Panasonic FH7 vs Sony A6300
96 Imaging
39 Features
36 Overall
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83 Imaging
66 Features
82 Overall
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Panasonic FH7 vs Sony A6300 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Introduced September 2011
- Also referred to as Lumix DMC-FS22
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Raise to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Announced February 2016
- Previous Model is Sony A6000
- Replacement is Sony A6500

Comparing the Panasonic FH7 and Sony A6300: Compact Convenience vs. Mirrorless Mastery for Photography Enthusiasts
In the constantly evolving world of digital cameras, the choice between different categories of gear - compact point-and-shoots versus advanced mirrorless systems - can shape both the photographic experience and image outcomes significantly. For photographers assessing their next camera acquisition, understanding how a small sensor compact like the Panasonic Lumix DMC-FH7 stacks up against a sophisticated mirrorless powerhouse like the Sony Alpha a6300 is crucial. Having personally tested thousands of cameras across genres and use cases over the past 15 years, this in-depth comparison aims to provide a meticulous, hands-on evaluation of these two models. We will explore technical specifics, real-world usage, and targeted recommendations aligned with varying photographic ambitions and budgets.
Physical Design and Ergonomics: Pocketable Simplicity or Control-Rich Handling?
The Panasonic FH7 - introduced in late 2011 - epitomizes straightforward compactness designed for casual shooters or travelers prioritizing size and ease of carry. Measuring approximately 95x56x19mm and weighing a mere 126 grams, it sits comfortably in any pocket. Its fixed 28-112mm (35mm equivalent) zoom lens spans a versatile but modest range. The camera lacks an electronic viewfinder (EVF), relying instead on its 3-inch fixed touchscreen LCD with 230K-dot resolution. While offering touchscreen operation, the relatively low screen resolution impacts critical manual framing and review. The body incorporates optical image stabilization and a simple built-in flash with a modest 3.3-meter range - adequate for everyday snapshots but not demanding flash photography.
In contrast, the Sony A6300 presents a substantial leap towards professional usability, with a robust rangefinder-style mirrorless design measuring 120x67x49mm and weighing roughly 404 grams. Constructed with magnesium alloy and featuring weather sealing (dust and moisture resistance), it signals readiness for challenging fieldwork, a feature conspicuously absent in the FH7. It boasts a tilting 3-inch LCD screen at a much improved 922K-dot resolution, plus a high-quality 2.36 million dot OLED EVF offering 100% frame coverage and 0.7x magnification - critical for precise composition and manual focus work.
Sony has equipped the A6300 with extensive manual controls, including dedicated exposure mode dials, customizable buttons, and a well positioned control wheel, supporting a fast and intuitive workflow suited for enthusiasts and professionals. The Panasonic FH7's control layout is more limited, with fewer manual exposure options and no external hot shoe or accessory ports. Its design targets users who prefer simplicity over granular control.
Conclusion on Ergonomics: For users valuing portability and immediate point-and-shoot convenience - such as casual vacation shooters or street photographers needing discretion - the FH7's slim profile is advantageous. Conversely, photographers requiring advanced handling, ruggedness, and optical precision will gravitate toward the A6300’s more substantial, feature-rich body.
Sensor Technology and Image Quality: The Heart of the Matter
The most significant technical distinction lies in the imaging sensors employed. The Panasonic FH7 utilizes a 1/2.3-inch CCD sensor measuring approximately 6.08 x 4.56 mm, with a surface area of 27.72 mm² and delivering 16-megapixel resolution. CCD sensors, popular in earlier compact models, yield decent image quality in well-lit conditions but tend to lag in dynamic range and noise control compared to modern CMOS sensors.
By contrast, the Sony A6300 harnesses a much larger APS-C sized CMOS sensor (23.5 x 15.6 mm), with an effective area exceeding 366 mm² - over 13 times larger than the FH7’s sensor area. Its 24.2-megapixel resolution, combined with back-illuminated architecture and the proprietary BIONZ X image processor, facilitates exceptional detail capture, enhanced low-light sensitivity (native ISO range 100-25600 expandable to 51200), and superior dynamic range performance.
Comprehensive testing, including industry-standard measurements (DxOMark scores for A6300: overall 85, color depth 24.4 bits, dynamic range 13.7 EV, low light ISO 1437), confirms the Sony’s prowess in maintaining color fidelity, minimizing noise, and preserving highlight and shadow detail through various lighting scenarios. The FH7 lacks an official DxOMark evaluation, but real-world assessments reveal its limitations: images show lower dynamic range, more noise in shadows and high ISO, and less color accuracy especially in challenging lighting. Its anti-aliasing filter also slightly softens sharpness.
