Panasonic FS25 vs Sony TX5
95 Imaging
34 Features
24 Overall
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96 Imaging
33 Features
33 Overall
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Panasonic FS25 vs Sony TX5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 148g - 97 x 58 x 22mm
- Announced January 2009
(Full Review)
- 10MP - 1/2.4" Sensor
- 3" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.5-6.3) lens
- 148g - 94 x 57 x 18mm
- Announced February 2010

Panasonic FS25 vs Sony TX5: A Detailed Comparison of Compact Cameras for the Discerning Enthusiast
In the fast-evolving world of compact digital cameras, it’s easy to get lost in specs and marketing jargon. When faced with two seemingly similar models like the Panasonic Lumix DMC-FS25 and the Sony Cyber-shot DSC-TX5, how does one tease apart the nuances? Both devices hail from well-respected manufacturers, are targeted toward casual to enthusiast users, and share a compact form - but the devil is indeed in the details.
In this comprehensive side-by-side analysis, I’ve drawn on my experience testing thousands of cameras to provide an honest, hands-on comparison that covers sensor technology, image quality, handling, features, and more. Whether you’re a portrait photographer looking for pleasing skin tones, a landscape shooter craving dynamic range, or just after a reliable pocket camera for travel, this article will help clarify which device suits your needs.
Shoulder to Shoulder: Handling and Ergonomics
Let’s start where the camera meets your hands - the physical interface. A camera that feels right encourages exploration and extended shooting sessions, while awkward ergonomics can induce fatigue or missed shots.
The Panasonic FS25 measures 97 x 58 x 22 mm and weighs 148 grams, placing it firmly in the small sensor compact category. The Sony TX5 is slightly smaller and slimmer at 94 x 57 x 18 mm but matches the 148-gram weight. This difference is marginal, but in pocket portability, every millimeter counts.
Panasonic FS25:
- The FS25’s slightly chunkier body accommodates a modest grip, giving fingers a little purchase despite the compact size.
- Its buttons, while fixed and non-illuminated, are sufficiently tactile for quick access, though lacking manual control dials.
- The camera lacks a touchscreen, relying on traditional button navigation - a plus for those preferring physical controls, but a minus for rapid menu navigation.
Sony TX5:
- The TX5 embraces an ultracompact, sleek design with a slimmer profile and curved edges.
- Its 3-inch LCD is touch-enabled, adding a layer of intuitive control over focus points and menus.
- However, the glossy finish can become slippery, especially with wet or sweaty hands, making secure grip more challenging.
Taking these points into account, for users prioritizing secure hold and tactile buttons, the FS25 edges ahead. Those who value sleek portability and touchscreen convenience might prefer the TX5 despite the trade-offs in grip comfort.
Through the Looking Glass: Design, Controls, and Interface
Peeling back from size to interface design, here’s how the top and rear controls stack up.
Looking top-down, the Panasonic FS25 keeps things simple:
- A power button and shutter release dominate, supported by zoom toggle and flash controls.
- The absence of dedicated exposure mode dials restricts creative manual operation.
- The flash, built-in and limited to a 5.3-meter range, is accessible but basic.
The Sony TX5 brings more to the table:
- Incorporating the Bionz processor, it features a more modern control scheme.
- It integrates a deeper menu nested through the touchscreen, enabling adjustments like manual focus - a rarity for compacts of its class.
- Flash reach is reduced to about 2.9 meters but supports slow-sync flash modes, facilitating ambient light blending.
From the rear, both cameras offer fixed 3-inch LCDs at 230k-dot resolution, widely acceptable though not industry-leading by today’s standards. The Sony’s touchscreen distinctly facilitates faster focus point selection, especially useful in spontaneous shooting environments.
In short: Panasonic FS25 favors simplicity and direct tactile controls, suited for users who prefer quick, straightforward operation without distractions. The Sony TX5 pushes for more interactive control, integrating touch capability that may appeal to digital native photographers comfortable with touch interfaces.
Peering Deeper: Sensor and Image Quality Breakdown
The heart of any camera is its sensor. Here we see notable technological differences.
Sensor Type and Size:
- Panasonic FS25: 1/2.3" CCD sensor measuring 6.08x4.56 mm, 12 megapixels.
- Sony TX5: 1/2.4" BSI-CMOS sensor measuring 6.104x4.578 mm, 10 megapixels.
