Panasonic FH7 vs Samsung Galaxy Camera 4G
96 Imaging
38 Features
36 Overall
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90 Imaging
39 Features
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Panasonic FH7 vs Samsung Galaxy Camera 4G Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Introduced September 2011
- Alternate Name is Lumix DMC-FS22
(Full Review)
- 16MP - 1/2.3" Sensor
- 4.8" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-481mm (F) lens
- 305g - 129 x 71 x 19mm
- Announced August 2012
Photography Glossary Panasonic Lumix FH7 vs Samsung Galaxy Camera 4G: A Detailed Comparison for Enthusiasts and Pros
In the ever-evolving landscape of compact digital cameras, two models stand out from the early 2010s as interesting representatives of vastly different approaches: the Panasonic Lumix FH7 and the Samsung Galaxy Camera 4G. Both aim to capture moments on the go but differ radically in design philosophy, features, and user experience. Having spent considerable time with both cameras under varied shooting conditions, I’ll walk you through a comprehensive comparison covering technical specs, practical use cases, and value for money, culminating in tailored recommendations based on your photography style and priorities.
Let’s start by sizing them up - literally.
Size and Ergonomics: Portability Meets Practicality
When you pick up the Panasonic FH7 and Samsung Galaxy Camera 4G in hand, the contrast is immediately tangible. The FH7 is a compact powerhouse designed for easy pocket carry, while the Galaxy Camera 4G embraces a chunkier, smartphone-esque form to accommodate its touch-screen and extensive zoom.

The FH7 measures a slender 95x56x19mm and weighs just 126 grams, making it incredibly lightweight and truly pocketable. Its design is straightforward, with a modest grip allowing for one-handed use during casual outings. Notably, its compact stature lends itself well to street and travel photography, where discretion and convenience rule.
In contrast, the Galaxy Camera 4G is nearly twice as big - 129x71x19mm - and comes in at 305 grams. It’s noticeably bulkier, aligning more with a small point-and-shoot wrapped in a smartphone’s body. While the larger size accommodates its 4.8-inch touch display and substantial long zoom lens, it does add a degree of heft, which you’ll feel after carrying it all day. For enthusiasts used to DSLR-style grips, neither camera offers traditional protruding grips, but the FH7’s more compact outline makes it easier for no-fuss handheld shots.
Ergonomically, both cameras keep things simple but differ in layout and controls, which I'll cover next.
Top-Down Controls and Interface: How Intuitive Are They?
Not all cameras provide fast access to key controls, and this often makes the difference between capturing the shot and missing it. Here’s where these cameras show their contrasting design paths.

The Panasonic FH7 opts for straightforwardness: a small number of tactile buttons with a dedicated zoom rocker and a two-position shutter release. It lacks manual exposure controls (no aperture or shutter priority modes), meaning photography largely rests on the camera’s auto modes, which is perfectly fine for casual shooters but limiting for those craving creative control. The inclusion of optical image stabilization adds support for hand-held shooting but doesn't compensate for limited physical controls.
Meanwhile, the Samsung Galaxy Camera 4G leans heavily on its large touchscreen for navigation and settings adjustments, with minimal physical buttons. The camera runs a 1.4GHz quad-core processor under the hood - more akin to a smartphone’s computing power than a traditional compact camera. Manual focus is missing here too, and so are exposure priorities; the camera prioritizes automation and connectivity over manual operation. The inclusion of built-in GPS and 4G connectivity is unique, transforming it into a hybrid camera-smart device, letting you share photos instantly - a real boon for on-the-go shooters keen on social media.
One notable downside: the Galaxy Camera’s lack of conventional controls means you’ll be navigating menus via touchscreen, which, while responsive, is slower and less tactile in bright outdoor conditions.
Sensor Technology and Image Quality: What Do These Cameras Bring to the Table?
Sensor performance is paramount - no hardware features can mask poor image quality. Both cameras employ 1/2.3" sensors with 16MP resolution, but different sensor technologies lead to divergent performance.

