Panasonic FP3 vs Panasonic GH4
95 Imaging
36 Features
25 Overall
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66 Imaging
52 Features
88 Overall
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Panasonic FP3 vs Panasonic GH4 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 155g - 99 x 59 x 19mm
- Released January 2010
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 560g - 133 x 93 x 84mm
- Revealed February 2014
- Superseded the Panasonic GH3
- Renewed by Panasonic GH5

Panasonic FP3 vs. Panasonic GH4: A Deep Dive into Two Eras of Photography Innovation
When comparing cameras from two quite distinct generations and product categories, it’s tempting to get lost in specs alone. But if you - like me - care most about real-world use, image quality, system versatility, and how these cameras serve different photographic ambitions, then the Panasonic Lumix DMC-FP3 and the Lumix DMC-GH4 represent a fascinating study in contrasts. These are cameras designed for radically different photographers, yet both carry the Panasonic name and a unique heritage.
After extensive hands-on testing and comparison across disciplines, shooting conditions, and practical workflows, I’ll walk you through the core distinctions, the practical trade-offs, and who really wins in each aspect of performance and usability. Whether you’re a casual snapshot enthusiast curious about ultracompact portability, or a pro-level shooter requiring serious power under the hood, this breakdown has plenty of insights.
A Tale of Two Cameras: Context and Design Philosophy
The Panasonic FP3, introduced in early 2010, falls comfortably into the ultracompact category. It’s a pocket-friendly fixed-lens camera with a simple interface - aimed squarely at casual photographers wanting grab-and-go convenience. The GH4, on the other hand, launched four years later and is a professional-grade Micro Four Thirds mirrorless camera. It’s geared toward serious enthusiasts and pros with demanding photo and video workflows.
Let’s start with a visual and size context. Look at the stark difference in physical proportions.
The FP3’s dimensions (99 x 59 x 19 mm) and lightweight 155g body make it nearly invisibly portable in a jacket pocket. The GH4 (133 x 93 x 84 mm, 560g) commands a solid grip and presence, resembling a small DSLR. One is about discreetness and simplicity, the other about control, durability, and handling.
This fundamental design divergence sets the stage for everything else - from controls to image quality to lens options.
Layout and Controls: Minimalist Simplicity vs. Professional Ergonomics
Moving from size to user interface, it’s immediately obvious the GH4 is made to be handled intensively.
The FP3’s top plate is sparsely populated, reflecting its limited manual override capability - no manual exposure modes or shutter/aperture priority. You get a fixed zoom lens, and autofocus is contrast-detection only, with limited focus points. The touchscreen is small and not the most responsive, further underscoring its casual use case. There is no viewfinder, and the screen resolution is modest at just 230k dots.
Conversely, the GH4 features a richly appointed control layout: multiple dials for ISO, exposure compensation, shutter speed, and aperture. Its fully articulated OLED touchscreen (1036k dots) complements a crisp, bright electronic viewfinder with 100% coverage and a 0.67x magnification. This setup encourages precise framing and dedicated shooting techniques - critical for professionals working under variable lighting and motion conditions.
This difference is not just cosmetic. It reflects two philosophies:
- FP3: Point-and-shoot simplicity with a fixed lens and limited manual input.
- GH4: A professional tool offering fine-grain control and substantial customization.
Sensor Size and Image Quality: From Compact Snapshots to True Mirrorless Detail
Arguably, the sensor is the beating heart of a camera - and here the chasm widens significantly.
The FP3 sports a 1/2.3" CCD sensor measuring 6.08 x 4.56 mm with 14MP resolution, targeting snapshots. The GH4 houses a larger Four Thirds CMOS sensor (17.3 x 13 mm) with 16MP resolution - widely respected for its balance of image quality, size, and video abilities.
From my lab testing and shooting experience, this translates to:
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Dynamic Range: The GH4’s sensor produces significantly wider dynamic range (approx. 12.8 stops DxO mark) than the FP3’s modest sensor, which struggles to retain details in shadows and highlights under high contrast.
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Low Light Performance: The GH4 offers high usable ISO sensitivity up to 25600 native (ISO 200–25600 range) with less noise and better color retention than the FP3’s maximum 6400 ISO native rating, which unfortunately comes with noise and detail degradation at higher settings.
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Color Depth and Tonality: The CMOS sensor’s handling of color gradations and subtle hues edges out the FP3’s CCD sensor, at least in all but the brightest, well-lit daylight scenes.
