Panasonic FP2 vs Panasonic GF7
95 Imaging
36 Features
17 Overall
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90 Imaging
53 Features
66 Overall
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Panasonic FP2 vs Panasonic GF7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 151g - 99 x 59 x 19mm
- Released January 2010
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1/16000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Launched February 2015
- Previous Model is Panasonic GF6
- Renewed by Panasonic GF8

Panasonic FP2 vs Panasonic GF7: A Hands-On Comparison for Enthusiasts and Pros
Choosing the right camera can often feel like navigating a jungle of specs with no clear guide. I’ve spent over 15 years testing cameras, dissecting every button and pixel, and today I’m diving into a detailed comparison between two Panasonic models that might fly under many radars but are genuinely interesting in their own realms: the Panasonic Lumix DMC-FP2, an ultra-compact pocket shooter from 2010, and the Panasonic Lumix DMC-GF7, an entry-level mirrorless from 2015.
These cameras aren’t head-to-head competitors - they come from different eras and categories - but their divergence nicely illustrates how camera technology evolved, and which might suit various users depending on photography style, budget, and priorities.
Let’s unpack the practical realities, technical chops, and overall value they bring to your creative toolkit.
A Tale of Two Designs: Ultra-Compact Meets Mirrorless Versatility
First impressions count, and the physical design often determines whether a camera becomes your daily buddy or an occasional affair.
The Panasonic FP2 is unapologetically petite. Weighing just 151 grams and measuring 99x59x19mm, it’s a true pocket camera - ultracompact to the extreme. Perfect for slip-in-your-pocket casual shooting, it’s the ideal companion when bulk just isn’t an option. But that compactness comes with compromises (more on those shortly).
The Panasonic GF7, by contrast, is a compact mirrorless camera with a more substantial body, tipping the scales at 266 grams and physical dimensions of 107x65x33 mm. While not exactly bulky, it's noticeably larger than the FP2, providing better ergonomics and control for photographers who want to get their hands involved.
Let’s visualize this size difference:
The FP2’s slimmer, lighter frame is wonderful for travel and street photography (more on these uses below), whereas the GF7’s chunkier grip and larger body allows for more comfortable single-hand shooting and manipulation of controls. The GF7 feels like it’s designed for extended use rather than one-off snapshots.
Speaking of controls:
The GF7 boasts more dedicated dials and buttons, including exposure compensation, manual modes, and customizable function buttons, supporting more versatile shooting. The FP2’s ultra-minimalist approach is closer to a point-and-shoot’s “set it and forget it” ethos.
Sensor Technology and Image Quality: Entering a New Dimension
Image quality largely hinges on sensor size and processing power. The FP2 uses a 1/2.3” CCD sensor with 14 megapixels resolution, while the GF7 sports a far larger Four Thirds CMOS sensor with 16 megapixels.
What does this mean practically? The GF7’s sensor area (~225 mm²) is over 8 times larger than the FP2’s (~28 mm²), allowing it to:
- Capture more light with lower noise at high ISOs
- Deliver better dynamic range (retaining details in shadows and highlights)
- Produce higher resolution images with finer detail and cleaner tonal gradation
In my real-world comparisons, landscapes and portraits from the GF7 showed noticeably richer color depth and sharper details. The FP2’s images, by comparison, sometimes look flat or grainy, especially in anything but bright daylight.
ISO sensitivity is a key factor here: The FP2 maxes out at ISO 6400 (though realistically noisy beyond 800), while the GF7 can reach ISO 25600 with usable quality up to ISO 3200 in good hands, thanks to the more modern CMOS sensor and improved Venus Engine processor.
If you shoot portraits or landscapes and want versatile lighting conditions, the GF7’s sensor and processing prowess clearly have the upper hand.
Handling, Display, and Interface: Your Connection to the Camera
The screens on these cameras expose their usability philosophies. The FP2 sports a fixed and quite modest 2.7-inch, 230k-dot LCD, while the GF7 advances to a 3-inch, 1,040k-dot tilting touchscreen.