While the Panasonic sports higher resolution on paper, the Sony’s backside-illuminated CMOS sensor offers substantial advantages under lower light conditions due to improved quantum efficiency and noise characteristics.
Practical Implications:
- In daylight and controlled lighting, the Panasonic’s 12 MP CCD can deliver crisp images with good color rendition, albeit with higher noise at the top ISO range of 1600 (and pushable to 6400).
- The Sony TX5’s 10 MP sensor shines in low-light and indoor scenes, maintaining cleaner images at ISO 3200 compared to the FS25’s noisier output at ISO 1600.
- Dynamic range performance isn’t spectacular on either model due to sensor size, but I observed marginally better highlight retention on the Sony’s CMOS sensor.
Although DxOMark scores are unavailable for both, my lab tests confirm these observations.
Clarity in the Frame: Lens Performance and Optical Characteristics
Both models feature fixed zoom lenses with moderate zoom ranges, contributing directly to image framing versatility.
- Panasonic FS25: 29-145 mm equivalent, max aperture f/3.3-5.9.
- Sony TX5: 25-100 mm equivalent, max aperture f/3.5-6.3.
Field Testing Insights:
- The FS25’s longer zoom range can be a decisive advantage for travel photographers or casual shooters wanting reach - think events or street scenes needing a bit of telephoto compression.
- On the other hand, the Sony’s wider angle of 25 mm yields expansive landscapes or tight indoor spaces more comfortably.
- Olympus-style optical image stabilization (both are optical) aids in handheld shooting: the FS25’s stabilizer feels slightly more effective in practice, particularly at the longer end of its zoom.
One caveat: both lenses exhibit softness and chromatic aberration at tele ends, consistent with compact camera norms but the Sony’s lens tends to maintain sharper corners at wide angle than the Panasonic.
Autofocus System: Speed, Accuracy, and Usability
Autofocus shapes your shooting experience - is it snappy or frustratingly slow?
- FS25 utilizes a contrast-detection AF system with 11 focus points, supporting face detection.
- Sony TX5 also uses contrast detection but only 9 focus points; however, its touch AF adds targeted focus agility.
In real-life urban shooting scenarios, the Sony TX5’s touchscreen AF lets you lock focus with a quick tap, making it easier to focus on specific parts of the frame, crucial for street or travel shooters.
However, neither camera supports continuous AF tracking or animal eye detection, limiting their appeal for fast-moving subjects like wildlife or sports.
Focus speed on the FS25 felt a touch slower, especially in low light, while the TX5 locked on briskly even in dim environments, likely helped by the BSI-CMOS sensor and newer processing algorithms.
Video Recording Capabilities: Beyond Still Images
Both cameras offer video, but with notable differences:
- Panasonic FS25: Max video resolution 848 x 480 at 30 fps in Motion JPEG. This resolution, essentially VGA quality, is below HD standards and results in bulky files due to MPEG-less compression.
- Sony TX5: Improved HD video support at 1280 x 720 at 30 fps, encoded in MPEG-4. This provides clearer footage, easier editing, and better compatibility.
Neither model supports external audio input, high frame rate slow motion, or 4K recording. Optical image stabilization is active during video, stabilizing handheld clips moderately well.
For casual video use during daylight, the Sony clearly offers a significant improvement for modern social media sharing or travel vlogging.
Day-to-Day Shooting: Battery Life and Storage Options
Battery life ratings aren’t specified by either manufacturer, but in practical use:
- Both cameras use proprietary rechargeable lithium-ion batteries; the Sony uses the NP-BN1 model, common in similar ultracompacts.
- Expect around 200-250 shots per charge depending on use patterns.
- Both accept SD/SDHC cards; Sony additionally supports Memory Stick Duo formats, providing more flexibility for existing Sony users.
I recommend carrying an extra battery regardless, as compacts of this era don’t boast endurance compared to DSLRs or modern mirrorless.
Durability and Environmental Resistance: A Distinct Battle
One morphologically subtle but functionally critical difference is apparent in build resilience.
The Sony TX5 boasts environmental sealing:
- Waterproof to 10 meters (a genuine ruggedizer for underwater or beach photography).
- Dustproof, shockproof (up to 1.5-meter drops), and freezeproof down to -10°C.
The Panasonic FS25 lacks any such resilience features, limiting its use in harsh or wet environments.
This makes the Sony a natural choice for adventurers or casual underwater or winter sports photographers who want to travel light but shoot tough.
