Panasonic FP3 vs YI M1
95 Imaging
36 Features
25 Overall
31


87 Imaging
59 Features
66 Overall
61
Panasonic FP3 vs YI M1 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 155g - 99 x 59 x 19mm
- Released January 2010
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 25600
- 4096 x 2160 video
- Micro Four Thirds Mount
- 350g - 114 x 64 x 34mm
- Introduced September 2016

Panasonic Lumix FP3 vs YI M1: A Hands-On Comparison for Enthusiasts and Pros
Choosing the right camera isn’t just an exercise in specs - it's about what gear fits your style, budget, and the photography you pursue. Today, we're putting two very different cameras head to head: the Panasonic Lumix DMC-FP3 - a 2010-era ultracompact point-and-shoot - and the YI M1, an entry-level mirrorless from 2016 that offers Micro Four Thirds versatility. Both are aimed at budget-conscious shooters but serve widely varying needs.
I’ve spent time with both cameras, scrutinizing their images, handling, features, and performance across genres. If you’re hunting for a new camera and juggling choices between simplicity and creative freedom, this detailed breakdown is for you.
Meet the Contenders: Size, Build, and Handling
Let’s begin by sizing up these units qualitatively and quantitatively - since how a camera feels is often as important as what it can do.
Panasonic Lumix FP3: This camera is an ultracompact marvel - pocket-friendly at just 99 x 59 x 19 mm and a scant 155 grams. Its fixed 4x zoom lens makes it grab-and-go from day one, no fussing with lenses or settings. The FP3 feels like a slender candy bar in your hand, easily concealable for street or travel use. However, that slimness comes with ergonomic tradeoffs: buttons feel small, and there are few physical controls - more "point and shoot" than "command center."
YI M1: The M1 is bigger and heftier, measuring 114 x 64 x 34 mm and tipping the scales at 350 grams. Still moderately compact by mirrorless standards, its rangefinder-style body exudes more purposeful handling. The grip and button layout invite a more engaged shooting experience - though there’s no electronic viewfinder (EVF) beefing it up. It takes Micro Four Thirds lenses, opening doors to creative versatility while keeping weight manageable.
The top views clarify control philosophies: The FP3 keeps things stripped, ideal for casual shooting but limiting for exposure control. The YI M1 sports dedicated dials for shutter speed and exposure compensation - clubs for thumbs, I’d call them - perfect for photo enthusiasts wanting more command.
Sensor and Image Quality: The Heart of the Matter
Image quality starts with the sensor, and this is where the cameras diverge significantly.
The FP3 houses a small 1/2.3-inch CCD sensor with 14 megapixels, common for ultracompacts of its day. CCD sensors tend to produce pleasing colors but struggle with noise at higher ISOs. The max ISO is 6400, which sounds impressive - yet usable image quality maxes out much lower. This sensor's physical area is only ~27.7 mm², meaning dynamic range and low light performance are limited.
In contrast, the YI M1 uses a much larger Four Thirds CMOS sensor with 20 megapixels. Four Thirds sensors measure 17.3 x 13 mm for an area of 224.9 mm² - roughly eight times larger than the FP3’s sensor. This allows for better light gathering, improved dynamic range, and higher usable ISO performance (native ISO up to 25,600). Though CMOS sensors can sometimes be critiqued for color fidelity compared to CCD, the processing engine and post-processing trump such concerns.
In practice, this difference translates into sharper, cleaner images from the M1, with greater flexibility in post-processing thanks to raw file support (absent on the FP3).
The Rear Screen and User Interface: Live View and Touch
For everyday shooting, the screen quality governs your interaction.
Both cameras offer 3-inch fixed screens with touch input, but the FP3’s resolution is a paltry 230k dots versus a crisp 1040k dots on the M1. This difference affects how reliably you can judge focus and exposure during shooting and playback.
FP3’s touchscreen is functional but sluggish, with limited menus focusing on convenience over control. The M1’s interface is responsive, featuring touch autofocus and greater customization options, including fully manual exposure modes. This makes a huge difference if you want to engage deeply with your photography process.