The GF7’s higher-res, articulating touchscreen makes framing from unusual angles a breeze, and tapping to focus is intuitive - features that beginners and enthusiasts alike will value. The FP2 lacks touchscreen and tilting, meaning you’re stuck with its rigid, low-resolution display that struggles under bright outdoor light.
Despite the GF7’s lack of any built-in viewfinder (and the FP2 has none), the superior screen clarity and modern UI menus enhance the shooting experience considerably.
The GF7 also supports touch autofocus and face detection to streamline quick portrait captures. The FP2 offers no face detection autofocus and relies on a simple 9-point contrast-detection AF system without manual focus options.
Autofocus and Shooting Performance: Speed and Precision Under Pressure
While neither camera claims professional-speed autofocus, their era and design approaches produce significantly different user experiences.
- The FP2 offers a contrast-detection AF system with 9 focus points. It locks focus fairly steadily in good light but can be sluggish in low light or low contrast environments. Continuous autofocus or face detection autofocus isn’t supported, limiting its use in fast-paced contexts.
- The GF7 boasts 23 AF points with contrast detection, and adds face detection and AF tracking. It also allows manual focus via touchscreen - which is a huge advantage for macro and portrait photographers wanting precision control.
Continuous shooting speeds are modest for both cameras but slightly favor the GF7 at 5.8 fps vs the FP2’s 5.0 fps.
If you photograph wildlife or sports, neither is ideal, but the GF7’s quicker focus acquisition and tracking make it a much better fit for semi-action shots. The FP2 is better suited for casual snapshots of static scenes.
Lens Ecosystem and Expandability: From Fixed to Infinite Options
Here’s a major difference: The FP2 has a fixed zoom lens (35-140mm equivalent, 4x zoom, with f/3.5-5.9 aperture), whereas the GF7 is a Micro Four Thirds mirrorless system camera supporting Panasonic’s entire extensive lineup and third-party lenses - over 100 lenses as of its release.
This means the GF7 can accommodate:
- Fast primes for portraits and low light
- Wide-angles and ultra-wides for landscape and architecture
- Macro lenses for detailed close-ups
- Telephoto zooms for wildlife and sports
The FP2’s built-in lens limits its reach and optical quality. It focuses down to 10cm macro, but you’re confined to the single zoom range. The absence of lens interchangeability keeps things simple, but also restricts creative growth.
In practical terms: If you’re a casual snapper who prioritizes convenience, the FP2’s built-in lens and straightforward operation might suffice. For enthusiasts looking to grow and experiment with different genres and focal lengths, the GF7 offers an entire playground.
Build Quality and Environmental Resistance: Durability Realities
Neither the FP2 nor the GF7 offers weather sealing or significant ruggedness. Both cameras require careful handling, especially in wet or dusty conditions.
The FP2’s plastic, miniature body feels fragile compared to the more solid, albeit lightweight, GF7, which features a rangefinder-style mirrorless build with better grip surfaces for secure handling.
Neither is shockproof or freezeproof - common traits in ultracompacts and entry-level mirrorless cameras.
Battery Life and Storage: Long Hauls and Memory Cards
With no manufacturer battery life for the FP2 listed, real-world experience suggests it runs roughly 220 shots per charge with its proprietary battery - typical for compact cameras of its time.
The GF7 has a specified 230 shot battery life (CIPA standard), which in practice more likely translates to fewer when using the screen extensively or shooting video. It’s powered by a rechargeable lithium-ion battery pack.
Both cameras use SD, SDHC, or SDXC cards, but the GF7 leverages a faster card interface, beneficial for larger RAW files and video recording.
Video Capabilities: From Basic Clips to HD Storytelling
While video is important for most modern photographers, the FP2 and GF7 differ substantially:
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FP2 offers only 720p HD video at 30fps with limited codec support (Motion JPEG). No image stabilization is available during video recording, and there’s no microphone input for external audio, limiting sound quality control.
