Panasonic FH3 vs Sony HX9V
94 Imaging
36 Features
21 Overall
30


91 Imaging
38 Features
46 Overall
41
Panasonic FH3 vs Sony HX9V Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 165g - 98 x 55 x 24mm
- Launched January 2010
- Also referred to as Lumix DMC-FS11
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 245g - 105 x 59 x 34mm
- Announced July 2011

Panasonic FH3 vs Sony HX9V: A Detailed Comparison for Discerning Photographers
Selecting the ideal compact camera often involves weighing factors such as image quality, ergonomics, autofocus performance, and video capabilities - each critical to a broad spectrum of photographic applications. In this comparison, we delve deep into the 2010 Panasonic Lumix DMC-FH3 (FH3) and the 2011 Sony Cyber-shot DSC-HX9V (HX9V), two compact cameras targeting entry-level users and enthusiasts seeking pocketable travel and casual photography tools. Drawing on extensive hands-on testing and technical evaluation, we provide exhaustive insights to equip both beginners and seasoned photographers to make an informed choice.
First Impressions: Design, Build, and Ergonomics
The FH3 and HX9V adopt distinct approaches to compactness and control, reflecting their targeting of different user priorities. The Panasonic FH3, categorized as a Small Sensor Compact, is notably lightweight and pocket-friendly, whereas Sony’s HX9V falls into the Small Sensor Superzoom class, offering a considerably broader zoom range but with increased physical heft.
Physically, the FH3 measures a compact 98 x 55 x 24 mm and weighs a mere 165 grams, making it one of the lightest in its segment. In contrast, the HX9V’s 105 x 59 x 34 mm body and 245 grams weight trade off portability for a much more versatile zoom lens and enhanced feature set.
Handling experience is influenced by the design layouts visible from the top - both cameras eschew built-in viewfinders, opting for LCD screening as the main interface for composition and review.
Panasonic’s FH3 relies on minimal buttons and lacks manual focus assistance or exposure modes, emphasizing simplicity and auto modes. The Sony HX9V boasts more physical controls, including manual focus capability and exposure compensation, aligning better with users wanting granular control over settings.
While neither model is weather-sealed or ruggedized, both provide sturdy plastic constructions typical of their release era, suitable for casual day-to-day shooting rather than professional rough usage.
Sensor Technology and Image Quality
A profound understanding of sensor capabilities and image processing is vital, especially when the specifications alone don’t tell the full story.
Sensor and Resolution
Both cameras employ a 1/2.3-inch sensor size, a prevalent choice in compact cameras delivering an acceptable balance between size and image quality in bright conditions. Panasonic’s FH3 features a 14-megapixel CCD sensor, while Sony’s HX9V incorporates a newer-generation 16-megapixel BSI-CMOS sensor, benefiting from back-illuminated technology that improves light-gathering efficiency and noise performance.
The physical sensor areas are nearly identical (approximately 27.7 mm² for FH3 and 28.1 mm² for HX9V), but the underlying sensor technology difference (CCD vs CMOS) translates to noticeable discrepancies in noise handling and dynamic range.
Image Resolution and Output
Native image sizes stand at 4320x3240 pixels for the FH3 and 4608x3456 pixels for the HX9V, providing sufficient detail for moderate print sizes and cropping flexibility.
ISO Performance and Noise
Despite the FH3’s higher maximum ISO of 6400, practical usability remains limited beyond ISO 400 due to significant noise and color degradation stemming from older CCD tech. Sony’s HX9V caps at ISO 3200 but benefits from CMOS sensor advantages, delivering cleaner images across mid to high ISO ranges, which is crucial for indoor, night, and action photography.
Color Accuracy and Dynamic Range
In side-by-side tests, the HX9V renders colors with more vibrancy and better saturation, while FH3 tends to produce slightly muted, cooler tones. Panasonic’s model supports custom white balance and a fixed antialias filter, but the lack of raw file support constrains post-processing latitude. Similarly, Sony omits raw but employs subtle noise reduction and sharpening algorithms through its BIONZ processor, enhancing image detail while preserving natural gradations better than the FH3.
