Panasonic FP7 vs Panasonic ZS100
95 Imaging
38 Features
32 Overall
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87 Imaging
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Panasonic FP7 vs Panasonic ZS100 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 147g - 101 x 59 x 18mm
- Released January 2011
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Released January 2016
- Also Known as Lumix DMC-TZ100
- New Model is Panasonic ZS200

Panasonic Lumix DMC-FP7 vs. DMC-ZS100: Compact Cameras at Two Very Different Levels
When it comes to choosing a compact camera, it’s tempting to think all ultracompact point-and-shoots play in the same sandbox. But as any seasoned photographer will tell you after several tried-and-true tests, the devil’s in the details - and sensor technology, ergonomics, and autofocus wizardry separate the mere gadgets from serious photographic companions. Today, I’m diving deep into two Panasonic Lumix compacts that look somewhat similar on paper but cater to very different needs and budgets: the entry-level Panasonic FP7 from 2011, and the more advanced Panasonic ZS100 from 2016. Having put both through rigorous hands-on trials, I’m excited to share all the juicy insights you won’t find in the typical spec sheet.
Let’s kick things off with a quick visual tour of these two:
Notice how the FP7 barely weighs in at 147g, whereas the ZS100 feels more substantial at 312g - you’re essentially holding a tiny sprinting cheetah beside a steady marathon runner.
First Impressions: Pocketable Simplicity vs. Advanced Compact
Handling and Ergonomics
The FP7 is a triumph of compactness and simplicity - lightweight enough to be forgotten in your pocket (101 x 59 x 18 mm). Its fixed lens covers a modest 35-140mm equivalent zoom range (4x optical), and it sports a touchscreen LCD for framing and settings. However, the ergonomics feel... well, almost too minimal. No grip, no viewfinder - just the bare essentials. The fixed lens and lack of manual controls mean you’re mostly at the mercy of the camera’s auto modes.
Contrast that with the ZS100, which feels more like a serious travel tool than a casual snapshot box. It’s bigger and chunkier (111 x 65 x 44 mm), but that bulk translates to a much better hand-grip and easily accessible controls for aperture, shutter speed, and even exposure compensation. Plus, the ZS100 offers an electronic viewfinder (EVF) with 100% coverage and a respectable 0.46x magnification, which, as you'll see later, makes a big difference in bright-light shooting.
Notice the difference in control options - the ZS100’s dials and buttons offer a tactile joy the FP7 can only dream about.
Sensor and Image Quality: Small Sensor vs. Large Sensor Powerhouse
Here’s where things get interesting. The FP7 sports a small 1/2.3-inch CCD sensor, measuring 6.08 x 4.56 mm and packing 16 megapixels. By comparison, the ZS100 boasts a significantly larger 1-inch MOS sensor at 13.2 x 8.8 mm with 20 megapixels.
To put sensor size in perspective, the ZS100’s sensor is over four times the surface area of the FP7’s. Why does that matter? In my experience testing thousands of cameras, larger sensors generally provide better dynamic range, improved low-light performance, and superior control over depth of field. In practical terms:
- Dynamic Range: The ZS100 shines with a DxO dynamic range score of 12.5 EV, making it much better at pulling detail out of shadows and highlights. The FP7’s weaker sensor and older processor simply can’t compete here.
- ISO Performance: The ZS100 delivers a low-light ISO score of 559 (DxO), boasting usable images up to ISO 3200 without excessive noise. The FP7’s maximum ISO 6400 is nominal at best; anything above ISO 400 looks mushy and lifeless.
- Image Detail: Despite "only" 20MP, the ZS100 delivers crisp details, particularly with RAW support, something the FP7 lacks entirely. The older FP7 outputs only JPEGs, limiting post-processing flexibility.
This matters enormously for landscape shooters craving subtle tonal gradations or portrait enthusiasts wanting smooth skin tones.
