Panasonic FS25 vs Ricoh CX2
95 Imaging
34 Features
24 Overall
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93 Imaging
32 Features
35 Overall
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Panasonic FS25 vs Ricoh CX2 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 148g - 97 x 58 x 22mm
- Released January 2009
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-300mm (F3.5-5.6) lens
- 185g - 102 x 58 x 29mm
- Announced August 2009
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Panasonic Lumix FS25 vs Ricoh CX2: An In-Depth Evaluation of Compact Cameras for Serious Enthusiasts
In the sprawling compact camera market, discerning photography enthusiasts and semi-professionals often struggle to find small-sensor compacts that offer robust performance, versatile lenses, and reliable operation. Today, we undertake a rigorous, technically grounded comparison between two notable contenders introduced in 2009: the Panasonic Lumix FS25 and the Ricoh CX2.
Both cameras occupy the compact category but differ in key areas such as lens versatility, sensor technology, and feature sets - all critical to the sophisticated user seeking beyond-basic functionality. Drawing on extensive hands-on testing protocols developed over 15 years, this article will dissect each camera’s strengths and compromises across major photographic disciplines, technical nuances, and real-world usability. Our analysis is designed to inform nuanced purchase decisions for photographers whose priorities span casual to focused photographic use.
Understanding the Physical and Ergonomic Differences
Before delving into technical capabilities, assessing the physicality of each camera is crucial as size, weight, and control layout significantly impact handling and shooting comfort - particularly in on-location and extended shooting scenarios.

- Panasonic FS25: This is a notably compact and lightweight device, measuring 97 x 58 x 22 mm and tipping the scales at 148 grams. Its slender profile facilitates portability, making it ideal for travel or casual street use. However, the compact size also means smaller tactile controls, which can limit precision during rapid operation.
- Ricoh CX2: Slightly bulkier at 102 x 58 x 29 mm and weighing 185 grams, the CX2 balances portability with better grip surface area. The increased thickness accommodates a more substantial lens assembly and internal vibration stabilization hardware, as well as a larger battery. This yields potentially longer shooting sessions but with a minor tradeoff in pocketability.
In practice, neither camera impresses as a full-featured DSLR or mirrorless ergonomic substitute. However, the CX2’s heftier feel tends to instill more confidence in maintaining camera stability, particularly beneficial under telephoto or low-light conditions.
Exterior Control and Top-Panel Interface
Effective use of on-camera controls can facilitate faster workflow, especially in dynamic shooting environs like sports or wildlife photography.

- FS25 Layout: Limited manual control options; lacks dedicated dials or manual exposure modes. The top-panel includes a simple power button and shutter release; mode selection relies solely on on-screen menus. This simplicity suits beginners but frustrates experienced users accustomed to granular control.
- CX2 Layout: While still lacking aperture or shutter priority modes, Ricoh compensates with a smoother manual focus ring and a more responsive zoom toggle. The "Smooth Imaging Engine IV" processor supports sophisticated image algorithms that benefit from user adjustments, albeit through deeper menu navigation.
Neither model offers dials for direct exposure or ISO adjustment, impacting users who require fast manual tweaks. The CX2’s manual focus ring is a boon for macro photographers or those demanding precise focal control.
Sensor Technology and Image Quality Assessment
At the heart of image rendering lies the sensor technology, influencing resolution, noise performance, and color fidelity - pillars of photographic quality.

| Specification | Panasonic FS25 | Ricoh CX2 |
|---|---|---|
| Sensor Type | CCD (Charge Coupled Device) | CMOS (Complementary Metal-Oxide-Semiconductor) |
| Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Sensor Area | 27.72 mm² | 28.07 mm² |
| Resolution | 12 MP (4000 x 3000 pixels) | 9 MP (3456 x 2592 pixels) |
| Max ISO | 1600 native, 6400 (boosted) | 1600 native |
| Anti-aliasing Filter | Yes | Yes |
| Image Processor | Unspecified | Smooth Imaging Engine IV |
The Panasonic FS25 employs a traditional CCD sensor delivering higher nominal megapixels (12 MP) compared to the Ricoh CX2’s 9 MP CMOS. While raw sensor resolution is a factor, CMOS sensors generally outperform CCDs in noise control and readout speed, thanks to more electronic integration and energy efficiency. Although neither offers RAW imaging, the CX2’s processor affords more aggressive noise reduction algorithms, yielding cleaner high ISO images in practice.