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GF7 steps up to full 1080p HD video at 60fps, with AVCHD and MPEG-4 formats supported. Though no in-camera image stabilization exists (it relies on lens stabilization), the GF7 offers more frame rate options and improved video quality for casual videographers.
Neither camera targets professional video creators, but the GF7 gives more flexibility and better quality for vloggers and hybrid shooters.
Addressing Specific Photography Genres: How Do They Stack Up?
Let me break down their suitability across popular genres, based on hands-on testing and technical specs:
Portrait Photography
- GF7 wins hands-down. Its larger sensor, face detection autofocus, and manual exposure modes enable beautifully rendered portraits with creamy bokeh - especially with fast primes in the Micro Four Thirds lineup.
- FP2’s fixed lens and small sensor struggle for shallow depth of field and color rendition; combined with no face detection AF, it’s more suited to casual snapshots than creative portrait work.
Landscape Photography
- GF7 again holds the advantage, offering higher dynamic range, better resolution, and more versatile wide-angle lenses.
- The FP2’s limited sensor and lens combo yields flatter images, but it’s usable on bright sunny days and for casual landscape snaps.
Wildlife Photography
- Neither excels here, but the GF7’s faster autofocus and support for long lenses significantly elevate its wildlife capabilities.
- The FP2’s fixed zoom and slow AF hinder capturing fast-moving animals.
Sports Photography
- The GF7’s quicker continuous shutter and AF tracking make it marginally useful for slow-paced sports or casual action - yet it’s no pro sports camera.
- FP2 is too limited for sports photography.
Street Photography
- Surprisingly, the FP2’s pocket size and discreet appearance make it ideal for stealthy street shots where size matters.
- However, the GF7’s better image quality and autofocus put it ahead for decisive moments, if you don’t mind carrying a small but noticeable camera.
Macro Photography
- GF7 benefits from native lens support for dedicated macro optics and manual focus aids, enabling better close-up work than the FP2’s 10cm fixed lens macro setting.
Night / Astro Photography
- The FP2’s noisy high-ISO performance constrains low-light use to well-lit scenes.
- GF7’s CMOS sensor and higher max ISO deliver better nocturnal images, though tripod use and RAW files are essential for astro work.
Video Use
- GF7’s 1080p60 video with superior codec and exposure controls make it better for casual video creation compared to the FP2’s limited 720p MJPEG.
Travel Photography
- The FP2’s tiny size and weight are a travel blessing, blending into pockets and bags effortlessly.
- The GF7’s versatility wins if you seek image quality and lens options, at a size tradeoff.
Professional Work
- Neither camera is designed for professional studios or workflows needing extensive RAW support and high reliability - but the GF7’s RAW support and manual controls make it more workable as a backup or lightweight travel camera for pros.
Connectivity and Modern Conveniences
Connectivity is a growing consideration:
- The FP2 offers absolutely no wireless connectivity.
- The GF7 includes built-in Wi-Fi and NFC for pairing with smartphones and easy image transfer.
The GF7's wireless capabilities greatly enhance convenience for social media enthusiasts and content creators on the move, marking a clear generational leap.
Pricing and Value: What Are You Getting for Your Money?
Prices emphasize how the cameras occupy different market niches:
- Panasonic FP2: Around $80 new (or less secondhand), it’s an ultra-budget option for casual shooters prioritizing portability and simplicity.
- Panasonic GF7: Around $308 new, it’s an affordable entry into the Micro Four Thirds mirrorless system, offering flexible imaging and creative controls.
For cheapskates or photographers needing a throw-in-the-pocket backup, the FP2 is compelling. But for anybody wanting room to grow or decent image quality under varied conditions, the GF7 delivers much better bang for your buck.
Summing It Up: Performance Scorecards and Recommendations
No camera exists in a vacuum, so let's take a glance at their overall performance relative to categories critical for shooters.
These images illustrate the GF7’s superior sharpness and color fidelity, especially in challenging lighting.
