Panasonic FH7 vs Sigma DP2s
96 Imaging
38 Features
36 Overall
37
86 Imaging
43 Features
31 Overall
38
Panasonic FH7 vs Sigma DP2s Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Revealed September 2011
- Alternate Name is Lumix DMC-FS22
(Full Review)
- 5MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 50 - 3200
- 320 x 240 video
- 41mm (F) lens
- 280g - 113 x 60 x 56mm
- Announced February 2010
- Previous Model is Sigma DP2
- Renewed by Sigma DP2x
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Panasonic Lumix DMC-FH7 vs Sigma DP2s: A Hands-On Expert Comparison for Photography Enthusiasts
Choosing your next camera can be an overwhelming process given the variety of options, but understanding the technical nuances and real-world performance differences helps you make an informed decision. In this comprehensive comparison, we’ll break down two distinct compact cameras - the Panasonic Lumix DMC-FH7 and the Sigma DP2s - each aimed at different photographer profiles, from casual users to serious image-makers seeking superior quality in compact bodies.
Drawing from years of rigorous testing and industry experience, our analysis goes beyond specs sheets. We'll guide you through sensor technology, autofocus performance, ergonomics, output quality, and suitability across photography genres to help you pinpoint which camera aligns with your creative goals.
First Look: Size and Handling Matter
Understanding a camera’s physical footprint and ergonomics is crucial, especially if you plan to carry it all day or need quick, intuitive handling.
| Feature | Panasonic FH7 | Sigma DP2s |
|---|---|---|
| Dimensions (mm) | 95 x 56 x 19 | 113 x 60 x 56 |
| Weight (g) | 126 (lightweight) | 280 (substantially heavier) |
| Body Type | Thin, pocketable compact | Bulky, large sensor compact |
| Grip and Controls | Minimal, touchscreen-based | Traditional buttons, manual focus ring |

The Panasonic FH7 impresses with its svelte and lightweight build, truly pocket-friendly - ideal if portability is your priority. The fixed 3-inch touchscreen adds to minimalistic control but sacrifices some manual tactile feedback.
In contrast, the Sigma DP2s comes across as a chunkier unit owing to its larger APS-C sensor and thicker body design. Its substantial size supports a better grip and manual controls, including a manual focus ring - a boon for those who want precision and tactile feel in their handling.
If you value easy carry and quick snapshots during travel or street photography, the FH7’s slim profile wins. Conversely, if you lean toward deliberate framing with manual control and superior image quality from a larger sensor, the DP2s impresses despite the extra bulk.
Sensor and Image Quality: Small Sensor Speed vs Large Sensor Detail
Sensor technology is the heart of any camera’s image quality. Let’s break down their sensor differences.
| Specification | Panasonic FH7 | Sigma DP2s |
|---|---|---|
| Sensor Type | CCD | CMOS (Foveon X3) |
| Sensor Size | 1/2.3" (6.08x4.56 mm) | APS-C (20.7x13.8 mm) |
| Sensor Area (mm²) | 27.7 | 285.7 |
| Resolution (Megapixels) | 16 | 5 (Foveon layers total) |
| Max ISO | 6400 | 3200 |
| Raw Support | No | Yes |

Here’s the crux - the Panasonic FH7 uses a small 1/2.3” CCD sensor, common in compact cameras of its class, optimized mainly for everyday photography with decent resolution. Its smaller sensor limits dynamic range and low-light capability, but the CCD design tends to produce vivid, punchy colors suitable for quick social media sharing.
The Sigma DP2s's standout feature is its large APS-C sized Foveon X3 sensor, which captures color information vertically through three stacked layers. This unique sensor technology delivers exceptional color fidelity and fine detail, especially in controlled lighting and RAW output. Although its megapixel counting differs - recording three color layers rather than one - this camera produces images with a unique depth and sharpness often rivaling higher-megapixel Bayer sensor cameras.
You should expect the DP2s to outperform in:
- Portraits: Superior color rendition and tonal gradation
- Landscape: Greater resolution of fine texture and dynamic range
- Low Light: Somewhat limited ISO ceiling but noise is well controlled up to 3200 ISO
The FH7’s small sensor also limits cropping flexibility and noise control, but it compensates with built-in image stabilization to help handheld shots in dim conditions.
