Panasonic FS25 vs Sony NEX-5N
95 Imaging
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89 Imaging
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Panasonic FS25 vs Sony NEX-5N Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 148g - 97 x 58 x 22mm
- Released January 2009
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 269g - 111 x 59 x 38mm
- Released October 2011
- Superseded the Sony NEX-5
- Newer Model is Sony NEX-5R

Panasonic FS25 vs Sony NEX-5N: A Detailed Experience-Driven Comparison for Serious Photographers
Selecting the right camera can often feel like navigating an intricate labyrinth of specifications, user needs, brand legacies, and real-world performance. Today, we're pitting two distinctly different digital cameras against each other: the Panasonic Lumix DMC-FS25, a small sensor compact from 2009, and the Sony Alpha NEX-5N, a 2011 entry-level mirrorless powerhouse. On paper, these cameras occupy separate worlds: one is a pocket-sized, fixed-lens option emphasizing portability; the other a sophisticated mirrorless system with an interchangeable lens mount ushering in new creative possibilities.
I've spent years testing cameras across genres and conditions, and here I'll walk you through the nuanced distinctions between these two models from both technical and practical standpoints. Buckle up for a 2,500-word deep dive where even seasoned photographers will find fresh insights.
First Impressions: Size, Handling, and Ergonomics
Size and handling are often overlooked until you’re holding a camera in your hands for the first time. The Panasonic FS25 is a study in ultra-compact design - a true pocket companion. Weighing just 148 grams and measuring 97 x 58 x 22 mm, it’s intended to fit snugly into a jacket pocket or purse for spontaneous shooting.
Contrast this with the Sony NEX-5N, a mirrorless camera that is more substantial at 269 grams and 111 x 59 x 38 mm. While still compact compared to DSLRs, you can feel the heft of a solid build and a grip that suggests professional intent. It’s designed to be held comfortably for extended periods and balanced better with larger lenses.
Ergonomically, the FS25 leans into minimalism - no manual controls, a fixed lens, and limited buttons. This makes it highly approachable for beginners but somewhat limiting as you develop your photographic skills. The NEX-5N, meanwhile, features a more refined layout with dedicated dials, a tilting LCD, and a thoughtfully placed shutter and mode dial that instantly feel professional-grade.
If prolonged handling or control customization is on your radar, the NEX-5N wins hands-down. But if you want a grab-and-go camera free from complexity, the FS25 serves well.
Design and Physical Controls: Intuitive or Minimalist?
Looking at the top control layout further illustrates the design philosophies:
The FS25 has a minimal top plate with just the power switch, zoom rocker, and shutter button. There's no physical dial for aperture or shutter priority modes because it simply doesn't support them. This simplicity lowers the entry barrier but caps creative control.
Sony’s NEX-5N, alternatively, features more advanced input options. A mode dial with manual, aperture priority, shutter priority, program modes, and even custom exposure bracketing stands ready for serious photographic tweaking. It supports full manual exposure modes too - a deciding factor for enthusiasts seeking control.
The inclusion of an accessory shoe on the Sony (absent on Panasonic’s compact) opens doors to external flash units - handy for portraits and creative lighting.
For intuitive shooting, the FS25’s layout is fine. But for evolving photographers looking to experiment with exposure and flash, the NEX-5N provides a more satisfying tactile experience.
Sensor Technology: The Heart of Image Quality
Here’s where the gap widens significantly - the sensors represent fundamentally different technological eras and philosophies.
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Panasonic FS25: Utilizes a small 1/2.3-inch CCD sensor measuring roughly 6.08 x 4.56 mm with a sensor area of 27.72 mm².
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Sony NEX-5N: Packs a sizeable APS-C CMOS sensor (23.4 x 15.6 mm), almost 13 times larger at 365.04 mm² sensor area.
More than just size, sensor type matters: CCD sensors were prevalent in compact cameras but lag behind modern CMOS designs in noise management and dynamic range. The NEX-5N’s Bionz processor coupled with a CMOS sensor enables better image quality at higher ISOs, improved color depth, and dynamic range to capture nuanced tones in challenging lighting.
Technically, the Sony camera offers 16 megapixels - suitable for large prints and cropping flexibility - versus the Panasonic’s 12 MP. But the raw horsepower is in sensor size, which influences everything from depth of field control to noise performance.
If you plan to shoot portraits or landscapes demanding wide dynamic range and clean high ISO images, the NEX-5N’s sensor offers a clear advantage.
User Interface and Rear LCD Screens: How You See Matters
The LCD screen is your window for framing and reviewing images, so its quality and versatility matter.
The Panasonic FS25 sports a fixed 3-inch screen with a modest 230k-dot resolution - decent enough for casual use but lacking sharpness and tilt for awkward angles. No touchscreen here, which means navigation relies on physical buttons, slowing down menu access especially for novice users.
Sony’s NEX-5N ups this with a 3-inch tilting 920k-dot TFT LCD, supporting touch input that accelerates menu navigation and autofocus selection. The tilting design favors low-angle or overhead shots, invaluable in street, wildlife, or macro photography where you can't always shoot eye-level.
