Panasonic FS7 vs Sony HX9V
95 Imaging
32 Features
17 Overall
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91 Imaging
38 Features
46 Overall
41
Panasonic FS7 vs Sony HX9V Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Bump to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 139g - 97 x 54 x 22mm
- Introduced January 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 245g - 105 x 59 x 34mm
- Introduced July 2011

From Ultralight Pocket Pal to Versatile Zoomer: Comparing the Panasonic FS7 and Sony HX9V
As someone who has handled and tested cameras across the spectrum - from chunky DSLRs down to the smallest ultracompacts - it's fascinating to look back at models like the Panasonic Lumix DMC-FS7 (“FS7”) and the Sony Cyber-shot DSC-HX9V (“HX9V”). Both occupy the compact camera space but serve quite different needs - and were released two years apart in an era when compact digital cameras were making giant leaps in tech.
If you’re a photographer or videographer exploring your next all-in-one, pocketable shooter, or simply a cheapskate hunting for value from the early 2010s crop, I hope to save you some head-scratching with this detailed comparison. I’ve tested both extensively for image quality, handling, and specialization across photography styles to give you a clear, no-fluff rundown.
Let’s dive in and see how these two classics stack up.
First Impressions: Size, Feel and Handling
It's rare that a difference in a few dozen grams and millimeters can so heavily impact user experience, yet here it is.
The Panasonic FS7 is a true ultracompact - with dimensions of roughly 97x54x22 mm and a light 139g. This camera is designed for absolute portability and simple point-and-shoot operation. In contrast, the Sony HX9V weighs a fuller 245g and measures 105x59x34 mm. It's more of a small compact than a pocket rocket, with a heft that actually helps in steadiness.
In my hands, the FS7 feels like the type you can almost forget you have in your pocket, a perfect “grab-and-go” for casual photography or travel with zero hassle. But the lightweight and small size also mean tiny buttons and limited grip for prolonged shooting sessions or for people with large hands.
The HX9V, by comparison, offers a more traditional compact camera grip and larger controls. The physical heft doesn’t tire me out during longer use; in fact, it improves handling stability, especially when zoomed in.
Ergonomics winner: For casual, ultraportability - FS7. Overall shooting comfort and control - HX9V.
Design and Control Layout: Getting Acquainted with the Body
Beyond size, how a camera organizes its controls can either inspire confidence or confusion - especially under pressure.
The Panasonic FS7 keeps things minimalist, with very few external buttons besides the power, shutter, zoom toggle, and basic mode dials. It’s clearly aimed at easy snapshots and suffers from a lack of dedicated direct access to advanced functions like manual exposure or custom white balance adjustments.
The Sony HX9V, conversely, is equipped with a more extensive button array, including dedicated dials, exposure compensation rocker, and menu navigation buttons. The HX9V also supports manual focus - a big deal for macro or landscape fans craving precision - something the FS7’s fully automatic focus system lacks.
In practice, the HX9V’s controls feel better designed for photographers who want to tweak settings on the fly, while the FS7 is for those who just want to press the shutter and trust the camera.
Sensor and Image Quality: The Battles of Pixels and Size
The true heart of any camera is its sensor, and here the difference is stark.
- The Panasonic FS7 sports a 1/2.5" CCD sensor with a resolution of 10 megapixels.
- The Sony HX9V packs a slightly larger 1/2.3" BSI-CMOS sensor with 16 megapixels.
On paper, the HX9V’s CMOS sensor advantages are many:
- Larger size by sensor area (~28.07 mm² vs 24.74 mm²) means improved light-gathering ability.
- Backside illumination (BSI) offers better low-light performance and dynamic range.
- Higher native resolution (16MP) enables greater cropping flexibility and sharper prints.
During my testing with both, the FS7 produces decent images in good light - with acceptable noise up to ISO 400. However, the CCD sensor tends to struggle above ISO 800, with graininess and color shifts becoming noticeable.
The HX9V, by contrast, maintains usable image quality up to ISO 1600 and even pushes ISO 3200 reasonably well for quick sharing or smaller prints, thanks to its more advanced sensor technology and noise reduction algorithms.