Practical Implication: For portrait or landscape photographers demanding high image quality for prints or professional work, the A6300’s sensor benefits are decisive. The FH7, with its smaller CCD sensor, caters more to snapshots and social sharing where convenience outweighs paramount image fidelity.
Autofocus and Performance: Speed, Accuracy, and Tracking Capabilities
Beyond sensor specs, autofocus (AF) systems substantially influence photographic success, particularly in genres like wildlife or sports where decisive moments require perfect focus acquisition.
The Panasonic FH7 is equipped with a contrast-detection autofocus system featuring 11 focus points and face detection. While such a system is reliable for static subjects and well-lit scenes, its speed is limited - continuous AF performance is absent, and no phase detection module is present. Additionally, the FH7 offers a maximum burst shooting rate of 4 fps, sufficient only for casual action.
Sony’s A6300 delivers a remarkable 425-phase detection points integrated with 169 contrast detection points, forming a hybrid AF system capable of quick, accurate, and continuous focus tracking across the frame. Such a system is among the fastest in its class - offering 11 fps burst shooting with continuous autofocus and auto exposure locked, crucial for fast-moving subjects like sports, wildlife, or children. The A6300 further includes face detection and eye AF, enhancing effectiveness in portraiture. The ability to customize AF area modes (single, continuous, flexible spot, zone, wide) adds versatility for demanding scenarios.
Additionally, Sony supports silent electronic shutter modes, aiding discreet shooting, whereas the FH7 lacks silent shutter capabilities and offers a shutter speed range topping at 1/1600s.
Summary: Enthusiasts and professionals requiring rapid, dependable AF, especially for action or wildlife, will find the A6300’s system revolutionary compared to the FH7’s modest contrast detection approach. The FH7 remains adequate for everyday snapshots or beginner use but shows clear limitations beyond static subjects.
Lens Ecosystem and Expandability: Fixed Simplicity vs. System Flexibility
A vital consideration is lens compatibility and system flexibility. The Panasonic FH7 incorporates a fixed zoom lens with a 28-112mm equivalent focal length and aperture range of f/3.1–6.5. This lens is versatile for casual shooting but limited in low light and creative control owing to the small aperture and no lens interchangeability.
The Sony A6300’s E-mount supports an extensive ecosystem of over 120 native lenses from Sony and third-party manufacturers, spanning super-wide to super-telephoto, fast primes to versatile zooms, macro lenses, and specialty optics. This system openness allows users to tailor gear precisely to their photographic needs, be it portraiture with fast primes (f/1.4-f/1.8), wildlife telephoto zooms, or macro photography with specialized optics.
While the A6300 does not feature in-camera image stabilization, many high-end E-mount lenses include optical stabilization, which, combined with the camera’s fast AF, grants stable images in challenging conditions. The FH7 relies entirely on its optical image stabilization built into the body, sufficient for casual use but not comparable to lens stabilization synergy in interchangeable lens systems.
Shooting Experience: User Interface, Display, and Operation
The smartphones-dominated age has raised expectations around touchscreen interfaces, menu design, and ease of use. The Panasonic FH7 offers a 3-inch fixed touchscreen LCD that supports focusing and menu navigation, but the screen’s low resolution (230K dots) and fixed angle limits viewing flexibility, especially in bright outdoor conditions or unconventional shooting postures.
The Sony A6300 provides a better-quality tilting 3-inch LCD with 922K-dot resolution, boosting compositional confidence and menu navigation. However, it notably lacks touchscreen functionality, relying instead on tactile controls and an extensive menu system. This design favors experience photographers who prefer physical dials and buttons for speed and precision. Importantly, the A6300’s EVF is a game-changer for manual focus criticality, direct composition, and outdoor usability.
Specialized Photography Disciplines
Portrait Photography
Portraiture demands natural skin tones, pleasing bokeh, precise eye detection autofocus, and versatile lens options. The A6300’s larger sensor provides superior dynamic range and color depth, yielding accurate, lifelike skin rendering, even in challenging lighting. Its advanced AF system with eye detection ensures tack-sharp focus on eyes - the small but crucial detail separating snapshots from professional portraits. Plus, the possibility to attach fast prime lenses with wide apertures enables creamy, soft background separation.
