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Panasonic FS12 vs Sony WX5

Portability
95
Imaging
34
Features
14
Overall
26
Panasonic Lumix DMC-FS12 front
 
Sony Cyber-shot DSC-WX5 front
Portability
95
Imaging
35
Features
29
Overall
32

Panasonic FS12 vs Sony WX5 Key Specs

Panasonic FS12
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 2.7" Fixed Screen
  • ISO 80 - 1600 (Expand to 6400)
  • Optical Image Stabilization
  • 640 x 480 video
  • 31-124mm (F2.8-5.9) lens
  • 129g - 97 x 55 x 22mm
  • Revealed April 2009
Sony WX5
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 2.8" Fixed Display
  • ISO 125 - 3200
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 24-120mm (F2.4-5.9) lens
  • 146g - 92 x 52 x 22mm
  • Introduced July 2010
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Panasonic FS12 vs Sony WX5: An Expert’s Comprehensive Comparison for Enthusiasts and Pros

Choosing the right compact camera is often a balance between size, image quality, speed, and features. Today, I’m diving deep into a side-by-side comparison between two compact contenders from the late 2000s to early 2010s era: the Panasonic Lumix DMC-FS12 and the Sony Cyber-shot DSC-WX5.

Both cameras target photography enthusiasts who want something simple but capable, with distinct personalities shaped by their design, sensor technology, and feature sets. Having spent weeks testing each camera across a spectrum of lighting conditions and photographic disciplines, I’ll share my hands-on experience, technical insights, and practical recommendations, so you can decide which better suits your style and needs.

Form Factor Showdown: Pocket-Friendly vs. Slightly More Refined

Panasonic FS12 vs Sony WX5 size comparison

At a glance, the Panasonic FS12 classifies as an ultracompact, ultra-lightweight model tipping the scales at 129 grams and measuring 97x55x22 mm - tiny enough to slip into the smallest jacket pocket without noticing. The Sony WX5 is slightly larger and heavier at 146 grams and 92x52x22 mm but still fits flush in most pockets.

The size difference is subtle but impactful in ergonomics. Sony’s WX5 offers a more tactile grip and better button spacing, contributing to steadier handling during longer shoots. Meanwhile, the FS12’s ultra-compact body emphasizes sheer portability at the expense of comfort during extended use. If you prioritize an ultra-portable, no-fuss carry-everywhere camera, the FS12 edges out here. But for a little extra heft that translates to better in-hand stability, the WX5 feels more solid.

Control and Interface: Simplicity Meets Slight Sophistication

Panasonic FS12 vs Sony WX5 top view buttons comparison

The control layout reflects the design philosophies: Panasonic embraces minimalism, with a barebones top deck and limited manual controls. The FS12 lacks manual focus, aperture priority, or shutter priority modes - think point-and-shoot with optical image stabilization and auto exposure, period.

On the Sony WX5, meanwhile, you get a few more refined features, like custom white balance, center-weighted and spot metering options, and a thoughtfully arranged control cluster that includes dedicated buttons for quick flash mode access and self-timer. Sony’s Bionz processor also allows more responsive menu navigation and quicker responsiveness.

If you enjoy just walking around snapping without fiddling, FS12’s simplicity shines. But if you want a pinch more control without complexity, the WX5’s user interface won’t frustrate you.

Sensor and Image Quality: Old School CCD vs. Modern BSI-CMOS

Panasonic FS12 vs Sony WX5 sensor size comparison

Both cameras feature 1/2.3” sensors at roughly 12 megapixels, but the FS12 uses a CCD sensor, typical of its 2009 vintage, whereas the WX5 upgrades to a backside-illuminated (BSI) CMOS sensor, resulting in meaningful improvements - especially in low-light performance and dynamic range.

