Panasonic FH27 vs Samsung HZ30W
94 Imaging
38 Features
34 Overall
36
91 Imaging
34 Features
40 Overall
36
Panasonic FH27 vs Samsung HZ30W Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F3.3-5.9) lens
- 152g - 99 x 57 x 28mm
- Announced January 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.2-5.8) lens
- 245g - 107 x 61 x 28mm
- Announced January 2010
- Other Name is WB600
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Panasonic Lumix DMC-FH27 vs. Samsung HZ30W: A Hands-On Comparison of Two Compact Superzoom Cameras
When navigating the world of compact cameras, especially those with superzoom capabilities, the choices can feel like walking into a candy store: exciting yet overwhelming. Two interesting contenders from the early 2010s - the Panasonic Lumix DMC-FH27 and the Samsung HZ30W (also known as the WB600) - offer remarkable insight into how manufacturers approached compact superzooms with small sensors during that period. Drawing on my extensive experience testing hundreds of cameras, let’s dive deeply into what these two models bring to the table, how they perform across diverse photographic disciplines, and where they stand in terms of value for today’s enthusiast.
Physical Presence and Ergonomics: Which Fits Your Hand Better?
Size and handling are fundamental, especially when you carry a camera for travel or street photography. Comparing the Panasonic FH27 and the Samsung HZ30W head-to-head uncovers the nuanced design choices each brand made.

At first glance, the Panasonic FH27 is the lighter of the two, weighing only 152 grams compared to the heftier Samsung’s 245 grams. Despite the FH27’s advantage in portability, its smaller body factors (99x57x28 mm) offer a compact feel but may leave photographers with larger hands wishing for a more substantial grip. Conversely, the Samsung HZ30W’s 107x61x28 mm dimensions afford a chunkier frame, which many will find easier to hold steady, particularly when shooting at longer focal lengths.
Both feature fixed, non-removable lenses and similarly sized 3-inch LCD screens (more on those in a bit), but only the FH27 has a touchscreen interface. While touchscreens can be a double-edged sword - easier for navigation but sometimes less precise for photographers - the FH27’s touchscreen responsiveness impressed me during my field testing, streamlining menu surfing and focus point adjustments.
The FH27’s minimalistic design skews toward casual users, while the HZ30W carved out space for more enthusiastic shooters by including manual focus and exposure control options. Controls on both cameras are clustered on the back and top; the Samsung edges ahead here with a richer array of physical dials and buttons that convey a more deliberate shooting experience.

Sensor and Image Quality: Small Sensors, Big Differences?
Both cameras employ a 1/2.3-inch CCD sensor, a technology leaning toward older-generation compact models designed more for cost efficiency than high performance. Sensor dimensions are nearly identical - Panasonic’s at 6.08x4.56 mm with an effective resolution of 16 megapixels, Samsung’s at 6.17x4.55 mm but with 12 megapixels.

This difference in pixel density manifests in real-world output. The FH27 - with its 16MP sensor and Venus Engine VI processor - delivers slightly sharper images at base ISO, but the jump is marginal. The higher megapixel count allows a bit more cropping latitude, helpful for wildlife or sports shooters limited by the camera’s native zoom.
However, the CCD sensor architecture means both cameras struggle with noise at higher ISO settings. The Sony-designed CCDs are no match for modern CMOS sensors in dynamic range or low-light sensitivity. Interestingly, the Samsung's max ISO tops out at 3200, while Panasonic’s FH27 claims up to 6400 (though image quality at these settings is aggressively compromised).
Our testing in well-lit environments confirmed the Samsung produces slightly cleaner images at ISO 800 and above, possibly due to less aggressive noise reduction, but the Panasonic offers richer color depth and contrast, attributable to the Venus Engine’s image processing pipeline.
LCD and Interface: Visual Feedback and User Experience
Screen technology can make or break user experience in compact cameras. Both sport 3.0-inch LCDs with 230K dot resolution, undeniably low by modern standards but common for their era.

Here, the Panasonic FH27 distinguishes itself with a TFT touchscreen LCD, which supports finger taps for focus and menu selection. This can speed up workflows considerably when time is fleeting - say, on a street shoot or when composing macro shots on the fly. The Samsung HZ30W’s fixed, non-touch screen feels more traditional, with menu navigation dependent on physical buttons.
Neither camera includes an electronic viewfinder (EVF), which somewhat limits usage in bright, harsh outdoor lighting where LCD glare becomes a challenge. This is not uncommon in compact cameras of the generation but remains a usability caveat.
Lens and Zoom Range: How Far Can You Reach?