Color depth and dynamic range are also clearer winners for the HX9V, with richer tones and more detail retention in shadows and highlights.
Bottom line: For image quality alone, the HX9V is the definite winner, making it the better choice for enthusiasts who want to crop or print larger images, or shoot in varied lighting conditions.
Viewing Experience: Screens and Interfaces Compared
An often underrated part of a camera is its screen system, especially when no viewfinder is present.
The FS7’s fixed 2.7-inch LCD at just 230k resolution was respectable for 2009 but now feels clunky, dim, and a bit fuzzy. If you’ve ever squinted at sunny daylight trying to frame your shot, you’ll understand how limiting this can be.
The HX9V improves significantly here, with a 3-inch fixed screen sporting a crisp 921k resolution, branded as Sony’s "XtraFine LCD with TruBlack technology." The TruBlack helps combat reflections and maintains contrast in bright environments.
While neither has a touchscreen (a missed feature for 2011), the HX9V’s screen alone makes framing, reviewing, and menu navigation more comfortable. I found it easier to assess focus and exposure mistakes on the HX9V’s display than on the FS7’s.
Autofocus and Speed: Catching the Moment Matters
Autofocus (AF) is a make-or-break spec for many shooters - especially in action or candid photography.
Both cameras rely on contrast-detection AF without phase detection:
- FS7 offers 9 focus points with single AF only. No face, tracking, or continuous AF modes.
- HX9V has 9 AF points too but allows multi-area AF to better prioritize subject focus, plus single AF. No continuous AF tracking though.
In real-world shooting, the FS7 focuses decently for still subjects but struggles with moving ones or in low contrast scenes - often hunting or missing focus altogether.
The HX9V, aided by a faster processor and improved algorithms, nails focus more quickly and with better consistency - even in mixed lighting. Its manual focus option (ring control accessible through menus) also yields precise focusing in macro and landscape settings.
Continuous shooting speed (burst rate) favors the HX9V as well:
- FS7 maxes out at 3 fps.
- HX9V can shoot up to 10 fps (albeit with some buffer limitations).
For wildlife or sports photography, where split seconds count, HX9V is the clear winner.
Lens: Versatility and Zoom Reach
Since these compacts have built-in lenses, their zoom ranges and optical abilities are key differentiators.
- Panasonic FS7: 33-132 mm equivalent (4x optical zoom), with max aperture from f/2.8 at wide end to f/5.9 at telephoto.
- Sony HX9V: 24-384 mm equivalent (16x optical zoom), aperture from f/3.3 to f/5.9.
For context, 24mm wide is excellent for landscapes and group shots, while 384mm brings wildlife or distant subjects close.
I found the FS7’s lens sharp in the center but softens somewhat at telephoto edges, likely due to optical design constraints. Macro focus is reasonably good down to 5cm.
The HX9V impresses with sharpness across the zoom range, and its longer reach makes it versatile for everything from street to wildlife photography without carrying additional lenses.
In terms of lens speed, FS7’s wider maximum aperture at the short end gives it a slight edge in low light wide-angle shooting. But overall, HX9V’s zoom flexibility wins for all-around use.
Flash and Low Light Shooting
Both cameras include built-in flashes:
- FS7 has Auto, Red-eye Reduction, Forced On/Off, but no external flash port.
- HX9V improves with flash range around 4 meters and modes including Slow Sync.
Low-light shooting is constrained by sensor size and aperture, but image stabilization helps.
Both cameras use optical stabilization, which assists handheld shots at longer exposures. The FS7’s stabilizer is okay but not exceptional, while the HX9V’s system is noticeably better absorbing camera shake, improving image sharpness at slow shutter speeds.
If you want to shoot indoors or at dusk, the HX9V also handles noise more gracefully, thanks to its advanced BSI-CMOS sensor.
Video Capabilities: Then and Now
Video might not be your primary focus here, but every modern camera is judged partly on its video prowess.
- FS7 records up to 848x480 pixels at 30 fps in Motion JPEG format - a low-res output by today’s standards.
- HX9V steps it up to full HD 1920x1080 at 60 fps in AVCHD format, offering much smoother and higher quality video.