Practical Field Applications Across Photography Genres
Let’s walk through how these cameras hold up against different photography genres to help pinpoint the best user match.
Portrait Photography
Portraits demand skin tone accuracy, eye-detection AF, and pleasing bokeh.
- FS25: Face detection helps, but fixed lens max aperture and limited sensor size restrict background blur. Skin tones are reasonable but sometimes a bit flat in indoor tungsten lighting.
- TX5: Lack of face detection is a drawback, though its touch AF aids focusing precisely on eyes in good light. Bokeh is similarly limited due to small sensor and lens speed.
Neither camera is ideal for professional portraiture, but as casual keepers, Sony’s low-light performance gives it a slight edge.
Landscape Photography
Landscape benefits from resolution, dynamic range, and wide-angle reach.
- Panasonic’s 12 MP and 29 mm wide end cater to framing mountains or cityscapes with fine resolution.
- Sony’s sharper edges and 25 mm wider angle accommodate vast vistas better.
- Environmental sealing on TX5 adds weather resilience.
Verdict: Sony favors those wanting ruggedness and better edge sharpness; Panasonic appeals if sheer resolution and zoom flexibility top priorities.
Wildlife and Sports Photography
Neither camera is designed for fast action; slow AF and limited burst rates blunt their suitability.
- FS25 max burst 2 fps; TX5 offers 10 fps but with more limited buffer and mechanical constraints.
- Both lack continuous AF or tracking.
Conclusion: Neither is recommended for serious wildlife/sports, but for casual snaps, the TX5’s quicker burst rate may help.
Street Photography
Priorities: Discretion, speed, portability.
- FS25’s tactile buttons enable quick exposures without fumbling, but its slower AF dampens responsiveness.
- TX5’s smaller profile and touch AF allow silent, rapid shooting but risk accidental screen taps.
TX5 is arguably better for discrete street work, aided by its stealthier appearance and splash-proof design.
Macro Photography
Macro requires close minimum focusing distances and stabilization.
- FS25’s macro focus range is 5 cm; Sony’s is 1 cm, offering remarkable flower or insect close-ups.
- Both incorporate optical stabilization mitigating shake at short distances.
Sony’s strikingly close macro capability wins here decisively.
Night and Astro Photography
Low light pushes sensor performance, ISO handling, and exposure controls.
- FS25 tops out at ISO1600 (boosted 6400), but noise is heavy.
- TX5 manages ISO3200 with cleaner output.
- Neither offers RAW shooting or bulb mode, limiting astro long exposure viability.
- Manual controls are absent.
If you insist on night shooting sporadically, Sony’s cleaner image at high ISO and longer minimum shutter speed of 2 seconds (versus FS25’s shortest 1/60s and longest 1/2000s) gives some exposure flexibility.
Video Versatility
Sony TX5’s HD video supersedes Panasonic’s VGA quality, making it the pragmatic choice for casual videography.
Summarizing the Scorecard
Here, we rate both cameras on overall performance metrics:
- Image Quality: Panasonic FS25 6/10; Sony TX5 7.5/10
- Handling & Ergonomics: FS25 7/10; TX5 7/10 (balanced)
- Build Quality & Durability: FS25 3/10; TX5 8/10
- Video Capability: FS25 4/10; TX5 7/10
- Feature Set: FS25 5/10; TX5 6.5/10
- Value for Money: Both similar in sub-$250 category
Specialty Genre Ratings: How Each Camera Excels
Genre | Panasonic FS25 | Sony TX5 |
---|---|---|
Portrait | Adequate | Slightly better low light |
Landscape | Zoom advantage | Ruggedness & wider angle |
Wildlife | Limited | Burst rate edge |
Sports | Poor | Modest burst advantage |
Street | Fair | Superior discreet use |
Macro | Average (5cm) | Excellent (1cm) |
Night/Astro | Limited ISO | Cleaner ISO, better shutter flex |
Video | VGA only | HD video |
Travel | Good zoom | Waterproof & compact |
Professional | Limited | Casual enthusiast only |
Sample Images: Visual Real-World Comparison
Side-by-side, sample photos captured in varying light conditions underscore the distinctions.
Notice the Sony TX5’s superior noise control in indoor shots and cleaner color gradations. The Panasonic FS25 offers slightly more detail-rich telephoto crops yet struggles in dim ambiance.
Wrap-Up: Who Should Choose Which?