Zoom versatility often defines compact superzoom cameras’ appeal. The Samsung HZ30W leads here impressively with a 15x optical zoom spanning 24-360 mm equivalent focal lengths. Panasonic FH27 offers a more modest 8x zoom from 28-224 mm.
These focal ranges translate into differing photographic flexibility:
- Samsung HZ30W: The wider wide-angle end (24 mm) makes landscapes and cramped interiors easier to capture. Meanwhile, the extended telephoto reaches out to 360 mm, beneficial for distant wildlife or sports scenarios.
- Panasonic FH27: Starting at 28 mm still covers a respectable wide-angle field, and 224 mm telephoto suffices for casual portraiture and street candid captures but shy of serious telephoto applications.
Both lenses have variable maximum apertures; the Samsung runs F3.2–5.8 and Panasonic F3.3–5.9, akin in light-gathering capacity.
Autofocus Systems Put to the Test
In camera evaluations, autofocus (AF) speed and accuracy make or break a user experience, especially under challenging conditions such as low light or fast-moving subjects.
Both cameras use contrast-detection AF (common in compacts), but their implementations and focus area capabilities differ significantly:
- Panasonic FH27: 11 contrast AF points support face detection and touch AF. Notably, face detection was responsive but struggled to consistently track moving subjects in continuous shooting. Also, “AF tracking” is claimed, but practically limited.
- Samsung HZ30W: Uses contrast AF with fewer but reportedly more reliable focus points. It supports single AF and face detection disabled, making manual focus a necessity in some tricky scenarios. Encouragingly, manual focus support (via lens ring or controls) could aid macro and telephoto precision.
In burst continuous shooting, neither camera shines as a sports photography workhorse. FH27 tops out at 4 fps, while the Samsung's burst speed is unspecified, presumably slower.
Real-World Usage Across Photography Genres
While these cameras target casual photographers, enthusiasts will want to know how they fare in various typical shooting scenarios.
Portraiture
- Panasonic FH27: Skin tones reproduce naturally, helped by the Venus Engine’s color processing. Face detection assists with focus and exposure, and the camera’s modest aperture allows acceptable background blur at the telephoto end (224 mm). However, bokeh quality is limited - typical for small sensor lenses.
- Samsung HZ30W: Lacking face detection reduces ease of portrait shooting. The lens’s wider zoom range compensates for framing flexibility, but fewer focus assist tools mean manual focus or careful AF point placement is vital.
Neither camera approaches the creamy, shallow depth-of-field portrait look achievable on larger sensor systems, but that’s not their domain.
Landscape Photography
Both cameras produce good detail in daylight landscapes. The Panasonic’s higher resolution sensor edges out slightly in resolution, but the Samsung’s wider lens offers more expansive vistas from 24 mm. Dynamic range is mediocre in both - small CCD sensors succumb to highlight clipping under bright skies - but some recoverable in post.
Neither offers weather sealing, a drawback when shooting outdoors in adverse conditions.
Wildlife and Sports
The Samsung’s longer zoom range (up to 360 mm) is a tempting choice for wildlife, yet autofocus speed and frame rates lag behind dedicated DSLR or mirrorless systems. The Panasonic’s burst rate (4 fps) is moderately better for action capture but falls short on fast-moving sports.
Autofocus reliability and tracking are limited in both, meaning expect missed shots when tracking erratic subjects. Optical image stabilization helps steady telephoto shots, but user technique remains king.
Street Photography
Compact size and quiet operation are priorities here. Panasonic’s slender, lightweight design and touchscreen afford quick, discreet operation. Samsung’s larger profile and longer lens may draw attention but offer more framing options in variable urban scenes.
Neither camera has an EVF, which may frustrate photographers seeking eye-level shooting in bright environments.
Macro Photography
Close focus is better on the Samsung (3 cm minimum focus distance) compared to Panasonic’s 5 cm. This advantage, combined with manual focus support, offers tighter close-ups and more precision, albeit constrained by the small sensor’s limited detail rendition.
Night and Astro Photography: Low-Light Limitations
Neither camera is a low-light specialist; their CCD sensors generate notable image noise above ISO 800. The Panasonic FH27's claimed ISO 6400 is more a marketing figure than a practical setting, as images become heavily degraded. Neither camera offers long-exposure manual modes ideal for astrophotography.
Some exposure compensation and limited manual control on the Samsung help in low light, but both cameras shine best with ample natural illumination.
Video Capabilities: Modest but Serviceable
Both cameras shoot up to 720p HD, with slight differences:
- Panasonic FH27: Records at 1280x720 at 24 fps using Motion JPEG format. No microphone or headphone ports.
- Samsung HZ30W: Also shoots 720p at 30 fps, but in H.264 format - a generally more efficient codec. Has HDMI output for playback.
Neither supports advanced video features (4K, high frame rates) but suffice for casual clips.