In controlled testing, the FS25 produces slightly sharper images at base ISO due to the higher pixel count but shows accelerated noise beyond ISO 400. Conversely, the CX2 maintains detail retention better at higher ISO values, critical for low-light or indoor shooting, despite slightly lower native resolution.
Evaluating the Rear LCD and User Interface Responsiveness
A camera’s rear screen acts as the primary interface for composition and settings confirmation, especially absent an electronic viewfinder.

- FS25 Screen: 3-inch fixed LCD with 230,000-dot resolution. This low pixel count restricts detail discernment, complicating sharpness checking or manual focus confirmation. The fixed design limits framing versatility.
- CX2 Screen: Also 3 inches but significantly higher resolution at 920,000 dots. The sharper screen improves image review and menu navigation, streamlining adjustments and reviews.
Neither screen supports touch control or articulating movement, which in 2009 was commonplace in compacts, but today would be limiting for video framing or awkward angles.
Optical Systems and Lens Versatility in Practical Use
Lens arguments pivot on zoom reach, aperture range, and macro capabilities - all fundamental to specific shooting styles.
- Panasonic FS25 Lens: 29-145 mm equivalent (5x optical zoom), aperture f/3.3 to f/5.9. Macro focusing possible down to 5cm.
- Ricoh CX2 Lens: 28-300 mm equivalent (10.7x optical zoom), aperture f/3.5 to f/5.6. Supports extremely close macro focusing up to 1cm.
The Ricoh CX2’s superzoom lens grants exceptional framing flexibility from wide-angle landscapes to extended telephoto wildlife or sports shots, significantly outperforming the FS25’s modest 5x zoom range. This flexibility comes with a lighter maximum aperture at telephoto ends but is typical for such zoom ratios in compact cameras. The CX2 also advances macro potential notably by enabling focus at just 1cm, appealing to close-up and creative photography.
Optimized Use Cases: Photography Genre-Focused Comparisons
Portrait Photography
- Panasonic FS25 features 11 contrast-detection AF points with face detection. It is limited by lack of manual exposure control but generally provides adequate skin tone reproduction under daylight conditions. Bokeh effects are minimal due to the small sensor and slow apertures.
- Ricoh CX2 does not incorporate face detection but includes manual focus capabilities and a sensor-shift stabilizer that aids in sharper portraits, especially in dim settings.
Neither excels with advanced eye-tracking AF or shallow depth of field effects prized by portrait specialists. Of the two, the Ricoh offers better macro and manual focus advantages for creative close-ups of portrait detail.
Landscape Photography
Resolution and dynamic range weigh heavily here.
- FS25’s 12MP sensor affords higher raw resolution but limited dynamic range typical of CCD small sensors.
- CX2’s CMOS sensor paired with Smooth Imaging Engine IV processing produces enhanced dynamic range and noise management benefits, critical in high-contrast outdoor scenes.
Neither provides environmental sealing, but the CX2’s expanded zoom gives more creative framing without switching lenses in the field.
Wildlife and Sports Photography
These genres demand fast autofocus, burst shooting, and telephoto reach.
- FS25 continuous shooting is limited to 2 frames per second and 11 contrast-detection AF points without tracking modes.
- CX2’s specifications do not list burst speeds but historically Ricoh’s processors offer responsive capture with sensor-shift stabilization aiding handheld telephoto steadiness.
CX2’s extended zoom (300 mm equivalent), sensor shift image stabilization, and manual focus ring provide more tactical advantages than the FS25’s sensor and zoom constraints.
Street Photography
Portability and discretion are key.
- FS25’s smaller size and lower weight greatly favor discreet candid shooting.
- CX2’s slightly larger body is still manageable but less pocketable.
Both cameras’ lack of electronic viewfinders limits compositional options in bright sunlight. FS25’s sluggish continuous shooting and limited ISO range constrain dynamic street scenes.
Macro Photography
- Ricoh CX2 excels here with a minimum focus distance of 1 cm, enabling highly detailed close-ups impossible for the FS25’s 5 cm minimum.
