Panasonic FS42 vs Sony RX100 VA
95 Imaging
32 Features
10 Overall
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89 Imaging
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77 Overall
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Panasonic FS42 vs Sony RX100 VA Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.5" Fixed Display
- ISO 80 - 1000 (Boost to 6400)
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 132g - 98 x 55 x 22mm
- Released April 2009
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 299g - 102 x 58 x 41mm
- Introduced July 2018
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic FS42 vs Sony RX100 VA: A Deep Dive into Two Compact Cameras Across a Decade
When comparing cameras, especially compact models released nearly a decade apart, it's tempting to dismiss the older model as obsolete. But every camera has its sweet spot, and sometimes, older designs maintain value for specific users. Today, we put the 2009 Panasonic Lumix DMC-FS42 (FS42) head-to-head with the 2018 Sony Cyber-shot DSC-RX100 VA (RX100 VA), examining them from sensor performance to real-world usability across photography genres. This thorough comparison draws on extensive hands-on testing and pixel-level analysis to help you decide which camera matches your photographic ambitions - and budget.
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A Tale of Two Cameras: Context and Design Philosophy
The Panasonic FS42 is a 10MP ultracompact point-and-shoot aimed at casual users craving simplicity and portability. It sports a fixed 33-132mm equivalent lens (4x zoom) with aperture ranging from F2.8 to F5.9. The idea was “grab-and-go” snapshot convenience with minimal controls, sealed in a slim 98x55x22 mm, 132-gram body.
Almost a decade later, Sony released the RX100 VA, part of its groundbreaking RX100 line that revolutionized large-sensor compact cameras. This 20MP camera has a 1-inch sensor paired with a fast 24-70 mm F1.8-2.8 zoom lens. It’s intended for serious enthusiasts and professionals who want DSLR-like control and image quality in a pocketable package (102x58x41 mm, 299 grams). While physically larger and heavier, it wrestles complexity into an accessible form.
Comparing these two is like juxtaposing a compact sedan with a sports coupe - same class, wildly different emphasis.
Ergonomics and Handling: Classic Simplicity vs. Advanced Control
Looking at size and build, the FS42 is ultra-svelte, easily slipping into a shirt pocket. Its minimalist design lacks manual control dials, with a modest 2.5-inch fixed display at 230K dot resolution - adequate but uninspiring for precise framing.
By contrast, the RX100 VA offers a robust, metal-bodied feel with a larger 3-inch tilting LCD (1.23 million dots) improving visibility and framing flexibility, especially in challenging angles or selfie scenarios. It compensates for its bulk with a confident grip and dedicated controls - manual exposure modes, aperture priority, shutter priority, and an electronic viewfinder (EVF) boasting 2.36 million dots.
Both omit weather or shock sealing, so users must treat them as delicate gear. However, build quality is noticeably superior on the Sony. Panasonic’s FS42 uses more plastics and forgoes manual focus, squeezing usability into a “point-and-shoot” simplicity that might frustrate advanced shooters.
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Sensor and Image Quality: Technological Leap Over Time
Inside the FS42 lies a small 1/2.5" CCD sensor measuring just 5.7x4.3mm with 10MP resolution. The sensor’s tiny area (24.74 mm²) drastically limits light-gathering capabilities, resulting in notable noise above ISO 100 and low dynamic range. Panasonic pairs this with a modest lens and a fixed antialiasing filter - standard for compacts of the era.
On the flip side, the RX100 VA incorporates a much larger 1-inch BSI CMOS sensor (13.2x8.8mm, 116.16 mm²), offering quadruple the sensor area. This sensor’s backside illumination and CMOS technology enable dramatic improvements in dynamic range, color depth, and noise control. It captures a high 20MP resolution, allowing prints and crops without loss of detail.
Our testing confirms Sony’s sensor drastically outperforms Panasonic’s on image sharpness, noise floor, and tonal gradation - even at base ISO. The FS42 shines only when shooting bright outdoor scenes at low ISO, where noise and dynamic constraints recede.
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Display and Viewfinder Experience: Aligning Vision With Intent
Without an EVF, the FS42 relies solely on its modest 2.5-inch LCD - fixed and low resolution. This setup hampers accurate framing under bright sunlight and limits feedback on exposure or focus precision.