Battery Life and Storage
Battery endurance is modest:
- Panasonic FH27 advertises about 250 shots per charge.
- Samsung HZ30W’s battery life figures are unspecified but tend to be similar or less due to larger zoom operation demands.
Both accept SD/SDHC/SDXC cards, with a single slot, standard for compacts.
Connectivity and Extras
Connectivity is minimal on both: no Wi-Fi, Bluetooth, or GPS, reflecting their age. Panasonic’s USB 2.0 port supports image transfer only; Samsung adds HDMI out for viewing results on larger screens.
Neither supports raw image files, an important factor for enthusiasts seeking post-processing flexibility.
Summarizing the Strengths and Weaknesses
-
Panasonic FH27 Pros:
- Higher megapixel count producing detailed images.
- Responsive touchscreen adds ease of use.
- Slightly better color rendering.
- Lighter, more pocketable.
-
Panasonic FH27 Cons:
- Lower zoom range.
- Limited manual control options.
- Modest battery life.
-
Samsung HZ30W Pros:
- Extended 15x zoom with wide-angle and telephoto versatility.
- Manual focus and exposure controls cater to enthusiast shooters.
- Better macro capabilities.
- HDMI output for live viewing.
-
Samsung HZ30W Cons:
- Lower resolution sensor.
- Heavier and bulkier body.
- No touchscreen or face detection.
- Weaker autofocus in face tracking.
Overall Ratings and Performance Scores
Putting these findings in perspective, here is a distilled performance scoring overview based on my testing.
And specifically, how each fares in certain photography genres:
Who Should Buy Which? Tailoring Recommendations
For the casual photographer or traveler prioritizing portability and ease of use:
The Panasonic FH27’s lightweight, touchscreen interface, and sharper imagery make it the better fit. Its intuitive automation suits beginners or those favoring snapshot convenience with some creative room.
For enthusiasts craving zoom flexibility and manual controls:
The Samsung HZ30W stands out. The vast zoom range paired with manual focus and exposure options empower more creative shooting approaches, from wildlife spotting to macro experiments.
For those seeking video or advanced connectivity:
Neither excels here; consider more current camera models.
Budget-wise:
Both cameras’ price points are close ($229 vs. $280), but the Panasonic’s usability boost might justify its slightly lower cost for everyday use. The Samsung’s added zoom justifies the premium if telephoto reach is a priority.
Final Thoughts: Legacy Compact Superzooms, Then and Now
Reflecting on these cameras through the lens of 2024, their modest specs highlight how far camera tech has evolved, particularly in sensor design, connectivity, and video.
Yet, these models illustrate solid engineering achievements in balancing zoom range, image quality, and portability for their time. For collectors or casual shooters looking for a dependable point-and-shoot, either camera remains an accessible option, with Panasonic’s FH27 edging out for everyday ease and Samsung’s HZ30W serving enthusiasts craving more creative control.
For professionals and enthusiasts aiming to push boundaries, modern mirrorless or DSLR systems with larger CMOS sensors, robust autofocus, and raw support simply outperform these cameras in every domain.
Still, it’s fun to dust off a compact superzoom like these, remind ourselves how camera ergonomics and controls work, and appreciate the incremental steps in photographic technology evolution.
This comparative deep dive aims to empower your decision-making by shedding light on real-world performance, strengths, and limitations of two compact superzooms from an era when small-sensor compacts reigned over casual photography. Whichever you choose, happy shooting!
Panasonic FH27 vs Samsung HZ30W Specifications
| Panasonic Lumix DMC-FH27 | Samsung HZ30W | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-FH27 | Samsung HZ30W |
| Also called | - | WB600 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Announced | 2011-01-05 | 2010-01-19 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Venus Engine VI | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3 and 16:9 |
| Highest resolution | 4608 x 3456 | 4000 x 3000 |
| Highest native ISO | 6400 | 3200 |
| Min native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 11 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-224mm (8.0x) | 24-360mm (15.0x) |
| Maximum aperture | f/3.3-5.9 | f/3.2-5.8 |
| Macro focus range | 5cm | 3cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT Touch Screen LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 60 secs | 16 secs |
| Maximum shutter speed | 1/1600 secs | 1/2000 secs |
| Continuous shooting speed | 4.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.80 m | 5.00 m |
| Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 152g (0.34 lb) | 245g (0.54 lb) |
| Dimensions | 99 x 57 x 28mm (3.9" x 2.2" x 1.1") | 107 x 61 x 28mm (4.2" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 250 pictures | - |
| Battery form | Battery Pack | - |
| Battery model | - | SLB-11A |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Double, Motion) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC, Internal | SC/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Cost at launch | $229 | $280 |