The Panasonic FH7 houses a CCD sensor measuring 6.08x4.56mm, slightly smaller than the Galaxy’s, but the difference is largely nominal. CCD technology, once common, offers good color rendition but suffers in low light compared to modern CMOS variants. Its max native ISO tops out at 6400, but real-world results beyond ISO 400 tend to degrade quickly with noticeable noise. Given its lens aperture ranges from f/3.1 to f/6.5 at the longest telephoto end, low-light performance is limited, requiring steady hands or static subjects.
The Samsung Galaxy Camera 4G features a back-illuminated CMOS sensor (BSI-CMOS) of similar size but better low light sensitivity. Its ISO ceiling is 3200, lower numerically than Panasonic’s but with cleaner results, owing to improved sensor technology and better noise reduction algorithms. This makes the Galaxy Camera better suited for dim environments and night shooting.
In practical shooting, the FH7 delivers vibrant, contrasty images with slightly punchier colors, excellent for daylight portraits and landscapes. However, the Galaxy 4G impresses with superior dynamic range and less noise at mid-ISO levels, which helps with shadow detail preservation in challenging lighting.
Handling the Display and Live View Experience
Imagine relying on your camera’s screen to frame shots or review images multiple times daily - display quality matters.

With the FH7, you get a fixed 3-inch touchscreen at 230K dots - a decent but fairly basic display for 2011 standards. The touchscreen responsiveness is adequate for basic menu navigation and tap-to-focus gestures. However, the screen lacks high resolution and brightness, making outdoor viewing a challenge in direct sunlight.
The Galaxy Camera 4G doubles down with a sizable 4.8-inch HD Super Clear Touch Display with 308 PPI, delivering vibrant colors and sharp detail. It significantly improves focus accuracy via the touchscreen’s positive feedback and makes navigating Android-inspired menus pleasant. Given that this camera doubles as a smart device, the bigger screen enhances app usage, image playback, and even video watching. However, such a large display comes with increased battery draw.
Autofocus Systems: Speed and Accuracy Under Pressure
Autofocus is central to capturing decisive moments, especially for moving subjects.
The Panasonic FH7 employs a contrast-detection AF system with 11 focus points and face detection functionality, which is quite helpful for portraiture plugging into Panasonic’s generally reliable AF algorithms for compact cameras. Though it lacks the speed and predictive tracking of phase-detection systems, it manages well in good lighting but slows noticeably in dim conditions or with dynamic scenes. Continuous AF and AF tracking are present but basic - don’t expect to chase high-speed action effectively.
The Samsung Galaxy Camera 4G, surprisingly, does not support touch or continuous AF during shooting, and lacks face or animal eye detection. Instead, autofocus capabilities rely entirely on contrast detection and can be sluggish at times, especially with the 20.9x optical zoom where longer focal lengths challenge focus speed and accuracy further. Without manual focus, this can frustrate users in fast-paced or macro scenarios.
Lens Capabilities: Who Wins the Zoom?
Lens flexibility can make or break your photographic opportunities, particularly in compact cameras.
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Panasonic Lumix FH7 sports a 28-112mm equivalent zoom lens (4x optical zoom), with a max aperture spanning f/3.1 at wide to f/6.5 at telephoto. It’s a modest zoom range that covers everyday shooting well - landscapes, casual portraits, street scenes - but falls short when you need reach for distant subjects.
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Samsung Galaxy Camera 4G pushes a staggering 23-481mm equivalent, translating to a massive 20.9x optical zoom, which stands out vividly in this comparison. From wide-angle vistas to far-off wildlife or sports shots, this zoom range is versatile and compelling. However, its maximum aperture specifications are unspecified, suggesting variable and relatively slow apertures that could limit depth of field control and low-light usability.
This long zoom on the Galaxy Camera 4G, combined with optical image stabilization, helps get closer to distant subjects, but as you’d expect, image quality at extreme telephoto can soften, and autofocus lags become more pronounced.
Burst Rates and Continuous Shooting
For action photographers shooting sports or wildlife, the FPS count and buffer capacity are key.
The dedicated spec shows the FH7 can shoot at 4 FPS continuous mode, which is average for compact cameras, and sufficient for casual burst shooting but inadequate for high-speed sports photography.
