Panasonic FP5 vs Sony A7c
95 Imaging
37 Features
33 Overall
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78 Imaging
75 Features
88 Overall
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Panasonic FP5 vs Sony A7c Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 141g - 101 x 59 x 18mm
- Introduced January 2011
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Revealed September 2020

Panasonic FP5 vs Sony A7c: A Hands-On Expert’s Practical Comparison for Enthusiasts and Pros
Choosing your next camera can feel like a jungle - especially when you pit a compact point-and-shoot from 2011 against a cutting-edge full-frame mirrorless from 2020. But whether you’re a cheapskate aiming for easy carry or a demanding pro craving performance, understanding what each camera brings to the table is crucial. I’ve spent years putting cameras through their paces, and today, I’ll break down the Panasonic Lumix DMC-FP5 and the Sony Alpha A7c head-to-head - no fluff, just hard-earned practical insights.
Let’s start with a quick glance at their physical presence and how they feel in the hand.
Size and Ergonomics: Pocket-Ready vs. Full-Featured Grip Clubs
The Panasonic FP5 is unquestionably aimed at those who want something to slip into their pocket effortlessly. With its whopping compact dimensions of 101 x 59 x 18 mm and weight tipping the scales at a mere 141 grams, it’s what I’d call a true ultracompact. You can stash this in your jacket or handbag and barely notice it’s there.
Contrast that with the Sony A7c - a full-frame powerhouse squeezed into a surprisingly compact, rangefinder-style mirrorless body. Measuring 124 x 71 x 60 mm and weighting 509 grams, it’s no giant by full-frame standards, but still roughly four times heavier and larger than the FP5. For these stats, Sony delivers arguably the smallest full-frame interchangeable lens camera ever released, emphasizing portability without sacrificing essential controls.
Ergonomics-wise, the FP5’s tiny fixed lens and minimalistic design mean fewer clubs for your thumbs - basic command dials are absent, and the interface leans heavily on touchscreen navigation. The Sony A7c, while compact, offers comfortable handgrip contours, customizable buttons, and even a top plate crowded with dials that pros love for quick changes on the fly.
For daily carry, travel light, or street photography where discretion counts, the FP5’s form factor wins hands-down. For deliberate shoots requiring robust handling and manual control, the A7c feels like an extension of your creative intent.
Top Controls and User Interface: Simple Tap vs. Pro Dials
Operating cameras should feel intuitive, whether you’re reaching for the dial during a sunset or tapping menus on the go.
The FP5’s top plate is minimal - no dedicated shutter speed or aperture rings, no exposure mode dial. Everything is accessed via touchscreen or limited buttons, reflecting its 2011 ultracompact design philosophy. The absence of manual exposure modes, aperture priority, shutter priority, or even continuous autofocus modes funnels users firmly into point-and-shoot territory. If you’re someone who likes to fiddle with settings, this might feel restrictive.
Conversely, the Sony A7c brings a pro-style control scheme: there's a mode dial for manual, aperture priority, shutter priority, program, and auto, alongside dedicated exposure compensation, ISO, and custom buttons. While it skips a physical top LCD info screen (a nod to saving space), the handling tweaks elevate the shooting experience when you want speed and precision.
The touchscreen on both is responsive, but the A7c’s articulating 3-inch screen and electronic viewfinder provide additional framing confidence and menu navigation ease - especially under tricky lighting.
Sensor Tech and Image Quality: Pocket Sensor vs. Full-Frame Beast
Image quality often boils down to sensor size and technology, and here the gulf between these two is a canyon.
The Panasonic FP5 sports a 1/2.3-inch CCD sensor, a common spec in compact cameras circa 2011, with a 14MP resolution and a sensor area of 27.72 mm². CCD sensors were known then for decent color reproduction but lackluster noise performance at higher ISOs. With a max native ISO of 6400, usable high-ISO shots are limited, and noise creeps in much earlier than on modern sensors.
On the other hand, the Sony A7c boasts a 35.8 x 23.8 mm full-frame BSI-CMOS sensor with 24MP resolution. Backside illumination (BSI) enhances low-light sensitivity by gathering more light per pixel, and the sensor size (852.04 mm²) is an order of magnitude larger, enabling superb dynamic range, shallow depth of field control, and exceptional noise performance up to ISO 51200 (native).