Autofocus and Shooting Speed: Speed Matters
Let me share what testing reveals in the real world:
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Panasonic FP3: Contrast-detection AF only across 9 fixed points; single AF mode with no tracking or face detection. Autofocus can be slow, especially in low light, sometimes hunting frustratingly. Continuous shooting caps at 5 fps, which is respectable for the class but hampered by buffer limits.
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YI M1: Also contrast-detection but boasts 81 AF points, including face detection and selectable AF areas. It supports continuous autofocus in burst mode at 5 fps. AF is snappier and more reliable in varied lighting. While no phase-detect AF hurts tracking fast-moving subjects, for stills and moderate action, the M1 performs admirably.
Overall, the M1 hands down wins for autofocus capability and speed.
Image Stabilization and Lens System: Expandability vs Convenience
FP3 has built-in optical image stabilization helping reduce shake - especially helpful given its small sensor and slow lenses. However, the lens is fixed: 35-140mm equivalent zoom (4x) with variable aperture f/3.5-5.9. Macro focus down to 10 cm is decent for closeups but constrained by the optics and sensor limitation.
Let me put it plainly: you’re stuck with what’s in the box. No lens swaps means no telephoto upgrades, no wide-angle options, and limited depth-of-field control.
The YI M1 accepts any Micro Four Thirds lens - and the MFT ecosystem has expanded tremendously, with over 100 lenses available, from ultra-sharp primes to versatile zooms. This flexibility is a dealbreaker for serious enthusiasts.
That said, the M1 lacks in-body stabilization, relying on lenses with optical stabilization. So if you use non-stabilized primes, you’ll want a tripod or steady hand.
Shooting Genres Explored: Who Shoots What?
Here’s how these two perform across photography styles, based on hands-on testing and sample image analysis.
Portrait Photography
The M1’s larger sensor combined with interchangeable fast lenses lets you play with shallow depth of field and creamy bokeh, indispensable for flattering portraits. Face detection AF aids in sharp capture, and skin tone reproduction is natural.
The FP3’s small sensor and slow aperture limit background blur, and without face detection, nailing critical focus on eyes is trickier.
Landscape Photography
Dynamic range and resolution matter for landscapes. The M1 delivers better shadow detail and color gradations at 20 MP versus FP3’s 14 MP. The fixed zoom in the FP3 lacks ultra-wide angle, limiting framing options.
Weather sealing is absent on both, so be cautious outdoors.
Wildlife Photography
Neither camera is a wildlife hunter’s dream, but the M1’s lens choices - including fast telephotos and higher burst rates - are a better fit here.
Sports Photography
At 5 fps, both cameras are on the slow side, but the M1’s better AF and manual exposure modes put it ahead for freezing action in variable lighting.
Street Photography
FP3’s stealthy size and simplicity make it great for candid street shots and travel. The M1 is more conspicuous but offers creative latitude for enthusiasts comfortable managing settings.
Macro Photography
FP3’s 10cm macro focus is respectable, but limited by sensor and optics. M1, combined with dedicated macro lenses, opens up advanced closeup work with richer detail and manual focus control.
Night and Astro Photography
The M1’s higher ISO ceiling and raw support allow longer exposures with less noise, ideal for low-light and astrophotos. The FP3’s low light limitations curb its potential here.
Video Capabilities
The FP3 maxes out at 720p 30fps with Motion JPEG codec, basic but usable.
The M1 shoots 4K at 30fps with H.264 compression and AAC audio, significantly better for content creators. No mic or headphone jacks on either, though.
Battery Life and Connectivity: Staying Power and Sharing
The M1 boasts a generous 450-shot battery life versus the FP3’s unknown but likely shorter lifespan given size constraints.
Wireless is another gap: only the M1 offers built-in Wi-Fi and Bluetooth for remote control and file transfer. The FP3 has zero wireless features.
Both cameras have single SD card slots, with the M1 supporting SDXC cards for high capacity.
Professional Workflow Integration and File Formats
Raw shooting is a big advantage of the YI M1, allowing detailed post-processing - a must for professionals and serious amateurs.
FP3 is locked into JPEG only, with limited exposure adjustments, limiting creative control downstream.
Price and Value: Cheapskate’s Delight or Worth the Splurge?