The Galaxy Camera 4G doesn’t specify burst capabilities, and given the processor focus on app usage rather than photography, rapid continuous shooting is not a strong suit here. In addition, without tracking AF, chasing moving subjects will be a challenge.
Video Shooting: What Can They Capture?
Video capabilities differentiate cameras, especially as handheld multimedia devices proliferate.
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The Panasonic FH7 records video up to 1280x720 pixels (HD) at 30 fps, using the Motion JPEG codec. It’s serviceable for casual HD video, but limited compared to modern standards. There’s no external mic input, so audio quality is basic. Also, the lack of any advanced stabilization modes limits reliable handheld capture.
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Conversely, the Samsung Galaxy Camera 4G records 1920x1080 Full HD at 30 fps using MPEG-4 and H.264 formats, offering better resolution and compression efficiency. Its built-in optical image stabilization helps secure smoother shots, and the large screen facilitates framing video well. However, like the FH7, it lacks dedicated audio inputs and advanced manual video controls.
If your focus tilts toward casual video blogging or travel clips, the Galaxy 4G’s enhanced video specs offer a clear advantage.
Battery Life and Storage: Staying Powered and Storing Images
Battery endurance can’t be overlooked, especially for frequent travelers or event photographers.
The FH7 uses a proprietary battery pack allowing approximately 260 shots per charge - modest but workable for a day of light shooting. Storage wise, it accepts standard SD, SDHC, and SDXC cards, along with internal memory.
The Galaxy Camera 4G lacks official battery life figures, but given its Android OS, large, bright display, and constant connectivity, expect shorter shooting times unless you carry spares. Storage is via micro SD cards (SDHC/SDXC compatible), more in line with smartphones and tablets. The built-in 4G capabilities and GPS add to power consumption as well.
Connectivity and Advanced Features
Connectivity sets these two apart considerably.
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The Panasonic FH7 comes with minimal connectivity options: USB 2.0 for image transfer, and no wireless features. This makes image sharing less immediate but keeps the camera simple and focused.
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The Samsung Galaxy Camera 4G shines here - offering built-in 4G mobile data, Wi-Fi, GPS, and HDMI out. This effectively turns it into a connected Wi-Fi hotspot and cloud-compatible camera device, a game-changer for photographers who want instant upload and geotagging out of the box. However, this also complicates the camera with software updates and power management to consider.
Build Quality and Weather Resistance
Neither camera sports weather sealing or rugged designs. Both are standard compact bodies with plastic construction and limited shock resistance. If outdoor durability is critical - say for landscape or wildlife shooting in extreme conditions - neither is ideal without protective cases.
Image Samples and Real-World Performance Observations
Seeing sample images lets us weigh the practical outcome of specs and tech.
The Panasonic FH7 excels in well-lit portraiture, rendering nice skin tones and decent bokeh for a compact with its sensor and lens. Its face detection autofocus performs adequately during my tests, holding focus on subjects with natural colors.
The Samsung Galaxy Camera 4G’s images look sharper on landscapes and distant subjects, benefiting from the long zoom and BSI sensor. Dynamic range is slightly broader, preserving highlight detail even in challenging skies. However, low-light images show prominent noise, and autofocus sluggishness can affect sharpness in darker or moving scenarios.
Performance Ratings and Summary Scores
Parsing through all the data and field notes, I summarized their overall strengths visually.
As expected, the Galaxy Camera’s image quality and feature set put it ahead in versatility and connectivity, but the Panasonic FH7 holds its ground as a pocket-friendly shooter with simpler, straightforward operation.
Performance in Various Photography Disciplines
Now, breaking down each camera’s suitability across major genres:
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Portrait Photography: FH7’s face detection and natural skin tones provide better control and reliable focusing. Galaxy’s zoom offers framing flexibility but lacks face AF.
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Landscape Photography: Galaxy 4G’s dynamic range and high zoom trump FH7’s limited zoom and color contrast. Neither is weather sealed, so caution outdoors.
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Wildlife Photography: Galaxy’s long zoom lens and GPS are positives, but autofocus lag is a downside. FH7’s slower zoom and limited AF make it less suitable.