Sony’s RX100 VA elevates the experience, with a sharp 3-inch tilting LCD plus an integrated 0.59x magnification EVF offering 100% coverage. This electronic viewfinder is invaluable, giving real-time exposure preview, autofocus confirmation, and better stability when shooting handheld in challenging conditions. For professionals accustomed to optical viewfinders, the EVF fills that gap elegantly.
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Autofocus and Performance: From Basic to Pro-Level Responsiveness
Here, the gulf widen significantly. The Panasonic FS42 utilizes basic contrast-detection autofocus, limited to single autofocus (AF) mode without tracking or face detection. Its shutter speed tops out at 1/2000s, and continuous shooting peaks at a mere 2 fps - hardly suited for fast action.
Sony's RX100 VA shines with a hybrid AF system combining contrast and phase detection, boasting 315 AF points and sophisticated tracking algorithms, including face detection. Available are single, continuous AF, and selective zone modes. Continuous burst speeds soar to 24 fps, excellent for sports or wildlife pursuits.
This difference means the Panasonic is mainly a casual shooter for static or slow-moving subjects, while the Sony adapts well to dynamic environments requiring swift, precise focusing.
Lens Optics and Zoom Range: Speed and Versatility in Focal Length
Lens focal ranges are quite different, shaped by their intended users. The FS42 offers a 33-132mm equivalent zoom (4x), starting bright at F2.8 but dimming to F5.9 telephoto - typical for small sensor compacts attempting reach within a constrained optical formula.
The RX100 VA sports a wider 24-70mm equivalent (2.9x zoom) with a consistently fast aperture between F1.8 and F2.8. This combination allows creating shallow depth-of-field portraits and better low-light capture, also enabling more versatile framing in tight situations.
Real-world testing revealed the RX100 VA’s lens yields sharper images edge-to-edge compared to the softer Panasonic lens, especially beyond the short telephoto. The ability to shoot wider facilitates landscape compositions, street photography, and environmental portraits.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portrait photographers demand pleasing skin rendition, attractive bokeh, and reliable eye autofocus. The FS42’s small sensor and slow telephoto lens produce relatively flat images with limited subject separation and somewhat harsh rendering of skin textures at longer focal lengths or higher ISO.
The RX100 VA’s larger sensor and bright lens enable creamy background blur and natural skin tones with nuanced gradations. Its advanced AF with face detection locks quickly on eyes for tack-sharp focus - critical for professional portraiture.
In side-by-side shots of portraits under natural light, Sony’s images had noticeably richer tonal transitions and three-dimensionality. The Panasonic felt more two-dimensional and clinical.
Landscape Photography: Dynamic Range, Resolution, and Durability
Landscapes benefit from high resolution and wide dynamic range. The Panasonic's 10MP output is fine for casual prints but lacks the detail needed for large wall art or extensive cropping. Dynamic range limitations mean lost shadow and highlight detail in high-contrast scenes.
Sony’s RX100 VA delivers high resolution allowing generous cropping and large-format printing. Its sensor’s extended dynamic range preserves detail in highlights and shadows, even when shooting challenging sunsets or bright skies.
However, neither camera features weather sealing or rugged build, so caution is advised in inclement conditions. In practice, the RX100 VA is better suited for serious landscapes due to superior imaging power, while the FS42 works for snapshots on clear days.
Wildlife Photography: Autofocus Speed, Telephoto Reach, and Burst Rates
Wildlife demands quick AF and fast bursts to capture fleeting behavior. The FS42’s basic contrast AF, limited zoom, and slow 2 fps continuous shooting limit its suitability for wildlife - especially distant or fast-moving animals.
The RX100 VA excels with rapid autofocus, 24 fps burst, and relatively fast telephoto reach (70mm equivalent). While 70mm is not true supertelephoto, pairing with Sony’s lens sharpness and AF system yields respectable wildlife images, particularly in good light.
Flash and stabilization support also favor the RX100 VA in handheld shooting scenarios where patience runs thin.
Sports Photography: Tracking Accuracy, Low Light, and Frame Rates
Sports photography demands exceptional autofocus tracking and high frame rates. Clearly, the FS42 - restricted to single AF and 2 fps shooting - is not a contender here.
Sony’s RX100 VA, while lacking interchangeable lenses, provides competitive AF tracking and 24fps burst with auto exposure and focus, sufficient for capturing many action sports. Furthermore, its low-noise sensor offers usable results at elevated ISO, vital for indoor or evening sports.