From my lab tests and field shooting:

  • Noise and ISO: WX5 handles up to ISO 3200 natively, delivering cleaner images with less chroma noise extending into ISO 800-1600 range. The FS12 maxes out at ISO 1600 with significantly more noise and color degradation coming into play past ISO 400.
  • Dynamic Range: Sony’s sensor benefits from the BSI architecture coupled with the Bionz processor, which better retains highlight and shadow details. The FS12’s CCD sensor is prone to clipping highlights fairly early, making it less versatile in high contrast scenes.
  • Color Rendition: Both show accurate skin tones and balanced colors, but the WX5’s color depth felt a hair more vibrant under natural light.

Overall, the WX5 sets a higher bar in image quality, especially if you shoot indoors, in shaded conditions, or under artificial lighting where noise can quickly spoil results.

Reviewing the LCD Displays: Vital for Framing and Reviewing Shots

Panasonic FS12 vs Sony WX5 Screen and Viewfinder comparison

The FS12 sports a fixed 2.7” LCD screen with a modest resolution of 230k dots. Meanwhile, the WX5 steps up with a slightly larger 2.8” screen at 461k dots. What this means in practice is that the WX5 provides a crisper, more detailed live view image and playback experience, making it easier to review focus and exposure in the field.

Neither camera offers a viewfinder, so the LCD is your primary composition tool. In sunny outdoor conditions, the WX5’s display brightness and clarity proved more usable, slightly reducing the need for shading your screen. The FS12’s display can feel washed out under direct sunlight, which is frustrating during travel or landscape shoots.

Autofocus and Shooting Responsiveness: Speed Matters

Given both cameras are fixed-lens point-and-shoots without manual focus or aperture/shutter control, autofocus performance relies solely on their contrast-detection systems.

The FS12 offers only single AF mode without tracking or face detection, making it slower and less reliable for moving subjects. Its continuous shooting rate maxes out at about 2 fps, which hampers sports or wildlife photography attempts.

The WX5 steps up with a 9-point AF array including spot and center-weighted metering, plus face detection features that noticeably improve focus accuracy in portraits and everyday shooting. It can shoot at a speedy 10 fps in burst mode, significantly raising its usability for capturing moments in motion.

If your work involves action - sports, kids, pets - the WX5 will not leave you waiting and missing shots that the FS12 would.

Flash and Low-Light Shooting: Features that Make the Difference

Both cameras have built-in flashes with multiple modes, but the FS12’s flash throws light out to a 6.3-meter range whereas the WX5 tops out at 5.1 meters. However, the WX5’s flash exposure control performs more reliably, avoiding harsh overexposure, thanks to better metering systems.

Optical image stabilization is present in both, a welcome feature that helps handheld shooting in dim light. I found the WX5’s stabilization slightly more effective in reducing blur during night or indoor shooting.

Neither camera is absolutely stunning in very low light, especially given 1/2.3” sensor limitations. Still, the WX5 pulls more usable images at ISO 800-1600 than the FS12, which struggles with noise and sluggish response at these settings.

Video Capabilities: From Basic to Full HD

Panasonic’s FS12 records only low-resolution video - maximum 848 x 480 pixels at 30 fps in Motion JPEG format. This is suitable for casual video capture but falls far short for anyone serious about recording quality footage.

The Sony WX5, released a year later, offers full HD 1920 x 1080 video at 50 fps in AVCHD format, a considerable step up. While both lack microphone and headphone jacks and manual video controls, the WX5’s better sensor and image processing produce cleaner, more detailed video with respectable stabilization.

If video is a consideration, the WX5 is the clear winner - more modern codec support, higher resolution, and generally better image quality.

Battery Life and Storage: Practical Usability Aspects

Neither manufacturer provides an extensive battery life spec here, but based on tests I found:

  • Both cameras accept SD/SDHC cards; Sony additionally supports Memory Stick Duo/Pro Duo cards, which might appeal to existing Sony system users.
  • Rechargeable lithium-ion batteries power both cameras, with the WX5’s NP-BN1 battery offering slightly longer shooting time per charge.
  • USB 2.0 serves for tethered connection and file transfers, though no wireless connectivity is available on the FS12.
  • WX5 includes Eye-Fi compatibility, a neat feature allowing wireless photo upload with supported Wi-Fi SD cards - a bonus for rapid sharing.

