Panasonic FH8 vs Panasonic FX75
96 Imaging
39 Features
32 Overall
36


94 Imaging
36 Features
32 Overall
34
Panasonic FH8 vs Panasonic FX75 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 123g - 96 x 57 x 19mm
- Released January 2012
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.2-5.9) lens
- 165g - 103 x 55 x 23mm
- Announced June 2010
- Also Known as Lumix DMC-FX70

Panasonic Lumix DMC-FH8 vs DMC-FX75: In-Depth Compact Camera Comparison for Enthusiasts and Pros
When it comes to small sensor compact cameras, Panasonic’s Lumix series has long been a favorite for photographers who want pocketable convenience without fully sacrificing versatility. Today, we’re diving deeply into two models from Panasonic’s earlier lineups: the Lumix DMC-FH8 (2012) and the Lumix DMC-FX75 (2010, aka FX70 in some regions). Both cameras target budget-conscious users looking for straightforward operation, respectable zoom ranges, and image stabilization – but they do have subtle differences that affect practical use and image quality.
Having tested thousands of cameras over my 15+ years as a photography tech reviewer, I’ve put these two Lumix compacts under the microscope - poking at sensors, squeezing autofocus, and shooting in a broad range of everyday and creative scenarios. This article aims to provide you with no-nonsense, fully contextual insights that can help you decide which one, if either, deserves a spot in your camera bag today.
Size and Ergonomics: The FH8 is notably more pocket-friendly, while the FX75 feels chunkier but offers more grip.
Feel in the Hand: Ergonomics and Body Design
The first impression of a camera often comes from how it feels in your hands and how intuitive its controls are. Panasonic’s compact shooters tend to prioritize simplicity, yet even small form-factor differences can impact grip security and usability.
The FH8 impresses with its ultra-slim profile measuring just 96x57x19mm and weighing a featherlight 123g. This makes it ideal for true grab-and-go scenarios where you don’t want to be bothered with bulk. Its minimalistic design eschews protrusions or “clubs for thumbs” – so it fits neatly into tight pockets but may feel slightly less secure during prolonged shooting.
The FX75, on the other hand, is chunkier at 103x55x23mm and 165g. Here, the extra heft adds a bit of reassuring heft and a more defined grip zone, which helps when you’re holding the camera steady for longer sessions or in tricky angles. This is a classic trade-off between pocketability and handling comfort.
While neither camera has physical dials or advanced controls, the FX75’s back deck includes a touchscreen interface pioneering for the time, potentially speeding up access to settings though it’s far from today's standards.
Top View: Both cameras keep things simple, but the FX75 edges out FH8 by offering touchscreen controls.
Sensor and Image Quality: The Heart of the Matter
At the core of any camera lies the sensor, which largely dictates image quality potential. Both the FH8 and FX75 use the same sensor size – a 1/2.3” CCD (measuring roughly 6.08x4.56mm) with an area of about 27.7mm² - a standard in compact cameras of their generation.
Resolution-wise:
- FH8 offers a 16MP sensor (4608x3456 pixels), which on paper means higher pixel density.
- FX75 is slightly lower resolution at 14MP (4320x3240 pixels).
However, higher megapixels on such a small sensor often mean smaller individual pixels, which can increase noise and hurt low-light performance. The slightly lower 14MP count of the FX75 actually helps it offer cleaner images, especially at higher ISOs, because its pixels capture more light individually.
Both cameras incorporate an anti-aliasing filter (which smooths fine details to prevent moiré) and share a native ISO range topping out at ISO 6400. However, in real-world testing, neither is a champ above ISO 400 due to the constraints of compact CCD sensors and limited noise reduction tech at the time.
When it comes to image quality nuances:
- The FH8’s 16MP sensor yields slightly sharper images in good light, thanks to the higher resolution.
- The FX75 delivers more pleasing colors with its Venus Engine HD II processor backing, which contributes to better noise control and color rendering.
Sensor Comparison: Both share the 1/2.3” CCD sensor size, but with differing megapixel counts and processing.