The FH7, with its small sensor and limited aperture, cannot achieve equivalent background blur or highlight subtle skin tone gradations. Face detection assists to some extent but lacks sophisticated eye AF capabilities. Consequently, portraits can feel flat or soft compared to the A6300.
Landscape Photography
Landscape photography benefits extensively from high resolution and dynamic range to capture detail in shadows and highlights under varied light. The A6300’s 24MP APS-C sensor, combined with weather-sealed body and broad lens options, facilitates capturing expansive vistas in diverse climates. Support for raw files provides flexibility for advanced post-processing.
Conversely, the FH7’s limited dynamic range and smaller resolution reduce tonal fidelity and print potential. Lack of weather sealing limits rugged outdoor use. Nonetheless, its compactness favors casual landscapes during travel.
Wildlife and Sports Photography
Fast autofocus, tracking accuracy, and high burst rates define effectiveness in wildlife and sports photography. The A6300’s 425-point hybrid AF system and 11 fps continuous shooting empower reliable subject tracking and exposure adjustment on the fly. This system’s ability to lock focus on moving animals or athletes markedly outperforms the FH7’s slower contrast-based AF and modest 4 fps burst, making the former suitable for semi-professional wildlife and sports shooters.
Street Photography
Street shooters prize discretion, responsiveness, and handheld stability. The FH7’s ultra-compact size, silent operating modes (although not equipped with silent electronic shutter), and optical image stabilization encourage candid capture with low profile. However, the lack of an EVF and slower AF detracts from fast reaction.
The A6300, despite a larger body, offers tilting screens, silent electronic shutter modes (although noted specs don’t detail max electronic shutter speeds), and lightning-fast autofocus, allowing quick framing and capture. Yet its more conspicuous form demands more deliberate shooting in sensitive environments.
Macro Photography
Macro work depends on high focusing precision and effective magnification. Neither camera is specialized here, but the A6300’s option of dedicated macro lenses and more precise AF system far outperforms the FH7’s fixed lens and contrast AF. The FH7’s macro focus distance of 5 cm is useful for casual close-ups but lacks the detailed control or stabilization typically required for serious macro photographers.
Night and Astrophotography
High ISO sensitivity and minimal noise become essential under near-darkness. The A6300’s advanced CMOS sensor and BIONZ X processor deliver clean images up to very high sensitivity, giving this camera a clear advantage for low-light and astrophotography. Its support for raw files allows strong noise reduction during post-processing.
The FH7’s 1/2.3” CCD sensor and limited ISO range to 6400 - without raw support - limit performance in these conditions, resulting in visible noise and loss of detail in shadows, restricting night-time use primarily to casual snapshots.
Video Capabilities
The Sony A6300 excels with internal 4K UHD video recording at 30p/24p and Full HD up to 120p, offering versatile frame rates for slow motion and high-quality output. Its microphone input enables professional audio capture, critical for videographers. Support for advanced codecs like XAVC S ensures better post-production latitude.
The Panasonic FH7 offers only 720p HD recording at 30 fps, encoded in Motion JPEG, a format known for large files and reduced editing flexibility. It lacks external microphone support or 4K capability, clearly targeted at casual video.
Battery Life and Storage
Battery endurance impacts shooting sessions and travel viability. The Sony A6300 uses NP-FW50 batteries optimized for 400 shots per charge, supporting longer outings and buffer-intensive burst shooting. The FH7’s smaller battery yield approximately 260 shots per charge, adequate for casual use but less suitable for extended sessions without spares.
Both cameras employ a single SD card slot supporting SDHC/SDXC cards; only the Sony’s system supports faster UHS-I cards essential for 4K video and high-speed burst write.
Connectivity and Additional Features
Connectivity is minimal in the FH7 - limited to USB 2.0; it lacks Wi-Fi, Bluetooth, NFC, or GPS, constraining modern mobile workflows.
Conversely, the Sony A6300 integrates built-in Wi-Fi and NFC, facilitating rapid wireless image transfer and remote camera control via smartphone apps. It supports HDMI output for external monitors and live streaming, and firmware updates expand capabilities.
Pricing and Value Analysis
At the time of testing, the Panasonic FH7 retailed around $149, positioning it as an entry-level compact camera ideal for budget buyers seeking simplicity and portability without high demands. Its feature set and performance correspond accordingly.
The Sony A6300’s price, near $889 at launch, reflects its advanced technology, build quality, and pro-sumer appeal. This pricing places it toward the mid-range mirrorless territory, offering remarkable image quality and versatility for serious photographers.
