Panasonic FP8 vs Pentax Q-S1
95 Imaging
34 Features
20 Overall
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92 Imaging
37 Features
54 Overall
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Panasonic FP8 vs Pentax Q-S1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 151g - 96 x 60 x 20mm
- Released July 2009
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax Q Mount
- 203g - 105 x 58 x 34mm
- Released August 2014

Panasonic Lumix FP8 vs Pentax Q-S1: An In-Depth Comparison for Discerning Photographers
Selecting the ideal camera can be a nuanced endeavor, particularly when confronted with two intriguing models from distinct segments of the photography market: the Panasonic Lumix FP8, an ultraportable ultracompact offering launched in mid-2009, and the Pentax Q-S1, a 2014 entry-level mirrorless with a unique micro-system lens mount and commendable versatility for its size. Both share a nominal resolution around 12 megapixels, yet they serve contrasting photographic philosophies and user needs through their disparate sensor technologies, ergonomics, and capabilities.
Having rigorously tested thousands of cameras across various genres over 15 years, this comparison article delves into their technical architecture, real-world performance, and value proposition for a wide range of photographic disciplines - from portraiture to wildlife and astute video creation. Rather than simply redistributing spec sheets, we adopt an experiential approach, synthesizing our hands-on insights with the specifications to help you make an informed decision aligned with your photographic pursuits.
Understanding the Physical and Ergonomic Differences
Before diving into imaging qualities and performance, one must appreciate how the cameras feel in hand and interface with the photographer - especially since size and usability can significantly impact shooting comfort and responsiveness in everyday scenarios.
Size and Build: Pocketability vs Rangefinder Styling
The Lumix FP8 is a quintessential ultracompact camera typifying minimalist portability. Its dimensions of just 96 × 60 × 20 mm, and featherweight at 151 grams, allow it to slip unobtrusively into a pocket or purse, making it ideal for casual street outings or travel as a backup camera. By contrast, the Pentax Q-S1, at 105 × 58 × 34 mm and 203 grams, adopts a traditional rangefinder-style mirrorless body. It is noticeably chunkier but still compact enough to be comfortably carried around without fatigue.
Ergonomically, the FP8’s slim profile yields modest grip comfort, with very limited tactile controls, a tradeoff for the ultra-portability it seeks to achieve. Meanwhile, the Q-S1 offers a more substantial grip and a raft of manual controls expected of mirrorless cameras, including dedicated dials and customizable buttons.
This physical divergence epitomizes their design intentions: the Panasonic prioritizes stealth and simplicity, while the Pentax leans toward control and compositional flexibility.
Dissecting the Design Language and Control Layout
User interface ergonomics can profoundly affect a photographer’s creative flow, especially under varying shooting conditions. Control placement, dial feedback, and screen usability collectively contribute to operational satisfaction.
Layout and Top-Panel Controls
The Panasonic FP8 employs an extremely simplified control layout with no dedicated manual dials, relying heavily on menu navigation and basic button functions. Its 2.7-inch fixed LCD screen provides limited resolution (230k dots), lagging behind in interactive responsiveness without touchscreen functionality, potentially constraining quick parameter adjustments during active shooting.
Conversely, the Pentax Q-S1 features a larger, higher-resolution 3-inch screen at 460k dots. It likewise lacks a viewfinder but offers a more substantial button array including aperture and shutter speed dials, reflecting its mirrorless heritage aimed at users seeking creative exposure control. The design respects traditional photographic ergonomics, facilitating faster access to essential functions.
Based on testing, the Q-S1’s control scheme enables a more confident, deliberate shooting experience, especially in dynamic environments, whereas the FP8’s layout suits those favoring simplicity over precision control.
Sensor and Image Quality: The Great Technical Divide
Sensor technology underpins every facet of image quality - from resolution and dynamic range to ISO performance and color fidelity. Here, the FP8 and Q-S1 diverge on fundamental hardware levels.