Screen and UI: How You Compose and Navigate
Both cameras rely exclusively on LCD screens - no viewfinders here. Expect no electronic viewfinder or optical finder, which limits shooting comfort in bright sunlight and for precise framing.
The FH8 sports a fixed 3-inch TFT LCD with 230k-dot resolution. It’s bright enough for casual outdoor use but a bit underwhelming compared to modern standards. No touchscreen means all controls are menu or button-based.
The FX75 goes for a slightly smaller 2.7-inch screen but includes touchscreen functionality, a rarity back then in this tier. The touchscreen can speed focus point selection and menu navigation. The resolution is the same 230k dots, so detail sharpness is similar.
For users who prioritize fast interactions and touch-based controls, the FX75 has an advantage here, though the screens themselves both lack brightness and viewing angle excellence seen in later cameras.
Back Screen: FH8 offers a larger screen size, but FX75 provides touchscreen functionality.
Zoom Lens and Optical Performance
Both cameras feature a fixed lens with a 24-120mm equivalent zoom (around 5x optical zoom) providing decent versatility from wide-angle landscapes to moderate telephoto shots.
In terms of maximum aperture:
- FH8 ranges from F2.5 at the wide end down to F6.4 at full zoom.
- FX75 is slightly brighter at wide angle with F2.2 and tops out at F5.9 at telephoto.
That extra stop of brightness on the FX75 wide end helps a bit in low light or when seeking shallow depth of field, though don’t expect DSLR-level bokeh with these small sensors.
Macro focusing is a bit tighter on the FX75 with a minimum distance of 3cm vs. 4cm on the FH8, making it more adept at close-up shots.
Both have optical image stabilization (OIS), which is critical on slower lenses like these to avoid handshake blur. The OIS systems did their job reasonably well during my testing, particularly for handheld shooting in dimmer environments.
Autofocus and Shooting Experience
Autofocus on these compacts is contrast-detection only – no hybrid or phase detection as on DSLRs or newer mirrorless systems. This leads to inherent speed and accuracy limitations.
- The FH8 has 23 focal points including face detection, which is somewhat surprising given its entry-level class.
- The FX75 lacks face detection but utilizes contrast detection with touch-to-focus on its touchscreen.
In practice:
- The FH8 delivered reliable focus in well-lit scenes but struggled in low light and lacked tracking sophistication.
- The FX75 edged ahead slightly owing to its touchscreen-based AF point selection, speeding up manual-like control, though continuous autofocus was no speed demon for either.
Neither camera is suitable for action-packed scenarios. Their continuous shooting speeds max out at 1 fps (FH8) and 2 fps (FX75), far behind modern standards, so keep your expectations in check.
Flash and Low-Light Performance
Both have built-in pop-up flashes but differ in some important ways:
- FH8’s flash range is rated at 5.6 meters.
- FX75 extends to about 7.4 meters and supports slow-sync flash for balanced exposures in mixed lighting - an advantage for night portraits.
Despite differences, on-camera flash on compacts is inherently harsh and better avoided when possible. For low-light, both cameras rely heavily on their OIS and fast lenses, but the FH8's slower aperture at telephoto and slightly noisier sensor make it less adept after dusk.
Video Capabilities
Both shooters are modest video recorders, maxing out at 720p HD at 30fps.
- The FH8 records in MPEG-4 format.
- The FX75 supports AVCHD Lite and Motion JPEG, providing mildly better compression efficiency and potentially better quality at the same bitrate.
Neither camera offers external microphone input or headphone jacks, which limits serious videography potential. No 4K or advanced modes, nor image stabilization modes optimized for video.
For casual home video or social clips, both are serviceable at best.
Battery Life, Storage, and Connectivity
The FH8 uses a proprietary battery pack rated for around 260 shots per charge.
Surprisingly, Panasonic does not specify battery life figures for the FX75 in the data I found, but by physical size and generation, it's safe to assume it’s roughly comparable or slightly less.
Both cameras accept SD, SDHC, and SDXC cards in a single card slot.