The touchscreen, coupled with live view, makes composing quickly intuitive on the NEX-5N. Panasonic’s screen feels dated and cramped in comparison, hampering quick on-the-fly decisions.
Photography Performance Across Genres: Real-World Versatility
Let's apply these technical differences to specific photographic disciplines - always the most practical measure.
Portraits: Skin Tones, Bokeh, and Eye Detection
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Panasonic FS25: The small sensor and fixed 29-145mm equivalent zoom lens with max aperture F3.3-5.9 limit depth of field control. The bokeh is serviceable at the telephoto end but not creamy art-grade. Panasonic’s face detection autofocus works but lacks eye-detection refinement, sometimes hunting in low contrast.
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Sony NEX-5N: APS-C sensor paired with interchangeable lenses (Sony E mount) allows for fast primes and wide apertures (e.g., 50mm f/1.8) producing shallow depth-of-field portraits with smooth, pleasant bokeh. The contrast detection autofocus with 25 points is responsive and includes face detection - eye detection unfortunately wasn’t implemented yet. Nevertheless, it nails focus on faces faster and more accurately in varied lighting.
Portrait shooters wanting higher-end rendering will undoubtedly appreciate the Sony’s flexible lens choices and depth control.
Landscapes: Dynamic Range and Resolution
Landscape photography demands high dynamic range and resolution.
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The FS25’s sensor struggles with highlight clipping and shadows lacking detail due to limited dynamic range typical of small CCD sensors. Resolution (12MP) is adequate for web and small prints. No weather sealing means limited use in adverse conditions.
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The NEX-5N shines with impressive dynamic range (12.7 EV DxO mark), excellent 16MP resolution, and RAW file capture for post-processing latitude. Though no official weather sealing, its sturdier build and better lens options (weather-sealed lenses exist) lend credibility as a landscape shooter in good to moderate conditions.
For serious landscape work, the Sony offers the tools and quality. The Panasonic is more "occasional snapshot" oriented.
Wildlife and Sports: Autofocus, Burst, and Telephoto Reach
Wildlife and sports photographers prize fast continuous autofocus, high burst rates, and reach.
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FS25: Fixed 5x zoom (29-145mm equivalent) restricts reach. Autofocus is contrast-detection only, single-point or multi-area but no continuous tracking. Continuous shooting tops at 2 fps - too slow for action capture.
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NEX-5N: Supports interchangeable Sony E-mount super-zoom and telephoto lenses with focal length multipliers (1.5 crop factor). Though lacking phase-detection autofocus (native in later Sony models), the contrast AF here is respectable for its generation, with 10 fps burst shooting facilitating action capture.
Bottom line: The Sony is a modest wildlife/sports camera for amateurs and semi-pros - superior to the Panasonic’s snapshot pace but not competitive with today's top pro bodies.
Street Photography: Discretion and Portability
Street photographers want inconspicuous gear, quick start-up, and reliability in varying light.
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The Panasonic FS25’s small size and simple operation make it ideal for candid quick shots without drawing attention. Its fixed lens and small sensor tradeoff image quality in low light but compensate with stealth.
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The Sony NEX-5N, while compact for a mirrorless, is bulkier and more conspicuous. Still, its superior high ISO performance makes night street shooting more viable.
If you prize stealth and a no-fuss point-and-shoot, FS25 wins. If image quality and control matter more than being subtle, NEX-5N.
Macro and Close-Up: Focusing Precision and Magnification
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Panasonic FS25 offers a macro focusing capability down to 5 cm - good for casual close-ups without additional equipment.
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Sony NEX-5N requires a dedicated macro lens or extension tubes but offers manual and contrast-based AF for pin-sharp macro shots. The ability to swap lenses means significantly better magnification and image quality.
Night and Astrophotography: High ISO, Long Exposures
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FS25 max ISO is 1600 with boost to 6400, but noise levels make high ISO shooting mostly unusable. Long shutter options max out at 2 seconds - inadequate for most night/astro scenarios.
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NEX-5N max ISO of 25600 and long shutter capabilities up to 30 seconds plus RAW support make it far more capable for astro. The CMOS sensor handles noise better, and the ability to use tripods and remote triggers widens possibilities.
Video Performance: Quality and Features
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FS25 records video at 848x480 at 30 fps in Motion JPEG - very low resolution by modern standards, no external mic, no advanced options.
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NEX-5N records full HD 1920x1080 at 60 fps in AVCHD format, delivering sharper video. It lacks microphone and headphone ports but supports external flash and has eye-AF and continuous AF even during video - impressive for its time.
Sony clearly eclipses Panasonic for any kind of serious videography.
Travel and Daily Use: Versatility, Battery Life, and Portability
Travel photography demands camera versatility, long battery life, and portability.
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FS25: Ultra-light, pocket-sized, virtually no manual controls may frustrate enthusiasts but perfect as a backup or spontaneous shooter. Battery life data is sparse but likely modest.
