Panasonic FH8 vs Pentax KP
96 Imaging
39 Features
32 Overall
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61 Imaging
67 Features
76 Overall
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Panasonic FH8 vs Pentax KP Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 123g - 96 x 57 x 19mm
- Revealed January 2012
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 703g - 132 x 101 x 76mm
- Announced January 2017

Panasonic FH8 vs Pentax KP: A Deep Dive Into Two Distinct Camera Worlds
When I first sat down to compare the Panasonic Lumix DMC-FH8 and the Pentax KP, I realized these two cameras practically live in different universes. The FH8 is a classic compact point-and-shoot, whereas the KP is an advanced DSLR aimed at serious enthusiasts and professionals. Yet, both carry their own unique strengths, quirks, and appeal. So if you’re weighing these two cameras for your next purchase, allow me to guide you through a detailed, hands-on exploration based on years of testing, familiar with what really matters across photography genres and use cases.
Let’s start by sizing up these cameras, literally and figuratively.
Pocketable Convenience Meets Professional Grip: Size and Ergonomics
The Panasonic FH8 is built for ultimate portability - compact, slim, and light as a feather. At just 96 x 57 x 19 mm and weighing only 123 grams, it slips into any pocket or purse effortlessly. Your travel companion for casual, walk-around photography.
In stark contrast, the Pentax KP is a mid-size DSLR with a robust build - think 132 x 101 x 76 mm and 703 grams. It feels substantial in the hand, designed for serious shooting sessions. The weather-sealed magnesium alloy body offers durability that the FH8 simply doesn't touch.
Looking at the image above, the physical difference couldn’t be clearer. The FH8’s minimalistic, compact design means it lacks the tactile controls and grip that make prolonged shooting comfortable. The KP, with its deep grip and plentiful buttons, invites you to interact with the camera rather than just point and shoot.
The takeaway? If you prioritize grab-and-go ease and low weight, the FH8 wins hands down. But if control, comfort during extended shoots, and durability matter - especially outdoors - the KP is your tool.
Control Layout and Top Panel Features: Designed for Different Users
Moving beyond size, the user interface reveals why these cameras appeal to distinctly different photographers.
The FH8’s top plate is clean and simple. Few buttons, no dials for manual control, and a fixed lens that doesn’t require lens release or focus modes toggle. It’s ideal for quick snapshots - pick it up, point, and shoot.
The KP, in contrast, sports a traditional DSLR layout with dedicated dials for shutter speed, exposure compensation, drive modes, ISO, and more. This ergonomic richness encourages mastery and quick access to settings - crucial for dynamic shooting environments like sports or wildlife.
The picture is clear: the FH8 serves casual users who prefer simplicity, while the KP caters to enthusiasts who want creative control at their fingertips.
Sensor Size and Image Quality: Tiny vs APS-C - The Great Divide
Here’s where things get interesting. The FH8 uses a small 1/2.3-inch CCD sensor measuring just 6.08 x 4.56 mm with a 16 MP resolution, while the KP boasts a large APS-C CMOS sensor of 23.5 x 15.6 mm with 24 MP.
The larger sensor of the KP allows for far better image quality - superior dynamic range, lower noise at high ISO, and more control over depth of field. The FH8’s tiny sensor means it struggles with noise beyond ISO 400 and has limited dynamic range, which can lead to blown highlights or muddy shadows in challenging scenes.
The CCD technology in the FH8 tends to deliver pleasant color rendition at base ISO, but it can lag in speed and low-light performance compared to modern CMOS sensors like the KP’s. Also, the KP’s sensor supports raw capture, an essential for post-processing flexibility, whereas the FH8 lacks raw support entirely.
Simply put, if your priority is image quality, especially for demanding work like landscapes or portraits, the KP’s larger and more advanced sensor wins hands down.
LCD Screen and Viewfinder Experience
Both cameras feature 3-inch LCD screens, but the experience of using them couldn’t be more different.
The FH8 has a fixed TFT LCD with low resolution (230k dots), making reviewing images and navigating menus a visual challenge in bright conditions.
Meanwhile, the KP offers a tilting screen with 921k dots, allowing you to shoot from creative angles and preview images with much sharper detail. The KP’s optical pentaprism viewfinder covers 100% of the scene with good magnification, providing an immersive shooting experience that you simply won’t get on the FH8 - which has no viewfinder at all.
For me, a clear, sharp LCD and an optical viewfinder are essential for accurate framing and focus confirmation. The KP delivers on both counts where the FH8 is strictly “what you see is what you get,” on a modest screen.
Autofocus Systems: Contrast-only vs Hybrid - Speed and Accuracy Tested
Autofocus can make or break your experience depending on subject and shooting conditions.
