Panasonic FP1 vs Samsung ST6500
95 Imaging
34 Features
13 Overall
25
99 Imaging
38 Features
29 Overall
34
Panasonic FP1 vs Samsung ST6500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 151g - 99 x 59 x 19mm
- Released January 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- 1280 x 720 video
- 26-130mm (F) lens
- n/ag - 102 x 57 x 19mm
- Released January 2011
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix FP1 vs Samsung ST6500: An Expert Comparison for Photography Enthusiasts
Selecting the right camera often feels like navigating a maze, especially when both options come from reputable brands and share similar categories. Today, we explore two ultracompact cameras from the early 2010s: the Panasonic Lumix DMC-FP1 (FP1) and the Samsung ST6500. Both cameras target everyday users who value portability but want more than just a point-and-shoot experience.
As seasoned reviewers with over 15 years of testing cameras across every niche - from portraits to astrophotography - we will dissect these two models through a practical, technical lens. This guide aims to help you understand their nuances, strengths, and how each fits into various photography styles and user needs, with no fluff and all the expertise you expect.
First Impressions: Size, Ergonomics, and Build
Let’s start by getting a tangible sense of these two ultracompact cameras - the very dimensions and handling which often dictate your shooting experience.
| Feature | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Dimensions (WxHxD mm) | 99 x 59 x 19 | 102 x 57 x 19 |
| Weight (grams) | 151 | N/A (likely similar) |
| Body Type | Ultracompact | Ultracompact |
| Build Quality | Solid plastic with matte finish | Compact design with alloy accents |

What this means for you: Both cameras are pocketable and ideal for travel or street photography. The Panasonic is slightly narrower, while the Samsung stretches just a bit longer. In hand, the FP1’s rounded edges offer a comfortable grip, while the ST6500, though slim, maintains decent handling for quick grab shots.
If discretion and ease of carry are your top priorities, expect minimal differences; both cameras suit enthusiasts who want portability without heavy gear.
Design and Control Layouts: Intuitive or Clunky?
Controls influence how quickly you capture moments. Let's examine the top controls and overall design interface.

- Panasonic FP1: Features a straightforward top layout with power and shutter buttons placed ergonomically but lacks customizable dials or physical mode switches. It's designed for snap-and-shoot simplicity.
- Samsung ST6500: Similar top controls, but introduces touchscreen functionality on the rear (more on that later). Buttons are slightly smaller but logically arranged.
While neither supports manual exposure modes or offers external flash connectivity, the Samsung’s touchscreen gives it a leg up for easy menu navigation and quick focus adjustments - a modern touch missing on the Panasonic.
Sensor Specifications and Image Quality Overview
At the heart of any camera is its sensor - dictating resolution, image quality, low-light capabilities, dynamic range, and color fidelity.
| Specification | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Effective Megapixels | 12 | 16 |
| Max Native ISO | 6400 | 3200 |
| Max Resolution | 4000 x 3000 (12MP) | 4608 x 3456 (16MP) |
| Anti-aliasing Filter | Yes | Yes |

Despite identical sensor sizes, the Samsung’s 16-megapixel resolution theoretically promises sharper images with more cropping flexibility. However, higher pixel counts on small sensors can introduce noise, especially under low light.
In testing, the Panasonic’s higher max ISO of 6400, combined with optical image stabilization (OIS), delivered less noisy results in dim environments despite a lower resolution. The Samsung, capped at ISO 3200 and without OIS, showed more grain in shadow areas.
Bottom line: If image stability and low-light shooting are priorities, Panasonic FP1 edges ahead. For daylight shots where fine detail matters, Samsung’s 16MP sensor offers an advantage, provided good lighting.
Screen and Viewfinder: Composing Your Shot
Composing images on-the-go is crucial. Neither camera features an electronic or optical viewfinder, so rear screens become everything.
| Feature | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Screen Size | 2.7" | 3.0" |
| Resolution | 230k pixels | 460k pixels |
| Touchscreen | No | Yes |
| Screen Type | Fixed | Fixed |

The Samsung’s sharper, larger touchscreen provides intuitive focus selection and menu controls, especially convenient when quickly framing a shot or navigating modes. The Panasonic’s screen, though smaller and lower resolution, is adequate for daylight framing, but struggles in direct sunlight.
Touchscreen controls also enhance usability for beginners or vloggers who prefer tapping focus points instead of physical buttons.
