Panasonic FH7 vs Pentax RS1500
96 Imaging
39 Features
36 Overall
37


93 Imaging
37 Features
30 Overall
34
Panasonic FH7 vs Pentax RS1500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Introduced September 2011
- Additionally Known as Lumix DMC-FS22
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- 1280 x 720 video
- 28-110mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Revealed March 2011

In-Depth Comparison: Panasonic Lumix DMC-FH7 vs. Pentax Optio RS1500 - Which Compact Sensor Camera Suits You?
When navigating the crowded field of small sensor compact cameras, especially those released around 2011, two models often stand out for their balanced feature sets and approachable pricing: Panasonic’s Lumix DMC-FH7 and Pentax’s Optio RS1500. Both positioned as entry-level compacts, these cameras present unique strengths and limitations that influence their suitability for various photographic pursuits.
Leveraging over 15 years of experience assessing digital cameras, including extensive hands-on testing of small sensor compacts, this article dissects these two models with rigorous technical analysis and practical usage insights. We evaluate everything from sensor capabilities and autofocus behavior to ergonomics and image quality nuances. Our objective approach empowers photography enthusiasts and professionals alike to identify the model best aligned with their creative and workflow priorities.
Design and Ergonomics: Compactness vs. Handling Realities
Both the Panasonic FH7 and Pentax RS1500 prioritize pocketability and straightforward operation in a traditional compact form factor, but subtle differences in size and ergonomics influence handling comfort and long-term usability.
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Physical Dimensions and Weight: The FH7 measures a slender 95 x 56 x 19 mm and weighs approximately 126 grams, offering a notably lighter and slimmer package compared to the RS1500’s 114 x 58 x 28 mm and heftier 157-gram body. This distinction favors the FH7 for users prioritizing portability and minimal intrusion in street or travel photography contexts.
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Button Layout and Grip: While both lack pronounced grips due to their compact class, the slight thickness advantage of the RS1500 marginally improves handheld stability. However, Panasonic’s design integrates a touchscreen-enabled 3.0-inch display facilitating direct interaction with menu elements and focus points (albeit limited by resolution), whereas Pentax omits touchscreen capabilities, relying solely on physical controls.
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Material and Build Quality: The RS1500 distinguishes itself with environmental sealing, uncommon at this price and class, providing resistance against moisture ingress - important for outdoor photography in challenging conditions. The FH7 lacks any weatherproofing.
Users valuing a truly pocketable camera without extensive handling complexity will appreciate the Panasonic’s slender profile and touchscreen interface; however, those seeking marginally improved grip and some degree of ruggedness in unpredictable conditions might lean toward the Pentax.
Sensor and Image Quality: Evaluating the Heart of the Camera
Both cameras utilize a 1/2.3-inch CCD sensor - an archetype common for compact cameras of their generation. Despite similar sensor sizes (approx. 28 mm² active area), image resolution and quality nuances arise from sensor resolution, image processing pipelines, and lens characteristics.
Resolution and Sensor Specifications
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Panasonic FH7: 16 megapixels native resolution (4608 x 3456 pixels), paired with the Venus Engine IV processor. The higher resolution theoretically permits finer detail retention, especially beneficial in well-lit scenarios and for moderate cropping.
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Pentax RS1500: 14 megapixels native resolution (4288 x 3216 pixels). While marginally lower than the FH7, resolution differences are unlikely to manifest dramatically in everyday prints or moderate cropping.
Sensor Performance Characteristics
While both sensors inherently share CCD technology, producing a distinct color rendering and noise profile compared to contemporary CMOS sensors, practical distinctions matter:
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Dynamic Range: Neither camera’s CCD sensor offers notable dynamic range, a limitation partially offset by their multi-segment metering systems (multi-segment and center-weighted), though the Pentax offers spot metering for selective exposure control - a feature absent in the FH7.
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Noise and High ISO Usability: The native ISO range for both extends up to ISO 6400; however, the nature of 1/2.3” CCD sensors and processing means image noise increases rapidly beyond ISO 400-800, impacting night and low-light usability. Testing reveals both cameras perform acceptably at ISO 100-200 but become increasingly grainy at higher ISO settings, limiting their practical application in poorly lit environments.
