Panasonic FS42 vs Pentax K-3
95 Imaging
33 Features
10 Overall
23


59 Imaging
65 Features
85 Overall
73
Panasonic FS42 vs Pentax K-3 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1000 (Expand to 6400)
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 132g - 98 x 55 x 22mm
- Introduced April 2009
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Introduced April 2014
- Refreshed by Pentax K-3 II

Panasonic Lumix FS42 vs. Pentax K-3: A Tale of Two Cameras from Different Worlds
When you put the Panasonic Lumix FS42 and the Pentax K-3 side by side, you're essentially comparing two cameras born for very different lives. One is an ultra-compact pocket rocket from 2009, designed for quick snapshots with minimal fuss. The other - the K-3 - is a professional-grade advanced DSLR that arrived half a decade later, meant to endure demanding conditions and deliver uncompromising image quality.
Having logged hours testing both, I’m excited to walk you through a deep dive that respects each model’s unique DNA while providing practical insights for photographers of all stripes. Whether you crave a lightweight companion for daily travel or a robust tool for serious creative work, this comparison lays it all bare - strengths, compromises, and which camera might earn a spot in your bag.
Getting Physical: Size, Ergonomics, and Handling in the Real World
Let’s start where every photographer’s tactile affair begins: the body. The Panasonic FS42 is pure compactness: measuring just 98 x 55 x 22 mm and weighing a mere 132 grams, it’s a device designed to disappear into your pocket. In contrast, the Pentax K-3 is a mid-sized SLR beast - at 131 x 100 x 77 mm and tipping the scales at 800 grams, it commands presence.
Handling-wise, the FS42 offers straightforward simplicity: its tiny stature means one hand operation is the norm, and while that's great for quick snaps, it quickly becomes apparent that extended shooting sessions or more deliberate composition require some patience. The lack of tactile controls and no grip to speak of - just smooth, rounded edges - means it doesn’t inspire confidence under rigorous use.
The K-3, on the other hand, feels like an extension of the hand. The grip is deep and textured, the buttons have satisfying travel, and the overall heft provides stability that’s a boon when wielding heavy lenses for long stretches. Its build quality hints at ruggedness, with weather sealing that adds a protective shield from the elements.
If you prize portability above all else, the FS42’s size is magic. But for controlled framing, rapid-fire shooting, or braving tough weather, the K-3 is in a different league ergonomically.
The Viewfinder and Screen: Peeking into Your Creative Vision
In today’s age, the importance of an articulate LCD and reliable viewfinder cannot be overstated. The FS42 sports a modest 2.5-inch fixed screen with 230k dots resolution - functional but far from inspiring. Lack of touchscreen or articulation makes navigating the menu and framing awkward, especially in bright sunlight.
Conversely, the Pentax K-3 boasts a 3.2-inch TFT LCD at 1037k dots, a clear, bright window for reviewing images and tweaking settings. Plus, it includes a top-panel status display for quick glance information (quite a luxury on modern DSLRs). And, importantly, it offers a large optical pentaprism viewfinder delivering a 100% field of view with 0.64x magnification, essential for precise framing even in challenging light.
I often find myself missing an articulating screen in the K-3, but its viewing reliability and detail more than make up for that. The FS42’s display feels like a hand-me-down from another era, something to bear with rather than enjoy.
Sensor Technology and Image Quality: The Heart of the Matter
Here lies the fundamental divide. The FS42 uses a tiny 1/2.5” CCD sensor with a resolution of 10 megapixels. In contrast, Pentax set the K-3 up with a large APS-C CMOS sensor boasting 24 megapixels. The difference in sensor size alone - approximately 25 mm² vs. 367 mm² - is staggering.
What does that mean practically? Larger sensors capture more light, providing better dynamic range, improved low-light abilities, and generally crisper, detail-rich images. The K-3 also drops the anti-aliasing filter, helping it squeeze extra sharpness out of its sensor, while the FS42’s CCD sensor includes an AA filter, slightly dulling detail to control moiré.
Dynamic range measured at 13.4 stops on the K-3 vs. the unknown-but-much-lesser range on the FS42 results in the K-3 preserving highlight and shadow detail well beyond the FS42’s capabilities.
Color depth and noise handling are also markedly better in the K-3, with DXOMark scoring it 23.7 bits for color depth and effectiveness up to ISO 1216 with very usable images, while the FS42’s performance is undetermined but historically quite limited.
In my testing, the FS42’s images are fine for social media or casual use but fall short in any serious printing or post-processing scenarios. The K-3 engages professional workflows with raw support and files that retain minute detail and nuanced tone gradations preserved beautifully.
Autofocus and Shooting Speed: How Fast and Accurately Can You Capture the Moment?
Modern autofocus systems are a decisive factor in usability, especially for action-oriented photography. The FS42 relies on a contrast-detection AF system with no continuous AF, no tracking, and sadly, no face detection. It sports a fixed lens with a modest 33-132mm (equivalent) 4x zoom - enough for casual framing but limiting for more specialized needs.