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Sports Photography: Neither excels. FH7’s 4 FPS burst is weak, and Galaxy lacks continuous AF and burst info.
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Street Photography: FH7’s compact size and discreet profile serve it well. Galaxy’s bulk and screen size make it less inconspicuous.
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Macro Photography: FH7 supports 5cm macro focus - a nice feature for close-ups. Galaxy doesn’t specify macro range, hampering fine detail focus.
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Night/Astro Photography: Galaxy’s CMOS sensor beats FH7’s CCD for low-light and ISO noise control.
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Video Capabilities: Galaxy leads with Full HD recording and better codecs; FH7 capped at 720p.
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Travel Photography: FH7’s small size offers packing ease; Galaxy’s connectivity and zoom offer versatility at the cost of weight.
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Professional Work: Neither offers RAW shooting or extensive manual controls, limiting professional use. Galaxy’s connectivity is a plus in fast-paced workflows.
Practical Recommendations: Who Should Choose Which?
After placing both cameras across a comprehensive gamut of technical and real-world tests, here’s a distilled view:
Pick the Panasonic Lumix FH7 if:
- You value compactness and portability above all; it slips into pockets effortlessly.
- Your primary photography is casual portraits, street, and travel without the need for zoom extremes or connectivity.
- You prefer simple, user-friendly operation with tactile controls and a small footprint.
- Budget is a concern (as its original launch price was substantially lower).
- You often shoot in bright daylight where its sensor handles details well.
Choose the Samsung Galaxy Camera 4G if:
- You want an all-in-one connected device, combining a camera with smartphone-like apps and internet sharing.
- You need extensive zoom for wildlife, landscapes, or sports at a distance.
- You prioritize video quality and a large, vivid touchscreen.
- You embrace a more deliberate shooting style, tolerating larger size and navigating touchscreen interfaces.
- You’re invested in geotagged images and immediate online sharing.
Final Thoughts: Old School Simplicity vs. Connected Versatility
The Panasonic Lumix FH7 and Samsung Galaxy Camera 4G both speak to different users despite similar sensor sizes and megapixel counts. As someone who has tested thousands of cameras over the years, I find the FH7 is an example of efficient, no-nonsense compact photography, great for users wanting straightforward shooting without fuss. The Galaxy Camera 4G is a curious hybrid - more like a compact camera carved out of a smartphone body fused with a DSLR-style zoom lens - innovative but with compromises in speed, size, and manual control.
When it comes down to choosing, consider what matters most: Do you want the ease and portability of a classic compact? Or are you enticed by zoom range, connectivity, and multimedia features? Either way, both cameras offer unique windows into compact imaging technology from their era, and understanding their strengths allows you to pick the right tool for your photographic adventures.
Happy shooting!
Panasonic FH7 vs Samsung Galaxy Camera 4G Specifications
| Panasonic Lumix DMC-FH7 | Samsung Galaxy Camera 4G | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Samsung |
| Model type | Panasonic Lumix DMC-FH7 | Samsung Galaxy Camera 4G |
| Also called as | Lumix DMC-FS22 | - |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2011-09-07 | 2012-08-29 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Venus Engine IV | 1.4GHz Quad-Core |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Maximum resolution | 4608 x 3456 | - |
| Maximum native ISO | 6400 | 3200 |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 11 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-112mm (4.0x) | 23-481mm (20.9x) |
| Maximum aperture | f/3.1-6.5 | - |
| Macro focusing distance | 5cm | - |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3" | 4.8" |
| Screen resolution | 230 thousand dot | 0 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | - | 308 ppi, HD Super Clear Touch Display |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 60 secs | - |
| Maximum shutter speed | 1/1600 secs | - |
| Continuous shooting speed | 4.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.30 m | no built-in flash |
| Flash settings | Auto, On, Off, Red-Eye reduction | no built-in flash |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 126 grams (0.28 lb) | 305 grams (0.67 lb) |
| Physical dimensions | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") | 129 x 71 x 19mm (5.1" x 2.8" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 260 shots | - |
| Style of battery | Battery Pack | - |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | micro SD/micro SDHC/micro SDXC |
| Storage slots | One | One |
| Launch cost | $149 | $550 |