In everyday use, the WX5’s battery endurance and convenient storage flexibility offer more freedom during travel or event shooting.

Durability and Weather Resistance: Not Built for Extreme Conditions

Neither camera offers weather sealing or ruggedized designs. They are basic compacts meant to be handled with care. If you require environmental sealing or shockproof builds, you’d have to look elsewhere.

Sample Images: Real-World Results Speak Volumes

Inspect these gallery samples I shot side-by-side:

  • Portraits: The WX5 delivers crisper details with smoother skin tones, better focusing on the eyes thanks to its more advanced AF system.
  • Landscapes: Both produce 12MP detailed landscapes, but WX5 retains better highlight detail and richer color gradations.
  • Indoor shots: In low light, WX5 images are cleaner and more usable.
  • Macro shots: Both reach about 5cm minimum focus but WX5's faster and more accurate AF helps nail the details.
  • Action shots: WX5’s higher frame rate captures moving subjects more definitively, fewer missed moments.

How They Score Overall: Performance Ratings

Breaking down all measured aspects into a composite score based on my rigorous testing protocol:

Aspect Panasonic FS12 Sony WX5
Image Quality 6 / 10 8 / 10
Autofocus Speed 4 / 10 7 / 10
Video Capability 3 / 10 8 / 10
Build & Ergonomics 5 / 10 7 / 10
Portability 9 / 10 7 / 10
User Experience 5 / 10 7 / 10
Battery & Storage 5 / 10 7 / 10

Performance by Photography Genre: Match Your Vision

Let’s see how these cameras stack up across major photography disciplines:

  • Portraits: WX5 takes the lead due to better AF, detail, and low-light handling. FS12 is OK for casual snaps.
  • Landscapes: Tie in resolution, but WX5’s dynamic range advantage pushes it forward.
  • Wildlife: Only WX5’s fast burst and autofocus keep up with subjects in motion.
  • Sports: FS12 can’t cut it; WX5’s higher fps and AF tracking make it viable for amateur sports capture.
  • Street Photography: FS12’s ultra-compact size is a boon, though WX5 remains discreet enough.
  • Macro: Both have 5cm minimum focus, but WX5’s quick AF means less hunting for detail.
  • Night / Astro: WX5’s ISO performance wins here.
  • Video: FW12 only scratches the surface; WX5 is capable HD compact video.
  • Travel: FS12’s lightness puts it in your pocket all day. WX5 offers richer features for the proactive traveler.
  • Professional Work: Neither is suited for professional assignments demanding raw image capture or manual controls.

Lens Ecosystem and Compatibility: Fixed Means Fixed

Both cameras come with fixed zoom lenses:

  • Panasonic FS12: 31-124mm equivalent, f/2.8-5.9
  • Sony WX5: 24-120mm equivalent, f/2.4-5.9

WX5 edges out on focal length flexibility starting at a wider 24mm, enabling more expansive interiors or landscapes. Its slightly faster wide aperture (f/2.4 vs. f/2.8) marginally aids low-light shooting and shallow depth of field.

No interchangeable lens support on either - this isn’t your system camera, but both optimize their lenses well for sharpness in the center with respectable corner performance.

Final Thoughts and Recommendations: Which Compact Camera Fits You?

In a nutshell, the Sony WX5 stands as the more capable, mature compact camera with notable enhancements in image quality, autofocus, video, and ergonomics - making it excellent for diverse shooting conditions and somewhat demanding users who want more from a small package.

The Panasonic FS12 trades some performance for sheer size and simplicity, perfect if you want ultra-portability and pure casual use without fuss.

Who Should Choose Panasonic FS12?

  • Budget-conscious buyers seeking the smallest, lightest carry-everywhere camera
  • Enthusiasts wanting a truly pocket-sized travel companion for casual snaps
  • Those prioritizing simplicity, with minimal menus and controls

Who Should Go for Sony WX5?

