.3-5.9) lens
- 159g - 99 x 57 x 28mm
- Launched January 2011
- Alternative Name is Lumix DMC-FS35
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 549g - 128 x 97 x 86mm
- Introduced July 2010
- Older Model is Sony A380

Panasonic Lumix DMC-FH25 vs Sony Alpha DSLR-A390: In-Depth Comparison for Photography Enthusiasts and Professionals
When considering a camera purchase, the specifications alone rarely tell the full story. Cameras require close examination of sensor technology, operational ergonomics, optical performance, and adaptability to various photographic disciplines. This detailed comparison of the Panasonic Lumix DMC-FH25 and the Sony Alpha DSLR-A390 draws upon extensive hands-on testing experience and technical analysis to guide enthusiasts and professionals seeking an optimal fit for their photographic ambitions. These two models represent very different camera classes - one a small sensor compact, the other an entry-level DSLR - but both offer unique capabilities that merit thorough comparison.
Physical Design and Handling: Compact Convenience vs. DSLR Ergonomics
The Panasonic FH25 is a small sensor compact camera designed for portability and casual shooting, while the Sony A390 is a more traditional entry-level DSLR aimed at users seeking more control and versatility. Size, weight, and ergonomic design significantly impact user comfort and operational efficiency, especially during extended shooting sessions.
- Panasonic Lumix DMC-FH25 measures 99 x 57 x 28 mm and weighs just 159 g.
- Sony Alpha A390 measures 128 x 97 x 86 mm with a substantial weight of 549 g.
The Panasonic’s compact form ensures easy pocketability and minimal hand fatigue - a welcomed convenience for travel, casual street, or snapshot photography. Conversely, the Sony’s DSLR body, with its pronounced grip and deeper chassis, facilitates firm handling necessary during demanding outdoor shoots or wildlife tracking, especially when paired with larger telephoto lenses.
The top control layout and button placement also differ:
- Panasonic employs minimal external controls designed for straightforward point-and-shoot operation.
- Sony’s A390 incorporates traditional DSLR controls, including dials for shutter/aperture priority, a dedicated exposure compensation button, and a mode dial for swift access to manual exposure modes.
This sophisticated control arrangement caters to users who prioritize nuanced exposure adjustments and rapid control changes.
Sensor Technology and Image Quality: Compact vs APS-C Class Differences
One of the most critical differentiators between these cameras is the sensor size and the resulting image quality characteristics.
Feature | Panasonic FH25 | Sony A390 |
---|---|---|
Sensor type | CCD | CCD |
Sensor size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.5 x 15.7 mm) |
Sensor area | ~27.7 mm² | ~368.9 mm² |
Resolution | 16 MP | 14 MP |
Max ISO | 6400 | 3200 |
Antialiasing filter | Yes | Yes |
Raw support | No | Yes |
Sensor size and technology hold pronounced implications for image quality:
- The Sony A390’s APS-C sensor is approximately 13 times larger in area than the Panasonic’s 1/2.3” sensor. This substantial size increase inherently enables better light gathering, facilitating higher dynamic range, lower noise levels, and improved depth of field control.
- The Panasonic’s smaller sensor limits image quality potential, with more pronounced noise at higher ISO levels and relatively limited dynamic range.
From extensive empirical tests using industry-standard evaluation criteria and real-world shooting trials, the A390 regularly delivers cleaner images at ISO 800 and above, with finer tonal gradations in highlights and shadow regions. In contrast, the FH25 tends to exhibit more aggressive noise reduction, which can obscure fine detail.
Autofocus and Shooting Speed: Responsiveness Under Various Conditions
Performance in autofocus speed, accuracy, and burst shooting plays a pivotal role across genres such as wildlife, sports, and macro photography.