Connectivity features are minimal:
- No Wi-Fi, NFC, or Bluetooth on either.
- FH8 lacks HDMI output.
- FX75 does have a mini HDMI port for video playback on TVs.
In our always-connected age, these cameras feel stuck in the past.
Field Testing Across Photography Genres
Given their specs and features, where do these cameras shine or falter across typical photography disciplines? I tested them in diverse scenarios to gather insights which I summarize here.
Portrait Photography: Handling Skin Tones and Focus
Portrait work demands accurate skin color reproduction, pleasing background blur, and fast, reliable focus - especially eye-detection.
Neither of these Panasonic compacts is built for heavy portraiting. They lack RAW capture and manual exposure controls, limiting post-processing and creative control.
- FH8 offers face detection autofocus, a slight plus in getting quick focus on subjects.
- FX75 lacks face detection but touchscreen can help manually select focus points on eyes.
The small 1/2.3” sensors and aperture ranges produce limited, nervous bokeh that struggles to separate subjects from backgrounds. Skin tones are decent in good light but prone to slight desaturation or muddiness under complex light.
Landscape Photography: Resolution and Dynamic Range
Landscape photography benefits from high resolution and wide dynamic range.
- FH8’s 16MP resolution edges FX75’s 14MP, which means slightly more cropping flexibility.
- Neither camera excels in dynamic range due to CCD sensor limitations and lack of bracketing or HDR features.
Weather sealing is non-existent on both models, so caution is advised outdoors.
Wildlife and Sports: Autofocus and Speed
For wildlife and sports, speed and tracking AF system are crucial.
Sadly, both fail miserably here:
- Sluggish autofocus and max burst rates under 2fps render them ineffective for fast action.
- Limited telephoto reach (120mm max) also restricts ability to capture distant wildlife.
Street and Travel Photography: Portability and Discretion
This is where compacts like these still hold some charm.
- The FH8’s slimmer body and lighter weight make it less intrusive and easier to carry all day.
- FX75, while larger, offers touchscreen convenience.
Both cameras operate quietly, lack eye-level viewfinders (which some street shooters prefer for discretion), and have decent low light capabilities for modest evening shots.
Battery life is a mixed bag - 260 shots for FH8 is workable for day trips but borderline for travel.
Macro and Close-Ups
The FX75’s closer 3cm macro focus beats the FH8’s minimum 4cm.
Sharpness and detail capture for close-ups are passable but limited by sensor size and lens speed.
Night and Astro Photography
Neither camera supports bulb mode or long exposure controls.
ISO beyond 400 quickly becomes noisy.
Lack of RAW and exposure bracketing limit astro photography prospects.
Video Shooting
Useful only for casual 720p capture.
No manual focus or advanced stabilization.
Sample Shots: Both cameras provide decent daylight snaps but show noise and detail loss indoors.
Tech Deep Dive: Autofocus, Processing, and Build
Autofocus Systems
Both cameras rely exclusively on contrast detection AF.
- FH8 has 23 focus points and face detection.
- FX75 uses touch-based focus with no face detection.
Contrast detection is slow vs. more advanced hybrid or phase-detect AF systems, prone to hunting, especially in low light or low contrast.
Processors
FX75 uses Panasonic’s Venus Engine HD II, which brings mild noise reduction improvements and color fidelity.
FH8 processor details are sparse but likely an incremental update over previous models.
Build Quality and Weather Resistance
Both have plastic bodies with no weather sealing.
The FX75’s heft lends slight feeling of durability, but neither is rugged.
Lens Compatibility
Fixed lenses mean no interchangeable glass - so you get what’s on board.
User Interface and Controls
Simple menus, no manual exposure modes, no custom buttons.
Touchscreen on FX75 helps navigation but is far from a game changer.
Storage and Battery
Single SD slot, proprietary batteries with modest life.
Performance Scores: FX75 slightly edges out FH8 overall, thanks to sensor processing and touchscreen.
Price and Value Analysis
Current street pricing for these cameras tends to be around $130-150 USD, ideal for ultra-budget buyers or first-time point-and-shoot seekers.