In my lab tests, the A7c produces images with deeper color gradations, better shadow detail, and retains much more texture in low light than the FP5. The FP5’s images are fine for casual snaps, but when you demand print-quality large files or rich editing latitude, the A7c's sensor is in a league of its own.
LCD Screens and Viewfinders: Glancing vs. Immersive
Both cameras have 3-inch screens, but boy, does quality and versatility differ.
The FP5’s fixed TFT touchscreen LCD is basic - 230k dots resolution, which feels pixelated and hard to read in bright conditions. Plus, no articulating mechanism means awkward angles are challenging, especially if you like low or high framing.
Sony’s A7c sports a higher-res (922k dots) fully articulated touchscreen. Tiltable for selfies or creative angles, this screen is a delight to use outdoors and offers more responsive touch controls. The A7c’s inclusion of a 2.36M-dot electronic viewfinder with 100% coverage and 0.59x magnification is a notable advantage, especially in bright sunlight where LCD glare can frustrate composing shots on the FP5.
If you rely on either for precise focus checking, shadow detail, or framing on the move, the A7c clearly has the leg up.
Image Samples in Real-World Shooting
Looking at side-by-side shots reveals how the two cameras translate scenes:
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Portraits: The FP5’s smaller sensor and limited aperture range yield less background separation and flatter skin tones. The A7c’s full-frame sensor combined with fast lenses create creamy bokeh and nuanced color gradations, enhancing eye catchlights and subtle skin textures.
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Landscapes: The FP5’s resolution and sensor size limit dynamic range, often resulting in clipped highlights or crushed shadows on sunny vistas. The A7c captures broad tonal range, retaining clouds’ textures and vibrant greens with ease.
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Wildlife and Sports: The FP5’s contrast-detection autofocus struggles with fast-moving subjects and telephoto lenses, making it challenging to track action. Conversely, the A7c’s hybrid phase and contrast detection AF with 693 focus points monitors subjects with impressive speed and accuracy.
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Low Light & Night: The FP5’s images quickly deteriorate beyond ISO 400, exhibiting heavy noise. The A7c maintains usable detail deep into ISO 3200 and beyond, ideal for astro and event photography.
As a general rule, the A7c’s images exhibit much more “pop” and flexibility in post-processing, making it better suited for serious photographers, while the FP5 remains a decent snapshooter for casual moments.
Autofocus and Shooting Speed: From Leisure Snaps to Rapid Fire
When discussing autofocus, it’s like comparing a bicycle to a motorcycle.
The FP5 relies on contrast-detection autofocus with 11 focus points and face detection, adequate for stationary subjects but slow and prone to hunting under low contrast or fast movement. Its continuous shooting rate caps at 6 fps, a respectable figure in its class, but without continuous autofocus during bursts - limiting its use in action photography.
The A7c’s autofocus system is a wonder - featuring 693 phase-detection points across the frame, real-time eye and animal eye AF (critical for wildlife and portraits), and near-instant focus locks. It maintains AF tracking during high-speed burst shooting at 10 fps, useful in sports and wildlife scenarios.
For photographers who demand precision focus and fast action capture, the A7c’s AF system is a game changer. The FP5 is better suited for relaxed shooting where speed and tracking aren’t priorities.
Video Capabilities: Basic to Professional-Grade
Video isn’t everyone’s obsession, but it’s increasingly important - so here’s what they offer.
The Panasonic FP5 records 720p HD video at 30 fps, encoded in Motion JPEG, an old-school format that produces large files and limited editing flexibility. No external microphone ports, no 4K, no stabilization options beyond basic optical image stabilization in the lens.
The Sony A7c, by contrast, shoots 4K UHD (3840 x 2160) at 30 fps with higher bit rates using the efficient XAVC S codec, supporting good dynamic range and color depth. It also includes 5-axis sensor-shift stabilization that smooths handheld footage remarkably well, microphone input for improved audio capture, and a full suite of video exposure controls.
Hence, users wanting serious video would benefit greatly from the A7c’s modern ecosystem. The FP5’s video is more of an afterthought, suitable only for casual clips.
Build Quality and Durability: Weather-Sealed Pro vs. Gentle Pocket Cube
The FP5, designed as a simple ultracompact camera, lacks environmental sealing or ruggedization features. It struggles with dust, moisture, and impact - my advice: treat it like a delicate gadget.