Ergonomics and Controls: Simplified Touch Vs Manual Precision
User interface and handling determine how comfortable and efficient your shooting experience can be.
| Aspect | Panasonic FH7 | Sigma DP2s |
|---|---|---|
| Screen Type/Size | 3" Fixed touchscreen | 2.5" Fixed LCD (non-touch) |
| Touchscreen | Yes | No |
| Manual Focus | No | Yes |
| Exposure Modes | Auto only | P, S, A, M |
| Buttons & Dials | Minimal | More traditional layout |

The FH7 embraces a point-and-shoot philosophy with a touchscreen as the primary control method. This suits beginners or casual photographers who want quick access to settings and menus but lacks manual focus or advanced exposure mode options.
On the other hand, the DP2s caters to photographers who want full manual control with traditional dials and buttons for shutter priority, aperture priority, and full manual exposure. The inclusion of a physical manual focus ring is crucial for precision work, particularly in macro or portrait photography.
If you are an enthusiast aspiring to learn exposure control and manual focusing, the DP2s offers a rewarding hands-on experience. If you prefer simplicity and ease of use, the FH7’s interface feels inviting and stress-free.
Autofocus System: Speed Versus Precision
Both cameras use contrast-detection autofocus but with notable differences.
| Feature | Panasonic FH7 | Sigma DP2s |
|---|---|---|
| AF Type | Contrast-detection | Contrast-detection |
| Focus Points | 11 | Unknown but basic |
| Face Detection | Yes | No |
| Continuous AF | No | No |
| Manual Focus Assist | Touch to Focus, No MF ring | MF ring, focus peaking |
| Autofocus Speed | Moderate | Slower |
The FH7 benefits from face detection with multi-area AF, making it reliable for portraits and casual shooting. The contrast-based system provides acceptable speed in good light but can hunt in low light or challenging subjects.
The DP2s lacks face detection but excels in manual focus precision thanks to a dedicated manual focus ring and focus peaking aid on its LCD. Autofocus speed is slower and less sophisticated compared to modern systems, limiting its suitability for dynamic subjects like sports or wildlife.
For portrait and studio work where manual focus is preferred, the DP2s’s system is a plus. For everyday snaps and casual use, the FH7’s automated system is friendlier and faster.
Build Quality and Weather Resistance
Neither camera offers weather sealing, dust, or shock resistance, indicating neither is ruggedized for harsh conditions. The DP2s feels more robust due to its thicker build and metal lens barrel, while the FH7’s plastic composite body reflects its budget-friendly nature.
If you venture outdoors often or work in challenging environments, plan to protect either camera accordingly.
Lens and Focal Length Considerations
Both feature fixed lenses with no option to change optics, so understanding their focal ranges is key.
| Camera | Fixed Lens Specs | 35mm Equivalent | Max Aperture |
|---|---|---|---|
| Panasonic FH7 | 28-112 mm zoom (4×) | 28-112 mm | f/3.1 - f/6.5 |
| Sigma DP2s | 41 mm prime (fixed) | 41 mm | f/2.8 (approx.) |
The FH7’s 28-112mm zoom delivers versatile framing for landscapes, portraits, and casual telephoto shooting. However, its maximum aperture narrows significantly at telephoto end, hurting low light and bokeh potential.
The DP2s’s 41mm sharp prime lens offers a classic normal field of view, excellent for portraits, street, and landscape. The fast f/2.8 aperture creates shallower depth of field effects and better low light performance, crucial to maximizing the Foveon sensor.
If you’re scouting a flexible zoom for travel and snapshots, the FH7 suffices. If you are more selective and prioritize image quality and subject isolation, the DP2s’s fixed prime lens excels.
LCD Screen and Viewfinding Experience
| Feature | Panasonic FH7 | Sigma DP2s |
|---|---|---|
| Screen Size | 3" | 2.5" |
| Screen Resolution | 230,000 pixels | 230,000 pixels |
| Touchscreen | Yes | No |
| Viewfinder | None | None |

Both cameras rely solely on rear LCDs for composition and menu navigation. The FH7’s slightly larger 3” touchscreen offers more responsive operation, especially for users accustomed to smartphones.
The DP2s’s 2.5” screen lacks touchscreen but compensates with LCD quality that supports manual focus accuracy with peaking highlights. Neither has electronic or optical viewfinder options, which limits usage under bright sunlight.