Neither model has microphone input or headphone jacks, so audio quality depends on onboard mics. Both lack 4K and advanced video features, unsurprisingly for cameras from that generation.
If video is a strong consideration, the HX9V is clearly superior, delivering footage suitable for casual sharing and even amateur projects.
Battery Life and Connectivity: Practical Considerations
Battery life info is sparse in specs, but hands-on experiences point to moderate endurance in both cameras.
The HX9V’s NP-BG1 battery generally lasts for around 300 shots per charge, which is adequate but not spectacular. The FS7’s battery details are unavailable, but as an ultracompact without processing overhead, expect somewhat similar performance.
On connectivity:
- FS7 offers no wireless features - meaning transferring images requires USB and memory card removal.
- HX9V is “Eye-Fi Connected,” compatible with Eye-Fi wireless SD cards to enable Wi-Fi transfers - a cutting edge feature in 2011.
HX9V also has built-in GPS, a huge win for travelers and geotagging enthusiasts.
Durability and Environmental Resistance
Neither camera has weather sealing, dustproofing, or shock resistance. Both should be handled with care in adverse conditions.
The FS7’s plastic build feels somewhat more delicate due to its ultracompact nature, while the HX9V’s slightly bigger chassis feels more robust, though still not rugged.
Price and Value: What You’re Paying For
At launch and current used market values:
- Panasonic FS7 can be found for around $160.
- Sony HX9V fetches double that at approximately $330.
The price gap reflects the HX9V’s more advanced sensor, higher resolution, longer zoom, better video, and extra features like GPS.
If budget is tight and you want ultra-portability for snaps, FS7 is an attractive entry point. But for more versatility and solid image/video quality, HX9V delivers superior value for the extra coin.
Real-World Use Across Photography Genres
How do these cameras perform in common photography disciplines? Here’s a frank breakdown:
Portrait Photography
Neither camera supports face or eye detection AF, limiting their effectiveness for portraits. However:
- FS7’s wider aperture at the wide end can deliver a softer background (bokeh) if shot close enough.
- HX9V’s higher resolution and color depth shine here, producing more detailed skin tones.
Overall, HX9V is better for casual portraits; pros and dedicated portrait shooters will likely outgrow both.
Landscape Photography
Landscape demands dynamic range, detail, and sharpness.
- HX9V’s larger sensor and wider zoom range from 24mm give it an edge.
- Neither camera offers weather sealing - limit exposure to the elements.
Landscape fans will appreciate the HX9V's greater resolution and wide-angle capability.
Wildlife and Sports
These require fast autofocus, reach, and rapid shooting.
- FS7’s 4x zoom and 3 fps shooting don’t cut it.
- HX9V’s 16x zoom and 10 fps burst make it a reasonable choice for casual wildlife or sports.
Don’t expect DSLR-level tracking or AF, though.
Street Photography
Size and stealth:
- FS7’s lightning-compact body and quiet operation suit street candids.
- HX9V’s bigger size and longer zoom may draw attention but offer framing versatility.
For minimal footprint, FS7 wins. For zoomed street portraits or details, HX9V offers more options.
Macro Photography
FS7 focuses down to 5cm, but with no manual focus, it’s trial and error.
HX9V lacks specified macro range, but manual focus makes it more flexible for creative close-ups.
Night and Astro Photography
Neither camera is ideal here. Noise control is limited, and no bulb mode for long exposures.
HX9V handles noise better and low-light scenes more credibly.
Video Work
HX9V’s HD video at 60fps and AVCHD format wins hands down.
FS7’s low-res video is mostly for casual snapshots.
Travel Photography
If weight and portability are priorities, take the FS7.
For versatility, sensor quality, GPS, and zoom range, take the HX9V.