Considering the minor specs differences, the FX75 offers slightly better value for money due to its Venus processor, touchscreen, slower aperture, and marginally better flash.
If you’re strictly after extreme portability and simplicity, the FH8 fits better.
For anyone looking for a compact camera capable of decent image quality with some user-friendly features, the FX75 is preferable.
Genre Utility: Neither shines for action or professional work but fare decently as budget travel and casual shooters.
Final Pros and Cons Roundup
Panasonic Lumix DMC-FH8
Pros:
- Lightweight and ultra-compact design perfect for pockets
- Higher 16MP sensor for detailed daylight captures
- Face detection autofocus
- Optical image stabilization
- Modest battery life (260 shots)
Cons:
- No touchscreen for navigation
- Slower max aperture at telephoto (F6.4)
- Single frame per second continuous shooting (very slow)
- No HDMI or modern connectivity
- No RAW support or manual exposure
Panasonic Lumix DMC-FX75
Pros:
- Venus Engine HD II processor for improved noise and color
- Slightly brighter lens at wide end (F2.2)
- Touchscreen interface speeds AF and setting navigation
- Slim macro focusing distance (3cm)
- Better flash range and slow sync mode
- HDMI port for external playback
Cons:
- Heavier and bulkier than FH8
- No face detection autofocus
- Slightly lower resolution sensor (14MP)
- No RAW, manual controls, or modern connectivity
- Burst speed limited to 2 fps
Who Should Buy Which?
If you are a complete beginner or cheapskate wanting the simplest possible compact for casual family outings or everyday carry, favor the Panasonic FH8 for its pocket-friendliness and honest resolution punch.
If you want a modest upgrade in image processing, touchscreen interaction, and better flash performance for travel or street photography with occasional macro shooting, the Panasonic FX75 edges out as the more versatile choice.
For professional, wildlife, sports, or serious landscape photographers, neither camera is suitable - move towards advanced mirrorless/DSLR systems with larger sensors, optical viewfinders, and faster AF.
Closing Thoughts: Can These Compact Lumixes Still Compete?
In a world saturated with smartphones boasting incredible computational photography, these 10-12 year old Lumix compacts are relics - but they do hold value for collectors or absolute budget buyers who miss having a dedicated physical camera.
Between the two, the FX75’s incremental advantages in processing, user interface, and lens brightness make it my pick if forced to choose.
However, anyone serious about photography should now consider newer entry-level mirrorless options that offer far superior sensor performance, autofocus, video, and expandable lens ecosystems.
That said, if nostalgia and a tight budget guide you, these small compacts will deliver decent snapshots and fill the gap when you want a camera that isn’t your phone.
If you found this detailed Panasonic FH8 vs FX75 comparison useful, feel free to share it with fellow photographers hunting for compact cameras with honest, hands-on insights. Happy shooting!
Panasonic FH8 vs Panasonic FX75 Specifications
Panasonic Lumix DMC-FH8 | Panasonic Lumix DMC-FX75 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FH8 | Panasonic Lumix DMC-FX75 |
Also Known as | - | Lumix DMC-FX70 |
Type | Small Sensor Compact | Small Sensor Compact |
Released | 2012-01-09 | 2010-06-01 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | - | Venus Engine HD II |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor surface area | 27.7mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4320 x 3240 |
Max native ISO | 6400 | 6400 |
Min native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 23 | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-120mm (5.0x) | 24-120mm (5.0x) |
Largest aperture | f/2.5-6.4 | f/2.2-5.9 |
Macro focus distance | 4cm | 3cm |
Crop factor | 5.9 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Resolution of screen | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 8s | 60s |
Max shutter speed | 1/1600s | 1/2000s |
Continuous shutter rate | 1.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.60 m | 7.40 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | MPEG-4 | AVCHD Lite, Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 123g (0.27 pounds) | 165g (0.36 pounds) |
Physical dimensions | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") | 103 x 55 x 23mm (4.1" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 260 pictures | - |
Style of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Cost at release | $149 | $139 |