Display and Viewfinder: Framing Matters
Both cameras feature fixed LCDs, but their implementation couldn’t be more different.
The FP7’s 3.5” TFT touchscreen has a surprisingly low 230k-dot resolution, making it a bit of a frustrating experience under bright sunshine or when looking for fine detail. Worst of all - no viewfinder, so you’re squinting at the LCD in direct sunlight or awkward angles.
The ZS100's 3” touchscreen is sharper at 1,040k dots, delivering a far more usable live preview. Additionally, the ZS100 packs a 0.2” electronic viewfinder with a 1,166k-dot resolution and 100% coverage.
Trust me, that EVF on the ZS100 is not just a gimmick. It's a boon outdoors.
This becomes a dealbreaker for anyone shooting outdoors in bright conditions or using telephoto zooms (ZS100’s 10x vs. FP7’s 4x). The FP7’s touchscreen interface is basic but responsive; however, the lack of physical controls slows down shooting, especially when quick adjustments are needed.
Autofocus and Shooting Speed: Tracking Your Subjects
Again, we’re looking at two cameras from different photographic universes:
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The FP7 has a contrast-detect autofocus system with 11 focus points, capable of face detection, but no manual focus or continuous AF modes. The continuous shooting rate maxes out at 4 fps but without autofocus tracking during bursts.
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The ZS100 features a more refined contrast-detect autofocus with 49 points (no phase detection), plus face detection and selective AF modes that make tracking subjects much easier. It boasts a faster 9.9 fps continuous shooting mode with AF tracking, allowing for capturing intricate moments in sports or wildlife photography.
This difference is palpable in the field. I tested both cameras shooting fast-moving kids and found the ZS100 able to lock onto faces faster and maintain focus during bursts. The FP7 feels sluggish and better suited for static subjects or casual snapshots.
Lens and Zoom Capabilities: Who’s Winning the Range Game?
The FP7’s fixed lens covers a 35-140mm equivalent (4x zoom) with max apertures ranging from f/3.5 to f/5.9. It’s decent for general snaps but doesn’t scream versatility.
The ZS100, on the other hand, impresses with a 25-250mm equivalent zoom (10x optical) and a faster aperture starting at f/2.8 at the wide end - good news for low light and shallow depth of field. For macro enthusiasts, the ZS100 can focus as close as 5cm against the FP7’s minimum 10cm, giving you much finer detail shots.
Build Quality and Weather Resistance: Bulking Up Comfortably
Neither camera is weather-sealed or ruggedized. Both lack dustproof, shockproof, or waterproof capabilities, so neither is your partner for extreme weather. I found the ZS100’s more sturdy build and rubberized grip make it easier to hold steady for longer, especially with heavier zoom lenses. The FP7's plastic shell feels delicate but is pleasantly pocket-sized.
Battery Life & Storage: Ready When You Are?
The FP7 uses a Battery Pack with approximately 240 shots per charge, versus the ZS100’s 300 shots - neither is particularly marathon-worthy but fairly standard for compact cameras. This means for long excursions, carrying an extra battery is advisable.
Both use SD/SDHC/SDXC cards, though the ZS100 has a more flexible file management system given its RAW support and ability to record 4K video.
Video Capabilities: When Will Your Stills Need to Move?
The FP7’s video potential is limited to 720p HD at 24fps, recorded in Motion JPEG format. There are no microphone inputs or advanced exposure controls - essentially video for casual memories.
The ZS100 stands tall with UHD 4K video at 30/24p, supports AVCHD and MPEG-4 codecs, and boasts 4K photo modes that let you extract high-res stills from videos. I found its optical image stabilization effective for handheld videos, while the FP7’s simpler system is only adequate for stable indoor clips.
Real-World Performance Across Photography Genres
To understand how these specs play out practically, I put both through their paces in ten major photography categories.
Here you see side-by-side samples illustrating differences in sharpness, color fidelity, and noise control.
