Panasonic FP7 vs Sony A99
95 Imaging
38 Features
32 Overall
35


57 Imaging
69 Features
88 Overall
76
Panasonic FP7 vs Sony A99 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 147g - 101 x 59 x 18mm
- Introduced January 2011
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Announced December 2012
- Previous Model is Sony A900
- Replacement is Sony A99 II

A Tale of Two Cameras: Panasonic Lumix FP7 vs Sony A99 – Which One Fits You?
Choosing a camera is never just about specs on paper. It’s the feel of the grip, how the autofocus behaves in trying lighting, or even the quiet hum of the shutter when capturing a fleeting moment. I’ve spent years wrestling with thousands of cameras, diving deep into their sensors, autofocus systems, handling, and everything in between. So when I lined up the Panasonic Lumix FP7 and Sony A99 side-by-side, it was clear: these two cameras live in entirely different worlds, yet each has its own appeal.
In this detailed comparison, I’ll walk you through their physical design, image quality, autofocus performance, video capabilities, and more - with practical insights you won’t find just by scanning spec sheets.
Size and Handling: Pocketable Simplicity vs. Full-Featured Muscle
Let’s start with how these cameras feel and fit into your daily routine. The Panasonic FP7 is an ultracompact point-and-shoot, designed to slip into your pocket and accompany you everywhere. Its tiny footprint (101 x 59 x 18 mm) and lightweight 147g body make it the kind of camera you barely notice until you need it.
Conversely, the Sony A99 is a full-frame advanced DSLR-style camera, tipping the scales at 812g with dimensions around 147 x 111 x 78 mm - and you feel that heft. This camera demands a dedicated camera bag and deliberate use.
A camera’s size isn’t just about portability - ergonomics matter a lot too. The Sony A99 features a robust grip structure, textured surfaces, and extensive physical controls suited for prolonged handheld shooting. The Panasonic FP7, meanwhile, is minimalist: no protruding grips or manual dials, just a fixed lens and a touchscreen interface.
If you’re after a truly pocketable travel companion that’s ready for impromptu snaps, the FP7 nails it. But if a commanding grip and extensive manual control weigh more in your decision, the A99 is in its own league.
Top-Down Controls: Navigating the Interface
Now, look at the control scheme - this can make or break your shooting experience. The Panasonic FP7’s top is impressively clean but basic. A simple shutter button, zoom toggle, and power switch top off the body. There’s no mode dial or dedicated exposure compensation, reflecting its point-and-shoot nature.
The Sony A99, by contrast, is a photographer’s dream on the top panel with an array of dedicated buttons for ISO, exposure compensation, white balance, and much more. Its dual top screens - a feature rare these days - offer quick glance data, ideal when you’re adjusting settings in fast-paced situations.
In practice, the A99’s dedicated buttons and dials offer muscle-memory ease. You can switch from aperture to shutter priority, alter ISO on the fly, or engage focus modes without entering menus. The FP7’s touchscreen does allow some quick changes, but it can’t match the tactile immediacy or precision.
Under the Hood: Sensor Size and Image Quality
Here’s where the two cameras starkly diverge: sensor technology. The FP7 sports a 1/2.3" CCD sensor measuring 6.08 x 4.56 mm, with a resolution of 16MP. This kind of sensor is typical for ultracompacts but comes with compromises in noise control and dynamic range, especially in challenging light.
The Sony A99 uses a full-frame 35.8 x 23.8 mm CMOS sensor at 24MP - a sensor more than 30 times the surface area of the FP7’s. This large sensor translates to superior image quality, better performance at high ISO, and finer detail retention across the tonal range.
When I put these cameras side-by-side in real shooting tests, the difference was crystal clear. The Sony A99 delivered rich, detailed images with excellent color fidelity and notably better handling of shadows and highlights. The FP7 holds its own in bright daylight but struggles with noise and loss of detail in dimmer environments.
Worth noting: the A99 also supports RAW shooting, enabling advanced post-processing flexibility, while the FP7 shoots only JPEGs - meaning your creative latitude is limited unless you nail exposure in-camera.
Back LCD Screens and Viewfinders: Preview and Review Experience
The rear display and viewfinder are your eyes when composing and reviewing images. The FP7 offers a fixed 3.5-inch TFT touchscreen with 230k dots resolution - not high-res by any camera’s standards, but the touchscreen responsiveness is decent for its class.
The Sony A99 comes with a 3-inch fully articulated TFT Xtra Fine LCD at a crisp 1229k dots. The articulating design lets you compose from creative angles, invaluable for macro or video work. But perhaps more importantly, the A99 has a bright, high-resolution electronic viewfinder with 2359k dot resolution, 100% coverage, and 0.71x magnification - ideal for meticulous framing and shooting in bright conditions where LCDs struggle.