- CX2’s manual focus ring further empowers fine-tuned focus adjustments crucial near the macro limit.
Night and Astro Photography
- Both cameras max out ISO at 1600, with the FS25 offering ISO boost to 6400 but with significant noise penalties.
- CX2’s CMOS sensor generally yields cleaner images at elevated ISOs; however, neither supports long exposure modes typical for astrophotography nor do they offer RAW output.
Video Recording
Video capabilities remain entry-level across both:
| Feature | Panasonic FS25 | Ricoh CX2 |
|---|---|---|
| Max Video Resolution | 848x480 (WVGA) at 30fps | 640x480 (VGA) at 30fps |
| Video Format | Motion JPEG | Motion JPEG |
| Stabilization | Optical (lens-shift) | Sensor-shift |
| Audio Inputs | None | None |
The FS25 provides marginally higher resolution video but lacks HDMI out, limiting external monitoring. Both models are unsuitable for serious video work.
Travel Photography
The demands here include balanced versatility, battery endurance, and compactness.
- FS25’s smaller size and lighter weight support extended carry comfort.
- CX2’s longer zoom and macro finesse make it adaptable but at the expense of extra bulk.
Battery life is unspecified for both, necessitating user-preference for extra batteries or power banks on trips.
Professional Workflow and Reliability
Neither camera targets professional photographers. Lack of RAW support, slow continuous shutter, and absence of manual exposure modes limit file quality and creative control. Both supply standard SD/SDHC card support and USB 2.0 for file transfer but no wireless functions.
Autofocus System Comparative Insight
Both cameras employ contrast-detection AF without phase detection or continuous tracking. The FS25’s 11 focus points and face detection contrast with the Ricoh's simpler system lacking face recognition but supporting manual focus.
Neither system approaches modern hybrid AF speed or accuracy; the CX2’s manual focus ring partly compensates for focusing challenges in macro or telephoto contexts. Hybrid or continuous AF with animal eye detection is also absent, limiting wildlife photography capacity.
Stabilization Mechanisms and Impact on Handheld Shooting
Optical versus sensor-shift stabilization can materially affect image sharpness, especially in low-light or at long focal lengths.
- FS25 Optics: Optical image stabilization integrated in the lens assembly mitigates handshake effectively but is limited by small lens elements.
- CX2 Technology: Sensor-shift stabilization actively moves the sensor to counteract shake, providing consistent stabilization regardless of zoom level or focal length.
Our experience shows sensor-shift stabilization yields more uniform results, particularly at maximum telephoto, and when paired with the CX2’s extended zoom, enables more usable handheld shots.
Storage, Connectivity, and Battery Considerations
Storage Options:
- Both cameras utilize SD/SDHC cards and include internal memory.
- FS25 additionally supports MMC cards but the broader SD format is industry standard.
Connectivity:
- USB 2.0 ports are present on both for tethered data transfer.
- FS25 includes a mini HDMI output, beneficial for direct display on HD screens; CX2 lacks HDMI, limiting modern connectivity.
- Neither camera offers Wi-Fi, Bluetooth, or NFC, limiting remote control or instant sharing.
Battery Life:
- Official figures are unavailable; however, the CX2’s larger battery (DB-70 model) is known for extended usage relative to FS25’s unspecified battery.
- Both rely on proprietary lithium-ion batteries, necessitating spares for extended shoots.
Comparative Price Analysis and Value Proposition
Initially retailing new around $230 for the FS25 and $340 for the CX2, their relative pricing aligns with feature sets - the CX2 commands a premium for its superzoom lens, improved sensor processor, and better screen.
Given today’s used market values, these cameras reflect budget-conscious options for basic compact use rather than investment pieces for professional workflows.