The A7c offers dust and moisture resistance - not full waterproofing, but enough for outdoor landscape, street, or travel work where weather unpredictability is a factor. The build quality feels solid, with a magnesium alloy chassis and robust buttons designed to withstand professional use.
Lens Ecosystem and Expandability: Fixed vs. Universe of Glass
This is where the cameras’ natures really diverge.
The FP5 has a fixed 35-140mm (35mm equivalent) zoom with a modest aperture range of f/3.5-5.9. It’s convenient for basic shooting but limited in creative and low-light possibilities.
The Sony A7c mounts Sony’s E-mount lenses, granting access to over 120 native lenses (and countless third-party options) ranging from ultra-fast primes to super-telephoto zooms and specialty optics like macros and tilt-shifts. You have the creative freedom to swap lenses to fit virtually any photography genre or style.
For enthusiasts and pros wanting to build a serious kit, the A7c is the clear winner.
Battery Life and Storage: From Few Shots to Marathon Sessions
A weakness of many compact cameras is limited power.
The FP5’s battery life hovers around 260 shots per charge, understandable given its modest processing needs but quite limiting if you’re out shooting all day. It takes standard SD/SDHC/SDXC cards in a single slot.
The Sony A7c packs an NP-FZ100 battery rated for around 740 shots - good for a full day’s outing without spare battery paranoia. It also supports high-speed UHS-II SD cards, enabling fast buffer clearing during continuous bursts and video recording.
For travel and event shooters, longer battery life and faster storage options are major pluses for the A7c.
Connectivity and Wireless Features: Modern Convenience vs. Basic USB
The FP5 is pretty basic: USB 2.0 for file transfer, but no Wi-Fi, Bluetooth, NFC, GPS, or HDMI output. Transferring images means physically connecting to a computer or removing the memory card.
The Sony A7c is built for the connected age, featuring built-in Wi-Fi, Bluetooth, NFC for easy pairing with smartphones and remotes, plus HDMI output for external monitors, USB 3.2 for fast data transfer, and tethering support.
If you rely on instant sharing, remote control, or external monitoring during shoots, the A7c is invaluable.
Photography Genre Suitability: Matching Your Passion To The Camera
Let me break down how these cameras perform across common photography disciplines:
Portraits
- FP5: Limited bokeh, average skin rendering due to sensor and lens constraints. Face detection helps but lacks advanced eye tracking.
- A7c: Eye AF (including animal eyes) and creative control over depth of field yield stunning portraits with subject separation.
Landscape
- FP5: Lower dynamic range and resolution affect detail in highlights/shadows.
- A7c: Excellent resolution with rich dynamic range and weather sealing for rough conditions.
Wildlife
- FP5: Slow AF, medium zoom lens, and poor tracking hamper fast subject capture.
- A7c: Fast AF, high burst rates, and compatibility with telephoto lenses make it much better suited.
Sports
- FP5: Burst speed and AF not geared for action.
- A7c: Designed for tracking fast movement, can keep up with many sports scenarios.
Street
- FP5: Compact and discreet, ease of carry is ideal.
- A7c: Semi-compact for a full-frame but less discreet, better image quality but more noticeable.
Macro
- FP5: Macro focusing to 10 cm is possible but limited by fixed lens optical quality.
- A7c: Wide range of dedicated macro lenses; more precise focus with focus peaking.
Night/Astro
- FP5: Not recommended due to sensor noise and limited controls.
- A7c: High ISO performance and manual modes make it a strong choice here.
Video
- FP5: Basic 720p, no stabilization beyond optical lens OIS, no mic port.
- A7c: 4K, sensor stabilization, microphone input - suited for serious video creators.
Travel
- FP5: Super-light, pocketable, but limited image quality and battery life.
- A7c: Compact for full-frame but heavier; better image quality and endurance.
Professional Work
- FP5: Not designed for professional workflows – no RAW, limited control.
- A7c: RAW support, customizable workflows, plenty of pro features.
Final Verdict: Who Should Buy What?