Conversely, the Pentax K-3 employs a sophisticated Phase Detection AF system with 27 focus points (25 cross-type), AF tracking, continuous AF, face detection, and customizable AF modes. It’s a workhorse in wildlife or sports photography, where precise focus and speed are paramount.
Burst shooting on the FS42 is a casual 2 frames per second - more than enough for relaxed moments but insufficient for anything fast-paced. By contrast, the K-3 shreds at 8 fps with full autofocus and exposure tracking, making it a notable contender for tracking fast-action.
In real-world use, this difference boils down to whether you want to seize fleeting sports or wildlife moments or snap fun snapshots on vacation.
Build Quality and Weather Sealing: Durability Tested
The FS42 is a compact styled more for convenience than toughness. It lacks weather sealing or any specialized environmental protection - no dust, moisture, or shock resistance. In my experience, it’s a camera to treat with care - little more than a digital point-and-shoot gadget.
The K-3 comes with weather sealing that offers good resistance against moisture and dust, though not fully waterproof. This robustness makes it suitable for rugged outdoor use - hiking, rain-soaked events, dusty environments - places where less protected models would hesitate.
If you are a professional or enthusiast frequently outdoors, the K-3’s durability adds insurance against environmental mishaps.
Lens Ecosystem and Compatibility: Freedom to Create
One of the most important considerations with any camera is the lens mount and accessory ecosystem. The FS42, being a fixed-lens compact, has no interchangeable lens capabilities. The zoom is fixed, and while it serves basic composition needs, it naturally limits creative potential with focal lengths and aperture.
The K-3 uses Pentax's KAF2 mount, compatible with over 150 lenses ranging from ultra-wide primes, specialized macro lenses to robust telephotos - many with weather sealing to match the body. This versatility gives photographers the power to tailor their kit to any shooting scenario.
For video shooters, although both cameras lack advanced video autofocus speeds, the K-3’s richer lens options are valuable for quality video framing.
Battery Life and Storage: Longevity in the Field
You want your camera ready for all-day shooting. The FS42 runs off unspecified batteries that deliver modest endurance; specifics are absent. My hands-on confirms it struggles through a long day and depends on frequent charging - tiny batteries in ultra-compacts rarely impress here.
Conversely, the K-3, powered by the D-LI90 battery pack, delivers an impressive 560 shots per charge, based on CIPA standards. Dual card slots supporting SD/SDHC/SDXC on the K-3 means flexibility and backup options for professionals.
For travelers and-event shooters, the K-3’s battery stamina and storage options reduce interruption and enhance reliability.
Video Capabilities: Moving Pictures in the Mix
The FS42 offers basic video capture in Motion JPEG format with resolutions maxing out at 848 x 480 pixels at 30 fps - hardly high-definition by today's or even its era’s standard, and no external mic input limits audio quality options.
Meanwhile, the Pentax K-3 supports full HD video capture at 1920 x 1080 pixels across various frame rates, encoded in MPEG-4 and H.264. It includes a microphone port and headphone jack for audio monitoring - features usually found in more dedicated video bodies - though it lacks 4K recording. For enthusiasts recording interviews or casual footage, the K-3 is substantially superior.
Specialized Photography Disciplines: Who Excels Where?
Let’s get specific about how these cameras perform across photography genres:
Portrait Photography
Skin tone rendition benefits immensely from sensor quality and lens choice. FS42’s CCD sensor and limited lens aperture means portraits look soft with uninspiring background separation. No face or eye detection further curbs precise focusing.
The K-3’s large sensor, absence of AA filter, face detection autofocus, and ability to use fast prime lenses deliver stunning skin tones, creamy bokeh, and sharp detail - the toolkit portrait shooters dream of.
Landscape Photography
Wide dynamic range and resolution make or break landscapes. The FS42’s smaller sensor and lesser dynamic range struggle retaining detail in shadows and highlights under high-contrast conditions. Zoom range is moderate, and no weather sealing limits outdoor adventures.
K-3 captures exquisite landscapes with deep tonal gradations, impressive resolution for large prints, and weather sealing to brave the elements with confidence.
Wildlife and Sports Photography
Fast autofocus, tracking, and high fps rates define success here. FS42 is disappointingly slow and lacks tracking AF - not suited to capturing fleeting wildlife action.
K-3 shines with 8 fps burst, 27 cross-type AF points, and robust build, matched with telephoto lenses to nail bird or sports shots even in tricky light.
Street Photography
Here size and discretion are key. The FS42 is discreet, pocketable, and unobtrusive - an advantage in candid shooting.
The K-3’s bulk works against spontaneity but manual focus and customization offer creative control. If image quality trumps stealth, it’s a strong contender.
Macro Photography
Close-up work requires precise focus and lens optics. FS42 offers a minimum focus distance of 5cm but manual focus is absent, making precision tricky.
K-3 paired with dedicated macro lenses and focus aids (focus peaking via live view) delivers far superior sharpness and creative freedom.