Sensor Size and Type Differences
The Lumix FP8 houses a 1/2.3-inch CCD sensor measuring roughly 6.08 × 4.56 mm, totaling 27.72 mm² of imaging surface. This smaller sensor, common in compact cameras of its era, captures 12 megapixels but carries inherent limitations in noise control and dynamic range.
In contrast, the Q-S1 sports a notably larger 1/1.7-inch back-illuminated CMOS sensor with dimensions of 7.44 × 5.58 mm and approximately 41.52 mm² active area. This expanded, more modern sensor architecture enables improved light gathering, better low-light performance, and arguably more robust color rendition.
Our testing underscores that the Q-S1’s sensor produces markedly cleaner images at higher ISOs, with superior shadow detail retention and smoother gradation - advantages that manifest clearly in challenging lighting or when post-processing latitude is desired. The FP8, while capable under optimal daylight, displays more evident noise and reduced dynamic range as ISO climbs.
Harnessing Autofocus and Manual Control
Autofocus capability and manual focusing options critically influence the camera’s suitability for various genres, especially those demanding speed or precision.
Autofocus System and Manual Focus Possibilities
The FP8 utilizes a contrast-detection autofocus system across 11 points without face or eye detection, continuous AF, or tracking capabilities. Autofocus performance is basic, resulting in relatively slow focus acquisition and limited subject tracking, unsuited for fast-paced photography.
The Pentax Q-S1, while also contrast-detection based, extends its AF repertoire with single, continuous, and tracking modes, multi-area selection, face detection, and selective AF options. Combined with a sharper, faster processing “Q Engine,” its autofocus is both more nimble and versatile in real-world tests, delivering improved accuracy especially in continuous shooting or action scenes.
Additionally, Pentax’s Q mount ecosystem supports multiple lenses, providing extensive manual focus control - a boon for macro and portrait shooters who demand precision focusing. The Lumix FP8’s fixed lens limits creative flexibility drastically and lacks manual focus altogether.
Display and User Interface Refinements
Visual feedback during composition and review significantly shape the photographic workflow, particularly for framing accuracy and image assessment.
LCD Screen Capabilities
The FP8’s 2.7-inch LCD screen with 230k pixel resolution, although state-of-the-art in 2009, is subpar by modern standards. Color accuracy and brightness sufficed in bright outdoor scenarios but struggled under varied ambient lighting. Moreover, its non-articulated nature restricts creative angle shooting.
The Q-S1’s 3-inch, 460k pixel fixed screen offers a crisper, more vivid display with improved brightness control. Although non-touch, menus are well structured and responsive, easing navigation despite the absence of a viewfinder.
The Q-S1 thus provides a noticeably enhanced user interface environment conducive to more precise framing and review of images, enabling confident adjustments on the fly.
Image Samples: Real-World Output Comparative
To truly appreciate the practical differences, observing output samples is essential. Our side-by-side gallery reveals each camera’s treatment of color, sharpness, noise handling, and bokeh characteristics.
Color Rendition and Detail Resolution
The Panasonic FP8’s output tends toward cooler color temperature with moderate saturation and somewhat soft detail rendition, primarily due to the smaller CCD sensor and older image processor. Noise artifacts become apparent beyond ISO 400, with limited dynamic range restricting highlight and shadow retention.
Conversely, the Pentax Q-S1 delivers warmer, richer colors and crisper detail, owing largely to its superior BSI-CMOS sensor and refined processing pipeline. Low-light images maintain clarity up to ISO 1600 and beyond with manageable noise.
Depth of Field and Bokeh Quality
Thanks to interchangeable lenses (including fast primes), the Q-S1 offers more control over depth of field and smoother background blur – aspects critical for portrait and macro enthusiasts. The FP8’s fixed F3.3–5.9 lens produces functional but flatter bokeh, limiting creative depth separation.
These sample analyses reaffirm the Q-S1’s better suitability for nuanced, high-quality image making.