For those who rely heavily on the LCD to frame shots, the FP7’s screen is adequate but not inspiring. For photographers used to an optical or EVF, the lack of any viewfinder is a limiting factor.
Strengths and Weaknesses in Major Photography Genres
Portrait Photography
The Sony A99 shines for portraits. Its full-frame sensor delivers creamy bokeh, excellent skin tone reproduction, and highlights detail in eyes. Plus, Sony’s 19-point phase-detect autofocus system, including 11 cross-type points, offers precise eye detection and tracking - essential when your subject won’t hold still.
The FP7, with its fixed lens and limited aperture range (F3.5-5.9), can produce passable portraits under good light but lacks the shallow depth-of-field control for strong background separation. Its face detection function helps but autofocus is contrast-based and slower.
Landscape Photography
Here, the A99’s sizeable dynamic range (DxOmark measures around 14 EV) and resolution allow for rich detail and highlight/shadow recovery in post. Weather sealing adds peace of mind in unpredictable environments.
The FP7’s sensor size caps its dynamic range, and the absence of weather sealing limits use in harsh conditions. However, its compact size is tempting for casual landscape shooters who prioritize convenience over ultimate image quality.
Wildlife & Sports Photography
If fast autofocus and burst shooting count, the Sony A99’s 10 fps continuous mode with eye-tracking AF leaves the FP7’s 4.0 fps contrast-detect approach in the dust. Its phase detection AF data and DSLR form factor make the A99 a serious contender for wildlife and sports shooters.
The FP7 doesn’t offer continuous autofocus or high-speed tracking, so action shots are tricky.
Street Photography
The FP7’s discreet profile, light weight, and quiet operation lend it well to spontaneous street photography. The A99 is bulkier and noisier but offers more creative control and image quality. If discretion or portability wins, FP7 is your friend; for image quality and flexibility, A99.
Macro Photography
Neither camera is designed specifically for macro. The FP7 has 10 cm minimum focusing distance with built-in lens, okay for casual close-ups but limited magnification. The A99, combined with dedicated macro lenses from Sony’s vast Alpha lens lineup, vastly outperforms it. Plus, the articulating screen is a boon here.
Night and Astro Photography
Low-light performance is where the A99 shines with higher native ISO (up to 25600), impressive noise control, and exposure modes that support long exposures conveniently. The FP7’s ISO topping at 6400 with a small sensor means noise overtakes images early.
Astro shooters will find the full-frame sensor’s ability to capture stars and night sky detail light-years ahead.
Video Capabilities: Making Moving Pictures
If video is on your must-have list, both cameras shoot HD - but with very different results.
-
Panasonic FP7: HD 720p at 24fps, Motion JPEG codec, fixed lens, no microphone input. It’s simple, suitable for light casual video but limited.
-
Sony A99: Full HD 1080p at 60fps, AVCHD and MPEG-4 formats, microphone and headphone jacks, articulating screen for vlogging or low/overhead angles, and advanced exposure controls during video.
The A99 is clearly the versatile choice for anyone serious about combining stills with high-quality video.
Lens Ecosystem and Compatibility
The Panasonic FP7 has a fixed 35-140mm equivalent lens - versatile but limiting. No lens changes are possible.
The Sony A99 uses the Sony/Minolta Alpha mount with access to over 140 compatible lenses, including truly world-class primes and zooms. This translates into tremendous creative and professional flexibility.
Durability and Weather Sealing
The FP7 lacks any weather sealing or rugged features - don't expect to use it in rain or dusty conditions without caution.
Conversely, the Sony A99 boasts environmental sealing, a metal chassis, and sturdy construction suitable for professional outdoor use.
Battery Life and Storage Options
Battery life is an unsung hero in real-world shooting. The FP7’s 240-shot rating is respectable for a compact, but you’ll likely need spare batteries for a full day.
The A99 doubles that with a 500-shot rating, thanks to a larger battery and power-efficient design. Its dual storage slots let you use Memory Stick and SD cards simultaneously, providing extra security or extended shooting capacity.
Connectivity and Extras
Neither camera offers Bluetooth, NFC, or Wi-Fi, so wireless is absent from the package. The Sony’s USB 2.0 and HDMI ports, plus its GPS module built-in, add a modern professional touch the FP7 doesn’t match.
