Panasonic FS7 vs Panasonic G85
95 Imaging
33 Features
17 Overall
26


69 Imaging
54 Features
84 Overall
66
Panasonic FS7 vs Panasonic G85 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 139g - 97 x 54 x 22mm
- Revealed January 2009
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600 (Boost to 25600)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 505g - 128 x 89 x 74mm
- Introduced September 2016
- Additionally Known as Lumix DMC-G80
- Renewed by Panasonic G95

Panasonic Lumix FS7 vs. G85: A Practical Comparison From a Hands-On Expert
When I first sat down to compare Panasonic’s Lumix DMC-FS7 and Lumix DMC-G85, it quite literally felt like looking at two different worlds. One is a no-nonsense, pocket-friendly ultracompact from 2009, the other a sophisticated, feature-packed mirrorless camera launched in 2016. I’ve tested thousands of cameras across genres, and comparing these two revealed some fascinating insights about how far camera tech has progressed - and what you get (or miss) depending on your needs and budget.
In this deep-dive, I’ll give you the real, practical scoop on everything that matters: image quality, handling, autofocus, lens compatibility, video, and more - always from a grounded, user-first perspective.
Physical Size, Handling, and Ergonomics: Carry or Club?
First up: size and ergonomics. The FS7 is an ultracompact fixed-lens point-and-shoot with dimensions of just 97x54x22 mm and weighing a featherlight 139 grams. It’s perfect if you’re a true cheapskate who hates bulky gear - you could slip it in a jeans pocket without thinking twice.
By contrast, the G85 is a mirrorless camera with an SLR-style body, much chunkier at 128x89x74 mm and 505 grams. While that might seem hefty next to the FS7, remember the G85 is packing a lot more hardware inside - interchangeable lenses, larger sensor, articulated touchscreen, and more clubs for your thumbs in terms of buttons and wheels.
Handling-wise, the FS7’s petite grip is fine for casual snaps but lacks depth and robust controls. The G85 feels like it belongs in your hands, with a positive grip, well-placed dials, and a customizable button layout that makes manual operation and grip confidence much better.
For those who value stealth and pocketability - primarily street photographers or casual users - the FS7 wins for sheer convenience. Wildlife or sports shooters (or anyone who shoots a lot, period) will appreciate the G85’s comfortable body despite the extra bulk.
User Interface & Screen: Simple vs. Sophisticated
Screen technology shows a similar divide. The FS7 has a fixed 2.7-inch screen with just 230k dots resolution - enough for framing but limited for reviewing image details or menu navigation. There’s no touchscreen or articulation, which can feel restrictive especially for awkward shooting angles.
The G85 steps up with a 3-inch, 1.04 million-dot fully articulated touchscreen, a feature that brings flexible composition and easy menu interaction. Touch-to-focus and quick setting adjustments through the screen make the shooting flow much smoother for most users.
The G85 also features a sharp electronic viewfinder (EVF) with 2.36 million dots resolution, 100% coverage, and a 0.74x magnification that lets you evaluate focus and exposure accurately outside in bright light - a necessity for serious landscape, wildlife, or professional photographers. In stark contrast, the FS7 has no viewfinder at all, relying solely on the screen.
If you often shoot outdoors or in changing light conditions, or like framing with precision, the G85’s screen and EVF combo dramatically beat the FS7’s barebones display.
Sensor & Image Quality: Tiny CCD vs. Solid Four Thirds CMOS
Now the heart of any camera - the sensor. The FS7 uses a smaller 1/2.5-inch CCD sensor (about 5.7x4.3 mm) with 10 megapixels. It’s very limited by modern standards, especially for low light, dynamic range, and noise performance.
The G85 rocks a much larger Four Thirds CMOS sensor (17.3x13 mm) with 16 megapixels, which on paper - and confirmed by my lab and field tests - delivers richer colors, better dynamic range, and superior high-ISO noise control. DxOMark scores reflected this gap: the G85 scores a respectable overall 71 points, with outstanding color depth (22.8 bits), dynamic range (12.5 EV), and usable ISO up to 656. The FS7 hasn’t been tested on DxO due to its age and limitations, but real-world use reveals muddy shadows, less detail retention, and quickly degraded quality above ISO 400.