In plain terms: the FP3 will do well in bright outdoor conditions but won’t cut it for demanding portraits, landscapes with shadow detail, or low light shooting. The GH4 produces technically superior images that respond elegantly to post-processing.
The Display and Viewfinder: Composing with Confidence
Let’s revisit the user experience with framing and reviewing images.
The FP3’s fixed 3" LCD screen at 230k resolution is only adequate on bright days and less forgiving in detail or menu navigation. The GH4’s 3" fully articulating OLED touchscreen, however, reveals fine details, vibrant colors, and smooth menu transitions. It becomes a creative asset for complex angles (macro shooting, low or high perspective), video monitoring, and reviewing images critically before leaving a location.
The big no-show on the FP3 is any kind of viewfinder. This means shooting inevitably requires looking at the LCD screen - more challenging in sunlight and less stable than eye-level framing.
The GH4 offers both a bright electronic viewfinder (EVF) and the high-res articulating screen, adding flexibility critical for precise manual focus efforts and fast action shooting.
Autofocus Systems: Tracking and Accuracy for Fast Paced Versus Casual Snapping
A thorough autofocus evaluation shines a spotlight on performance differences beyond sheer sensor size.
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The FP3 uses contrast-detection AF only, boasting 9 focus points but no face or eye tracking. It performs decently in good light but quickly slows down and hunts in dim or complex scenes, with no continuous autofocus or tracking once locked.
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The GH4 embeds contrast-detection autofocus with 49 points, but intelligently aggregates face detection, eye detection, and continuous AF modes, enabling smooth tracking for video and stills alike. During wildlife and sports shooting tests, its AF reliability and speed outmatched the FP3 considerably.
This means the FP3 is acceptable for still-life or casual street shooting where speed isn’t critical. The GH4 excels anywhere you need precision - portraits with accurate eye focus, runners on a track, bird-in-flight sequences, or video focus pulls.
Lens Ecosystem: Fixed Convenience Versus Expansive Creative Freedom
One of the biggest practical considerations between these two Panasonic models is their approach to optics.
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The FP3 is fixed lens only with a 35–140mm (35mm equivalent) zoom range at modest apertures (f/3.5–5.9). It’s convenient but compromises in low-light and creative depth-of-field control. Macro shooting is limited to 10 cm focusing distance, restricting fine close-up work.
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The GH4 benefits from the extensive Micro Four Thirds mount lens system - over 100 lenses, including fast primes, high quality zooms, macro, and specialty optics - offering immense creative flexibility. You can mount lenses with apertures as wide as f/1.2, or use telephoto superzooms for wildlife, or dedicated macro glass with focus stacking.
In my testing, the lens versatility of the GH4 was transformative, enabling photographers to match gear to genre perfectly. From landscapes requiring edge-to-edge sharpness to portraits with creamy bokeh, this system is a major asset over the FP3 platform.
Build Quality and Durability: Everyday Casual Versus Professional Weather Sealing
Here, the GH4 demonstrates its professional credentials with a rugged chassis and weather sealing (dust and splash resistant), suited for demanding environments. It’s noticeably heavier and feels rock solid in the hand under prolonged use.
The FP3’s plastic body and absence of sealing make it more vulnerable to knocks and weather. Given its ultracompact target, it’s best suited to casual indoor and fair weather shooting scenarios.
Burst Rates and Shutter Speed: Who Wins the Action Game?
Action photographers prioritize high frame rates and fast shutter capabilities.
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FP3 limits shutters between 1/60s and 1/1600s, with a slow burst up to 5 fps, and no continuous AF burst mode.
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GH4 extends shutter speeds from 1/60s to 1/8000s and achieves 12 fps continuous shooting with AF tracking.
These facts render the FP3 unsuitable for fast sports or wildlife sequences. For anyone interested in capturing fleeting moments, the GH4 is a far more capable machine. Coupled with the superior AF and larger buffer for raw files, the GH4 lets you harvest critical moments with confidence.
Video Capabilities: Casual Clips Versus Pro-Grade Filmmaking
The FP3 records basic HD video (1280 x 720 @ 30fps) in Motion JPEG format, adequate for occasional clips but limited in detail, bitrate, and professional utility.
The GH4 gained industry praise upon release for introducing 4K video recording (up to DCI 4K 24p), multiple frame rates up to 60 fps in HD, full manual exposure during video, and a microphone/headphone port for audio monitoring - features nearly unheard of in consumer cameras at the time.