Putting It All Together: Performance & Scores
Based on my hands-on testing across the board, here’s a snapshot of the overall performance ratings these cameras earned:
The Sony A99 is the clear leader in image quality, autofocus speed, build quality, and versatility. The FP7 shines in portability and ease of use but ranks lower in most performance categories.
Breaking it down by photography niche confirms this:
Sample Images: Visual Proof Is in the Pixels
Enough talk - let’s see some sample images from both cameras under varied shooting conditions:
Notice the fine detail, dynamic range, and color fidelity difference immediately. The A99’s larger sensor and superior lens ecosystem present images with less noise and richer tones, especially in shadows and highlights.
Who Should Buy the Panasonic FP7?
- You want a super-compact, pocketable camera that’s ready to shoot immediately.
- Casual shooters or travelers who prioritize convenience over ultimate quality.
- Budget-conscious buyers who need a simple camera without lenses or manual controls.
- Occasional social photography and snapshots in good light.
The FP7 is a competent compact point-and-shoot for casual use - nothing fancy but easy to carry and use.
Who Should Lean Towards the Sony A99?
- Advanced enthusiasts or professionals seeking full-frame image quality.
- Photographers who want extensive manual control and an outstanding autofocus system.
- Those shooting portraits, landscapes, sports, wildlife, or low-light conditions seriously.
- Videographers needing HD video with audio inputs.
- Photographers requiring a flexible lens system and rugged build quality.
- Users who want RAW capture and advanced exposure modes.
It’s a higher price and size commitment but a rewarding investment for demanding image quality and flexibility.
Final Thoughts: A Matter of Purpose and Priority
Comparing the Panasonic Lumix FP7 and Sony A99 is almost like comparing a hatchback to an off-road SUV - they serve different purposes superbly well.
If you believe “the best camera is the one you have with you,” and want effortless travel and street snaps, the FP7 covers your back. But if you want a powerful photographic tool capable of professional results across a wide range of genres, the Sony A99 is the workhorse worthy of your attention.
After extensive use of both, I can safely say: knowing what you want to shoot and your workflow preferences is key before choosing either camera. And if you need suggestions on lenses and accessories for the A99, or tips on maximizing the FP7’s simplicity, drop me a line.
Summary Table
Feature | Panasonic FP7 | Sony A99 |
---|---|---|
Sensor | 1/2.3" CCD, 16MP | Full-frame CMOS, 24MP |
Autofocus | Contrast detection, 11 points | Phase detection, 19 points |
Lens | Fixed 35-140mm f/3.5-5.9 | Interchangeable, Sony Alpha mount |
Continuous Shooting | 4 fps | 10 fps |
Viewfinder | None | Electronic, 2359k dots |
Video | 720p @ 24fps, MJPEG | 1080p @60fps, AVCHD & MPEG-4 |
Weather Sealing | No | Yes |
Weight | 147 g | 812 g |
Price | ~$227 | ~$1,998 |
Images used:
size-comparison.jpg
top-view-compare.jpg
sensor-size-compare.jpg
back-screen.jpg
cameras-galley.jpg
camera-scores.jpg
photography-type-cameras-scores.jpg
In the end, both cameras have their place on the photography spectrum. My advice? Get clear on your shooting needs, budget, and how much control versus convenience you want. Armed with that, either the Panasonic FP7 or Sony A99 can serve you well - but in very different ways. Happy shooting!
Panasonic FP7 vs Sony A99 Specifications
Panasonic Lumix DMC-FP7 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FP7 | Sony SLT-A99 |
Class | Ultracompact | Advanced DSLR |
Introduced | 2011-01-05 | 2012-12-12 |
Physical type | Ultracompact | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine IV | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.8mm |
Sensor surface area | 27.7mm² | 852.0mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 6400 | 25600 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 19 |
Cross type focus points | - | 11 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 35-140mm (4.0x) | - |
Maximal aperture | f/3.5-5.9 | - |
Macro focusing distance | 10cm | - |
Number of lenses | - | 143 |
Crop factor | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3.5 inch | 3 inch |
Resolution of screen | 230k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | TFT Touch Screen LCD | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/1600s | 1/8000s |
Continuous shutter rate | 4.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.90 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | - | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 147 gr (0.32 lbs) | 812 gr (1.79 lbs) |
Physical dimensions | 101 x 59 x 18mm (4.0" x 2.3" x 0.7") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO Overall rating | not tested | 89 |
DXO Color Depth rating | not tested | 25.0 |
DXO Dynamic range rating | not tested | 14.0 |
DXO Low light rating | not tested | 1555 |
Other | ||
Battery life | 240 photographs | 500 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Card slots | One | Dual |
Launch pricing | $227 | $1,998 |