Portrait Photography
The ZS100’s larger sensor and faster lens aperture deliver superior skin tone accuracy and creamy bokeh. Its reliable face detection and subtle background separation make it a go-to for casual portraits. The FP7, with its tiny sensor and slower lens, flattens facial features and produces less natural skin colors - hard pass for portrait enthusiasts.
Landscape Photography
Here the ZS100’s dynamic range and 20MP resolution let you capture rich details and expansive tonal gradations. Its 25mm wide-angle is helpful in tight spaces. The FP7’s smaller sensor and limited range mean digital noise in shadows and less detail, so it’s best for snapshot landscapes under perfect lighting rather than serious scenes.
Wildlife Photography
Neither is an ideal wildlife shooter, but ZS100’s 10x zoom and faster AF put it in a different league. It can handle moderately close shots of birds or wild animals at modest distances, while the FP7 is limited to distant and static wildlife subjects. The FP7’s 4 fps burst speed is simply too slow, and AF hunting in low light is frustrating.
Sports Photography
Autofocus tracking and burst rate are crucial here. The ZS100, with its 9.9 fps continuous shooting and AF tracking, can bowl over casual sports photography needs. The FP7 lags behind uncontrollably without continuous AF and suffers from laggy capture speed.
Street Photography
If discretion and portability are your game, the FP7’s lightweight and compact form win points. But in low light or fast urban moments, its slow AF and small sensor can leave you frustrated. The ZS100, though larger, remains pocketable and offers superior image quality and responsiveness, supported by silent shooting modes and a bright lens.
Macro Photography
With a 5cm closest focus vs. 10cm, and better stabilization, the ZS100 captures macro details with clarity and precision. The FP7’s performance is acceptable but limited by focusing distance and less capable stabilization.
Night/Astro Photography
ZS100’s 1-inch sensor, higher max ISO, and raw shooting shine here. Night photography benefits from longer shutter speeds and better low-light noise control, producing usable astro shots if paired with a tripod. The FP7 is constrained to ISO 400 or less for clean images, and long exposures suffer from noise.
Video Work
No comparison - the ZS100’s 4K video capabilities, stabilization, and 4K photo modes make it a mini filmmaking toolkit. The FP7’s 720p HD is suitable only for casual, low-demand videographers.
Travel Photography
The FP7’s size is ideal for light travel kits and casual use, while the ZS100 balances portability with versatility, making it a favorite for enthusiasts seeking quality without lugging a DSLR.
Professional Work
The ZS100 supports raw capture, exposure bracketing, manual modes, and USB/HDMI connectivity - tools serious photographers want. The FP7’s JPEG-only output, limited manual control, and lack of viewfinder reduce its appeal for professional use.
Connectivity and Workflow
ZS100 includes built-in Wi-Fi for easy sharing and remote control - handy for modern workflows. The FP7 simply has USB 2.0, with no wireless capabilities, making file transfers slower and less convenient.
Price and Value Analysis: Budget Constraints vs. Worthy Investment
Here’s where the choice boils down to dollars and sense. As of today’s prices:
- FP7: ~$227 – an ultra-affordable snap-and-go camera ideal for casual users or those on tight budgets.
- ZS100: ~$700 – a significant investment, but for this, you get image quality, manual control, versatility, and 4K video - features that justify the gap for serious enthusiasts.
Panasonic ZS100 clearly outperforms in most categories, but the FP7 still holds its ground in entry-level compact convenience.
Note how the ZS100 scores highly across nearly all photography types, unlike the FP7’s more limited profile.
Final Thoughts: Which One Should You Choose?
After testing these cameras extensively, I can confidently say:
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Choose the Panasonic FP7 if...
- You want a tiny, pocketable point-and-shoot purely for casual photos and simple snapshots.
- Budget is tight and you’re not looking for image quality beyond social media sharing.
- You dislike fiddling with controls and want something very user-friendly.
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Choose the Panasonic ZS100 if...
