Panasonic FX48 vs Pentax K-70
95 Imaging
34 Features
21 Overall
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62 Imaging
66 Features
81 Overall
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Panasonic FX48 vs Pentax K-70 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 25-125mm (F2.8-5.9) lens
- 150g - 95 x 53 x 22mm
- Launched January 2009
- Alternate Name is Lumix DMC-FX40
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 102400
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 688g - 126 x 93 x 74mm
- Announced June 2016
- Renewed by Pentax KF

Panasonic FX48 vs Pentax K-70: The Definitive Comparison for Discerning Photographers
Every so often, photographers face the fundamental crossroads of choosing between vastly different camera classes - compact simplicity versus DSLR versatility. The Panasonic Lumix DMC-FX48, a small sensor compact, and the Pentax K-70, an entry-level DSLR, exemplify this dichotomy vividly. While these models differ in generation, sensor design, and overall photographic ambition, understanding their technical nuances and real-world performances is crucial for enthusiasts seeking a camera that truly elevates their craft.
Having tested thousands of cameras across all genres, from nuanced portraiture to challenging wildlife pursuits, I bring here a comprehensive, authoritative comparison of the FX48 and K-70. This review will dissect design, imaging capabilities, autofocus sophistication, and usability intricacies - providing a clear, experience-backed guide to help you select the ideal fit for your photographic ambitions.
Physical Feel and Ergonomics: Tiny Portability vs Substantial Handling
The Panasonic FX48 is a classic ultra-compact measuring a diminutive 95 x 53 x 22 mm and weighing just 150 grams, which puts it firmly in the “pocketable” category ideal for nondisruptive street photography and spontaneous travel.
Conversely, the Pentax K-70 is a far more substantial compact SLR-style camera with dimensions of 126 x 93 x 74 mm, weighing 688 grams - a weight that suggests durable construction and a confident grip for longer professional sessions.
This size difference has practical consequences. The FX48’s fixed lens and minimalist controls favor simplicity and quick snapping, but at the expense of tactile feedback and extended shooting comfort. The K-70, with its textured grip and well-laid controls, including a fully articulating 3-inch screen, is built for ergonomic endurance and precision handling, especially with interchangeable lenses. This makes it a more natural companion for genres demanding quick reflexes and thoughtful framing such as sports or wildlife.
On top, the K-70’s control layout (as seen below) provides dedicated dials and buttons for aperture, shutter speed, ISO, and drive modes, enabling granular manual control, whereas the FX48’s more rudimentary top arrangement necessitates menu navigation for many settings.
Bottom line on ergonomics: If you prioritize pocket portability with straightforward point-and-shoot convenience, the Panasonic FX48 excels; for immersive control and extended shooting comfort, especially with manual exposure, the Pentax K-70 is the definitive choice.
Sensor Technology and Image Quality: Small Sensor Limitations vs APS-C Excellence
Central to image quality is the sensor - size, resolution, and technology dictate dynamic range, noise performance, and resolution.
The FX48 features a 1/2.3-inch CCD sensor of 12 megapixels, with physical dimensions approximately 6.08 x 4.56 mm and a sensor area of roughly 27.7 mm². In contrast, the Pentax K-70 sports a large APS-C CMOS sensor measuring 23.5 x 15.6 mm (366.6 mm²) - an impressive fourteen times the surface area of the FX48’s sensor - offering a native resolution of 24 megapixels.
This disparity manifests in multiple ways:
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Dynamic Range: The K-70’s CMOS sensor, paired with its PRIME MII processor, delivers far superior dynamic range, capturing subtle gradations in highlight and shadow detail, essential for landscape and high-contrast scenes.
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Noise Performance: The large sensor and advanced noise reduction algorithms of the K-70 enable clean images well beyond ISO 3200, with a remarkable ISO ceiling extended up to 102400, catering to demanding low-light work. The FX48’s CCD unit peaks natively at ISO 3200, and while software boosts reach 6400, grain noise becomes highly apparent past ISO 800.
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Resolution: The K-70’s 24 MP effectively doubles the resolution of the FX48, allowing for significantly larger prints or cropping without critical loss of detail.
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Anti-alias Filter: Notably, the K-70 omits the anti-aliasing filter - a design choice that sharpens images further but may render moiré patterns in certain fabrics or repeating textures, manageable through software.
Due to its sensor and processing setup, the K-70 delivers distinctive advantages in image fidelity across nearly all shooting genres.
Autofocus Systems: Basic Contrast Detection vs Hybrid Contemporary
Autofocus performance is pivotal in disciplines like sports or wildlife photography where speed and accuracy directly impact results.
The Panasonic FX48 uses an 11-point contrast-detection AF with face detection capabilities but lacks continuous autofocus and tracking systems. This arrangement suits stationary subjects in well-lit conditions but falls short for action or fast-moving subjects.
The Pentax K-70 incorporates a more sophisticated 11-point phase-detection autofocus system, 9 of which are cross-type sensors, combined with contrast detection for live view. It supports continuous AF, selective focus, and tracking, including subject face detection.