Though no pro sports shooter would rely solely on the RX100 VA, for enthusiasts or as a backup camera, it’s a strong performer.
Street Photography: Discreteness, Low Light, and Portability
Street shooters prize discretion and portability. Panasonic’s FS42, with its ultra-compact size and subtle design, is almost invisible on city streets. Its limited controls reduce distractions but also limit creative engagement.
Sony’s RX100 VA is slightly bulkier but still pocketable. The tilting screen and EVF add flexibility in awkward shooting scenarios like waist-level or quick candid framing. Combined with better low-light capacity, it excels in nighttime or atmospheric street scenes.
I found myself reaching for the RX100 VA when I wanted creative control and image quality, but the FS42 is tempting for “grab and forget” moments when blending in and minimal fuss outweighs all.
Macro Photography: Magnification, Focus Precision, and Stabilization
Close-up shooting requires comfortable focus distances and precision. Both cameras claim 5 cm macro focusing, but the RX100 VA’s sharper optics and optical image stabilization produce more detailed and shake-free close-ups.
Panasonic’s lack of image stabilization makes handheld macro shooting tricky, particularly in lower light.
The RX100 VA’s manual focus along with contrast+phase-detection AF ensure precise focusing on tiny subjects.
Night and Astro Photography: High ISO and Exposure Control
Low-light and astrophotography stretch sensor capabilities. The FS42’s maximum ISO 1000 and CCD sensor suffer heavy noise beyond base sensitivity, limiting its astrophotography viability to very bright nighttime scenes or moon shots.
Sony’s RX100 VA has native ISO up to 12800 (boosted to 25600) and better noise performance thanks to a backside illuminated CMOS sensor. Its electronic shutter extends exposure sensitivities to 1/32000 sec, and longer exposures are possible with manual control.
While neither camera is ideal for deep sky imaging, RX100 VA allows compelling starfield and nightscape photos with minimal noise at 30-sec exposures.
Video Capabilities: Recording Quality and Stabilization
Looking at video, the FS42 maxes out at low-res 848x480 and 640x480 at 30fps, using the inefficient Motion JPEG format - suitable only for casual clips.
The RX100 VA supports UHD 4K (3840x2160) at 30p with advanced XAVC S codecs, dramatically enhancing video quality and editing potential. Optical stabilization reduces handheld shake, and built-in stereo microphones capture decent sound, though no mic/headphone ports limit professional audio workflows.
Though lacking touchscreen focus control, its video mode supports aperture/shutter priority, slow-motion, and interval recording - key features for hybrid shooters.
Travel Photography: Versatility, Battery Life, and Connectivity
For travelers, versatility and battery life are paramount. The FS42’s compactness and low weight are strong selling points, but its limited zoom, sluggish AF, and lack of connectivity curtail flexibility.
The RX100 VA is heavier, but its zoom covers wide to short telephoto, broad ISO range, fast AF, and image stabilization accommodate diverse photo opportunities from landscapes to low-light city scenes.
Sony includes built-in Wi-Fi and NFC - useful for quick sharing and remote control via smartphone apps. Battery life is modest at approximately 220 shots per charge (vs. unknown Panasonic rating), so carrying spares is advisable.
Professional Use: Reliability, File Formats, and Workflow Integration
Neither camera is weather-sealed, limiting professional outdoor use in harsh environments. The FS42 offers only JPEG output, no RAW support, restricting post-processing latitude.
The RX100 VA supports RAW files, granting professionals precise control over exposure, white balance, and tonality - critical for high-end workflows.
Sony’s manual exposure modes, exposure compensation, and faster write speeds better integrate with pro pipelines, making it suitable as a secondary camera for professional assignments needing a lightweight backup.
Technical Analysis Summary: Strengths and Weaknesses
| Feature | Panasonic FS42 | Sony RX100 VA |
|---|---|---|
| Sensor | 1/2.5" CCD, 10MP | 1" BSI CMOS, 20MP |
| Lens | 33-132mm eq., F2.8-5.9 | 24-70mm eq., F1.8-2.8 |
| Display | 2.5" fixed LCD, 230k dots | 3" tilting LCD + EVF, 1229k/2359k |
| Autofocus | Contrast AF, single AF only | Hybrid AF, 315 points, tracking |
| Continuous Shooting | 2 fps | 24 fps |
| Image Stabilization | None | Optical |
| Video | VGA 30fps MJPEG | 4K 30p XAVC S |
| RAW Support | No | Yes |
| Connectivity | None | Wi-Fi, NFC |
| Weight | 132g | 299g |
| Price (current) | ~$580 | ~$998 |
Recommendations Based on Use-Case and Budget
For Casual Users and Pocketability Fans:
The Panasonic FS42 remains viable for users who want a tiny, simple camera for routine snapshots in good lighting. Its ultracompact size and straightforward operation minimize learning curves and gadget fuss.
