Panasonic FH6 vs Sony TF1
96 Imaging
37 Features
29 Overall
33


94 Imaging
39 Features
34 Overall
37
Panasonic FH6 vs Sony TF1 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Revealed January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.6-4.7) lens
- 152g - 102 x 62 x 23mm
- Revealed June 2013

Panasonic Lumix DMC-FH6 vs. Sony Cyber-shot DSC-TF1: A Detailed Comparison for Serious Photography Enthusiasts
Choosing a compact camera that meets specific photographic needs while balancing usability, performance, and budget can be challenging, especially with offerings that superficially appear similar. The Panasonic Lumix DMC-FH6 and the Sony Cyber-shot DSC-TF1, both compact cameras with fixed lenses and 1/2.3" sensors, address distinct niches but often attract interest from users seeking reliable point-and-shoot solutions. This article provides an exhaustive comparison between these two models, focusing on practical, hands-on testing insights, technical capabilities, and use-case suitability for photography enthusiasts.
Understanding the Core Differences: An Overview
At the outset, it is essential to contextualize these cameras’ primary design intents and target users. The Panasonic FH6, announced in early 2012, targets the budget-conscious user needing a straightforward, lightweight compact with a versatile zoom and basic photographic controls but no touchscreen or rugged features. Conversely, the Sony TF1, launched in mid-2013, caters primarily to active users requiring a waterproof, dustproof, and shock-resistant compact camera with enhanced durability and some modern usability upgrades like a touchscreen interface.
Despite sharing the 1/2.3" CCD sensor category, these cameras diverge significantly in operational design, feature emphasis, and intended photographic scenarios. This analysis unpacks every aspect - from sensor performance to ergonomics - to clarify which model suits particular shoot demands.
Form Factor and Handling: Size, Ergonomics, and Usability
An essential decision factor when selecting a compact camera is how it feels during handling and shooting, especially for varied photographic disciplines.
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Size and Weight:
The Panasonic FH6 measures 96 x 56 x 20 mm and weighs 119 g, making it exceptionally lightweight and pocketable for travel and casual shooting. The Sony TF1, larger at 102 x 62 x 23 mm and 152 g, is heavier but this is justified by its robust, waterproof chassis. -
Ergonomics:
Both cameras lack an electronic viewfinder and rely solely on their LCD displays for image composition. The FH6’s smaller profile enhances portability but limits grip comfort for extended handheld use. The TF1’s more robust body offers improved handling reassurance, particularly in wet environments or rugged conditions. -
Button Layout and Controls:
The FH6 omits touchscreen functionality, relying on physical buttons without backlighting, which can hamper usability in low-light shooting. In contrast, the Sony TF1 incorporates a 2.7-inch touchscreen LCD with 460k-dot resolution, improving quick menu navigability and focus point selection.
Ergonomically, Sony’s touchscreen and larger, sturdier form factor provide superior operational control in challenging environments, while Panasonic prioritizes ultra-compact design for portability.
Sensor and Image Quality Capabilities: Technical Analysis and Practical Results
Both models feature 1/2.3-inch CCD sensors, but with differences in resolution and underlying image quality parameters relevant to discerning photographers.
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Sensor Resolution and Specification:
- Panasonic FH6: 14 megapixels (4320x3240), sensor area 27.72 mm², native ISO 100–6400.
- Sony TF1: 16 megapixels (4608x3456), sensor area 28.07 mm², native ISO 100–3200.
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CCD Technology:
Both utilize CCD sensors typical of earlier compact cameras, favoring better color fidelity over CMOS-based low-light sensitivity. The slight edge in pixels for the Sony TF1 translates into marginally higher resolution potential but also increases noise sensitivity at higher ISOs. -
Image Quality Metrics: Given the absence of DxOMark data, we rely on real-world testing under controlled lighting to evaluate dynamic range, color accuracy, and noise handling. The Sony TF1 performs better in maintaining detail retention and color vibrancy, particularly in outdoor or high-contrast scenes, partially attributable to its more modern processing pipeline and optical image stabilization system. Panasonic's FH6 tends to produce softer images toward the telephoto end due to its narrower aperture at long zoom (F6.4 max) and simpler image processing.
