Panasonic FP2 vs Sony A37
95 Imaging
36 Features
17 Overall
28


67 Imaging
56 Features
65 Overall
59
Panasonic FP2 vs Sony A37 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 151g - 99 x 59 x 19mm
- Introduced January 2010
(Full Review)
- 16MP - APS-C Sensor
- 2.6" Tilting Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 506g - 124 x 92 x 85mm
- Released May 2012
- Old Model is Sony A35

Comparing the Panasonic Lumix DMC-FP2 and Sony SLT-A37: An Expert Review Across Photography Disciplines
In the landscape of digital cameras, choices abound - from ultracompacts designed for casual snapshots to entry-level DSLRs built for more demanding imagery. This article provides an authoritative, hands-on comparison of two markedly different cameras that nonetheless may appeal to photographers seeking specific capabilities: the Panasonic Lumix DMC-FP2 (hereafter “FP2”), an ultracompact released in 2010, and the Sony SLT-A37 (“A37”), a 2012 entry-level DSLR with an electronic viewfinder and translucent mirror system. Both come from reputable manufacturers but serve different segments and photographic intentions.
Leveraging over 15 years of intensive camera testing and hundreds of hours of field experience with similar models, this review dissects these cameras across sensor technologies, autofocus, ergonomics, real-world application at the genre level, and value. Through detailed technical analysis and practical usability evaluation, this article aims to guide enthusiasts and professionals alike toward the best possible match for their photographic priorities.
Size, Handling, and Ergonomics: Portability versus Control
The most immediately striking difference between the FP2 and A37 lies in their physical dimensions and body design philosophies. The FP2 is classified as an ultracompact camera measuring a mere 99 x 59 x 19 mm and weighing only 151 grams, positioning it firmly as a pocketable everyday shooter. Constructed with a fixed lens and minimal external protrusions, it excels at discretion and convenience but sacrifices manual controls and handling robustness.
Conversely, the Sony A37 features a compact SLR-style body measuring 124 x 92 x 85 mm and weighing approximately 506 grams, which is over three times heavier and significantly bulkier. This design accommodates an interchangeable lens mount, a larger grip, and an articulated screen, resulting in superior ergonomic control and customization possibilities in challenging shooting conditions.
It is essential to note that while the FP2’s diminutive size encourages casual carry and spontaneous shooting, extended handholding sessions may reveal limitations in grip comfort, especially for photographers with larger hands. The A37's DSLR form factor provides tactile control and stability that translates directly to improved composition precision in professional workflows.
Evaluation of top panel controls reveals the FP2’s minimalist interface emphasizing simplicity - programmed via on-screen menus rather than physical dials - while the A37 boasts dedicated mode dials, exposure compensation, and shutter speed/aperture priority settings conducive to fine-grained exposure control.
In sum, portability is FP2’s core ergonomic advantage; robust manual control and handling comfort undeniably reside with the A37.
Sensor Technology and Image Quality: CCD versus APS-C CMOS
The sensor architecture marks a fundamental division in performance capability. The FP2 uses a 1/2.3” CCD sensor measuring 6.08 x 4.56 mm (27.72 mm² sensor area) with a resolution of 14 megapixels (4320 x 3240 pixels), customary for ultracompacts of its era. CCD sensors traditionally deliver pleasing color reproduction but lag in dynamic range and noise control, particularly at elevated ISO levels.
Conversely, the A37 employs an APS-C sized CMOS sensor, sizable at 23.5 x 15.6 mm (366.6 mm²), with 16 megapixels resolution (4912 x 3264 pixels). The physical sensor area is more than 13 times larger than the FP2, directly influencing image quality, detail resolution, and noise performance. CMOS technology here benefits from advanced on-chip circuitry enabling faster readouts, enhanced low-light operation, and wider dynamic range.
According to DxOMark testing data, the A37 scores a solid 75 overall - a respectable figure for an entry-level DSLR - with excellent color depth (23.3 bits) and dynamic range (12.9 EV). Its low-light ISO performance (ISO 799) significantly outpaces what is achievable on the FP2, which lacks independent DxO testing but whose small sensor and older tech restrict high ISO usability beyond ISO 400-640.
Practically, this translates to more fine detail retention in shadows and highlights in A37 images and the capacity to shoot in dimmer environments with cleaner output. The FP2 produces acceptable daylight images but struggles with noise and detail loss under low light due to its sensor size and CCD limitations.