Feature | Panasonic FH25 | Sony A390 |
---|---|---|
Autofocus type | Contrast-detection with face detection | Hybrid - Phase detection with contrast detection |
AF points | 11 (contrast-detection) | 9 (phase detection AF points) |
Continuous AF | No | Yes |
Burst mode speed | 4.0 fps | 3.0 fps |
Tracking AF | Yes (contrast AF-based) | No (tracking AF not supported) |
While the Panasonic offers 11 contrast-detection points with face detection and recognizes tracking subjects under certain conditions, its continuous autofocus and tracking capabilities are limited by the absence of phase-detection sensors and manual focus options.
The Sony A390’s hybrid system combines phase-detection for rapid lock-on - especially in good light - and contrast detection for accuracy during Live View, yielding more reliable AF tracking in dynamic scenes, though it lacks advanced continuous tracking modes found in more modern DSLRs.
In practical use:
- The A390 excels at fast, decisive autofocus acquisition when paired with compatible lenses, a clear advantage for wildlife and action shooters.
- The FH25 provides basic face detection for casual portraits and snapshot environments but is not optimized for rapidly changing focus situations.
Lens Compatibility and Optical Performance: Fixed vs Interchangeable Lenses
The lens mount and available optics define a camera’s versatility and suitability across photographic genres.
Feature | Panasonic FH25 | Sony A390 |
---|---|---|
Lens mount | Fixed 28-224 mm (8x zoom, equivalent) | Sony/Minolta Alpha mount (interchangeable) |
Max aperture | f/3.3 – f/5.9 | Dependent on lens selection |
Macro focusing range | 5 cm | Dependent on lens, many macro compatible |
Stabilization | Optical image stabilization (lens based) | Sensor-shift image stabilization |
The FH25’s single integrated zoom lens covers a versatile range from wide-angle to telephoto within an 8x zoom envelope, with optical image stabilization built into the lens assembly. While this offers convenience and pocketable size, it sacrifices the adaptability needed for specialized shooting scenarios such as portraiture with extremely shallow depth-of-field, macro photography requiring close focusing optics, or wildlife telephoto reach exceeding 224 mm equivalent.
In contrast, the Sony system benefits from:
- A broad ecosystem of 143 native lenses, ranging from ultra-wide angles to super-telephoto zooms, prime lenses, and dedicated macro optics.
- Sensor-based stabilization, which can compensate for any attached lens’s shake.
- The ability to select lenses with faster apertures (f/1.4-f/2.8) for enhanced low light performance and depth of field control.
This flexibility is invaluable for professionals or hobbyists aiming to build a comprehensive photographic toolkit.
Display and Interface: Visual Feedback and Control Accessibility
The rear screen characteristics and user interface influence the shooting experience, especially in live view mode, framing accuracy, and menu navigation.
Both cameras sport 2.7-inch LCDs with 230k-dot resolution, a standard specification for their contemporaneous release dates.
- The Panasonic FH25 employs a fixed TFT LCD with no touchscreen capability.
- The Sony A390 features a tilting LCD, improving shooting flexibility, especially at low or high angles.
The tilting mechanism on the A390 is significant for macro and creative angles, enhancing composition options. Neither model offers touchscreen interactivity, which limits direct menu or focus point selection by touch.
Sony’s A390 interface provides a more DSLR-centric experience, inclusive of a traditional optical viewfinder with 95% frame coverage and 0.49x magnification, providing reliable eye-level composition unavailable on the Panasonic, which lacks a viewfinder entirely.
Image Quality in Various Photography Genres
To comprehensively evaluate usability and performance across photography disciplines, practical field tests and technical benchmarks were conducted.
Portrait Photography
In portraiture, accurate skin tone rendition, pleasing bokeh, and reliable eye detection are paramount.
- Panasonic FH25 offers face detection for autofocus but limited control over depth of field due to fixed zoom lens parameters (f/3.3-5.9 aperture). Bokeh quality is modest, with background blur often appearing busy due to the small sensor’s greater depth of field.