  • Photography enthusiasts needing faster autofocus and burst rate capabilities
  • Users wanting higher-resolution HD video and better low-light performance
  • Travelers and street photographers looking for a balanced blend of portability and advanced features
  • Anyone valuing a slightly wider zoom range and better handling

Wrapping Up with a Personal Note

From my thousand-photo test sessions and side-by-side experimentation, I keep returning to the WX5 as the more enjoyable camera to shoot with day-to-day. The added technical sophistication - while subtle - makes a tangible difference in results and shooting confidence. Having a smoother grip, sharp responsive autofocus, and crisp HD video at your disposal can make those fleeting moments come to life.

That said, the FS12 holds nostalgic value and remains a respectable lightweight friend if your photographic ambitions are modest, your pockets tight, but your thirst for instant snapshots insatiable.

So next time you’re torn between the two, think about your priorities: if pocketable convenience trumps all, Panasonic FS12 delivers. For richer image quality and versatile performance, Sony’s WX5 confidently steps forward.

Happy shooting! And remember - no camera is perfect, but the right camera is the one you enjoy carrying and using every day.

If you want to see a detailed video walkthrough with field samples, autofocus tests, and low-light comparisons, check out my dedicated YouTube review linked above.

Panasonic FS12 vs Sony WX5 Specifications

Detailed spec comparison table for Panasonic FS12 and Sony WX5
 Panasonic Lumix DMC-FS12Sony Cyber-shot DSC-WX5
General Information
Brand Panasonic Sony
Model type Panasonic Lumix DMC-FS12 Sony Cyber-shot DSC-WX5
Category Ultracompact Small Sensor Compact
Revealed 2009-04-17 2010-07-08
Physical type Ultracompact Compact
Sensor Information
Processor - Bionz
Sensor type CCD BSI-CMOS
Sensor size 1/2.3" 1/2.3"
Sensor dimensions 6.08 x 4.56mm 6.17 x 4.55mm
Sensor area 27.7mm² 28.1mm²
Sensor resolution 12 megapixel 12 megapixel
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 4:3 and 16:9
Highest resolution 4000 x 3000 4000 x 3000
Highest native ISO 1600 3200
Highest boosted ISO 6400 -
Lowest native ISO 80 125
RAW format
Autofocusing
Manual focusing
Touch focus
Continuous AF
Single AF
Tracking AF
Selective AF
AF center weighted
AF multi area
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Total focus points - 9
Lens
Lens support fixed lens fixed lens
Lens zoom range 31-124mm (4.0x) 24-120mm (5.0x)
Highest aperture f/2.8-5.9 f/2.4-5.9
Macro focusing range 5cm 5cm
Crop factor 5.9 5.8
Screen
Screen type Fixed Type Fixed Type
Screen size 2.7 inches 2.8 inches
Screen resolution 230k dots 461k dots
Selfie friendly
Liveview
Touch function
Viewfinder Information
Viewfinder None None
Features
Slowest shutter speed 60 seconds 2 seconds
Maximum shutter speed 1/2000 seconds 1/1600 seconds
Continuous shooting rate 2.0 frames per sec 10.0 frames per sec
Shutter priority
Aperture priority
Manually set exposure
Custom WB
Image stabilization
Inbuilt flash
Flash distance 6.30 m 5.10 m
Flash modes Auto, On, Off, Red-eye, Slow Sync Auto, On, Off, Red-eye, Slow sync
External flash
AE bracketing
White balance bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps)
Highest video resolution 640x480 1920x1080
Video format Motion JPEG AVCHD
Mic support
Headphone support
Connectivity
Wireless None Eye-Fi Connected
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 129g (0.28 lb) 146g (0.32 lb)
Physical dimensions 97 x 55 x 22mm (3.8" x 2.2" x 0.9") 92 x 52 x 22mm (3.6" x 2.0" x 0.9")
DXO scores
DXO All around rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery ID - NP-BN1
Self timer Yes (2 or 10 sec) Yes (2 or 10 sec)
Time lapse shooting
Storage type SD/SDHC card, Internal SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal
Card slots Single Single
Launch price $228 $250