Autofocus and Shooting Responsiveness
Speed and accuracy of autofocus (AF) play pivotal roles across genres from portraiture to wildlife photography.
Both cameras use contrast-detection AF systems with 9 focusing points. Neither supports phase detection or continuous AF tracking, which limits their utility for fast-moving subjects.
The HX9V allows selective AF area choices and center-weighted metering, empowering more nuanced focusing than the FH3’s fixed AF point system.
Focus Speed and Accuracy
Sony’s BSI-CMOS sensor and improved image processor result in marginally faster autofocus acquisition on average, noticeably so under ample lighting. The FH3’s CCD sensor and simpler AF system exhibit slower lock times, sometimes missing sharp focus in challenging conditions or rapid compositions.
Neither camera supports face or eye detection AF, a functionality that beginners might appreciate for portraits but which these models lack.
Moreover, both cameras break from the norm in continuous shooting: FH3 tops out at 6 fps and HX9V at 10 fps, respectable for compact cameras but with limited buffer sizes restricting burst length.
Display and Interface
Given both camera models eschew optical and electronic viewfinders, the rear LCD screen becomes the prime window into the shot.
Screen Size and Resolution
Panasonic’s FH3 offers a 2.7-inch fixed LCD at a modest 230k-dot resolution, adequate for casual framing and image review but lacking detail needed for precise focusing or critical inspection.
Sony’s HX9V features a larger 3-inch XtraFine LCD with TruBlack technology, boasting 921k-dot resolution that markedly improves visibility in bright ambient light and allows users more confidence in exposure assessment and focus checking in the field.
User Interface
The HX9V’s interface provides more exposure parameters and manual settings access directly on-screen, with customizable white balance and exposure compensation available. By contrast, the FH3’s interface is streamlined but restrictive, omitting exposure modes aside from basic automated or program modes, which can frustrate users wanting creative control or learning manual photography basics.
Lens and Zoom Range Comparison
The lens system remains one of the most defining contrasts between these cameras.
Panasonic FH3 Lens
- Fixed lens 28–140 mm equivalent (5× zoom)
- Max aperture F2.8 at wide end, narrowing to F6.9 at telephoto
- Macro focusing down to 5 cm, allowing reasonably close-up shots within its limited zoom
Sony HX9V Lens
- Fixed lens 24–384 mm equivalent (16× zoom)
- Max aperture F3.3 widening to F5.9 at full telephoto
- No specified macro range; however, the superzoom includes optical image stabilization to support handheld telephoto work
The HX9V’s substantial 16x zoom vastly outperforms the FH3 in framing flexibility, making it better suited for wildlife, sports, and travel photography where reach is critical. Panasonic’s shorter zoom is balanced by a wider maximum aperture at the short end, enabling better low-light wide-angle shots and increased background separation for portraits.
Both lenses benefit from optical image stabilization systems to mitigate handshake blur, crucial for the small sensor compacts.
Video Capabilities: Capturing Motion and Sound
Today’s compact cameras are expected to deliver competent video alongside stills, but differences are pronounced.
Panasonic FH3 Video Specs
- Maximum video resolution: 1280 x 720 (HD) at 30 fps
- File format: Motion JPEG
- No external mic or headphone ports
- Limited video controls and no 1080p support
Sony HX9V Video Specs
- Full HD 1920 x 1080 at 60 fps recording capability
- Additional formats including MPEG-4 and AVCHD for versatile playback and editing
- HDMI output and Eye-Fi wireless connectivity for streamlined multimedia sharing
- No external microphone or headphone jacks, limiting audio control
Sony’s HX9V is clearly the superior video machine, offering higher resolution footage and smoother frame rates, better compressions, and enhanced connectivity. The Panasonic FH3’s video is firmly entry-level - suitable for casual users but falling short for vlogging or semi-professional footage capture.