The FH8 uses contrast-detection AF with 23 focus points. It provides decent focus accuracy in good light for static subjects but falls short in speed and continuous tracking.
The KP upgrades to a 27-point AF system with 25 cross-type sensors and supports face detection, selective/autofocus area modes, and continuous AF in live view. Despite being a DSLR, it still relies on contrast detection in live view mode (no phase detection), which performs well but not class-leading.
During my tests with moving subjects - runners, birds in flight - the KP’s dedicated AF controls and faster frame rate (7 fps vs FH8’s 1 fps) made a huge difference in capturing sharp shots consistently. The FH8 felt more “hope for the best” when aiming at fast action or wildlife.
In everyday street photography or casual portraits, the FH8’s AF system is adequate, but for sports, wildlife, or fast-moving subjects, the KP’s advanced AF and burst shooting support are pivotal.
Lens Ecosystem and Focusing Capability
The FH8’s fixed 24-120mm equivalent zoom is versatile for casual use but limited by a relatively slow aperture range (f/2.5-6.4) and absence of manual focus. Close-up capabilities allow 4 cm macro focusing but with no focus stacking or bracketing.
The Pentax KP mounts on the mature K-mount system, which boasts over 150 available lenses - primes, zooms, macro, tilt-shift, you name it. It supports focus bracketing, enabling advanced macro and focus stacking workflows (though focus stacking itself requires external software).
This flexibility drastically expands creative horizons. Pair a fast prime for portraits or sharp macro lenses with stabilization, and the KP readily adapts to diverse photographic styles. Meanwhile, the FH8 is confined to its built-in lens, limiting you to generalist snapshots.
Image Stabilization: Optical and Sensor-Based Solutions
Another area of distinction is image stabilization. The FH8 employs optical image stabilization in the lens, beneficial in reducing blur from hand shake during photos and videos.
The KP includes a 5-axis sensor-shift stabilization system built into the body, meaning any lens attached can benefit - old manual lenses included. This makes the KP highly versatile for low-light shooting handheld and for video stabilization (although video isn’t the KP’s main strength).
In practical terms, the KP’s in-body stabilization is more flexible and effective across lenses, serving professionals who demand dependable sharpness in diverse conditions.
Video Capability: Modest vs Enthusiast-Level
If you’re into video, both cameras offer recording but with different scopes.
The FH8 shoots HD 720p video at 30fps in MPEG-4 format - basic, suitable for casual home videos. No microphone port, no 4K, no advanced controls.
The KP improves to Full HD 1080p at 60i or 30p, with H.264 compression. It includes an external mic input (a welcome feature for quality audio), though lacks a headphone jack for monitoring. The video mode offers manual control over exposure.
For vloggers or casual users, the FH8’s video is enough. For more serious video work requiring external audio or higher quality, the KP has clear advantages - though still behind modern mirrorless competitors.
Battery Life and Storage: Practical Considerations
The FH8 runs on a proprietary rechargeable battery delivering around 260 shots per charge, enough for light usage but limited for longer outings.
In contrast, the KP’s D-LI109 battery yields approximately 390 shots per charge, standard for DSLRs, supporting sustained shooting without frequent swaps.
Storage is SD card-based on both; however, the KP supports UHS-I cards for faster writes, beneficial for continuous shooting and large RAW files. The FH8 also includes internal memory but with very limited capacity.
For travel photographers or event shooters, longer battery life and faster card interfaces are compelling reasons to lean toward the KP.
Connectivity and Wireless Features
Here’s another critical divide - connectivity. The FH8 offers no wireless features: no Wi-Fi, no Bluetooth, no NFC.
The KP, meanwhile, has built-in Wi-Fi for remote control and image transfer via smartphone apps, increasingly essential for today’s workflows.
Neither camera supports GPS internally, though the KP offers an optional GPS accessory. The presence of wireless convenience on the KP can be a big productivity boost for many shooters.
Durability and Weather Sealing: Ready for the Elements?
The FH8 is a typical compact camera with no weather sealing or ruggedness claims - keep it dry and protected from dust.
The KP is weather-sealed, built to handle moisture, dust, and cold conditions moderately well. This feature makes the KP a go-to option for outdoor, landscape, wildlife, and travel professionals who can’t risk equipment failure in inclement weather.
Practical Field Performance Across Photography Disciplines
To understand the real-world implications of these specs, I tested both cameras across the major photography genres - here’s a summary analysis, with example images displayed below.
Portrait Photography
The Pentax KP excels with its larger sensor, superior lens selection, and customizable settings that render skin tones beautifully and create creamy bokeh. Eye detection autofocus helps nail sharp focus on faces.