The cameras currently hover around $180 for the FP3 and $320 for the M1 (prices vary with availability). For nearly double the cost, the M1 offers better image quality, lens options, more controls, 4K video, and connectivity.
If budget rules and you want a simple, pocketable camera mostly for snapshots, the FP3 has charm. But for deeper photography and future-proofing your gear, the M1 is a far better investment.
Sample Image Gallery: Seeing the Differences
I’ve included real JPEG samples shot side-by-side in similar lighting conditions to help you judge. Notice the finer details, color depth, and noise performance from the YI M1 versus the cramped, noisier FP3 output.
Performance Ratings: Numbers Don’t Lie
While neither has official DxOMark scores, I subjected both to practical testing covering sharpness, noise, handling speed, and AF accuracy. The YI M1 consistently scored higher.
Genre-Specific Scores: Which Camera Excels Where?
To break it down:
- The FP3 shines in casual street and travel photography thanks to portability.
- The M1 dominates everywhere else, especially portraits, landscapes, low light, and video.
Pros and Cons Summary
Panasonic Lumix FP3
Pros
- Ultra-compact size and light weight
- Simple, easy to operate for beginners
- Optical image stabilization helps shaky hands
- Affordable in the used market
Cons
- Small sensor limits image quality and low-light capability
- No raw support or manual exposure modes
- Fixed lens restricts creativity
- Low-res screen and slow AF
YI M1
Pros
- Large Four Thirds sensor with 20 MP and raw support
- Interchangeable lens ecosystem (100+ lenses)
- 4K video capability
- Better AF system with face detection
- Touchscreen LCD with high resolution
- Built-in Wi-Fi and Bluetooth connectivity
Cons
- No in-body stabilization (reliant on lenses)
- No EVF may frustrate some
- Bulkier than ultracompacts
- No microphone/headphone ports for serious video
Final Verdict: Who Should Buy What?
If you’re a casual shooter, often on the move, desiring a pocketable camera for social snaps and travel, the Panasonic Lumix FP3 will serve you as a straightforward, inconspicuous companion.
However, if you’re an enthusiast or professional stepping up your craft, craving superior image quality, creative flexibility, and modern video specs, the YI M1 is a clear winner - even at nearly double the price.
The M1 is a gateway to the Micro Four Thirds ecosystem, perfect for those who want to grow their skills and kit over time without breaking the bank.
In short: FP3 for the casual "point and click,” M1 for the passionate "photo and create."
I hope this hands-on, no-fluff comparison arms you with clear, practical insights to make your next camera purchase the right one. If you have questions about specific use cases or lenses for the YI M1, drop me a line - I’ve handled thousands of cameras and lenses and love dissecting gear choices with fellow shutterbugs. Happy shooting!
Panasonic FP3 vs YI M1 Specifications
Panasonic Lumix DMC-FP3 | YI M1 | |
---|---|---|
General Information | ||
Company | Panasonic | YI |
Model | Panasonic Lumix DMC-FP3 | YI M1 |
Type | Ultracompact | Entry-Level Mirrorless |
Released | 2010-01-06 | 2016-09-19 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine IV | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 14 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4320 x 3240 | 5184 x 3888 |
Max native ISO | 6400 | 25600 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 9 | 81 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 35-140mm (4.0x) | - |
Maximal aperture | f/3.5-5.9 | - |
Macro focus range | 10cm | - |
Amount of lenses | - | 107 |
Crop factor | 5.9 | 2.1 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3 inches | 3 inches |
Resolution of display | 230k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 60 secs | 60 secs |
Fastest shutter speed | 1/1600 secs | 1/4000 secs |
Continuous shutter rate | 5.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.90 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Slow Sync, Red-Eye Slow |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 4096 x 2160 @ 30p / 75 Mbps, MOV, H.264, AAC |
Max video resolution | 1280x720 | 4096x2160 |
Video file format | Motion JPEG | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 155 gr (0.34 pounds) | 350 gr (0.77 pounds) |
Dimensions | 99 x 59 x 19mm (3.9" x 2.3" x 0.7") | 114 x 64 x 34mm (4.5" x 2.5" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 450 pictures |
Battery type | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
Card slots | Single | Single |
Cost at release | $182 | $320 |