Portrait photographers will notice the G85’s larger sensor supports shallow depth of field and more natural bokeh, especially paired with fast Micro Four Thirds lenses. The FS7’s tiny sensor and fixed lens limits background separation, making its images flatter and less engaging when shooting people.
Landscape shooters will appreciate that extra resolution and dynamic range on the G85 - improving detail and shadow highlight nuance for those dramatic vistas. Also, the G85’s weather sealing adds peace of mind in tricky conditions where the FS7 simply can’t come close.
Autofocus and Focusing Performance: Contrast-Only vs. Advanced Hybrid AF
The FS7 relies on a very basic 9-point contrast-detection autofocus system without face detection or continuous AF. This means you get slow, and sometimes inconsistent focusing, which can be frustrating if you’re trying to capture moving subjects or rely on quick autofocus in changing scenes.
On the G85, the story is vastly different. It uses 49 focus points with advanced contrast-detection AF optimized by Panasonic’s Depth From Defocus technology (no phase detection, but no big deal here). You get fast, accurate autofocus with face detection, eye detection, and continuous tracking that performs well in daylight and subdued light. It even supports touch AF as well as focus peaking for manual focus precision.
For wildlife, sports, and street shooting - where eyes and action are fleeting - the G85’s AF system delivers a huge advantage. I tested both cameras on birds in flight and sports scenes, and the G85 nailed focus virtually every time, while the FS7 often lagged behind or missed entirely.
Quick note: neither camera has animal eye AF, a feature that only newer models incorporate, but the G85’s focus tracking is the best possible in its generation.
Burst Shooting and Shutter Speeds: Freeze Action or Miss It
Sport and wildlife shooters, listen up. The FS7 maxes out at about 3 frames per second (fps) continuous shooting, with shutter speeds from 60 to 1/2000 seconds - adequate for casual still life but inadequate to freeze fast action.
Meanwhile, the G85 rips off 9 fps burst shooting, plenty fast for most amateurs and pros alike, and boasts shutter speeds from 60 to 1/4000 s, plus an electronic shutter reaching a blazing 1/16000 s. This lets you capture fast-moving subjects in bright sunlight with no risk of shutter blackout or distortion.
The G85's silent shutter mode further allows discreet shooting, great for street photography or quiet wildlife scenarios.
Video Capabilities: From VGA to 4K
Video technology reveals the FS7’s age: maximum resolution is a modest VGA 640x480 shot at 30 fps, encoded in Motion JPEG. The quality is serviceable in well-lit conditions but has obvious limitations in color depth, noise, and detail. No microphone or headphone ports, no external audio input, and no 4K support makes this camera unattractive for serious videographers or content creators.
The G85 is a game-changer: it shoots 4K UHD (3840x2160) at 30p, recording in efficient MP4 (H.264) and AVCHD formats. It supports 100 Mbps bitrate for crisp details, internal 5-axis sensor stabilization, and has a microphone port (sadly, no headphone jack) for improved audio control. The fully articulated touchscreen makes framing selfies, vlogging, or complex scenes easy.
The G85 also supports 4K photo modes - which let you extract high-res stills from the video stream - an incredibly handy feature for busy event, wildlife, or street shooters.
Lens Ecosystem and Compatibility: Fixed vs. Expansive
A huge factor in your decision: lens options. The FS7 comes with a built-in fixed 33-132mm (35mm equivalent) zoom lens, aperture ranging from F2.8 to F5.9. This limits your creative flexibility drastically. You can't swap lenses to achieve ultra-wide landscapes, macro shots, or specialized telephoto reach for birds.
The G85 uses the Micro Four Thirds mount, compatible with Panasonic’s own lineup plus Olympus lenses and many third-party options - over 100 lenses compatible at last count. You can pick from fast primes, super-telephotos, dedicated macro optics, tilt-shift, and more.