- You desire a compact that punches well above its weight in image quality and manual controls.
- You shoot a variety of genres including portraits, landscapes, travel, and video.
- You want a camera that feels like a serious photographic tool but without the bulk of a DSLR or mirrorless system.
- You crave 4K video and raw shooting flexibility.
If I had to pick one as my travel companion or a daily grab-and-go camera with serious shutter speed and image quality, the ZS100 wins hands down. The FP7 still fits a niche - a budget-friendly wrist rocket for simple snapshots - but its limitations are clear in 2024.
Technical Summary Table
Feature | Panasonic FP7 | Panasonic ZS100 |
---|---|---|
Sensor | 1/2.3” CCD, 16MP | 1” MOS, 20MP |
Lens | 35-140mm (4x), f/3.5-5.9 | 25-250mm (10x), f/2.8-5.9 |
AF System | Contrast, 11 points, face detect | Contrast, 49 points, face detect |
Continuous Shooting | 4 fps | 9.9 fps |
Viewfinder | None | Electronic, 0.46x magnification |
Screen | 3.5”, 230k dots touchscreen | 3”, 1,040k dots touchscreen |
Video | 720p@24fps MJPEG | 4K@30fps, AVCHD, MPEG-4 |
Battery Life | 240 shots | 300 shots |
Raw Support | No | Yes |
Stabilization | Optical | Optical |
Wi-Fi | No | Yes |
Size (W x H x D mm) | 101 x 59 x 18 | 111 x 65 x 44 |
Weight | 147 g | 312 g |
Price (approximate) | $227 | $700 |
Wrapping Up
Whether you want a no-fuss camera to slip into your pocket for everyday moments or a versatile compact that can stand in for a lightweight mirrorless system, understanding the pros and cons grounded in real testing makes all the difference. The Panasonic FP7 earns respect for its simplicity and size but doesn’t hold a candle to the Panasonic ZS100’s remarkable leaps in sensor size, autofocus, zoom reach, and video features.
Thanks for sticking through this comprehensive rundown - I hope it helps guide your next camera purchase with clarity and confidence. If you’ve had experience with either camera or are considering alternatives in this category, I’d love to hear your thoughts in the comments!
Until next time, keep shooting thoughtfully, and remember: the best camera is the one in your hands.
- Your seasoned photography gear aficionado
Panasonic FP7 vs Panasonic ZS100 Specifications
Panasonic Lumix DMC-FP7 | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FP7 | Panasonic Lumix DMC-ZS100 |
Also Known as | - | Lumix DMC-TZ100 |
Class | Ultracompact | Large Sensor Compact |
Released | 2011-01-05 | 2016-01-05 |
Body design | Ultracompact | Large Sensor Compact |
Sensor Information | ||
Processor Chip | Venus Engine IV | Venus Engine |
Sensor type | CCD | MOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor area | 27.7mm² | 116.2mm² |
Sensor resolution | 16 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 5472 x 3648 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 25600 |
Lowest native ISO | 100 | 125 |
RAW support | ||
Lowest boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 11 | 49 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 35-140mm (4.0x) | 25-250mm (10.0x) |
Maximum aperture | f/3.5-5.9 | f/2.8-5.9 |
Macro focusing range | 10cm | 5cm |
Crop factor | 5.9 | 2.7 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3.5 inches | 3 inches |
Resolution of display | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Touch Screen LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/1600 secs | 1/2000 secs |
Highest quiet shutter speed | - | 1/16000 secs |
Continuous shooting speed | 4.0 frames/s | 9.9 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.90 m | 8.00 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 147 gr (0.32 lb) | 312 gr (0.69 lb) |
Physical dimensions | 101 x 59 x 18mm (4.0" x 2.3" x 0.7") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 70 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 559 |
Other | ||
Battery life | 240 images | 300 images |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
Storage slots | 1 | 1 |
Price at launch | $227 | $700 |