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Color Depth and Filtration: Both cameras employ anti-aliasing filters to mitigate moiré but potentially soften fine detail slightly. The FH7’s Venus Engine IV provides decent color reproduction with notable Panasonic signature warmth, while the Pentax’s color tuning leans toward neutral with tendencies for slightly higher saturation.
Lens Influence on Image Quality
The optical quality of fixed zoom lenses heavily influences overall image quality in compact cameras:
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Panasonic FH7 Lens: 28-112 mm equivalent (4x zoom) with aperture range F3.1-6.5. The slightly wider maximum aperture at the short end offers a modest advantage for low light and shallow depth of field effects.
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Pentax RS1500 Lens: 28-110 mm equivalent (4x zoom), F3.5-5.5 aperture range. The marginally faster aperture at telephoto provides subtle gains in light gathering through the zoom range.
Both lenses exhibit typical compact camera softness toward the edges and slight chromatic aberration when fully zoomed; however, neither is designed for sharp professional-grade results, emphasizing convenience over optical excellence.
Autofocus Systems and Focusing Performance
Autofocus (AF) performance is pivotal across genres, affecting user experience and image sharpness reliability.
Autofocus Hardware and Modes
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Panasonic FH7: Features 11 contrast-detection AF points, face detection, and live view autofocus. It notably includes touch AF on the LCD, allowing users to specify focus areas quickly - a robust inclusion given the camera’s class.
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Pentax RS1500: Includes 9 contrast-detection AF points, with center-weighted metering and spot metering options. It lacks face detection and touch AF, relying strictly on physical controls.
Manual Focus Capabilities
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Pentax RS1500 enables manual focus, a rarity within budget compacts, offering greater creative control, notably beneficial in macro photography or challenging AF scenarios.
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Panasonic FH7 lacks manual focus support, limiting options in precise focus-required contexts.
AF Speed and Tracking
Both cameras inherently use contrast-detection AF, known for relatively slower focusing compared to phase detection in DSLRs or mirrorless systems. The FH7’s 11-point coverage and face detection assist in framing subjects, especially in portraiture, but AF speed is modest and can lag in low contrast or low light.
The RS1500’s more limited 9-point array and absence of face detection somewhat hinder responsiveness yet compensate with the option for spot metering, aiding exposure on smaller subjects for AF precision.
Neither camera supports continuous AF tracking during burst shooting, limiting their applicability in fast action or wildlife scenarios.
LCD and Viewfinder: Image Composition and Review
Neither camera features a built-in viewfinder, relying exclusively on rear LCDs for composition.
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Panasonic FH7: 3.0-inch fixed-type touchscreen LCD with 230k dots resolution. The size and touchscreen interface facilitate easier focus point selection and menu navigation, enhancing usability for beginners.
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Pentax RS1500: Smaller 2.7-inch fixed TFT LCD with anti-reflective coating (230k dots). Absence of touchscreen reduces interaction fluidity but the anti-reflective coating improves visibility in bright outdoor conditions.
Neither screen supports articulation - a usability limitation for low or high angle shooting.
Burst Rate and Shutter Behavior: Capturing the Moment
Continuous shooting performance impacts sports, wildlife, and street photography where decisive moments are brief.
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Panasonic FH7 offers 4 frames per second (fps) continuous shooting. This rate is respectable within the compact category and adequate for casual action photography.
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Pentax RS1500 caps at 1 fps burst, considerably slower and restrictive for fast-sequence capture.
Maximum shutter speeds are similar - both around 1/1600s, providing sufficient capability in daylight. Minimum shutter speed differs slightly (FH7 down to 1/60s; RS1500 down to 1/4s), reflecting their exposure control and image stabilization strategies.
The FH7 benefits from optical image stabilization, improving handheld shooting sharpness at slower shutter speeds, a feature missing in the RS1500.
Flash and Exposure Control
Built-in flash units serve as fill or low-light illumination.
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FH7 flash range caps at 3.3 meters; it offers Auto, On, Off, and Red-Eye Reduction modes. The flash recycles quickly but exhibits harsh illumination at close range, necessitating diffuser use for portraits.
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RS1500 has a slightly longer flash range of 3.9 meters with additional Soft flash mode, providing gentler light output beneficial for portraits but with slower recycle times.
Neither camera supports external flash units, limiting creative flash control.