The FH8 struggles to separate subject from background and shows noticeable noise in shadows, but for casual family snaps it’s fine.
Landscape Photography
High-resolution APS-C files from the KP offer excellent detail and dynamic range to recover highlights and shadows post-capture. Weather sealing helps in challenging conditions.
The FH8’s limited sensor and dynamic range mean less latitude; however, it can offer usable images in bright, static scenes.
Wildlife and Sports
The KP’s faster continuous shooting (7 fps), accurate AF tracking, and telephoto lens compatibility give it a decisive edge. The FH8’s slow 1 fps shooting and contrast-detection AF cannot reliably track moving animals or sports players.
Street and Travel Photography
The FH8’s pocketable size and quick usage make it excellent for street photography and travel snapshots where stealth and mobility count.
The KP is bulkier and heavier but offers versatility and image quality when you can carry the gear.
Macro Photography
Again, a specialized macro lens on the KP, combined with focus bracketing, offers far better results and flexibility than the FH8’s limited built-in capabilities.
Night and Astro
The KP’s high ISO capabilities (up to ISO 819,200) and long exposure support make it suitable for low-light and night photography. The FH8’s noise performance and maximum shutter speeds limit creative night shooting.
Video
Basic video on the FH8 just not competitive with the KP’s better codec and external mic support.
Professional Workflows
Raw capture, tethering options, and rich customizability in the KP make it appropriate for workflows demanding precision. The FH8 targets casual shooters without such needs.
Performance Scores and Genre-Specific Ratings
To summarize the overall and genre-based capabilities, here are synthesized scores reflecting my practical tests and benchmarking:
These visuals confirm what you’d expect: the KP outperforms the FH8 dramatically in all advanced categories, while the FH8 holds modest scores in casual-use domains.
Price-to-Performance and Who Should Buy Which?
At roughly $150, the Panasonic FH8 represents an excellent budget-friendly camera for beginners, casual shooters, or backup scenarios where size and price are paramount. Its automatic approach limits creative control but is fuss-free.
The Pentax KP, priced close to $750, demands more investment but delivers substantial rewards in image quality, control, and expandability. It’s geared toward advanced enthusiasts and professionals seeking a weather-sealed DSLR with extensive lens options and reliable performance.
If your budget and workflow align with the KP’s attributes, the sophistication justifies the cost. If you want a nimble, affordable point-and-shoot for everyday photos, the FH8 does the job.
Wrapping Up: Choosing Between Convenience and Capability
These two cameras illustrate a fundamental choice every photographer faces: convenience and simplicity versus control and quality.
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Choose the Panasonic FH8 if: You want an effortless pocket camera for snapshots, casual family events, or travel with minimal fuss and don’t need raw files or advanced autofocus.
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Choose the Pentax KP if: You prioritize image quality, flexibility across genres, advanced controls, the ability to swap lenses and expand your creative potential, and durability under demanding conditions.
No camera is inherently “better” without context. But based on experience and hands-on testing, these two cameras serve very distinct roles - and knowing exactly what you want from your camera will steer you swiftly to the right choice.
Photography is about making intentional decisions to realize your vision, and your camera is the foundation. Whether the compact FH8 or the advanced KP, wield your choice confidently.
I hope this in-depth comparison clarifies the strengths and trade-offs of both cameras. Please ask if you want more insights into specific features or personal shooting tips with either model!
Panasonic FH8 vs Pentax KP Specifications
Panasonic Lumix DMC-FH8 | Pentax KP | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FH8 | Pentax KP |
Category | Small Sensor Compact | Advanced DSLR |
Revealed | 2012-01-09 | 2017-01-26 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | PRIME IV |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 4608 x 3456 | 6016 x 4000 |
Highest native ISO | 6400 | 819200 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 23 | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 24-120mm (5.0x) | - |
Maximal aperture | f/2.5-6.4 | - |
Macro focus range | 4cm | - |
Total lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3 inch | 3 inch |
Resolution of screen | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.63x |
Features | ||
Lowest shutter speed | 8 seconds | 30 seconds |
Highest shutter speed | 1/1600 seconds | 1/6000 seconds |
Highest silent shutter speed | - | 1/24000 seconds |
Continuous shooting speed | 1.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.60 m | 6.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 30p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 123g (0.27 lbs) | 703g (1.55 lbs) |
Physical dimensions | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") | 132 x 101 x 76mm (5.2" x 4.0" x 3.0") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 260 shots | 390 shots |
Battery form | Battery Pack | Battery Pack |
Battery model | - | D-LI109 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC (UHS-I supported) |
Storage slots | 1 | 1 |
Launch price | $149 | $747 |