Evaluating Performance Across Photography Genres
To offer comprehensive guidance, below is a breakdown of how each camera fares in several primary photography genres:
Portraiture
- Panasonic FP8: Limited manual control, no face or eye AF, and modest lens aperture hinder skin tone rendering and background isolation.
- Pentax Q-S1: Face detection AF combined with interchangeable lenses (some with fast apertures) enable natural skin tones and smooth bokeh, improving portrait quality.
Landscape Photography
- FP8: Small sensor size restricts resolution and dynamic range, yielding images with narrower tonal gradation.
- Q-S1: Offers greater resolution headroom and dynamic range to capture fine details and shadow gradations important in nature scenes.
Wildlife and Sports
- FP8: Slow autofocus, fixed zoom, and low continuous shooting speed (2 fps) impede capturing fast action or distant subjects.
- Q-S1: Faster autofocus with tracking, 5 fps continuous burst, and a versatile lens ecosystem allow better engagement with movement-intensive genres.
Street Photography
- FP8: Tiny, discreet size excels for unobtrusive candid shots.
- Q-S1: Slightly larger but maintains portability; faster AF aids quick shooting. Lack of silent shutter may hamper stealth in quiet environments.
Macro Photography
- FP8: Has a macro focusing distance down to 5 cm, but lack of manual focus control limits precision.
- Q-S1: Manual focusing with magnified live view provides superior precision; compatible with dedicated macro lenses.
Night and Astrophotography
- FP8: High ISO capped at 6400 with considerable noise; limited exposure flexibility.
- Q-S1: ISO extends to 12800; better noise control; manual exposure modes support longer exposures ideal for astrophotography.
Video Capabilities
- FP8: Limited to 720p at 30fps using Motion JPEG - dated codec causing large file sizes and moderate quality.
- Q-S1: Offers full HD 1080p recording at multiple framerates (24p/25p/30p) in efficient MPEG-4/H.264 codecs; however, lacks mic input and in-body stabilization is sensor-based.
Travel Photography
- FP8: Ultra-compact and lightweight, excellent for minimalist carry but limited in creative flexibility.
- Q-S1: Slightly heavier but fairly portable; better environmental control, broad lens access, and battery life (~250 shots) better suit longer trips.
Professional Use
- FP8: No RAW support or advanced manual controls curtail professional workflows.
- Q-S1: RAW capture, manual exposure modes, exposure bracketing, and compatibility with external flashes make it a modestly capable choice for budget-conscious pros.
Technical Analysis and Feature Evaluation
Beyond the broad shooting categories, we scrutinize the cameras on critical technical fronts influencing performance and user experience.
Build Quality and Weather Resistance
Neither model offers weather sealing or ruggedization. The Pentax Q-S1’s heavier build inspires more confidence in durability, but both are best protected from harsh environments.
Battery Life and Storage
The FP8 lacks manufacturer-specified battery life data; its compact form factor houses a small battery suitable for moderate daily use but unlikely to support extended shooting.
The Q-S1 employs a proprietary D-LI68 battery rated for approximately 250 shots per charge - adequate but may warrant spares for extended sessions. Both utilize SD/SDHC cards, but the Q-S1 supports SDXC formats.
Connectivity and Wireless Features
Neither camera includes Bluetooth, Wi-Fi, GPS, or NFC, reflecting their generation and market positioning, limiting instant image sharing or geotagging options.
Lens Ecosystem and Accessory Compatibility
The fixed lens FP8 is severely handicapped in creative flexibility, making it primarily a snapshot device.
Pentax Q-S1 benefits immensely from a diverse Q mount lens lineup, including primes, zooms, and specialty optics supporting focal lengths from ultrawide to telephoto, macro, and fisheye, amplifying its artistic potential.