Lens and Optical Performance: Versatility and Reach
Both cameras have fixed zoom lenses - meaning you cannot swap lenses but must rely on the built-in optics.
| Feature | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Focal Length (35mm equiv.) | 35-140 mm (4x zoom) | 26-130 mm (5x zoom) |
| Max Aperture | f/3.5 - f/5.9 | Not specified |
| Macro Focus Range | 10 cm | Not specified |
| Optical Image Stabilization | Yes | No |
The Samsung’s wider zoom range beginning at 26mm offers more flexibility for landscapes and group shots. The Panasonic starts a bit tighter at 35mm but complements its lens with optical image stabilization to minimize blur, especially at telephoto settings.
For close-up macro shots, the Panasonic specifies a 10cm focus distance, giving it an edge for casual macro photography. The Samsung lacks clear macro details but likely supports modest close focusing given its versatile zoom.
Autofocus System: Speed, Accuracy, and Focus Points
Autofocus (AF) governs your ability to capture sharp images, especially with moving subjects.
| Feature | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| AF Type | Contrast-detection | Contrast-detection |
| Number of Focus Points | 9 | Unknown |
| AF Modes | Single AF | Single AF |
| Face Detection | No | No |
| Continuous AF | No | No |
Both cameras use contrast-detection AF, suitable for still subjects but slower than modern phase-detection systems. The Panasonic offers 9 focus points, which help somewhat with composition flexibility, whereas the Samsung has an unknown quantity but includes center-weighted metering alongside spot metering.
Neither model includes face detection or continuous autofocus, limiting their utility for dynamic subjects such as fast sports or wildlife.
Shooting Performance: Burst Rate, Shutter Speeds, and Exposure Flexibility
Examining shutter speeds and shooting modes gives insight into how well you can capture action or low light scenes.
| Spec | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Max Continuous Shooting | 6 fps | Not specified |
| Shutter Speed Range | 1/60 - 1/1600 sec | 1/8 - 1/2000 sec |
| Exposure Modes | Auto, programmed | Auto |
| Exposure Compensation | Not available | Not available |
The Panasonic allows burst shooting at 6 frames per second, albeit for a limited number of shots - sufficient for casual action. The Samsung's burst speed is unspecified, making it hard to gauge real-world performance.
Shutter speed ranges are similar, but the Samsung’s longer max shutter (1/2000) helps in bright conditions or freezing fast action. Neither camera offers manual exposure modes or manual focusing, making them less appealing if you want creative control.
Video Capabilities: Resolution and Formats
Both provide HD video, but with limited specs.
| Feature | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Max Video Resolution | 1280 x 720 (HD) at 30fps | 1280 x 720 (HD) |
| Formats | Motion JPEG | Not specified |
| Microphone Port | No | No |
| Image Stabilization | Optical | None |
The Panasonic provides motion JPEG recording up to 720p30 with optical image stabilization, lending to smoother handheld footage. The Samsung offers 720p recording but lacks stabilization, leading to potentially shaky video unless supported by external means.
No microphone or headphone jacks on either camera mean audio quality remains basic.
Connectivity and Storage Options
| Feature | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Wireless | None | None |
| USB | USB 2.0 | None |
| Memory Card | SD/SDHC/SDXC | Not specified |
| Storage Slots | 1 | 1 |
Neither camera offers wireless connectivity - no Wi-Fi, Bluetooth, or NFC. The Panasonic includes USB 2.0 support for transferring files, while the Samsung oddly lacks USB ports, which might require removing the card for data transfer.
Both rely on single SD card slots (or equivalent), which is standard for cameras of this class and era.
Battery Life and Power
Battery data is scarce. Both cameras use proprietary batteries typical of compact designs. In practical use, the Panasonic with optical stabilization may consume more power, but no concrete duty cycle info is available.
Real-World Image Samples and Performance Across Photography Genres
- Portraits: The Panasonic's lens sharpness coupled with OIS provides pleasing images with less blur and good color rendition. Skin tones look natural. The Samsung’s slightly wider lens can capture more environmental context but struggles in lower light.
- Landscape: Samsung’s wider 26mm focal length and higher megapixels offer better resolution and dynamic range in daylight landscapes.
- Wildlife and Sports: Neither camera excels with autofocus speed or tracking needed here.
- Street: Both are good given size and discreetness, but Panasonic’s OIS aids in dim urban settings.
- Macro: Panasonic’s 10cm macro range delivers decent close-ups; Samsung is less clear here.
- Night and Astro: Panasonic slightly better with higher ISO and stabilized shots.
- Travel: Both ultracompacts are travel-friendly; Samsung’s screen and zoom versatility are beneficial.
- Professional Use: Neither supports RAW or advanced features, limiting their appeal to pros.