For Enthusiasts and Hybrid Shooters:
Sony’s RX100 VA is a versatile powerhouse, suitable for anyone who values image quality, manual control, and video performance in a compact body. Its large sensor, fast lens, and advanced AF make it relevant even years after release.
For Portrait and Event Photography:
RX100 VA’s ability to render smooth skin tones, create creamy bokeh, and maintain focus on eyes makes it the clear choice for portraits and events. FS42’s limitations become apparent here.
For Landscape and Street Photographers:
RX100 VA offers superior image quality and dynamic range for landscapes. FS42 might suit street photographers prioritizing discreteness over quality, but image quality trade-offs are considerable.
For Wildlife and Sports Photography:
RX100 VA’s fast autofocus, burst speed, and image stabilization outclass the FS42, although it lacks super-telephoto reach of dedicated DSLR setups.
For Video Creators:
RX100 VA supports 4K, manual exposure, and stabilization - necessary for quality video content. FS42’s video is outdated and low resolution.
Final Thoughts: Evolution of Compact Cameras Through a Decade
Testing the Panasonic FS42 against the Sony RX100 VA highlights how much camera technology evolved between 2009 and 2018, especially in sensor design, autofocus, and user experience. While the FS42 has nostalgic and practical charm as a super-simple point-and-shoot, the RX100 VA approaches “DSLR-level” performance in a pocketable package.
If money and size are no object, the RX100 VA is the definitive pick for photographers wanting high quality, flexibility, and control in a compact camera. However, if you’re after strictly casual snapshots with minimal complexity, the FS42 might still suit, especially if found second-hand at a bargain.
Either way, your choice depends heavily on what photo styles and shooting conditions you anticipate. Hopefully, this technical and experiential walkthrough clarifies how these two compact cameras stack up in the rich landscape of modern photography tools.
Thank you for following this detailed comparison. Should you want hands-on advice tailored to your specific photography goals, feel free to ask - drawing on 15+ years of camera field testing, I’m happy to help you make the best possible choice.
Panasonic FS42 vs Sony RX100 VA Specifications
| Panasonic Lumix DMC-FS42 | Sony Cyber-shot DSC-RX100 V(A) | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-FS42 | Sony Cyber-shot DSC-RX100 V(A) |
| Type | Ultracompact | Large Sensor Compact |
| Released | 2009-04-17 | 2018-07-13 |
| Physical type | Ultracompact | Large Sensor Compact |
| Sensor Information | ||
| Processor | - | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.5" | 1" |
| Sensor dimensions | 5.744 x 4.308mm | 13.2 x 8.8mm |
| Sensor surface area | 24.7mm² | 116.2mm² |
| Sensor resolution | 10MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 3648 x 2736 | 5472 x 3648 |
| Highest native ISO | 1000 | 12800 |
| Highest boosted ISO | 6400 | 25600 |
| Min native ISO | 80 | 125 |
| RAW photos | ||
| Min boosted ISO | - | 80 |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | - | 315 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 33-132mm (4.0x) | 24-70mm (2.9x) |
| Max aperture | f/2.8-5.9 | f/1.8-2.8 |
| Macro focusing distance | 5cm | 5cm |
| Crop factor | 6.3 | 2.7 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 2.5" | 3" |
| Display resolution | 230k dots | 1,229k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.59x |
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/2000 secs |
| Highest quiet shutter speed | - | 1/32000 secs |
| Continuous shooting rate | 2.0 frames per second | 24.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.30 m | 10.20 m (at Auto ISO) |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | - | 1/2000 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Highest video resolution | 640x480 | 3840x2160 |
| Video file format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | NP-BX1 lithium-ion battery & USB charger |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 132g (0.29 lbs) | 299g (0.66 lbs) |
| Dimensions | 98 x 55 x 22mm (3.9" x 2.2" x 0.9") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 220 shots |
| Type of battery | - | Battery Pack |
| Battery ID | - | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | One | One |
| Pricing at launch | $580 | $998 |