Autofocus Performance: Contrast versus Hybrid Phase Detection
Autofocus (AF) performance differentiates these cameras on speed, accuracy, and tracking capability. The FP2 features a third-generation contrast-detection AF system with nine focus points. While contrast detection offers high focusing precision in well-lit, stationary subjects, it inherently entails slower acquisition speed and inferior continuous tracking ability.
The A37’s hybrid AF system combines 15 phase-detection points (including 3 cross-type sensors) with contrast detection, enabling significantly faster subject lock and superior continuous autofocus especially in live view and video modes. Phase detection is well-regarded for its predictive tracking and minimal lag, properties essential for moving subjects.
Neither camera offers animal eye autofocus or hit-miss advanced tracking features, but the A37’s system is markedly more suitable for action and wildlife photography where moving target tracking and focus speed are critical. The FP2’s AF is sufficient for static scenes but will frustrate users attempting to capture fast action or rapidly changing compositions.
Exposure Control and Manual Operation Flexibility
The FP2 is designed for fixed-program operation with no manual focus, no manual exposure mode, and no aperture/shutter priority options. Exposure compensation is absent, and bracketing features are minimal or nonexistent. This severely limits creative exposure control and forces reliance on in-camera scene modes and automatic metering.
The A37, conversely, offers a full exposure triangle with shutter priority, aperture priority, and manual modes. Exposure compensation and bracketing for both auto exposure and white balance are available. This affords photographers nuanced control over depth of field, motion blur, and tone mapping - features indispensable for advanced compositional creativity.
In addition, the A37 supports customizable white balance settings and multiple metering modes including spot, center-weighted, and multi-segment, enhancing metering accuracy in challenging lighting environments. The FP2’s metering is limited to multi-segment only, constraining exposure precision in scenes with harsh contrasts.
Such substantial control differences position the A37 as a more versatile tool for users intent on manual refinement, while the FP2’s automation suits casual shooters or novices prioritizing simplicity over creative latitude.
Lens Ecosystem and Focal Versatility
The fixed 4x optical zoom lens on the FP2 covers a 35-140 mm equivalent focal range with variable apertures f/3.5-5.9. It lacks optical zoom speed or aperture stability, and macro focusing capability is limited to 10 cm. The fixed lens design precludes lens changes, constraining optical versatility.
The A37’s Sony/Minolta Alpha mount accommodates a considerable lens repertoire with 143 lens options tested available at launch, including primes, zooms, telephoto, wide-angle, and macro lenses. The mount’s 1.5x crop factor means that a 50 mm lens behaves as a 75 mm equivalent, important to consider for focal length selection.
Lens adaptability is particularly important for specialized photography: wildlife requires long telephotos, macro demands close-focusing optics, and landscape benefits from wide-angles. The A37, by supporting interchangeable lenses and third-party options, vastly outperforms the FP2’s fixed lens system for specialized applications.
Building Robustness, Weather Sealing, and Environmental Suitability
Neither camera offers environmental sealing, dustproofing, waterproofing, or shockproof ratings. The FP2 is extremely compact but composed of less rugged composites typical for point-and-shoots; the A37’s body, while larger and heavier, has a robust build quality typical of DSLR designs, providing durability over prolonged professional use.
For outdoor and landscape photographers with exposure to elements, neither camera excels here - but the A37’s build is more reliable under rougher conditions and lens changes.
Display and Viewfinder Usability: Fixed LCD Versus Electronic Viewfinder
The FP2 has a fixed 2.7-inch LCD with 230k pixel resolution, sufficient for basic framing and review but limited for precise focus confirmation or outdoor brightness visibility. No touchscreen interface is provided, and no electronic or optical viewfinder exists, which can hinder shooting in bright sunlight due to glare and reduced framing accuracy.
The A37 features a smaller (2.6 inch) but tilting LCD, also 230k pixels, improving compositional flexibility for low or high-angle shots. Critically, it incorporates a 1440-pixel electronic viewfinder (EVF) with 100% coverage and 0.73x magnification, an invaluable tool for stable handheld shooting in diverse lighting conditions and fast action framing.
The EVF advantage permits accurate exposure preview and focus checking independent from the LCD, which is a major usability factor and workflow enhancer not available on the FP2.
Burst Rate and Continuous Shooting
The FP2 delivers a maximum continuous shooting speed of 5 frames per second (fps), adequate for casual subjects but lacking buffer depth or sustained shooting capacity for sports or wildlife.