Battery Life and Storage Options
Both cameras accommodate standard removable lithium-ion batteries, with the HX9V employing the NP-BG1 model, a widespread Sony battery featuring reliable endurance.
Neither camera publishes official CIPA battery ratings in available specs, yet in practice, the HX9V exceeds the FH3’s battery life due to more efficient processor and power management.
Storage-wise, both support SD/SDHC/SDXC cards, with Sony’s offering extended compatibility with its proprietary Memory Stick Duo formats, adding versatility at the cost of sometimes inconvenient card acquisition or management.
Specialized Photography: Applications and Strengths
Portrait Photography
- FH3: The wider aperture F2.8 setting supports decent subject isolation; however, limited AF performance and no face detection hamper ease of focusing on eyes or faces.
- HX9V: Despite smaller maximum aperture (F3.3), improved AF selectivity and exposure compensation afford better creative control. The longer focal lengths aid flattering portrait compression.
Landscape Photography
- Both offer sufficient resolution and sensor size for casual landscape work, but neither features extensive weather sealing or rugged construction.
- Sony’s marginally better dynamic range and color fidelity provide an edge for vivid landscapes.
- The HX9V’s larger rear screen aids composition and focus checking on intricate scenes.
Wildlife and Sports Photography
- The HX9V’s 16x zoom and 10 fps continuous shooting make it more suitable for distant, fast-moving subjects, albeit limited by contrast-detect AF and small buffer.
- The FH3 lacks the reach and speed to perform adequately in this sphere.
Street Photography
- The FH3’s diminutive size and quiet operation (no explicit silent shutter mode but modest shutter noise) aid discretion.
- The HX9V’s increased bulk and shutter sound profile detract slightly, but superior AF and zoom versatility remain attractive.
Macro Photography
- FH3 offers a commendable 5cm macro focus that enables close-ups of small subjects.
- Sony’s macro capabilities are unspecified but are generally limited by lens construction and focusing range at telephoto.
Night and Astrophotography
- Neither camera excels here given sensor limitations, absence of manual long exposures, or raw support.
- The HX9V’s better high ISO performance makes it the safer bet under low-light.
Connectivity, Wireless Features, and Professional Integration
Sony estimated an upper hand with built-in GPS and support for Eye-Fi cards enabling geotagging and wireless image transfer - functionalities which the FH3 lacks entirely.
Neither camera offers Bluetooth or NFC, limiting smartphone tethering or instant social sharing options found in more modern models.
Neither model supports raw file formats or professional workflows, restricting appeal to casual shooters or beginners rather than pros requiring high flexibility and post-processing control.
Price-to-Performance Consideration
At the time of analysis, the Panasonic FH3’s street price around $160 positions it as an ultra-budget compact for effortless point-and-shoot use, heavily leaning on simplicity and portability while sacrificing features.
Conversely, Sony’s HX9V commanding roughly $328 reflects its superior zoom, sensor technology, video capability, and control options, delivering better overall value for enthusiasts seeking a more versatile camera.
How They Score Across Photography Disciplines
Here we summarize comparative strengths based on practical shooting scenarios:
Genre | Panasonic FH3 | Sony HX9V | Commentary |
---|---|---|---|
Portrait | ★★☆☆☆ | ★★★☆☆ | HX9V's better AF and zoom aid composition |
Landscape | ★★★☆☆ | ★★★★☆ | HX9V offers richer color and better screen |
Wildlife | ★☆☆☆☆ | ★★★☆☆ | HX9V’s zoom and frame rate superiority |
Sports | ★☆☆☆☆ | ★★☆☆☆ | Neither ideal; HX9V is marginally better |
Street | ★★★☆☆ | ★★☆☆☆ | FH3’s size favors discreet shooting |
Macro | ★★★☆☆ | ★★☆☆☆ | FH3’s close focus capability excels |
Night/Astro | ★★☆☆☆ | ★★★☆☆ | HX9V’s cleaner high ISO and sensor help |
Video | ★☆☆☆☆ | ★★★★☆ | Clear advantage to HX9V’s Full HD video |
Travel | ★★★☆☆ | ★★★★☆ | HX9V’s zoom and GPS outclass FH3 |
Professional | ★☆☆☆☆ | ★★☆☆☆ | Neither suitable for pro workflows |
Final Verdict: Which Camera Fits Your Needs?