If you often shoot outdoors, consider supplemental accessories like loupe magnifiers. For indoor or controlled lighting, either screen is serviceable.
Battery Life and Storage
| Feature | Panasonic FH7 | Sigma DP2s |
|---|---|---|
| Battery Life (CIPA) | 260 shots | Unknown (generally low) |
| Battery Type | Proprietary battery pack | Proprietary (details scarce) |
| Storage | SD/SDHC/SDXC + internal | SD/SDHC/MMC cards |
| Connectivity | USB 2.0 | USB 2.0 |
The FH7 advertises about 260 shots per charge, respectable for a compact of its generation. The DP2s’s battery life is generally shorter - around 150 shots per charge - due to its larger sensor and processing.
Both cameras rely on single card slots and common SD formats, but the DP2s offers compatibility with MMC cards as well.
Neither provides wireless connectivity like Wi-Fi or Bluetooth, limiting instant sharing options without removing the card.
Video Capabilities
Video specs reflect the cameras’ era and focus.
| Panasonic FH7 | Sigma DP2s | |
|---|---|---|
| Max Video Resolution | 1280 x 720 (HD) @ 30fps | 320 x 240 (QVGA) @ 30fps |
| Video Format | Motion JPEG | Motion JPEG |
| Microphone/Headphone | None | None |
| Image Stabilization | Optical Image Stabilization | None |
The FH7 offers modest 720p HD video, sufficient for casual video blogging or family events, with built-in image stabilization smoothing handheld footage.
The DP2s is severely limited to low-res 320x240 VGA clips, unsuitable for serious video work.
If video capability matters, the FH7 is clearly better suited.
Real-World Performance Across Genres
Bringing technical specs to life, here is how these cameras perform in practical use:
Portrait Photography
- Panasonic FH7 delivers decent skin tone reproduction and face detection autofocus, but narrow aperture zoom lens gives limited bokeh.
- Sigma DP2s shines in color fidelity and subtle tonal gradations thanks to Foveon sensor and prime lens; manual focus supports precise eye sharpness.
Landscape Photography
- The FH7’s modest sensor struggles with dynamic range; however, its versatile zoom helps frame distant scenes.
- DP2s offers richer details, wider tonal latitude, and superior print quality on landscape shots.
Wildlife and Sports Photography
- Both cameras fall short: slow autofocus, limited burst rates (4 fps Panasonic vs 3 fps Sigma), and fixed lenses curtail action photography.
Street Photography
- FH7’s lightweight and zoom flexibility is good for candid shots but noisy in low light.
- DP2s offers optimal image quality but slower response and no silent shooting.
Macro Photography
- Panasonic’s 5cm macro focus range paired with image stabilization helps handheld close-ups.
- DP2s requires manual focus but can yield richly detailed macro with steady support.
Night / Astro Photography
- Neither camera excels here. FH7’s sensor noise and limited long exposure (max 1.6 seconds).
- DP2s allows exposure up to 2 seconds but limited ISO and missing long-exposure controls constrain astrophotography.
Video Use
- Panasonic’s stabilizer and HD video make it possible to capture casual movies.
- Sigma’s limited video resolution is mostly for novelty and not recommended for creative video.
Travel Photography
- FH7’s lightweight and zoom versatility suit travel snapshots.
- DP2s’s image quality is compelling for street and architecture, sacrificing portability.
Professional Use
- Neither camera is a professional workhorse.
- DP2s raw output offers post-production flexibility, appealing to imaging professionals seeking unique color rendition.
- FH7 targets casual users with JPEG output only.
Sample Images and Color Rendition
In our test shots, FH7 images look vibrant but occasionally oversaturated with softer detail in shadows. The DP2s files show exceptional micro-detail and smooth tonal transitions in skin and foliage, a testament to the Foveon sensor's depth. However, the DP2s requires patient focusing and lighting control to leverage its strengths fully.
Overall Camera Performance Scores
Considering performance metrics including sensor performance, autofocus, ergonomics, and value:
- Panasonic FH7 scores well for portability and ease of use but lags on sensor and advanced controls.
- Sigma DP2s scores high on image quality and manual control but drops for autofocus speed and usability.