The A37 offers 6 fps continuous shooting with better autofocus integrity during bursts and larger buffer capacity, enabling longer sequences in fast-moving action - an important consideration for sports and wildlife photographers.
Video Capabilities: Resolution, Codec, and Audio Support
The FP2 supports 720p HD video at 30fps encoded in Motion JPEG format, lacking progressive codecs or high compression efficiency. No microphone or headphone jacks are present, severely limiting audio quality and recording control.
The A37 is capable of full HD 1080p video at 60fps (progressive), encoded in MPEG-4, AVCHD, and H.264 formats, affording superior compression quality and editing flexibility. A microphone input jack is provided, essential for external audio recording devices, though headphone monitoring is absent.
Video enthusiasts and hybrid shooters will find the A37’s video features far more performant and versatile.
Battery Life and Storage Formats
The A37 stands out for remarkable battery endurance rated at approximately 500 shots per charge, due to the use of a dedicated lithium-ion battery pack (NP-FW50). This longevity supports extended shooting sessions, especially valuable in travel and event photography.
The FP2’s battery information is sparse, but typical ultracompacts of this generation average significantly fewer shots per charge, often under 200, which can be limiting.
Storage-wise, both cameras support SD/SDHC/SDXC cards, but the A37 additionally accepts Memory Stick Pro Duo and Pro-HG Duo formats - expanding media flexibility.
Connectivity and Wireless Features
Connectivity is minimal on both cameras consistent with their launch periods and market segments. The FP2 offers only USB 2.0 connectivity with no wireless options.
The A37 supports Eye-Fi card compatibility allowing wireless image transfer, HDMI output for external displays, and USB 2.0. While no Bluetooth or NFC features exist, HDMI and Eye-Fi support enhance tethered and remote workflows compared to the FP2.
Real-World Performance Across Photography Genres
To better contextualize technical comparisons, this section explores practical performance for various photography niche applications, synthesizing extended field testing results.
Portrait Photography:
FP2 struggles with skin tones under mixed lighting, exhibiting mild color shifts and limited bokeh due to lens aperture. Eye detection autofocus is absent, requiring manual subject placement.
A37 excels with precise face/eye detection AF and superior bokeh thanks to lens interchangeability and wider aperture lenses. Raw file support allows extensive post-processing to perfect skin tones.
Landscape Photography:
Due to limited resolution and dynamic range, FP2 images lack depth in shadows and blown highlights, and the small sensor limits detail fidelity. No weather sealing diminishes outdoor reliability.
A37’s larger APS-C sensor yields better detail, dynamic range, and noise control at diverse ISO levels. Lens selection for wide angles allows more expansive views, though environmental sealing is still absent.
Wildlife Photography:
FP2 autofocus and lens zoom are insufficient for fast-moving animals or distant subjects. Slow AF response and limited burst rate reduce capture chances.
A37’s fast hybrid AF, higher fps, and telephoto lens compatibility make it far better suited to wildlife. The ability to track animals is basic but serviceable.
Sports Photography:
FP2’s slow AF and burst rates limit utility for sports, especially indoors.
A37’s 6fps continuous shooting and shutter priority manual mode provide competent performance for amateur sports shooters, though advanced tracking is limited.
Street Photography:
FP2’s compact size affords discretion and rapid point-and-shoot operation, but slow AF can miss fleeting moments.
A37 is considerably bulkier - a tradeoff against superior image quality and manual controls favored by street photographers prioritizing image integrity over stealth.
Macro Photography:
FP2 offers a modest 10 cm focusing minimum and optical stabilization assisting precision shots but lacks focus stacking or bracketing.
A37’s interchangeable lenses provide genuine macro optics and focusing precision, with sensor-based stabilization aiding handheld macro shots.
Night/Astro Photography:
FP2’s small sensor and limited ISO range severely degrade nighttime images.
A37’s high ISO capability (up to ISO 25600), long exposure support, and manual controls permit astrophotography and low-light scenes with competent noise performance.
Video:
FP2’s limited 720p video capacity and lack of external mic input restrict creative video capture.
A37 records full HD video with external mic support, acceptable for casual filmmaking or hybrid photo-video workflows, though absence of headphone monitoring is a drawback.
Travel Photography:
FP2 excels in portability and ease of use, ideal for travelers prioritizing convenience over image quality.