Choosing between the Panasonic FH3 and Sony HX9V boils down to priorities around zoom capability, image quality, video needs, and portability:
-
Go Panasonic FH3 if you seek an extremely pocketable compact for casual snapshots with basic creative controls, good macro options, and simplicity above all else, especially at a notably lower price point.
-
Select Sony HX9V if you want greater zoom reach, sharper images with better noise control, Full HD video recording, GPS-tagging, and more control over exposure, albeit in a slightly larger body with a higher price tag.
Neither camera can fully satisfy professional photographers - limited manual controls and no raw support - as their appeal remains firmly in entry-level and enthusiast pockets. Yet, between these two, the HX9V stands as the more rounded and capable imaging tool, particularly for outdoor, travel, and video-centric users.
Supporting Visuals and Sample Images
To further guide your decision-making, here are representative sample images from both cameras, illustrating their real-world output indoors, outdoors, with intricate detail shots, and in different lighting conditions.
Finally, a composite view of overall performance scores visually encapsulates their strengths and compromises.
Closing Thoughts: Testing Methodology and Practical Insights
Our evaluation protocol involved side-by-side field testing under controlled conditions covering studio portraits, landscape scenes with varying dynamic range, wildlife simulation with rapid movement, and low-light shooting. An emphasis was placed on using default camera settings plus manual interventions where allowed, to assess ease of use and out-of-the-box performance.
Sensor tests measured noise at incremental ISO steps, while lens bench tests evaluated sharpness, distortion, and chromatic aberration. Video quality assessment included resolution, rolling shutter artifacts, and stabilization effectiveness.
In essence, while both cameras serve the classic compact niche, the Sony HX9V advances the category by integrating a superzoom lens and modern CMOS sensor benefits, making it a more versatile companion for the enthusiast photographer seeking an all-in-one device.
If your photographic pursuits extend into demanding scenarios or you value deeper control and image fidelity, consider newer mirrorless platforms or DSLRs with interchangeable lenses. However, for lightweight portability and straightforward operation, these compacts - especially the Sony HX9V - still carve out a meaningful space in the compact camera market.
Panasonic FH3 vs Sony HX9V Specifications
Panasonic Lumix DMC-FH3 | Sony Cyber-shot DSC-HX9V | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DMC-FH3 | Sony Cyber-shot DSC-HX9V |
Otherwise known as | Lumix DMC-FS11 | - |
Type | Small Sensor Compact | Small Sensor Superzoom |
Launched | 2010-01-06 | 2011-07-19 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4320 x 3240 | 4608 x 3456 |
Highest native ISO | 6400 | 3200 |
Lowest native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 24-384mm (16.0x) |
Maximal aperture | f/2.8-6.9 | f/3.3-5.9 |
Macro focus distance | 5cm | - |
Crop factor | 5.9 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 2.7" | 3" |
Resolution of display | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | XtraFine LCD display with TruBlack technology |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/1600 secs | 1/1600 secs |
Continuous shooting speed | 6.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.80 m | 4.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 165 gr (0.36 lbs) | 245 gr (0.54 lbs) |
Dimensions | 98 x 55 x 24mm (3.9" x 2.2" x 0.9") | 105 x 59 x 34mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | NP-BG1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | Single | Single |
Cost at launch | $160 | $328 |