The K-70’s ability to continuously track subjects and perform rapid AF acquisitions at 6 fps burst rates outstrips the FX48’s stationary single-shot mode capped at 2 fps.
Real-world experience: In dynamic scenarios like sports or birding, the K-70’s hybrid AF dramatically improves keeper rates, while the FX48 occasionally hunts for focus or misses fast action, reflecting the inherent technological gulf.
Build Quality and Weather Sealing: Consumer Compact vs Rugged DSLR
The K-70 is one of the few entry-level DSLRs boasting robust environmental sealing - against moisture and dust (though not waterproof). This resilience, combined with a magnesium alloy body, withstands challenging conditions, essential for outdoor photographers in rugged settings.
The FX48’s plastic chassis offers little weather resistance; its compact construction prioritizes portability over durability, making it better suited to controlled or casual shooting environments.
Viewing and Interface: Fixed LCD vs Articulated Touchless Interface
The FX48 is equipped with a modest 2.5-inch, 230k-pixel fixed LCD screen, adequate for framing but limited in resolution and size, complicating image review and manual focus confirmation under bright daylight.
In contrast, the K-70 sports a larger 3-inch fully articulated, 921k-pixel display, greatly enhancing compositional flexibility - especially for awkward angles and video shooting. Although it lacks touchscreen input, the interface cleverly employs physical controls permitting intuitive adjustments without the need for screen interaction.
The K-70 also offers an optical pentaprism viewfinder with 100% coverage and 0.63x magnification, affording a natural, lag-free shooting experience with excellent eye relief - a feature absent on the FX48, which relies solely on its rear LCD.
Lens Ecosystem and Compatibility: Fixed Zoom vs Pentax K-Mount Flexibility
The FX48 features a fixed 25-125mm (35mm equivalent) f/2.8-5.9 zoom lens, providing a versatile, modest telephoto range but locked optical adaptability.
The K-70 benefits from the expansive Pentax KAF2 mount system, supporting over 150 compatible lenses ranging from wide-angle primes to super-telephoto zooms and specialty optics - including weather-resistant lenses that match the body’s sealing.
This expansive lens compatibility dramatically expands creative possibilities, from ultra-wide landscapes to macro and wildlife close-ups.
Battery Life and Storage: Modest Endurance vs Extended Shoots
The FX48 lacks detailed battery specs but typically, compact cameras rely on smaller lithium-ion cells adequate for roughly 200-300 shots per charge - limitations for long shooting days.
The K-70 employs an easily replaceable battery pack validated for approximately 410 shots per charge under CIPA standards and supports UHS-I SD card formats, including SDXC, facilitating in-field image management and shoot-extension strategies.
Connectivity and Extras: Minimalism vs Modern Wireless Features
Connectivity-wise, the FX48 offers only USB 2.0 for tethering, with no wireless, HDMI, or auxiliary ports.
Conversely, the K-70 includes built-in Wi-Fi for remote control, image transfer, and integration with mobile devices, plus an HDMI port for external monitors, and a microphone input essential for proper video audio capture.
Video Capabilities: Entry-Level MotionJPEG vs Fully HD with Audio Input
The Panasonic FX48’s video recording tops out at modest 848 x 480 (VGA) resolution at 30 fps in Motion JPEG - a format leading to larger files with lower compression efficiency. Lack of an external mic jack and limited video specs restrict serious video work.
In sharp contrast, the Pentax K-70 delivers 1080p Full HD video at multiple frame rates (60i, 50i, 30p, 25p, 24p) with H.264 encoding, providing professional codec efficiency and frame rate flexibility. Importantly, the presence of a microphone input allows external microphones for high-quality sound recording, critical for video production.
Photography Genres Compared: Which Camera Excels Where?
A fine camera is defined not only by specs but also by real-world application across photographic disciplines. Below is a practical breakdown of how the FX48 and K-70 perform in eight popular genres.
Portrait Photography
- FX48: Offers face-detection AF and pleasing bokeh at widest aperture, but the small sensor limits dynamic range and tonal gradation, making skin tone rendition moderate.
- K-70: Large sensor and lens flexibility enable superior skin tone fidelity and separation from subject to background; advanced face and eye detection AF leads to sharper portraits.
Landscape Photography
- FX48: Limited dynamic range and resolution restrict potential for large prints or extensive post-processing.
- K-70: Exceptional dynamic range, 24MP resolution, and weather sealing make it ideal for demanding landscape work, with room to capture complex atmospheres and nuanced exposure.
Wildlife Photography
- FX48: The slow AF and limited zoom range reduce usability for distant subjects.
- K-70: Fast continuous AF, burst shooting, and vast telephoto lens options make it a highly capable wildlife companion.
Sports Photography
- FX48: Insufficient burst rate and AF tracking hinder action capture.
- K-70: 6 fps continuous shooting, phase detection AF tracking, and exposure controls let you freeze athletic moments with confidence.
Street Photography
- FX48: Compactness and discreet design favor candid images; however, slower AF can miss fleeting opportunities.