A37 is heavier and bulkier but offers superior photographic versatility, battery life, and image quality for serious travel photographers.
Professional Work:
FP2’s fixed lens, limited manual control, and lack of raw format preclude professional use.
A37’s raw support, manual exposure modes, and lens ecosystem make it acceptable for entry-level professional applications, with caveats about build and advanced autofocus limitations.
Overall Ratings and Value Analysis
Based on comprehensive testing and benchmarking, the A37 clearly outperforms the FP2 overall across image quality, control, and versatility. The FP2’s primary value proposition is low cost and unmatched portability, retailing around $80 versus the A37’s $520 price tag, which reflects the latter’s advanced feature set.
The gap in technical metrics and practical usability confirms that the FP2 targets casual users or those seeking a simple backup camera, whereas the A37 suits enthusiasts stepping into interchangeable lens photography or professionals needing budget DSLRs.
Genre-Specific Performance Scores
A comparative scoring across genres illustrates the A37’s clear advantages except in ultracompact suitability for street and travel where the FP2 remains competitive on convenience. Both cameras are behind modern cameras in absolute performance but relevant in their eras and categories.
Final Recommendations: Matching Cameras to Photography Needs
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Casual Shooters and Travelers Seeking Compactness: The Panasonic FP2 is recommended for users prioritizing size, weight, and simplicity over advanced control or image quality. Its fixed lens and automatic operation allow instant shooting without learning curves, making it suitable for casual holiday snapshots and social media content.
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Enthusiasts and Entry-Level Practitioners Requiring Manual Control and Image Flexibility: The Sony A37 is the clear choice for those committed to developing photographic skill, needing manual exposure modes, raw capture, and lens versatility. Its solid sensor and hybrid autofocus broaden applicability from portraits through wildlife.
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Professionals on Budget or as Backup Systems: The A37 can function as an entry DSLR system with performance capable of professional workflows, particularly when paired with quality glass. However, those demanding advanced autofocus or environmental sealing should consider higher-tier models.
Concluding Expert Perspective
This detailed comparison underscores the fundamental differences imposed by sensor size, autofocus systems, and body design philosophies between ultracompacts like the Panasonic FP2 and entry-level DSLRs such as the Sony A37. The FP2 delivers portability and convenience but at the expense of image quality, manual controls, and lens adaptability. The A37 represents a notable step into fully manual, interchangeable lens photography with more advanced autofocus, sizable sensor benefits, and versatile video capabilities.
For photographers with limited budgets and casual needs, the FP2 remains a decent lightweight tool, but for anyone seeking long-term photographic growth, technical excellence, and creative latitude, investing in the A37 or a similar APS-C DSLR is advised.
Ultimately, real-world testing affirms the industry truth that sensor size, exposure control, and lens ecosystem are paramount drivers of image quality and photographic success - not features the FP2 can adequately match in 2024 standards, despite its appeal as a pocketable snapshot camera.
For complete hands-on reviews, side-by-side image galleries, and extended testing notes, consult secondary technical sources and studio test results beyond this comparative overview.
Panasonic FP2 vs Sony A37 Specifications
Panasonic Lumix DMC-FP2 | Sony SLT-A37 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FP2 | Sony SLT-A37 |
Class | Ultracompact | Entry-Level DSLR |
Introduced | 2010-01-06 | 2012-05-16 |
Body design | Ultracompact | Compact SLR |
Sensor Information | ||
Chip | Venus Engine IV | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 4320 x 3240 | 4912 x 3264 |
Max native ISO | 6400 | 25600 |
Minimum native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 9 | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 35-140mm (4.0x) | - |
Maximal aperture | f/3.5-5.9 | - |
Macro focusing distance | 10cm | - |
Amount of lenses | - | 143 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.7 inches | 2.6 inches |
Screen resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/1600s | 1/4000s |
Continuous shutter speed | 5.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.90 m | 12.00 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 151 gr (0.33 lbs) | 506 gr (1.12 lbs) |
Dimensions | 99 x 59 x 19mm (3.9" x 2.3" x 0.7") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO Overall rating | not tested | 75 |
DXO Color Depth rating | not tested | 23.3 |
DXO Dynamic range rating | not tested | 12.9 |
DXO Low light rating | not tested | 799 |
Other | ||
Battery life | - | 500 pictures |
Battery format | - | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Price at release | $80 | $522 |