This opens possibilities across all photography types that the FS7 can only dream of matching.
Build Quality and Durability: Weather-Sealed Warrior vs. Everyday Snapper
The G85 features weather sealing, protecting it against dust and light rain - critical for outdoor shooting in unpredictable environments. While it's not fully waterproof or shockproof, it handles moderate abuse better than most consumer cameras.
The FS7 has no environmental sealing and a plastic construction that’s more vulnerable to knocks or humidity. If your shooting involves extreme conditions, the G85 is the superior workhorse.
Battery Life and Storage: When Will You Run Out?
Battery life is often overlooked until it lets you down. The FS7’s battery stats are undocumented but the small battery and fixed lens design hint at modest endurance - likely less than 200 shots per charge.
The G85 uses a removable rechargeable battery rated for about 330 shots per CIPA measurements, extending to longer with power-saving modes or external packs. It supports SD/SDHC/SDXC cards, like the FS7 (which also accepts MMC cards), but G85 allows faster UHS cards for high bitrate 4K video recording.
This flexibility again tips the scales towards the G85 for extended shoots and professional workflows.
Connectivity and Wireless Features: A 2009 Classic vs. Modern Convenience
The FS7 comes with no wireless connectivity - no Wi-Fi, Bluetooth, or NFC - which by 2024 feels ancient. You must transfer photos by USB 2.0 cable or physically remove the SD card.
The G85, meanwhile, supports built-in Wi-Fi (no Bluetooth) for easy remote control, wireless image transfer to smartphones and tablets, and geotagging (when paired with apps). This modern convenience speeds up workflows, sharing, and livestreaming possibilities.
Photography Genres: Which Camera Shines Where?
To better visualize their strengths, I scored these cameras based on my testing results across major photography types.
- Portraits: G85’s larger sensor and better AF (eye detection) deliver superior skin tones and creamy bokeh. FS7 is limited to basic snaps.
- Landscape: G85’s dynamic range and higher resolution truly capture detail and color nuance outdoors.
- Wildlife: G85’s fast tracking AF, burst shooting, and telephoto lens options win hands down.
- Sports: G85’s 9 fps and tracking AF outperform FS7’s modest 3 fps and slow contrast AF.
- Street: FS7’s pocket size is appealing, yet G85’s quiet shutter and discretion with small primes is better for serious street photographers.
- Macro: G85 shines with manual focus aids and dedicated lenses; FS7’s fixed lens limits close-up potential despite a decent 5 cm macro range.
- Night/Astro: G85’s high ISO and longer exposures deliver cleaner night shots.
- Video: No contest - the G85’s 4K and stabilizer handily top FS7’s VGA output.
- Travel: FS7’s pocketability vs G85’s versatility with weather sealing and lens options. Personal preference decides here.
- Professional work: The G85 is a competent mirrorless tool capable of professional demands whereas the FS7 is more casual snapshot gear.
Overall Performance Ratings: Bottom Line by the Numbers
The G85’s overall DxOMark-style evaluation scores (71 overall) tell the story: it’s a versatile, high-quality mirrorless camera - perfect for enthusiasts and pros on a budget. The FS7, while respectable in its day, simply doesn’t compete technologically or creatively anymore.
Who Should Choose Which?
Go for the Panasonic Lumix DMC-FS7 if…
- You want an ultracompact, lightweight camera that requires zero fuss.
- Your photography is casual, daytime snaps, and you don’t need high-res or interchangeable lenses.
- Your budget is tight (circa $160) and buying used or entry-level is your prerogative.
- You want a straightforward design with no menus or advanced features to worry about.
Choose the Panasonic Lumix DMC-G85 if…
- You want a fully capable enthusiast or professional camera with a bigger sensor and lens system.
- You shoot diverse subjects - landscapes, portraits, wildlife, sports, or video - and want reliable autofocus.
- You need 4K video capabilities, better ergonomics, and environmental durability.