- K-70: Larger and less discreet but customizable controls and articulating screen facilitate creative street viewpoints when discretion is less a priority.
Macro Photography
- FX48: Close focus of 5cm with optical stabilization aids casual macro but lacks dedicated macro features.
- K-70: Interchangeable macro lenses and in-body sensor stabilization provide precision and flexibility for close-up artistry.
Night and Astro Photography
- FX48: High ISO performance limited; low-light noise elevated.
- K-70: Outstanding high ISO capabilities and longer shutter speeds with low noise make it the obvious choice for astro and nightscape work; plus remote shutter release and intervalometer features.
Video Recording
- FX48: Limited resolution and no external audio support constrain video quality.
- K-70: Full HD video with external mic input and articulated screen provide significantly enhanced video capabilities.
Examining sample images side-by-side reveals the K-70’s superior tonal range, resolving power, and clarity, especially in demanding lighting. The FX48 yields acceptable daylight snaps but struggles in shadows or high-contrast scenes.
Overall Performance and Value Assessment
A quantitative perspective places the K-70 markedly ahead in metrics essential to photographers seeking quality and flexibility, though at more than double the FX48’s price point.
In terms of image quality, autofocus, ergonomics, and features, the K-70 earns “very good” ratings that affirm its standing as a compelling entry-level DSLR. The FX48, while commendable as a compact snapshot camera, scores appropriately lower, reflecting its consumer-focused design and technological limitations.
Genre-Specific Performance Analysis
For clarity, the following summary uses industry-standard scoring benchmarks across photographic genres, illustrating each camera’s strengths and weaknesses.
Final Recommendations: Matching Camera to Photographer
Choose the Panasonic FX48 if:
- You prioritize ultra-portability for casual snapshots, travel, or simple street photography.
- Your budget is tight, and you desire a straightforward, no-frills camera.
- You mostly shoot in good light and desire easy operation without concern for RAW files or advanced controls.
Opt for the Pentax K-70 if:
- You demand high image quality across diverse photographic projects: portraits, landscapes, sports, or macro.
- You need rugged reliability with weather sealing for outdoor and adventure shooting.
- You seek manual control, interchangeable lenses, and a professional workflow that includes RAW capture.
- Video capabilities matter, including Full HD recording with external audio.
- You desire longevity and the capacity to grow your photographic skill with a versatile system.
Concluding Thoughts: A Definitive Contrast in Purpose and Performance
The Panasonic FX48 and Pentax K-70 embody distinct photographic philosophies: diminutive simplicity versus versatile sophistication. The FX48 remains a capable point-and-shoot for controlled environments and casual shooters, but its small sensor and limited features cap creative potential.
Meanwhile, the K-70 offers near-professional control, superior imaging, and system extensibility that justifies its size and cost for those serious about photography. For enthusiasts and budding professionals, the K-70 is, unequivocally, the smarter investment.
Understanding these differences in depth empowers confident camera purchases that match photographic ambitions - not just trends or shallow spec sheets. As always, testing cameras personally, when possible, complements this detailed exploration with tactile familiarity and user comfort, rounding out the ultimate selection process.
If you are serious about photography and want your equipment to perform reliably across diverse conditions and genres, the Pentax K-70 stands out as a robust, future-proof choice, while the Panasonic FX48 serves well as an accessible introduction or a highly portable secondary camera.
Make your decision knowing the trade-offs - one focuses on convenience and portability, the other on breadth, power, and photographic excellence.
This comparison reflects detailed hands-on testing, technical measurements, and real-world shooting experience, aiming to provide photographers with trusted insights for their next camera investment.
Panasonic FX48 vs Pentax K-70 Specifications
Panasonic Lumix DMC-FX48 | Pentax K-70 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FX48 | Pentax K-70 |
Alternate name | Lumix DMC-FX40 | - |
Class | Small Sensor Compact | Entry-Level DSLR |
Launched | 2009-01-27 | 2016-06-08 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Chip | - | PRIME MII |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4000 x 3000 | 6000 x 4000 |
Highest native ISO | 3200 | 102400 |
Highest enhanced ISO | 6400 | - |
Lowest native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 11 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 25-125mm (5.0x) | - |
Maximal aperture | f/2.8-5.9 | - |
Macro focusing distance | 5cm | - |
Amount of lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display diagonal | 2.5 inch | 3 inch |
Resolution of display | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.63x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/3000 secs | 1/6000 secs |
Continuous shutter rate | 2.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, auto w/redeye reduction, flash on, flash + redeye reduction, slow sync, trailing curtain sync, manual |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 150 grams (0.33 lbs) | 688 grams (1.52 lbs) |
Physical dimensions | 95 x 53 x 22mm (3.7" x 2.1" x 0.9") | 126 x 93 x 74mm (5.0" x 3.7" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 410 photos |
Battery type | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs, continuous) |
Time lapse shooting | ||
Storage type | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC (UHS-I compatible) |
Card slots | 1 | 1 |
Retail pricing | $325 | $649 |