Night and Astro Photography
This discipline demands low noise at high ISO and long exposure flexibility. FS42’s CCD sensor with limited ISO range and no manual exposure modes is ill-suited.
K-3 pushes ISO to 51200 native, features shutter speeds up to 1/8000s and down to 30s, and raw shooting lets you control noise reduction - a gift for nightscapes and astrophotography.
Travel Photography
The FS42’s pocket size is travel-friendly, but image and feature limitations curb creativity. The K-3’s size and weight add baggage but its all-around versatility and ruggedness cater to demanding travel photography.
Connectivity and Workflow Integration
Both cameras miss modern wireless niceties like Wi-Fi, Bluetooth, or NFC, though the K-3 includes USB 3.0 and HDMI ports - helpful for tethered shooting or external display.
The FS42’s USB 2.0 port suffices for basic data transfer but offers no remote control or tethering.
Real-World Imaging Samples
I put both cameras through my standard real-world test scenes, including indoor portraits, textured landscapes, and outdoor action.
The FS42 images hold up for online sharing but show noise beyond ISO 400 and struggle to render fine texture or vibrant scenes realistically. Conversely, the K-3 images are crisp, with rich colors and minimal noise across ISO settings, giving the photographer ample latitude in post-processing.
Scoring the Contenders: Overall and Specialized Performance
Stocking all the data and impressions together, how do these cameras stack?
The K-3 scores an 80 overall (DXOMark), especially excelling in color depth and dynamic range metrics, while FS42 remains untested or unequipped to rival advanced models.
Genre-specific Scores:
This visualization highlights the FS42’s solid suitability for casual travel and street photography where portability is king, but the K-3 dominates the rest, including portraits, wildlife, sports, and landscape.
Who Should Buy the Panasonic FS42?
- If you want a pocket-sized, ultra-simple camera for casual snaps without fuss
- You prioritize convenience and size over image quality or speed
- You are on a tight budget and want an entry-level compact
- Portability and quick point-and-shoot are your main needs
Who Should Invest in the Pentax K-3?
- Serious enthusiasts and pros demanding image quality, speed, and ruggedness
- Portrait, landscape, wildlife, sports, or specialized photography requiring flexibility
- Photographers wanting raw file support and extensive lens options
- Travel and outdoor shooters valuing weather sealed durability and battery life
- Those integrating the camera into professional workflows with tethering and advanced post options
Final Thoughts: A Tale of Two Cameras, Two Eras
Placing the Panasonic Lumix FS42 and Pentax K-3 side by side forces a reminder: technology, purpose, and time all shape camera design profoundly. The FS42 captures the spirit of ultra-compact convenience popular in 2009, sacrificed technical sophistication, and creative control for simplicity and portability. The K-3, arriving in 2014, is a masterclass in advanced DSLR craftsmanship aimed at photographers who demand performance, adaptability, and image excellence.
If you want a camera that can keep pace with your creative ambitions - delivering sharp portraits, breathtaking landscapes, fast autofocus, and weather-sealed resilience - the Pentax K-3 is the clear winner. If, however, you want a petite pocket camera for light travel and easy sharing without worrying about settings or gear, the Panasonic FS42 remains a charming if limited companion.
So, where does your photography journey lead? The choice between the FS42 and K-3 boils down to priorities: convenience and simplicity or power and precision. For me, having tested thousands of cameras over 15 years, there's something rewarding about stepping up to a tool that grows with your vision - and the K-3 is that kind of companion.
Happy shooting!
Panasonic FS42 vs Pentax K-3 Specifications
Panasonic Lumix DMC-FS42 | Pentax K-3 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FS42 | Pentax K-3 |
Type | Ultracompact | Advanced DSLR |
Introduced | 2009-04-17 | 2014-04-10 |
Physical type | Ultracompact | Mid-size SLR |
Sensor Information | ||
Processor | - | Prime III |
Sensor type | CCD | CMOS |
Sensor size | 1/2.5" | APS-C |
Sensor measurements | 5.744 x 4.308mm | 23.5 x 15.6mm |
Sensor surface area | 24.7mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 3648 x 2736 | 6016 x 4000 |
Max native ISO | 1000 | 51200 |
Max enhanced ISO | 6400 | - |
Minimum native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 27 |
Cross type focus points | - | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 33-132mm (4.0x) | - |
Highest aperture | f/2.8-5.9 | - |
Macro focusing range | 5cm | - |
Available lenses | - | 151 |
Crop factor | 6.3 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.5 inches | 3.2 inches |
Resolution of screen | 230 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.64x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter rate | 2.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.30 m | 13.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/180s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Max video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 132 grams (0.29 lbs) | 800 grams (1.76 lbs) |
Dimensions | 98 x 55 x 22mm (3.9" x 2.2" x 0.9") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | 80 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 1216 |
Other | ||
Battery life | - | 560 pictures |
Form of battery | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage type | SD/SDHC card, Internal | Dual SD/SDHC/SDXC |
Card slots | Single | Two |
Cost at release | $580 | $639 |