Photographers prioritizing image sharpness and slightly richer tonal gradations will find the Sony TF1 modestly superior, especially if leveraging the camera’s capability for selective spot metering and white balance bracketing.
Display and User Interface: Composing and Reviewing Shots
Image composition and review depend heavily on the viewfinder and screen performance in compact cameras lacking optical or electronic viewfinder options.
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LCD Screen Size and Resolution:
Both cameras come equipped with fixed 2.7-inch TFT LCD screens. However, Panasonic's lower 230k-dot resolution limits detailed image review, while Sony’s 460k-dot touchscreen offers a crisper display and interactive touch features. -
Touchscreen Usability:
Sony’s touchscreen facilitates quicker setting adjustments, AF point selection, and zoom control, beneficial for street photographers or users operating with gloves or in dynamic situations. Conversely, the FH6’s lack of touchscreen requires reliance on physical keys, which simplifies user interaction but slows operation. -
Screen Articulation:
Neither camera offers articulating or tilting screens, limiting framing flexibility in awkward shooting positions.
When shooting in bright conditions, both displays suffer from glare due to the lack of anti-reflective coatings, but Sony’s brighter panel provides a slight practical advantage for outdoor use.
Autofocus Systems and Performance in Varied Photographic Genres
Autofocus accuracy and speed are critical metrics influencing shooting success across photography styles like wildlife, sports, macro, and street photography.
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Autofocus Type:
Both cameras employ contrast-detection AF without phase detection. Panasonic FH6 offers 9 AF points with center-weighted autofocus, including face detection. Sony’s AF points are fewer and unspecified but include face detection and center-weighted metering, further enhanced by touchscreen AF selection and limited AF tracking capabilities. -
Focus Speed and Accuracy:
The FH6 yields consistent AF locking speeds acceptable for static subject photography, but slow contrast detection hampers action or wildlife shooting. The TF1 suffers even slower AF response time under low-light but benefits from spot metering capabilities allowing more precise exposure control. -
Macro Capabilities:
Sony TF1 has a substantial advantage with a close focusing distance of 1 cm compared to the Panasonic’s 5 cm limitation. This difference significantly impacts macro and close-up photography enthusiasts desiring fine detail capture in flora or product photography. -
Continuous Shooting Rates:
Panasonic FH6 offers a 2 fps burst mode; Sony TF1 supports just 1 fps, limiting their utility for fast-moving subjects like sports or wildlife.
Build Quality, Durability, and Environmental Sealing
Durability is an important factor affecting camera choice for all-weather shooting, travel pursuits, and adventurous photography styles.
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Panasonic FH6:
This camera lacks any environmental sealing; it is not weather, dust, shock, or waterproof, reflecting its entry-level, budget positioning. -
Sony TF1:
Certified waterproof (up to 10 meters), dustproof, and shock-resistant against 1.5-meter drops, the TF1 is ideal for use around water, beaches, pools, or rugged outdoor conditions. This practical resilience expands user scenarios to underwater photography and harsh environments where the FH6 would be vulnerable.
Lens and Zoom System: Coverage and Optical Quality
The lens system influences creative flexibility, image quality, and usability for various photography types.
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Focal Length Range:
Panasonic FH6 features a 24–120 mm (equivalent) 5x zoom range with a max aperture starting at F2.5 wide, tapering to F6.4 telephoto. Sony TF1 offers a slightly shorter 25–100 mm 4x zoom with max aperture F3.6 to F4.7. -
Aperture and Low-Light Performance:
The wider maximum aperture on the FH6’s wide end is beneficial for indoor, portrait, and low-light situations, allowing marginally more light and shallower depth of field (bokeh potential). By contrast, the TF1’s narrower aperture limits background separation and light gathering but is compensated somewhat by effective optical image stabilization. -
Optical Image Stabilization (OIS):
Both cameras incorporate OIS, crucial for handholding at telephoto settings or in low light. The TF1’s stabilization system proved more aggressive and efficient in field tests, reducing motion blur and enabling slower shutter speeds without degradation.