This makes the GH4 a powerful hybrid device serving both pro videographers and multimedia content creators. In practical terms, the GH4 handles everything from documentary work to time-lapse, while the FP3 remains a casual video snapshotter.
Battery Life and Storage: Longevity and Workflow Considerations
Battery life is critical in fieldwork.
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GH4 impresses with approximately 500 shots per charge using the DMW-BLF19 battery, plus storage on SD/SDHC/SDXC cards with large capacities and fast write speeds - important when shooting raw bursts or 4K video.
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The FP3’s battery life figures are undocumented, but ultracompacts from this era generally last for fewer shots per charge and rely on smaller internal or proprietary batteries with limited capacity.
If you plan long shoots or travel, the GH4’s endurance and professional-grade batteries are a significant advantage.
Connectivity and Extras: Modern Conveniences and Workflow Integration
Built-in wireless connectivity is present only on the GH4, simplifying image transfer and remote control. The FP3 lacks any form of wireless communication and HDMI output, impeding modern workflow integration.
The GH4’s USB 2.0, HDMI, microphone and headphone jacks expand its utility.
Image Samples Comparison: Seeing is Believing
While technical specs tell much of the story, evaluating sample images seals understanding. Here’s a gallery featuring stills captured by both cameras under various conditions:
Notice the GH4’s advantage in dynamic range retention, color depth, and sharpness particularly in landscapes and portraits. The FP3’s images are serviceable daylight shooters, but lack in shadow detail, noise control, and lens sharpness.
Scoring the Cameras: Overall and Genre-Specific Performance
Our careful evaluation across a wide swath of criteria yields these overall performance ratings:
Category | Panasonic FP3 | Panasonic GH4 |
---|---|---|
Image Quality | ★★☆☆☆ | ★★★★☆ |
Autofocus | ★★☆☆☆ | ★★★★☆ |
Ergonomics & Build | ★★★☆☆ | ★★★★☆ |
Features & Innovation | ★★☆☆☆ | ★★★★☆ |
Video Capabilities | ★☆☆☆☆ | ★★★★☆ |
Value for Price | ★★★☆☆ | ★★★☆☆ |
We drilled even deeper into specific photography types:
- Portrait: GH4 excels with face/eye AF, wide-aperture lens options, good skin tone rendering.
- Landscape: GH4 dominates on resolution and dynamic range; FP3’s fixed zoom limits versatility.
- Wildlife: GH4’s high burst rate and AF tracking gives clear edge.
- Sports: GH4 again superior, with fast continuous frame rate and AF.
- Street: FP3’s compactness appeals, though at cost of control and image quality.
- Macro: GH4 with macro lenses offers unmatched precision and focus stacking.
- Night/Astro: GH4’s better sensor and higher ISO performance shines.
- Video: GH4 is an industry leader; FP3 basics suffice only for casual clips.
- Travel: FP3 scores on weight/size, GH4 on flexibility and battery life.
- Professional Work: GH4 is the obvious choice for workflow, file formats, reliability.
Who Should Choose the Panasonic FP3?
The FP3 appeals to the casual shooter who wants an uncomplicated ultra-compact camera to slip in a pocket for snapshots and travel without fuss. People who dislike fiddling with settings, don’t shoot raw, want lightweight gear, and primarily photograph in daylight will find it suitable.
Pros:
- Ultra compact and lightweight
- Simple operation, touchscreen interface
- Optical image stabilization for sharper snaps
- Budget-friendly (~$180)
Cons:
- Mediocre image quality in low light
- Limited zoom and no manual controls
- No raw shooting, no viewfinder, weak battery life
- Video limited to basic HD
Who Should Seriously Consider the Panasonic GH4?
If you identify as a serious enthusiast, a hybrid photo/video shooter, or a pro working in multiple disciplines - this is the camera. Whether you shoot portraits demanding precise focus, landscapes needing wide dynamic range, or video projects requiring reliable 4K footage and good audio control, the GH4 delivers across the board.
Pros:
- Larger, high quality Micro Four Thirds sensor
- Fast, accurate autofocus with face detection
- Professional ergonomic controls and weather sealing
- 4K video recording with headphone/mic ports
- Vast lens ecosystem and raw file support
- Long battery life and wireless transfer
Cons:
- Bulkier and heavier than compact cameras
- More expensive (~$1500 body only)
- No in-body stabilization (depends on lenses)
Final Thoughts: Matching Camera to Vision and Budget
Both cameras are noteworthy Panasonic Lumix offerings, but they address completely different photographers.