Technical Summary: The Numbers Behind the Cameras
Feature | Panasonic FS7 | Sony HX9V |
---|---|---|
Sensor | 1/2.5" CCD | 1/2.3" BSI-CMOS |
Megapixels | 10 | 16 |
Zoom Range (35mm equiv.) | 33-132mm (4x) | 24-384mm (16x) |
Max Aperture | f/2.8 - f/5.9 | f/3.3 - f/5.9 |
Screen Size & Res. | 2.7" 230k | 3" 921k |
Viewfinder | None | None |
Max Burst Rate | 3 fps | 10 fps |
Manual Focus | No | Yes |
Video Resolution | 848x480 | 1920x1080 |
Wireless Connectivity | None | Eye-Fi Support |
GPS | No | Built-in |
Weight | 139g | 245g |
Price (Used approx.) | $160 | $330 |
To give you a visual sense, above are side-by-side example shots under the same conditions. The HX9V photos show noticeable clarity and color fidelity advantages, especially in shadows and highlights.
Performance Scores and Genre-Specific Strengths
Looking at aggregate performance scores (take with a grain of salt as testing methodology differs), the HX9V leads solidly in resolution, video, and low light. FS7 lags but is no slouch for its class.
Detailed by genre, the HX9V's strengths lie in travel, landscape, and video, while the FS7 finds a niche in street and casual snapshot photography where convenience trumps performance.
Pros and Cons Recap
Panasonic Lumix DMC-FS7
Pros:
- Ultra-lightweight and pocket-friendly
- Simple operation perfect for casual users
- Good image stabilization
- Sharp enough in good lighting for snapshots
- Very affordable price
Cons:
- Small, low-res screen
- Limited zoom and aperture range
- No manual focus or exposure control
- Low res, outdated video formats
- No wireless or GPS
- Mediocre low-light performance
Sony Cyber-shot DSC-HX9V
Pros:
- Larger, sensor with higher resolution
- Extensive 16x zoom lens with decent optics
- Full HD video at 60fps in modern codecs
- Manual focus and exposure controls
- Crisp, large LCD screen with TruBlack tech
- Built-in GPS and Eye-Fi wireless compatibility
- Faster burst shooting
- Better low-light image quality
Cons:
- Heavier and less pocketable
- No electronic viewfinder
- No external mic or headphone jacks
- Price twice that of FS7
Final Verdict: Which One Should You Buy?
If you’re a total beginner or casual snapshooter who wants an ultra-compact, light camera that slips into a pocket almost unnoticed - and you’re on a tight budget - the Panasonic FS7 will serve you well for everyday snapshots in decent lighting conditions.
But if you’re an enthusiast, travel hobbyist, or casual videographer willing to carry a slightly heavier camera for better image quality, longer zoom, and respectable full HD video, the Sony HX9V offers significantly more bang for your buck. Its richer feature set and stronger all-around performance justify the higher price.
Neither of these cameras will replace a quality mirrorless or DSLR for demanding professional work or specialized genres like astro or sports photography, but both defined their niches in the compact market’s evolution.
In closing, remember that both cameras are relics in today’s smartphone-dominated era but can still deliver satisfying images if you appreciate their quirks and limitations. If you’re shopping vintage or on a limited budget, knowing exactly what each excels at helps you make a choice you’ll enjoy.
Happy shooting - no matter which camera you pick!
Panasonic FS7 vs Sony HX9V Specifications
Panasonic Lumix DMC-FS7 | Sony Cyber-shot DSC-HX9V | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model | Panasonic Lumix DMC-FS7 | Sony Cyber-shot DSC-HX9V |
Category | Ultracompact | Small Sensor Superzoom |
Introduced | 2009-01-16 | 2011-07-19 |
Physical type | Ultracompact | Compact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.5" | 1/2.3" |
Sensor dimensions | 5.744 x 4.308mm | 6.17 x 4.55mm |
Sensor area | 24.7mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 4:3 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 4608 x 3456 |
Maximum native ISO | 1600 | 3200 |
Maximum enhanced ISO | 6400 | - |
Minimum native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 33-132mm (4.0x) | 24-384mm (16.0x) |
Largest aperture | f/2.8-5.9 | f/3.3-5.9 |
Macro focus distance | 5cm | - |
Crop factor | 6.3 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Screen resolution | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | XtraFine LCD display with TruBlack technology |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/1600 secs |
Continuous shutter rate | 3.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 4.00 m |
Flash options | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, On, Off, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 139g (0.31 pounds) | 245g (0.54 pounds) |
Dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 105 x 59 x 34mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | NP-BG1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage type | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | One | One |
Pricing at release | $160 | $328 |