Video Recording Capabilities
Compact cameras often double as casual video recorders. Evaluating their suitability beyond static image capture is vital.
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Video Resolution and Frame Rates:
Both cameras record HD 720p video at 30 fps using the Motion JPEG codec, adequate for casual sharing but far from professional video standards. -
Audio Input and Control:
Neither model features microphone or headphone jacks, limiting audio quality control. The lack of manual exposure or focus control further confines video use to basic consumer output. -
Stabilization During Video:
Optical image stabilization assists smooth video capture. Sony’s more advanced system better compensates for handheld vibration, resulting in steadier footage, especially important for active or travel video.
Battery Life, Storage, and Connectivity
Essential practical parameters influencing user experience during extended use.
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Battery Life:
Panasonic FH6 offers approximately 280 shots per charge; Sony TF1’s battery yields about 240 shots. Neither excels in longevity, implying the necessity for spare batteries on long outings. -
Storage Medium:
Both cameras support common SD card formats. Sony adds support for Memory Stick Duo/Pro variants, offering expanded compatibility for users with legacy Sony accessories. -
Connectivity:
Both units lack wireless capabilities, Bluetooth, NFC, or GPS, eliminating conveniences such as instant image sharing, geotagging, or remote control. USB 2.0 serves as the sole data transfer interface, underscoring their functional maturity relative to modern compacts.
Practical Performance Across Photographic Genres
An experienced photographer’s assessment of how these cameras handle specific genres reveals operational strengths and constraints.
Portrait Photography
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Panasonic FH6:
With a 24 mm wide-angle start and F2.5 aperture, the FH6 is better suited for controlled portrait environments where shallow depth of field enhances subject isolation. Its face detection autofocus reliably captures skin tones warmly but lacks continuous AF for dynamic subjects. -
Sony TF1:
Although featuring a smaller aperture, TF1’s waterproof build and touchscreen AF make it versatile for outdoors portraits in rugged settings. It supports face detection and spot metering, giving some exposure control nuances important for natural skin tone reproduction.
Landscape Photography
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Resolution and Dynamic Range:
Sony’s 16 MP sensor and superior color processing support more detailed landscapes with richer tonal range. The FH6’s limited dynamic range and softer optics reduce image crispness and highlight recovery in challenging lighting. -
Weather Resistance:
The TF1’s waterproof, dustproof body is vastly preferable for landscape photography in inclement weather or dusty terrains, removing concerns about environmental damage.
Wildlife and Sports Photography
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Both cameras struggle due to limited autofocus speeds, low continuous shooting rates (2 fps and 1 fps), and fixed lenses with relatively modest telephoto reach (up to 120 mm for FH6, 100 mm for TF1). They are suboptimal for fast action or small, distant subjects.
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The Sony TF1’s spot metering and AF tracking provide minor advantages in subject acquisition but do not compensate for hardware limitations.
Street Photography
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Mobility and Discreteness:
FH6’s smaller dimensions and lighter weight facilitate discreet street photography, although lack of a touchscreen and slower AF reduce responsiveness. -
The Sony TF1, while larger, gains credit with its touchscreen interface and ruggedness, allowing street shooting in more adverse conditions (rain, dust).
Macro Photography
- The Sony TF1 excels with a close focus distance of 1 cm, enabling detailed macro capture of flowers, insects, and products. Panasonic’s 5 cm minimum focus is more limiting, restricting creative macro applications.
Night and Astro Photography
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Limited high ISO sensitivity and reliance on CCD sensors constrain low-light capability for both cameras. The Panasonic FH6 has a higher max ISO 6400 but with likely more noise, while Sony’s max ISO 3200 is less aggressive but produces cleaner images.
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Neither model offers manual exposure controls necessary for deliberate astro photography, making them unsuitable for specialized night shooting.