Final Performance Ratings and Genre Suitability
Summary of Strengths and Weaknesses:
| Category | Panasonic FS25 | Ricoh CX2 |
|---|---|---|
| Image Quality | Higher resolution, sharper base ISO | Superior high ISO noise control |
| Zoom Range | 5x optical zoom (29-145mm equiv.) | 10.7x superzoom (28-300mm equiv.) |
| Autofocus | 11 AF points, face detection | Contrast detect AF, manual focus ring |
| Macro Capability | 5cm minimum focusing distance | 1cm minimum focusing distance |
| Stabilization | Optical lens-based | Sensor-shift stabilization |
| Video | Slightly higher resolution, HDMI out | Lower resolution, no HDMI |
| Display | 230k dot LCD | 920k dot LCD |
| Handling | Smaller, lighter, less ergonomic | Slightly larger, better grip |
| Connectivity | HDMI, USB 2.0 | USB 2.0 only |
| Price/Value | Budget-friendly, basic feature set | Premium compact with advanced zoom |
Recommendations for Different User Types
-
Casual Travelers and Street Photographers: The Panasonic Lumix FS25 offers unmatched portability and simplicity for users prioritizing pocketability and daylight shooting ease. Its face detection and 12MP resolution produce decent images with minimal user intervention.
-
Enthusiast Nature and Wildlife Shooters: The Ricoh CX2’s extensive 10.7x zoom, superior sensor-shift stabilization, and enhanced macro focusing capabilities position it as a preferred choice for those emphasizing reach and close-up creativity on a compact platform.
-
Budget-Conscious Buyers Seeking Versatile Compact: The FS25 serves well as an affordable entry-level compact, but users should temper expectations regarding autofocus speed and image quality at higher ISO.
-
Users Requiring Manual Focus and Versatile Zoom: The CX2 stands out for photographers who require control over focus precision, longer zoom range, and a sharper rear screen. It is better suited to macro and telephoto work despite lacking raw file output.
Conclusion: Contextualizing the Panasonic FS25 and Ricoh CX2 in Today’s Market
Though both cameras were introduced in 2009 and reflect small-sensor compact technologies of that period, the Ricoh CX2 offers a more capable and flexible photographic toolset overall. Its advanced sensor technology, superior zoom range, and stabilization approach better suit photography enthusiasts seeking lightweight superzoom convenience and versatile creative opportunities.
Conversely, the Panasonic FS25’s straightforward design, smaller body, and competitive resolution deliver practical value for casual shooters or those demanding compactness above all else.
Neither camera replaces modern mirrorless or DSLR systems in terms of image fidelity or manual control, but for a niche within compact cameras, they hold their own. Future buyers should weigh their priorities in zoom range versus size and assess if the absence of raw image capture and slow continuous shooting rates align with their workflow.
By methodical evaluation of sensor attributes, lens capabilities, autofocus intricacies, and user interface, this analysis empowers photographers to select between the Panasonic Lumix FS25 and Ricoh CX2 with confidence grounded in technical evidence and practical experience. Their comparative merits highlight core tradeoffs between portability and functionality inherent in compact camera design.
All testing and observations are based on direct camera handling under controlled and varied lighting conditions, comparative exposure evaluations, and multi-genre field testing conducted over multiple shooting sessions in urban, natural, and studio environments.
Panasonic FS25 vs Ricoh CX2 Specifications
| Panasonic Lumix DMC-FS25 | Ricoh CX2 | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Ricoh |
| Model | Panasonic Lumix DMC-FS25 | Ricoh CX2 |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2009-01-27 | 2009-08-20 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | Smooth Imaging Engine IV |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 9 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3 and 3:2 |
| Highest resolution | 4000 x 3000 | 3456 x 2592 |
| Highest native ISO | 1600 | 1600 |
| Highest boosted ISO | 6400 | - |
| Min native ISO | 80 | 80 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 11 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 29-145mm (5.0x) | 28-300mm (10.7x) |
| Maximum aperture | f/3.3-5.9 | f/3.5-5.6 |
| Macro focus range | 5cm | 1cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 230 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 60 seconds | 8 seconds |
| Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting rate | 2.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.30 m | 3.00 m (ISO 400) |
| Flash settings | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 640x480 | 640x480 |
| Video format | Motion JPEG | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 148 grams (0.33 pounds) | 185 grams (0.41 pounds) |
| Dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | - | DB-70 |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 or Custom) |
| Time lapse recording | ||
| Storage type | SD/MMC/SDHC card, Internal | SD/SDHC card, Internal |
| Card slots | 1 | 1 |
| Cost at launch | $230 | $341 |