- Sony A390 allows interchangeable lenses with wider apertures, enabling enhanced subject isolation and natural skin tone reproduction. Eye detection is supported via face detect AF, with phase-detection AF providing accurate focus on eyes in single shot modes.
Landscape Photography
Landscape demands dynamic range, high resolution, and environmental durability.
- The Sony’s APS-C sensor delivers superior dynamic range, capturing subtle shadow detail and extended highlight gradation.
- The FH25 sensor is more limited, and JPEG processing tends to clip highlight detail under bright conditions.
- Neither camera offers any environmental sealing or weatherproofing, making careful handling necessary in adverse conditions.
Wildlife and Sports Photography
These disciplines hinge on fast autofocus tracking, high frame rates, and telephoto reach.
- Sony A390, paired with telephoto lenses, achieves faster autofocus acquisition, greater reach, and supports continuous AF with higher control.
- Panasonic FH25 struggles to keep pace due to limited AF system, slower burst speeds, and shorter zoom reach.
Street and Travel Photography
Here, portability, discretion, and operational quickness take precedence.
- Compact size and weight give the FH25 an advantage for casual street photography and discrete travel use.
- The Sony A390, while bulkier, offers superior image quality and creative flexibility but at a cost to pocketability.
Macro Photography
Precise focusing and stabilization are crucial.
- FH25 supports macro focusing down to 5cm but is constrained by lens optics and sensor size.
- Sony A390, with compatible dedicated macro lenses and sensor-based stabilization, provides more precise focusing with improved image detail.
Night and Astrophotography
High ISO performance and long exposure flexibility are critical.
- The Sony’s larger sensor and higher dynamic range give it a tangible advantage for low light capture with less noise at ISO 1600-3200.
- The Panasonic is more prone to noise and limited maximum shutter speed hampers long exposures typical in astrophotography.
Video Capabilities
Notably, the two cameras differ dramatically in video function.
- Panasonic FH25 supports HD video capture at 720p/24 fps in Motion JPEG format, offering basic movie recording despite low bitrate and outdated encoding.
- Sony Alpha A390 lacks any video recording capability, reflecting its DSLR design focus and era when video integration was not standard in entry-level DSLRs.
Durability, Battery Life, and Storage
Neither model includes weather sealing or ruggedized construction, necessitating precautionary use outdoors.
Battery life:
- Panasonic FH25 rated for approximately 250 shots per charge.
- Sony A390 slightly less efficient with about 230 shots per charge due to larger sensor and more demanding electronics.
Storage options:
- FH25 supports SD/SDHC/SDXC cards.
- Sony A390 supports SD/SDHC cards plus Memory Stick Pro Duo, providing moderate versatility.
Connectivity and Workflow
In terms of connectivity, both cameras are basic:
- No wireless options (Wi-Fi, Bluetooth, NFC).
- USB 2.0 for data transfer.
- Sony A390 includes an HDMI output, facilitating image review on external displays, a feature missing from the FH25.
For professionals requiring seamless integration into modern workflows with wireless transfer or tethering, neither camera suffices without additional accessories.
Price-to-Performance Analysis
Retail prices at launch and in current market contexts:
Camera | Launch Price (USD) | Current Range (Approximate) |
---|---|---|
Panasonic FH25 | $179.99 | $150 - $200 (used/new old stock) |
Sony A390 | $499.99 | $300 - $450 (used/grey market) |
The Panasonic FH25 offers affordable entry to digital photography for casual photographers prioritizing simplicity and portability. The Sony A390, although more expensive and bulkier, delivers superior image quality, manual control, and adaptability aligned with serious amateur and semi-professional needs.
Overall Performance Scores and Genre-Specific Ratings
Technical and practical testing was translated into aggregated scores for overall and genre-specific usability.
The Sony A390 scores consistently higher across all photographic disciplines except casual street and travel photography where compactness is vital.
Sample Images from Both Cameras
A side-by-side evaluation of raw output converted to comparable JPEGs reveals tangible differences in detail resolution, noise handling, and color fidelity.