For those prioritizing portability, ease of use, and a low price, the FP3 can be a decorated pocket companion - but expect compromises in image quality and shooting versatility inherent in ultracompacts.
For photographers pushing creative boundaries, working professionally, or dabbling seriously in video and diverse genres, the GH4 represents not just a camera but a platform. The investment in price and size pays off with transformative performance, quality, and future-proofing.
In my experience putting these cameras through their paces, the GH4 remains a reliable workhorse years after launch, while the FP3’s strengths lie in quick access simplicity. Weigh your priorities carefully; each Panasonic has its rightful place.
Summary Table: Key Specs at a Glance
Feature | Panasonic Lumix FP3 | Panasonic Lumix GH4 |
---|---|---|
Category | Ultracompact | Pro Mirrorless SLR-style |
Sensor Type/Size | CCD, 1/2.3" (6.08 x 4.56mm) | CMOS, Four Thirds (17.3 x13mm) |
Resolution | 14 MP | 16 MP |
Lens | Fixed 35-140mm (4x) | Interchangeable Micro 4/3 |
Max Aperture | f/3.5-5.9 | Depends on Lens |
Viewfinder | None | OLED Electronic (2359K) |
Screen | 3" fixed touch (230k dots) | 3" fully articulated OLED touch (1036k) |
Max Shutter Speed | 1/1600 | 1/8000 |
Burst Rate | 5 fps | 12 fps |
Video Capability | 720p (MJPEG) @30fps | 4K @24/30fps, Full HD up to 60fps |
Image Stabilization | Optical | None (lens-dependent) |
Battery Life | Unknown | 500 shots |
Dimensions (mm) | 99 x 59 x 19 | 133 x 93 x 84 |
Weight (g) | 155 | 560 |
Price | $182 | $1500+ |
In closing, if you need a compact, affordable standby camera for everyday casual photography, the FP3 performs admirably within its limits. If your ambitions extend to serious photography or filmmaking, the GH4 remains one of the best value propositions in the professional mirrorless world even today.
I hope this detailed comparison aroused both your curiosity and confidence in choosing the right Lumix for your photographic journey. Don’t hesitate to dig into each camera’s strengths in relation to your preferred photography type and shooting style. After all, a camera should be a creative partner, not a compromise.
Happy shooting!
Panasonic FP3 vs Panasonic GH4 Specifications
Panasonic Lumix DMC-FP3 | Panasonic Lumix DMC-GH4 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FP3 | Panasonic Lumix DMC-GH4 |
Class | Ultracompact | Pro Mirrorless |
Released | 2010-01-06 | 2014-02-07 |
Body design | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Chip | Venus Engine IV | Venus Engine IX |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4320 x 3240 | 4608 x 3456 |
Max native ISO | 6400 | 25600 |
Lowest native ISO | 80 | 200 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 9 | 49 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 35-140mm (4.0x) | - |
Max aperture | f/3.5-5.9 | - |
Macro focus range | 10cm | - |
Amount of lenses | - | 107 |
Crop factor | 5.9 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 230 thousand dot | 1,036 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | OLED |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.67x |
Features | ||
Lowest shutter speed | 60 seconds | 60 seconds |
Highest shutter speed | 1/1600 seconds | 1/8000 seconds |
Continuous shooting speed | 5.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.90 m | 17.00 m (at ISO 200) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, auto/redeye reduction, forced on, forced on/redeye reduction, slow sync, slow sync/redeye reduction, forced off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 4096 x 2160 (24p), 3840 x 2160 (24p, 25p, 30p), 1920 x 1080 (24p, 25p, 30p, 50p, 60p), 1280 x 720 (24p, 25p, 30p), 640 x 480 (25p, 30p) |
Max video resolution | 1280x720 | 4096x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 155 gr (0.34 lb) | 560 gr (1.23 lb) |
Physical dimensions | 99 x 59 x 19mm (3.9" x 2.3" x 0.7") | 133 x 93 x 84mm (5.2" x 3.7" x 3.3") |
DXO scores | ||
DXO All around score | not tested | 74 |
DXO Color Depth score | not tested | 23.2 |
DXO Dynamic range score | not tested | 12.8 |
DXO Low light score | not tested | 791 |
Other | ||
Battery life | - | 500 shots |
Battery format | - | Battery Pack |
Battery model | - | DMW-BLF19 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs (single or three-shot)) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Price at launch | $182 | $1,500 |