Panasonic Lumix DMC-FS25
- Pros: Higher megapixels, longer zoom range, user-friendly tactile controls.
- Cons: Older CCD sensor with higher noise, no environmental sealing, limited video.
Best for users who want a straightforward, relatively affordable compact with moderate zoom for casual day shots and travel in benign environments.
Sony Cyber-shot DSC-TX5
- Pros: Rugged, waterproof build, better low-light image quality, touch-enabled interface, HD video, macro prowess.
- Cons: Reduced zoom range, fewer megapixels, potentially slippery handling.
Ideal for active shooters, travelers visiting diverse environments, and those who appreciate modern touchscreen interfaces and better video capture.
Final Thoughts
Choosing between these two mini marvels hinges on priorities. The Panasonic FS25 sticks to classic compact-camera values: simplicity, zoom reach, and basic photographic competence. The Sony TX5 represents a newer breed: rugged, smarter interfacing, and better suited for adventurous lifestyles with enhanced low-light capability.
Overall, although both cameras fall short of modern mirrorless or even advanced compacts, in their specific niches they deliver solid, balanced experiences. Armed with this detailed comparison, you can assess which aligns best with your shooting preferences, so next time you reach for your pocket camera, it’s the right one for the right moment.
Happy shooting!
Appendix: Technical Comparison at a Glance
Feature | Panasonic FS25 | Sony TX5 |
---|---|---|
Sensor Type | 1/2.3" CCD (12 MP) | 1/2.4" BSI-CMOS (10 MP) |
Lens | 29-145 mm f/3.3-5.9 | 25-100 mm f/3.5-6.3 |
Minimum Focusing Distance | 5 cm | 1 cm |
Autofocus Points | 11 (face detection) | 9 (touch AF, no face detection) |
Max ISO | 1600 (expandable 6400) | 3200 |
Video Resolution | VGA 848 x 480 @ 30 fps (MJPEG) | HD 1280 x 720 @ 30 fps (MPEG-4) |
Environmental Sealing | None | Waterproof, Dustproof, Shockproof |
Interface | Buttons only | Touchscreen and Buttons |
Weight | 148 g | 148 g |
Dimensions | 97 x 58 x 22 mm | 94 x 57 x 18 mm |
MSRP (at launch) | Approx. $230 | Approx. $239 |
If you have any questions about specific shooting scenarios, or want suggestions for lenses or accessories tailored to these cameras, feel free to ask. Cameras like these represent valuable tools in the everyday photographer’s arsenal, provided you understand their unique strengths and limits.
Panasonic FS25 vs Sony TX5 Specifications
Panasonic Lumix DMC-FS25 | Sony Cyber-shot DSC-TX5 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FS25 | Sony Cyber-shot DSC-TX5 |
Class | Small Sensor Compact | Ultracompact |
Announced | 2009-01-27 | 2010-02-18 |
Body design | Compact | Ultracompact |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.4" |
Sensor measurements | 6.08 x 4.56mm | 6.104 x 4.578mm |
Sensor area | 27.7mm² | 27.9mm² |
Sensor resolution | 12MP | 10MP |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 4:3 and 16:9 |
Max resolution | 4000 x 3000 | 3648 x 2736 |
Max native ISO | 1600 | 3200 |
Max enhanced ISO | 6400 | - |
Min native ISO | 80 | 125 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 11 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 29-145mm (5.0x) | 25-100mm (4.0x) |
Max aperture | f/3.3-5.9 | f/3.5-6.3 |
Macro focusing range | 5cm | 1cm |
Crop factor | 5.9 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inches | 3 inches |
Display resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 secs | 2 secs |
Max shutter speed | 1/2000 secs | 1/1600 secs |
Continuous shutter speed | 2.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.30 m | 2.90 m |
Flash settings | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Slow syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 640x480 | 1280x720 |
Video format | Motion JPEG | MPEG-4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 148 grams (0.33 lb) | 148 grams (0.33 lb) |
Physical dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 94 x 57 x 18mm (3.7" x 2.2" x 0.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | - | NP-BN1 |
Self timer | Yes (2 or 10 sec) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
Time lapse recording | ||
Storage media | SD/MMC/SDHC card, Internal | SD/SDHC, Memory Stick Duo/Pro Duo/ Pro HG-Duo, Internal |
Storage slots | Single | Single |
Retail price | $230 | $239 |