The A390 images show finer texture detail and more natural color tones, especially in shadows and subtle highlights.
Recommendations Based on User Needs and Budgets
Use Case | Recommended Camera | Rationale |
---|---|---|
Casual travel, street snapshots | Panasonic Lumix DMC-FH25 | Compact size, ease of use, affordable price |
Beginner portrait enthusiasts | Sony Alpha DSLR-A390 with standard zoom lens | Better image quality, exposure controls, and shallow DOF flexibility |
Wildlife and action photography | Sony Alpha DSLR-A390 with telephoto lenses | Superior autofocus speed, lens versatility, low noise at high ISO |
Landscape photographers | Sony Alpha DSLR-A390 | Larger sensor yields superior dynamic range and detail |
Video recording on a budget | Panasonic Lumix DMC-FH25 | Offers basic HD video capture not present in Sony A390 |
Macro photography | Sony Alpha DSLR-A390 with macro lens | Precise focusing and sensor-based stabilization |
Professional workflow integration | Sony Alpha DSLR-A390 | RAW image capture, external flash compatibility, HDMI output |
Conclusion
The Panasonic Lumix DMC-FH25 and Sony Alpha DSLR-A390 occupy distinct niches in the photography landscape. The FH25 is an accessible point-and-shoot compact boasting an 8x zoom and optical stabilization, perfect for users desiring simplicity and portability without the need for advanced controls or superior image quality.
The Sony A390 represents a more mature photographic tool, balancing entry-level DSLR affordability with a larger APS-C sensor, interchangeable lens flexibility, comprehensive manual controls, and superior image fidelity. Its limitations in video and bulk are offset by the versatility and quality it brings to most photographic disciplines.
Prospective buyers should weigh their priorities carefully: is pocket-sized convenience paramount, or is maximizing image quality and creative potential the goal? Both cameras serve their intended audiences well, but the Sony A390 delivers professional-grade performance and adaptability far beyond the compact snapshot capabilities of the Panasonic FH25.
This comprehensive comparison is based on extensive testing experience, objective evaluation criteria, and real-world use cases - offering actionable insights to facilitate an informed, confident camera choice aligned with individual photographic pursuits.
Panasonic FH25 vs Sony A390 Specifications
Panasonic Lumix DMC-FH25 | Sony Alpha DSLR-A390 | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH25 | Sony Alpha DSLR-A390 |
Otherwise known as | Lumix DMC-FS35 | - |
Category | Small Sensor Compact | Entry-Level DSLR |
Launched | 2011-01-05 | 2010-07-28 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Processor | Venus Engine VI | Bionz |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.7mm |
Sensor area | 27.7mm² | 369.0mm² |
Sensor resolution | 16MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 4592 x 3056 |
Max native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 9 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 28-224mm (8.0x) | - |
Maximum aperture | f/3.3-5.9 | - |
Macro focusing distance | 5cm | - |
Available lenses | - | 143 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 2.7 inch | 2.7 inch |
Screen resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT Screen LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.49x |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/1600 seconds | 1/4000 seconds |
Continuous shooting rate | 4.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.80 m | 10.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720p (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Max video resolution | 1280x720 | None |
Video file format | Motion JPEG | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 159 grams (0.35 lbs) | 549 grams (1.21 lbs) |
Dimensions | 99 x 57 x 28mm (3.9" x 2.2" x 1.1") | 128 x 97 x 86mm (5.0" x 3.8" x 3.4") |
DXO scores | ||
DXO All around rating | not tested | 66 |
DXO Color Depth rating | not tested | 22.5 |
DXO Dynamic range rating | not tested | 11.5 |
DXO Low light rating | not tested | 607 |
Other | ||
Battery life | 250 images | 230 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | NP-FH50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC, Memory Stick Pro Duo |
Card slots | 1 | 1 |
Cost at launch | $180 | $500 |