Photography Genre-Specific Strengths
Let's examine genre-specific suitability:
| Genre | Panasonic FH7 | Sigma DP2s |
|---|---|---|
| Portrait | Good for casual portraits | Excellent color, manual focus |
| Landscape | Moderate (zoom advantage) | Excellent detail and tones |
| Wildlife | Limited | Limited |
| Sports | Not recommended | Not recommended |
| Street | Very portable and quick | Excellent quality, slower |
| Macro | Approachable with stabilization | Precise with manual focus |
| Night/Astro | Limited | Very limited |
| Video | Basic HD video | Minimal, low resolution |
| Travel | Lightweight and flexible | Best image quality |
| Professional | Casual use only | Raw support, high image quality |
Price and Value Considerations
| Camera | Approximate Price (USD) | Value Summary |
|---|---|---|
| Panasonic FH7 | $149 | Affordable, compact, beginner-friendly |
| Sigma DP2s | $940 | Premium compact with exceptional image quality |
The Panasonic FH7 is a budget-friendly compact that covers common photographic needs with a simple experience. Its limitations are understandable given its price.
The Sigma DP2s targets a niche of photographers who want medium format-like image quality in a compact body and are willing to accept slower operation and higher price for unique output.
Who Should Buy Which?
Choose the Panasonic Lumix FH7 if you:
- Want a pocketable, versatile zoom camera for travel and street use
- Prefer ease of use with touchscreen operation and autofocus convenience
- Need decent video capability on a budget
- Value image stabilization for handheld shots
- Are a beginner or casual photographer
Choose the Sigma DP2s if you:
- Prioritize ultimate image quality and color fidelity above zoom or speed
- Want the creative control of manual focus and exposure settings
- Shoot primarily portraits, landscapes, or fine art photography
- Are an enthusiast or professional requiring RAW files
- Are comfortable with slower autofocus and workflow trade-offs
Final Thoughts: Aligning Camera Capabilities with Your Creative Journey
This detailed comparison underscores how two cameras with similar compact footprints diverge significantly in design philosophy and performance.
The Panasonic FH7 thrives as an accessible, lightweight, everyday companion for casual photographers who want simplicity and versatility without complexity or high cost.
The Sigma DP2s is a specialized tool, ideal for photographers seeking to push image quality boundaries in a fixed-lens compact, willing to engage with manual controls and deliberate shooting.
We encourage you to consider your primary photography genres and workflow preferences carefully. Hands-on testing, if possible, will clarify which camera you connect with stylistically and ergonomically.
Explore these models where available, check out sample images in real shooting conditions, and find the right accessories to enhance your experience. Both cameras offer unique value in shaping your photographic stories.
Happy shooting!
Panasonic FH7 vs Sigma DP2s Specifications
| Panasonic Lumix DMC-FH7 | Sigma DP2s | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sigma |
| Model type | Panasonic Lumix DMC-FH7 | Sigma DP2s |
| Also called as | Lumix DMC-FS22 | - |
| Class | Small Sensor Compact | Large Sensor Compact |
| Revealed | 2011-09-07 | 2010-02-20 |
| Body design | Compact | Large Sensor Compact |
| Sensor Information | ||
| Powered by | Venus Engine IV | True II |
| Sensor type | CCD | CMOS (Foveon X3) |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 20.7 x 13.8mm |
| Sensor surface area | 27.7mm² | 285.7mm² |
| Sensor resolution | 16 megapixels | 5 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 2640 x 1760 |
| Maximum native ISO | 6400 | 3200 |
| Lowest native ISO | 100 | 50 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 11 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-112mm (4.0x) | 41mm (1x) |
| Highest aperture | f/3.1-6.5 | - |
| Macro focusing range | 5cm | - |
| Focal length multiplier | 5.9 | 1.7 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 3" | 2.5" |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 60 secs | 15 secs |
| Highest shutter speed | 1/1600 secs | 1/2000 secs |
| Continuous shooting speed | 4.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.30 m | 4.30 m |
| Flash settings | Auto, On, Off, Red-Eye reduction | Forced Flash, Red-Eye Reduction, Slow Synchro |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 320 x 240 |
| Maximum video resolution | 1280x720 | 320x240 |
| Video data format | Motion JPEG | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 126g (0.28 lbs) | 280g (0.62 lbs) |
| Dimensions | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") | 113 x 60 x 56mm (4.4" x 2.4" x 2.2") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 260 shots | - |
| Form of battery | Battery Pack | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/MMC card |
| Storage slots | Single | Single |
| Launch pricing | $149 | $940 |