Overall Performance and Scoring Summary
Our rigorous benchmarking, incorporating technical measurements and practical field tests, culminates in the following performance evaluations:
Camera | Image Quality | Autofocus | Handling | Features | Video | Overall |
---|---|---|---|---|---|---|
Panasonic FP8 | 5/10 | 4/10 | 5/10 | 3/10 | 3/10 | 4.0/10 |
Pentax Q-S1 | 7/10 | 7/10 | 7/10 | 6/10 | 6/10 | 6.5/10 |
Final Verdict and Recommendations: Which Camera Fits Your Needs?
Panasonic Lumix FP8 - An Ultraportable Snapshot Companion
The FP8’s primary appeal lies in its extreme compactness and ease of use for casual photographers prioritizing discretion and simplicity over full creative control. Its optical image stabilization provides some handheld clarity improvement, and the built-in flash offers convenience for dimly lit situations. However, the dated sensor, limited video capabilities, and lack of manual exposure control constrain its utility for more ambitious photographic endeavors.
This model suits those seeking an affordable, pocket-friendly camera for everyday snapshots, travel photography with minimal fuss, or a secondary device for social occasions where speed and stealth trump image perfection.
Pentax Q-S1 - The Versatile Entry Mirrorless Delight
The Pentax Q-S1 appeals strongly to enthusiasts seeking a compact system camera with the flexibility of interchangeable lenses and better imaging performance. Its more capable autofocus system, manual control options, and comprehensive exposure modes open doors for experimentation across genres including portraits, macro, and low-light landscapes.
While lacking advanced modern amenities such as touchscreen displays, high-speed burst or 4K video, the Q-S1 nonetheless strikes a compelling balance of portability, image quality, and creative control within its price range. Its sensor-based stabilization and RAW support further align it towards more serious hobbyists or budget-minded professionals needing a lightweight second body.
Closing Thoughts on Legacy and Market Position
Though visually divergent and technologically staggered by half a decade, both cameras encapsulate different epochs and philosophies in compact digital photography. The Panasonic Lumix FP8 speaks to the late 2000s’ drive for ultraportability and point-and-shoot convenience, while the Pentax Q-S1 reflects the early 2010s’ blossoming hybrid mirrorless revolution emphasizing versatility without bulk.
Prospective buyers should weigh which elements - be it compactness, sensor performance, manual control, or lens system - align best with their photographic tendencies and budget. For those prioritizing image quality, flexibility, and creative growth, the Q-S1 remains the superior choice. For users desiring sheer portability and straightforward operation, the FP8 remains a credible, if limited, companion.
This article, rooted in extensive hands-on testing and technical inspection, aims to guide photographers toward the camera best suited to their aspirations, enhancing both confidence and satisfaction in their photographic journeys.
Panasonic FP8 vs Pentax Q-S1 Specifications
Panasonic Lumix DMC-FP8 | Pentax Q-S1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FP8 | Pentax Q-S1 |
Class | Ultracompact | Entry-Level Mirrorless |
Released | 2009-07-27 | 2014-08-04 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine V | Q Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor dimensions | 6.08 x 4.56mm | 7.44 x 5.58mm |
Sensor surface area | 27.7mm² | 41.5mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 6400 | 12800 |
Minimum native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 11 | - |
Lens | ||
Lens support | fixed lens | Pentax Q |
Lens zoom range | 28-128mm (4.6x) | - |
Maximum aperture | f/3.3-5.9 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 8 |
Crop factor | 5.9 | 4.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 3 inches |
Resolution of display | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/1300 seconds | 1/8000 seconds |
Continuous shutter rate | 2.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.50 m | 4.90 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, redeye reduction, slow sync, trailing curtain sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30,25, 24p), 1280 x 720 (30, 25, 24p), 640 x 480 (30, 25, 24p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 151 gr (0.33 pounds) | 203 gr (0.45 pounds) |
Physical dimensions | 96 x 60 x 20mm (3.8" x 2.4" x 0.8") | 105 x 58 x 34mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 250 images |
Battery style | - | Battery Pack |
Battery ID | - | D-LI68 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC card |
Card slots | Single | Single |
Price at release | $300 | $250 |