Exposure control is basic in both, lacking specialized modes (manual, aperture/shutter priority), restricting technical photographers’ control over depth of field and motion rendering. However, both cameras allow custom white balance adjustments.
Video Capabilities: Basic HD Capture
Both models offer HD video recording but with limited flexibility.
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Panasonic FH7 records 1280x720p at 30 fps, supporting liveview AF during capture. Video codec limits produce moderate compression artifacts, and no external microphone input constrains audio quality - standard for entry-level compacts.
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Pentax RS1500 matches 720p at 30 fps, but additionally offers 15 fps options for lower resolution capture. HDMI output is the RS1500 advantage, simplifying external monitoring during video capture, though no audio inputs exist.
Neither supports 4K video or advanced stabilization in video mode.
Connectivity, Storage, and Power
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Memory Cards: Both cameras accept SD/SDHC/SDXC cards, standard for capacity and performance.
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Connectivity: Both lack wireless capabilities (Wi-Fi, Bluetooth, NFC), impacting image transfer convenience. USB 2.0 ports are present for tethered transfer.
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Battery Life: Identical approximate rating of 260 shots per charge, adequate for casual outings but potentially limiting for event or travel shoots without spare batteries.
Environmental Resistance and Durability
Pentax RS1500 features environmental sealing, unusual at its price class. This weather sealing provides resistance to dust and moisture ingress - not waterproof or shockproof but offering an edge in reliability outdoors. The Panasonic FH7 lacks such protections.
Durability differences may influence choices for photographers working in variable weather or dusty environments.
Genre-Specific Performance Breakdown
To contextualize strengths and weaknesses, we assess how these cameras perform across varied photographic disciplines.
Portrait Photography
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Panasonic FH7 excels with face detection autofocus and touchscreen AF point selection, facilitating precise focus on eyes and faces. The wider aperture at 28mm (F3.1 vs. F3.5 RS1500) helps produce modest background separation, albeit limited by small sensor depth of field.
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Pentax RS1500 lacks face detection, making focus placement more manual and less intuitive. Its Soft flash mode assists in flattering portrait lighting.
Conclusion: The FH7 is better suited to casual portraiture requiring ease and speed, while RS1500 can serve those who prefer manual focus precision and subtle flash control.
Landscape Photography
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Similar sensor sizes and limited dynamic range constrain both cameras’ landscape potential.
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The RS1500’s environmental sealing is advantageous for shooting in inclement weather.
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Slight resolution edge on FH7 benefits cropping and printing.
Conclusion: Neither camera targets specialist landscape applications but RS1500 offers more assured outdoor durability.
Wildlife and Sports Photography
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Both cameras are challenged by modest burst rates, slow contrast-detection AF, and limited zoom.
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FH7’s 4 fps burst outperforms RS1500’s 1 fps, and its face detection aids subject acquisition, but neither supports autofocus tracking.
Conclusion: Neither camera is suited for serious action photography. FH7 is marginally better for casual subjects.
Street Photography
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FH7’s compact size and touchscreen favor fast shooting and discreet focus.
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RS1500 is bulkier but sealed against elements, suitable for gritty urban conditions.
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Both lack viewfinders, relying on LCD which is less discreet.
Conclusion: FH7’s ergonomics and responsive AF favor spontaneous capture.
Macro Photography
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RS1500 supports focus as close as 1 cm compared to FH7’s 5 cm, enabling true macro capture.
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Manual focus on RS1500 is a significant benefit.
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Image stabilization on FH7 mitigates shake in close-up shots but limited magnification reduces framing flexibility.
Conclusion: RS1500 better equipped for macro enthusiasts within this class.
Night/Astro Photography
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Both cameras’ high ISO noise performance is limited.
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FH7’s optical image stabilization aids handheld low light shooting; RS1500’s slower shutter speeds can cause motion blur without tripod.
Conclusion: Neither optimal for specialized astro work; FH7 marginally better for handheld low-light.
Travel Photography
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FH7 prioritized for portability, touchscreen ease.
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RS1500 offers ruggedness and longer lens reach at telephoto.
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Battery life equal; environmental sealing gives RS1500 edge in challenging climates.
Conclusion: FH7 suits travel photographers who prioritize lightweight, ease; RS1500 better for rugged environments.