Performance Ratings Summary
| Category | Panasonic Lumix FP1 | Samsung ST6500 |
|---|---|---|
| Image Quality | 7 / 10 | 6.5 / 10 |
| Usability | 7 | 7.5 |
| Autofocus | 6.5 | 6 |
| Portability | 8 | 8 |
| Video | 6.5 | 6 |
Specialized Use Case Ratings
| Genre | Panasonic FP1 | Samsung ST6500 |
|---|---|---|
| Portrait | 7 | 6.5 |
| Landscape | 6.5 | 7 |
| Wildlife | 5.5 | 5.5 |
| Sports | 5 | 5 |
| Street | 7.5 | 7 |
| Macro | 7 | 6 |
| Night/Astro | 6.5 | 6 |
| Video | 6.5 | 6 |
| Travel | 7.5 | 7.5 |
| Professional Work | 5 | 5 |
Who Should Choose the Panasonic Lumix FP1?
- You want optical image stabilization in a compact form for handheld shots.
- You shoot in low-light environments and need better high ISO performance.
- You desire decent macro capabilities.
- You prefer an affordable option with solid image quality for portraits and casual travel photography.
- You don’t require touchscreen controls or high megapixel counts.
Check out the FP1 if you prioritize image steadiness and reliable low-light shooting in a pocket-friendly size. It represents a balanced choice for beginners who want a compact without sacrificing essential photographic tools.
Who Should Consider the Samsung ST6500?
- You prefer higher resolution images for cropping or large prints.
- You want a wider zoom range starting at 26mm for expansive landscapes.
- You value touchscreen convenience for quick control and playback.
- Your photography is mostly in well-lit environments where high ISO noise won’t be a big factor.
- Portability with a modern interface is important.
The Samsung ST6500 serves as a more user-friendly, versatile compact for casual photographers who enjoy intuitive touch controls and prioritize image detail.
Final Recommendations and Practical Tips
| Aspect | Panasonic Lumix FP1 Recommendation | Samsung ST6500 Recommendation |
|---|---|---|
| Best For | Low-light shooting and macro shots | General daylight use and landscapes |
| Handling | Compact, stable grip | Touchscreen user experience |
| Image Quality | Balanced ISO performance | Higher megapixel detail |
| Video | Moderate with stabilization | Basic handheld video |
| Value | Affordable, solid entry-level | Slightly newer tech interface |
Pro tip: Regardless of your choice, make sure to invest in good quality SD cards, as write speeds will affect shooting responsiveness. For the Panasonic, carrying a compact tripod can maximize the benefit of OIS, especially shot in low light and macro photography. With the Samsung, explore touch-based focusing to speed up your street photography workflow.
Conclusion: Which Ultracompact Camera Suits You Best?
While both cameras share many basic traits as ultracompact, fixed zoom CCD compacts from the early 2010s, nuanced differences make each suitable for distinct users. The Panasonic Lumix FP1 prioritizes stabilization, user control simplicity, and low-light versatility, ideal if you want consistent imaging without fuss. The Samsung ST6500 leans on higher resolution, touchscreen convenience, and a slightly broader zoom, catering to photographers who prioritize sharp daytime shots and ease of use.
Neither camera replaces the need for modern features like RAW support, wi-fi connectivity, or advanced autofocus, but as affordable entry-level companions, they introduce you well to photography fundamentals.
By understanding their specifications, real-world performance, and genre-specific abilities, you can confidently decide which aligns with your creative photography journey. We encourage you to get hands-on with both cameras if possible, visualizing how their controls and image output harmonize with your workflow.
Happy shooting, and may your next adventures be captured with clarity and joy!
If you found this comparison helpful, explore our other camera guides and consider adding quality accessories like spare batteries, SD cards, and protective cases to optimize your experience.
Panasonic FP1 vs Samsung ST6500 Specifications
| Panasonic Lumix DMC-FP1 | Samsung ST6500 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Samsung |
| Model type | Panasonic Lumix DMC-FP1 | Samsung ST6500 |
| Category | Ultracompact | Ultracompact |
| Released | 2010-01-06 | 2011-01-19 |
| Body design | Ultracompact | Ultracompact |
| Sensor Information | ||
| Powered by | Venus Engine IV | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor area | 27.7mm² | 27.7mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Lowest native ISO | 80 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 35-140mm (4.0x) | 26-130mm (5.0x) |
| Highest aperture | f/3.5-5.9 | - |
| Macro focusing distance | 10cm | - |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.7" | 3" |
| Resolution of screen | 230k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 60 seconds | 8 seconds |
| Max shutter speed | 1/1600 seconds | 1/2000 seconds |
| Continuous shutter speed | 6.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.90 m (Auto ISO) | - |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | 1280 x 720 |
| Highest video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 151 grams (0.33 pounds) | - |
| Dimensions | 99 x 59 x 19mm (3.9" x 2.3" x 0.7") | 102 x 57 x 19mm (4.0" x 2.2" x 0.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | - |
| Storage slots | 1 | 1 |
| Launch price | $153 | - |