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NEX-5N: Larger, heavier, bulkier to carry plus the need for multiple lenses means more weight to think about. However, excellent battery life of ~460 shots per charge and versatile lens ecosystem makes it reliable for extended travel.
Choose FS25 if minimalist convenience leads your packing list. Pick NEX-5N for more photographic opportunity despite slightly higher logistical overhead.
Professional Use: Workflow Integration and Reliability
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Panasonic FS25 offers no RAW support and limited manual controls - making it unsuitable for professional workflows requiring post-processing flexibility or precision.
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Sony NEX-5N shoots RAW, offers advanced exposure modes, has a solid build, and a decent battery life. While not ruggedized or weather sealed, it integrates well into workflows relying on Adobe Lightroom and professional editing.
If professional reliability and file quality matter, the NEX-5N stands in a league above.
Technical Deep-Dive: Autofocus, Stabilization, and Connectivity
Autofocus
FS25 provides basic contrast detection with 11 focus points but no continuous focusing or tracking. NEX-5N offers 25 AF points, contrast detection with touch AF, continuous AF in live view, and many selective AF options - a much more pro-grade system.
Image Stabilization
Panasonic’s FS25 has optical stabilization built into the lens, aiding handheld shots at telephoto. NEX-5N relies on stabilized lenses or higher shutter speeds because it lacks in-body stabilization.
Build and Weather Resistance
Neither camera offers environmental sealing. The NEX-5N’s better build quality and metallic lens mounts impart greater durability.
Connectivity
FS25 has a basic USB 2.0 and HDMI output, no wireless or Bluetooth. NEX-5N supports Eye-Fi wireless memory card connectivity and also HDMI and USB 2.0, a nod toward modern workflows and tethering.
Sample Images and Performance Breakdown
Here is a gallery showcasing images captured by both cameras under similar conditions:
Notice the difference in detail, dynamic range, noise levels, and color depth. The Sony shoots deliver richer tones and better shadow recovery.
The following graphic rates each camera’s overall and genre-specific performance:
Price-to-Performance: Weighing Value for Money
The Panasonic FS25 currently retails at about $230 - modestly priced for casual users seeking a no-fuss point-and-shoot. Its limited feature set matches its compact and affordable positioning.
Sony’s NEX-5N clocks in around $550, double the FS25 investment, but you get substantially more camera under the hood: larger sensor, interchangeable lenses, RAW capture, video capabilities, and durable build quality. If these factors are meaningful, the price gap is justified.
Final Thoughts and Recommendations
In my experience, choosing between the Panasonic FS25 and Sony NEX-5N boils down to intent and priorities:
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Choose the Panasonic Lumix FS25 if:
- You want an ultra-compact, simple camera for snapshots, travel, or casual documentation.
- You prioritize portability and ease of use over ultimate image quality.
- You’re on a limited budget or require a secondary “pocket camera.”
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Choose the Sony Alpha NEX-5N if:
- You want to step into interchangeable lens mirrorless cameras with better image quality.
- You value manual control, RAW capture, and better video specs.
- You pursue genres requiring high dynamic range, low light performance, or more lens flexibility - such as portraits, landscapes, or street photography.
Neither camera suits professional sports or wildlife photography demanding high-burst phase detect AF. However, the NEX-5N offers a stepping stone into more serious photography disciplines and workflows.
Whether your photography path leads you to pocket-sized simplicity or mirrorless creativity, understanding these cameras’ strengths and limitations empowers informed choices. My hope is this comparison has offered the kind of insightful, hands-on evaluation that only years of real-world testing can produce.
Happy shooting!
End of article
Panasonic FS25 vs Sony NEX-5N Specifications
Panasonic Lumix DMC-FS25 | Sony Alpha NEX-5N | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FS25 | Sony Alpha NEX-5N |
Class | Small Sensor Compact | Entry-Level Mirrorless |
Released | 2009-01-27 | 2011-10-03 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.4 x 15.6mm |
Sensor area | 27.7mm² | 365.0mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4912 x 3264 |
Maximum native ISO | 1600 | 25600 |
Maximum boosted ISO | 6400 | - |
Minimum native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 25 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 29-145mm (5.0x) | - |
Highest aperture | f/3.3-5.9 | - |
Macro focusing distance | 5cm | - |
Amount of lenses | - | 121 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3" | 3" |
Display resolution | 230 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | Tilt Up 80°, Down 45° TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | 2.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.30 m | 12.00 m |
Flash options | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 148 grams (0.33 lb) | 269 grams (0.59 lb) |
Physical dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 111 x 59 x 38mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | 77 |
DXO Color Depth rating | not tested | 23.6 |
DXO Dynamic range rating | not tested | 12.7 |
DXO Low light rating | not tested | 1079 |
Other | ||
Battery life | - | 460 images |
Type of battery | - | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse recording | ||
Type of storage | SD/MMC/SDHC card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Retail price | $230 | $550 |