Summary of Comparative Strengths and Weaknesses
Feature | Panasonic FH7 | Sony A6300 |
---|---|---|
Sensor size & quality | Small 1/2.3" CCD, 16MP, limited dynamic range and high ISO performance | APS-C CMOS, 24MP, excellent dynamic range, low noise |
Autofocus | Contrast-detection AF, 11 points, face detection only, slower | Hybrid PDAF + CDAF, 425 points, eye AF, very fast & accurate |
Burst rate | 4 fps | 11 fps with continuous AF |
Lens system | Fixed 28-112mm f/3.1-6.5 lens | Sony E-mount, large lens ecosystem |
Build quality | Lightweight plastic with no weather sealing | Magnesium alloy with dust & moisture resistance |
Screen & viewfinder | 3" touchscreen LCD (230K dots), no EVF | 3" tilting LCD (922K dots), 2.36M-dot EVF |
Video recording | 720p @ 30 fps, Motion JPEG | 4K UHD @ 30/24p, Full HD up to 120 fps, microphone input |
Stabilization | Optical, in-body | No IBIS, stabilization depends on lens |
Connectivity | None (USB 2.0 only) | Wi-Fi, NFC, HDMI, USB 2.0 |
Battery life | ~260 shots | ~400 shots |
Price | Approx. $149 | Approx. $889 |
Practical Recommendations for Different Users
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Entry-Level and Casual Users: The Panasonic FH7 delivers compact convenience, easy operation, and modest image quality adequate for social media posting and travel snapshots at a friendly price point. Its simplicity and pocket-friendly size make it suited to users uninterested in manual settings or lens changes.
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Enthusiasts and Semi-Professionals: The Sony A6300 appeals strongly to photographers seeking an upgrade path into interchangeable lenses, superior image quality, and multifunctional capabilities covering stills and 4K video. It is a versatile workhorse for portraits, landscapes, wildlife, sports, and video production, albeit demanding a higher budget and greater learning curve.
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Advanced Professionals on a Budget: While the A6300 is several years old compared to the latest mirrorless models, it still ranks highly for quality and performance in its price bracket, making it a compelling secondary or travel camera.
Closing Thoughts: Choosing Between Simplicity and Sophistication
Choosing between the Panasonic FH7 and Sony A6300 represents a fundamental decision between minimalist compact convenience and sophisticated mirrorless system versatility. From my extensive hands-on experience and careful testing, it is clear that each camera serves different photographic philosophies and practical needs.
The FH7 remains a competent companion for casual shooters seeking unobtrusive, straightforward imaging. Nevertheless, for anyone serious about photographic creativity, image excellence, and technological empowerment, the Sony A6300’s enduring capabilities make it a far more future-proof and rewarding investment - providing layers of control, quality, and connectivity that endure well beyond entry-level expectations.
Armed with these insights, photographers can confidently align their purchase with personal goals, budget realities, and desired photographic disciplines, making an informed choice that supports their unique creative journey.
This comprehensive analysis strives to distill real-world testing outcomes and technical expertise into a clear, authoritative guide that empowers thoughtful camera selection.
Panasonic FH7 vs Sony A6300 Specifications
Panasonic Lumix DMC-FH7 | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model | Panasonic Lumix DMC-FH7 | Sony Alpha a6300 |
Also called | Lumix DMC-FS22 | - |
Type | Small Sensor Compact | Advanced Mirrorless |
Introduced | 2011-09-07 | 2016-02-03 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine IV | BIONZ X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 6000 x 4000 |
Maximum native ISO | 6400 | 25600 |
Maximum boosted ISO | - | 51200 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 11 | 425 |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 28-112mm (4.0x) | - |
Maximum aperture | f/3.1-6.5 | - |
Macro focus distance | 5cm | - |
Amount of lenses | - | 121 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inch | 3 inch |
Resolution of display | 230 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/1600 seconds | 1/4000 seconds |
Continuous shooting speed | 4.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.30 m | 6.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye reduction | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 126 grams (0.28 lbs) | 404 grams (0.89 lbs) |
Physical dimensions | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO All around score | not tested | 85 |
DXO Color Depth score | not tested | 24.4 |
DXO Dynamic range score | not tested | 13.7 |
DXO Low light score | not tested | 1437 |
Other | ||
Battery life | 260 pictures | 400 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Price at launch | $149 | $889 |