Here’s how I’d summarize the practical value of these two cameras:
Panasonic FP5 - The Casual Snapshooter’s Pocket Pal
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Strengths:
- Ultra-compact, lightweight, easy carry
- Simple touchscreen interface for quick shots
- Optical image stabilization helps steady shots
- Very affordable at around $200
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Limitations:
- Fixed lens with limited zoom and max aperture
- Small 1/2.3" sensor restricts image quality and low-light capacity
- No RAW or manual exposure modes
- Basic video, no wireless connectivity
- Short battery life and limited controls
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Best for:
- Travelers or occasional photographers wanting an ultra-portable camera for casual everyday shooting and social sharing
- Beginners not ready for complex manual controls
- Users on a strict budget who prioritize size over image quality
Sony A7c - The Versatile Full-Frame Workhorse
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Strengths:
- Large 24MP full-frame BSI CMOS sensor delivers excellent image quality, dynamic range, and low-noise performance
- Advanced 693-point hybrid autofocus with eye/animal detection, fast and accurate even in continuous shooting
- 5-axis sensor stabilization and robust video features including 4K/30p, mic input
- Weather-sealed, solid build meant for professional use
- Huge lens ecosystem with over 120 native options
- Fully articulated touchscreen and high-res electronic viewfinder
- Built-in Wi-Fi, Bluetooth, NFC for wireless sharing and control
- Long battery life for demanding shoots
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Limitations:
- Pricey at roughly $1800 (body only)
- Larger and heavier than a simple compact; less pocketable
- No built-in flash (external required)
- Single card slot (some might prefer dual for redundancy)
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Best for:
- Serious enthusiasts and professionals looking for a portable but powerful full-frame system
- Portrait, landscape, wildlife, sports, and videography focused shooters
- Travelers wanting high image quality without lugging a DSLR
- Content creators needing strong stills and video performance with wireless connectivity
Wrapping Up with Some Real Talk
I’ve tested thousands of cameras from the dingiest point-and-shoots to flagships, so trust me when I say it’s not about which camera is “better” in the abstract but which is better for you and your specific needs.
If you want a no-fuss camera to capture memories on the fly, chuck in your pocket, and share instantly - the Panasonic FP5 is a competent little companion, offering simplicity and value. Just don’t expect stellar image quality or manual control.
If your eyes light up at creative possibilities, crave outstanding photo and video fidelity, and are willing to invest in a system that grows with your skills - the Sony A7c delivers professional-grade performance in a surprisingly small body and is a future-proof tool for serious photography.
Photography is as much about your passion and style as gear specs. But armed with this comparison, I hope you have a clearer picture of what to expect from each camera and can make a choice that fits your budget and workflow like a glove.
Happy shooting!
The End
Panasonic FP5 vs Sony A7c Specifications
Panasonic Lumix DMC-FP5 | Sony Alpha A7c | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model | Panasonic Lumix DMC-FP5 | Sony Alpha A7c |
Category | Ultracompact | Advanced Mirrorless |
Introduced | 2011-01-05 | 2020-09-14 |
Body design | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine IV | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.08 x 4.56mm | 35.8 x 23.8mm |
Sensor area | 27.7mm² | 852.0mm² |
Sensor resolution | 14MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4320 x 3240 | 6000 x 4000 |
Highest native ISO | 6400 | 51200 |
Highest boosted ISO | - | 204800 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Minimum boosted ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | 693 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 35-140mm (4.0x) | - |
Maximal aperture | f/3.5-5.9 | - |
Macro focus range | 10cm | - |
Amount of lenses | - | 122 |
Crop factor | 5.9 | 1 |
Screen | ||
Range of display | Fixed Type | Fully articulated |
Display sizing | 3 inches | 3 inches |
Display resolution | 230 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT Touch Screen LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,360 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.59x |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/1600 seconds | 1/4000 seconds |
Maximum quiet shutter speed | - | 1/8000 seconds |
Continuous shooting speed | 6.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.90 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye reduction | no built-in flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, XAVC S, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 141g (0.31 pounds) | 509g (1.12 pounds) |
Physical dimensions | 101 x 59 x 18mm (4.0" x 2.3" x 0.7") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 260 photos | 740 photos |
Battery format | Battery Pack | Battery Pack |
Battery model | - | NP-FZ100 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card (UHS-II supported) |
Storage slots | One | One |
Retail pricing | $199 | $1,800 |