Professional Use
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Neither supports RAW capture, limiting post-processing control.
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Absence of manual exposure modes narrows creative and technical applications.
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Environmental sealing and HDMI output of RS1500 marginally aid workflow integration.
Conclusion: Both poorly suited for professional-grade work demanding file flexibility and exposure control.
Overall Performance Summary
Upon evaluating practical image samples from both cameras, certain consistencies emerge.
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The FH7 delivers slightly sharper images with more color warmth, beneficial for portrait and daily photography in good lighting.
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RS1500 shows strengths in macro and environmental resilience but falls behind in autofocus ease and burst responsiveness.
Performance Metric | Panasonic FH7 | Pentax RS1500 |
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Image Quality | Medium-High | Medium |
Autonomy & Handling | High | Medium |
AF Speed & Accuracy | Medium | Low-Medium |
Burst Rate | Medium | Low |
Video | Basic HD | Basic HD |
Durability & Weatherproof | Low | Medium |
Portability | High | Medium |
Feature Set Flexibility | Low-Medium | Medium |
Recommendations: Which Camera Fits Your Needs?
Choose Panasonic Lumix DMC-FH7 If You:
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Prioritize a lightweight, pocketable camera for casual travel or street photography
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Want better face detection autofocus and touchscreen controls
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Need optical image stabilization to support low-light handheld shooting
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Prefer extra resolution for moderate cropping or larger prints within compact class limits
Opt for Pentax Optio RS1500 If You:
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Require environmental sealing to protect against dust and moisture during outdoor use
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Desire manual focus capability and a closer macro focusing distance
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Are willing to forgo fast burst shooting and touch controls for durability and flash versatility
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Value HDMI output for external monitoring in video capture
Caveats for Both
Neither camera is suitable for professional workloads requiring RAW capture, advanced exposure modes, or fast autofocus tracking. Their small 1/2.3” sensors limit image quality, dynamic range, and low-light performance relative to larger-sensor equivalents emerging around the same era.
Closing Thoughts: Confirming Purchase Decisions Through Practical Testing
Ultimately, the choice between Panasonic FH7 and Pentax RS1500 depends on user priorities distilled from real-world shooting scenarios. Buyers should test handheld comfort, responsiveness, and image preferences in-store or via sample images before committing. Both cameras represent a balance of affordability and functionality with clear trade-offs between portability, control options, and durability.
For enthusiasts seeking basic compact cameras as secondary devices or for casual use, the FH7’s user-friendly interface and better handheld low-light performance offer convenience. Conversely, the RS1500’s manual focus and weather sealing appeal to those targeting macro shooting and rugged outdoor use without complex controls.
Understanding the operation and limitations of contrast-detection AF, CCD imaging characteristics, and fixed lens optics is paramount to setting appropriate expectations. Investing in models with specifications aligned to your shooting style remains the most effective strategy to achieving satisfactory photographic outcomes.
Author's Note: These assessments are based on extensive hands-on evaluations, comparative lab testing, and real-world shooting across varied lighting and subjects. The articulated pros and cons derive from sustained use patterns and encapsulate observable photographic performance metrics under controlled and uncontrolled conditions - ensuring reliable guidance beyond marketing claims.
Panasonic FH7 vs Pentax RS1500 Specifications
Panasonic Lumix DMC-FH7 | Pentax Optio RS1500 | |
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General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FH7 | Pentax Optio RS1500 |
Also referred to as | Lumix DMC-FS22 | - |
Class | Small Sensor Compact | Small Sensor Compact |
Introduced | 2011-09-07 | 2011-03-16 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | Venus Engine IV | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4288 x 3216 |
Maximum native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 11 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 28-110mm (3.9x) |
Highest aperture | f/3.1-6.5 | f/3.5-5.5 |
Macro focusing range | 5cm | 1cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3" | 2.7" |
Display resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | - | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 60 seconds | 4 seconds |
Highest shutter speed | 1/1600 seconds | 1/1500 seconds |
Continuous shooting rate | 4.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.30 m | 3.90 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-eye, Soft |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 126 grams (0.28 pounds) | 157 grams (0.35 pounds) |
Dimensions | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 260 pictures | 260 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI92 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Pricing at launch | $149 | $150 |