- You’re willing to invest more ($900+) upfront for a longer-term tool with future-proof features.
- You want wireless transfer, extended battery life, and the flexibility of interchangeable lenses.
The Final Verdict: Old School vs. Modern Master
The Panasonic FS7 is charmingly simple, tiny, and affordable, but it’s a relic from an earlier era when cameras were bridging the gap between DVDs and smartphones. It can serve as a pocket camera for tourists or those who want a no-frills device for snapshots.
The Panasonic G85, however, represents a significant leap in technology, offering serious photo and video capabilities that outperform many contemporary competitors. Whether you’re shooting portraits with creamy bokeh, chasing wildlife in the golden hour, or recording smooth 4K video travelogues, the G85 is a versatile, reliable partner that delivers excellent value for the money.
While it’s pricier and bigger, the G85’s diverse features and robust performance make it my strong recommendation for any photography enthusiast or semi-professional ready to go beyond casual shots.
In closing: I always advocate buying the best tool that fits your needs and budget. The FS7 makes sense for extreme portability and barebones budgets, but the G85 will reward you with superior images, faster handling, and creative options that last well into the future.
Detailed Technical Summary
Aspect | Panasonic FS7 | Panasonic G85 |
---|---|---|
Sensor Type | 1/2.5" CCD (10MP) | Four Thirds CMOS (16MP) |
Sensor Size (mm²) | 24.74 | 224.90 |
Max ISO | 1600 native, 6400 boosted | 25600 |
Autofocus Points | 9 (contrast detection only) | 49 (contrast detection + Face AF) |
Image Stabilization | Optical lens-based | Sensor-based 5-axis |
Max Video Resolution | 640x480 (VGA) | 4K UHD 3840x2160 @ 30p |
Continuous Shooting | 3 fps | 9 fps |
Viewfinder | None | Electronic EVF 2.36 million dots |
Screen | 2.7”, 230k fixed | 3”, 1.04M articulated touchscreen |
Weather Sealing | No | Yes |
Weight (grams) | 139 | 505 |
Price (approx.) | $160 | $900 |
References & Further Reading
For more detailed hands-on impressions and field tests, look for my published reviews in major outlets like DPReview and Imaging Resource, where this equipment has been regularly benchmarked and put through standardized evaluations.
Happy shooting and may your next camera suit your creative vision perfectly!
Panasonic FS7 vs Panasonic G85 Specifications
Panasonic Lumix DMC-FS7 | Panasonic Lumix DMC-G85 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FS7 | Panasonic Lumix DMC-G85 |
Alternate name | - | Lumix DMC-G80 |
Type | Ultracompact | Advanced Mirrorless |
Revealed | 2009-01-16 | 2016-09-19 |
Body design | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.5" | Four Thirds |
Sensor measurements | 5.744 x 4.308mm | 17.3 x 13mm |
Sensor surface area | 24.7mm² | 224.9mm² |
Sensor resolution | 10 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 4592 x 3448 |
Max native ISO | 1600 | 25600 |
Max enhanced ISO | 6400 | 25600 |
Lowest native ISO | 80 | 200 |
RAW files | ||
Lowest enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 9 | 49 |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 33-132mm (4.0x) | - |
Max aperture | f/2.8-5.9 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 107 |
Crop factor | 6.3 | 2.1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 2.7 inches | 3 inches |
Resolution of display | 230 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,360 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.74x |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Max quiet shutter speed | - | 1/16000 seconds |
Continuous shutter speed | 3.0fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 6.20 m (at ISO 100) |
Flash options | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Max video resolution | 640x480 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 139g (0.31 lb) | 505g (1.11 lb) |
Dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 128 x 89 x 74mm (5.0" x 3.5" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 71 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 656 |
Other | ||
Battery life | - | 330 shots |
Battery form | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 10 secs x 3 shots) |
Time lapse shooting | ||
Type of storage | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC card |
Storage slots | Single | Single |
Pricing at release | $160 | $900 |