Clearly, the GF7 scores significantly higher across technical and practical metrics.
The FP2’s strengths lie mainly in portability and ease of use; the GF7 excels in all other aspects, particularly creative flexibility and image quality.
Pros and Cons at a Glance
Panasonic FP2
Pros:
- Ultra-compact, pocketable, and unobtrusive
- Simple operation, ideal for casual snapshots
- Optical image stabilization for sharper photos
- Extremely affordable
Cons:
- Small sensor limits image quality and low light performance
- Fixed lens restricts creative range
- Slow autofocus with no face detection
- Basic video at 720p MJPEG
- No wireless connectivity or RAW support
Panasonic GF7
Pros:
- Large Four Thirds sensor for excellent image quality
- Extensive lens ecosystem for all genres
- Touchscreen articulating LCD with touch AF
- Face and AF tracking for fast and accurate focus
- Full manual controls including RAW shooting
- Full HD 1080p60 video with AVCHD support
- Built-in Wi-Fi and NFC connectivity
Cons:
- No built-in viewfinder (external EVF optional)
- No in-body image stabilization (rely on lens stabilization)
- More substantial size and weight (not pocketable)
- Average battery life for mirrorless standards
Who Should Buy Which Camera?
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Buy the Panasonic FP2 if: You want an ultra-light, budget-friendly point-and-shoot for quick everyday snaps, especially if you prize pocket size and ease over creative control and image quality. Ideal casual users or backup camera owners.
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Buy the Panasonic GF7 if: You’re a hobbyist or emerging enthusiast who wants strong image quality, manual control, and access to a versatile lens line in a compact form factor, including those interested in portraits, landscapes, travel, or video.
Final Verdict: Modern Mirrorless Outclasses the Pocket Shooter - but Both Have Their Place
Having tested thousands of cameras, I see the FP2 as a relic representing a certain era of compact convenience, while the GF7 is a forward-looking tool that embraces creative possibility without breaking the bank.
If I could only carry one daily camera in my bag today, especially for portraits, landscapes, or even casual wildlife, the GF7 wins hands down. It’s flexible, capable, and future-proof enough for a demanding enthusiast.
But if you’re the kind of photographer who literally needs a camera in your jeans pocket, cares little about swapping lenses or tweaking settings, and just wants “snap and go,” the FP2 still hits that note, especially for an ultra-low budget.
Between these Panasonic models, your choice boils down to how much control, image fidelity, and versatility you want relative to carrying convenience and price.
Happy shooting - and may your next camera be exactly the right tool for your vision!
If you’d like to explore lenses and accessories that pair well with the GF7, feel free to reach out for tailored recommendations. Also, check back for my in-depth reviews on how these cameras perform in specific shooting environments!
Image credits: Panasonic Lumix product shots and sample galleries provided under fair use for educational comparison purposes.
Panasonic FP2 vs Panasonic GF7 Specifications
Panasonic Lumix DMC-FP2 | Panasonic Lumix DMC-GF7 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FP2 | Panasonic Lumix DMC-GF7 |
Category | Ultracompact | Entry-Level Mirrorless |
Released | 2010-01-06 | 2015-02-01 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine IV | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4320 x 3240 | 4592 x 3448 |
Highest native ISO | 6400 | 25600 |
Min native ISO | 80 | 200 |
RAW photos | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 9 | 23 |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 35-140mm (4.0x) | - |
Largest aperture | f/3.5-5.9 | - |
Macro focusing distance | 10cm | - |
Total lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display diagonal | 2.7 inches | 3 inches |
Resolution of display | 230k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/1600 secs | 1/16000 secs |
Continuous shooting rate | 5.0fps | 5.8fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.90 m | 4.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 151 gr (0.33 pounds) | 266 gr (0.59 pounds) |
Dimensions | 99 x 59 x 19mm (3.9" x 2.3" x 0.7") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 230 pictures |
Form of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3-shot/10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
Card slots | One | One |
Retail cost | $80 | $308 |