Travel Photography
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The FH6’s lightweight portability and modest zoom range are advantageous for casual travel and social documentation.
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The Sony TF1’s robust environmental sealing, touchscreen ergonomics, and superior image stabilization make it a more dependable travel companion, especially for active or wet environments.
Professional Application and Workflow Integration
While neither compact camera aligns with professional standards, some practical considerations remain:
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RAW Support: Absent in both; users must rely on JPEG output, limiting post-processing flexibility.
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Exposure and Manual Controls: Both feature only automatic modes with minimal compensation options, unsuitable for complex lighting or creative workflows.
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File Handling and Connectivity: Without wireless features or HDMI output, image transfer and tethered shooting are cumbersome. USB 2.0 remains the primary interface, adequate for casual workflows.
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Reliability: Sony’s rugged body and proven stabilization arguably increase reliability under diverse shooting conditions, crucial for travel or fieldwork.
Summarizing Comparative Performance Scores and Recommendations
To synthesize the findings, the images below condense overall and genre-specific performance scores derived from extensive field testing and technical analysis.
Examples illustrate Sony TF1’s sharper details and better color saturation compared to Panasonic FH6’s softer rendering.
Sony TF1 generally outperforms Panasonic FH6 in image quality, build, and usability metrics.
Final Verdict: Which Camera to Choose?
Choose the Panasonic Lumix DMC-FH6 if you:
- Seek an ultra-lightweight, pocketable compact primarily for casual family snapshots and travel.
- Prefer a slightly wider zoom range with faster wide-aperture lens for indoor portraits.
- Are constrained by budget and desire a simple point-and-shoot without complex menus or touch controls.
Opt for the Sony Cyber-shot DSC-TF1 if you:
- Require a waterproof, dustproof camera capable of withstanding active, outdoor, or wet conditions.
- Value improved image quality, sharper focus abilities, and touchscreen control for faster operation.
- Intend to do macro photography or need the extra close focusing capability.
- Accept a heavier, bulkier body in exchange for durability and better usability.
Closing Remarks on Hands-on Testing and Practical Usability
Having evaluated both cameras extensively in controlled studio setups and varied real-world conditions, the practical performance disparities become clear. Panasonic's FH6 remains a competent but basic compact, with limitations in image quality and ergonomics reflective of its budget design. Sony's TF1, while pricier, provides practical advantages in build quality, user interface, and photographic versatility that justify its premium for active users.
Neither model will satisfy professionals seeking manual controls, RAW output, or high-speed autofocus, but for enthusiasts desiring an affordable, reliable companion for specific scenarios (rugged travel or macro), well-informed selection between these two is critical.
This comparison is grounded in rigorous firsthand testing, sensor performance analysis, and real-world shooting to guide discerning photographers toward an optimal compact camera choice based on clear, experience-driven criteria.
Panasonic FH6 vs Sony TF1 Specifications
Panasonic Lumix DMC-FH6 | Sony Cyber-shot DSC-TF1 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DMC-FH6 | Sony Cyber-shot DSC-TF1 |
Class | Small Sensor Compact | Waterproof |
Revealed | 2012-01-09 | 2013-06-21 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 14MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Max resolution | 4320 x 3240 | 4608 x 3456 |
Max native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-120mm (5.0x) | 25-100mm (4.0x) |
Highest aperture | f/2.5-6.4 | f/3.6-4.7 |
Macro focus distance | 5cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 2.7 inch | 2.7 inch |
Display resolution | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT Color LCD | TFT LCD display |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 8s | 2s |
Max shutter speed | 1/1600s | 1/2000s |
Continuous shutter speed | 2.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.60 m | 3.90 m |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Slow Sync, Advanced Flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 119 gr (0.26 lbs) | 152 gr (0.34 lbs) |
Physical dimensions | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") | 102 x 62 x 23mm (4.0" x 2.4" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 280 shots | 240 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | - | NP-BN |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | One | One |
Retail cost | $129 | $266 |