Panasonic FX48 vs Ricoh WG-6
95 Imaging
34 Features
21 Overall
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89 Imaging
46 Features
46 Overall
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Panasonic FX48 vs Ricoh WG-6 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 25-125mm (F2.8-5.9) lens
- 150g - 95 x 53 x 22mm
- Released January 2009
- Alternative Name is Lumix DMC-FX40
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 3840 x 2160 video
- 28-140mm (F3.5-5.5) lens
- 246g - 118 x 66 x 33mm
- Introduced February 2018
- Older Model is Ricoh WG-5 GPS
President Biden pushes bill mandating TikTok sale or ban Panasonic Lumix FX48 vs. Ricoh WG-6: A Detailed Comparative Analysis for Photography Enthusiasts and Professionals
In the fast-evolving landscape of digital photography, choosing the right compact camera can be a challenge, especially with options spanning different years, sensor technologies, and use cases. The Panasonic Lumix DMC-FX48 (announced in early 2009) and the Ricoh WG-6 (released in 2018) represent two compact cameras designed with fundamentally different priorities and technological capabilities. While the Panasonic FX48 targets casual shooters and travelers seeking simplicity, the Ricoh WG-6 caters to rugged outdoor photographers requiring durability with modern imaging specs.
This comprehensive comparison explores every critical aspect of these cameras - from sensor performance and autofocus behavior to usability and genre-specific suitability - to provide photographers, whether enthusiasts or professionals, with thorough insights backed by hands-on experience and technical analysis. We also integrate pertinent images to visually clarify ergonomic, design, and performance differences.
Physical Design and Ergonomics: Handling Across a Decade of Compact Cameras
A camera’s physical form directly influences ease-of-use, portability, and handling comfort, which can dramatically impact the shooting experience during long sessions or challenging environments.
Size, Weight, and Build Materials
The Panasonic FX48 is a slim, pocket-friendly compact with dimensions of approximately 95 × 53 × 22 mm and a lightweight 150 grams body weight. Its sleek profile aids easy portability but sacrifices ruggedness. Conversely, the Ricoh WG-6 is noticeably larger and heavier, measuring 118 × 66 × 33 mm and weighing 246 grams, built explicitly for robustness with environmental sealing against water, dust, shock, and freezing temperatures.

Figure 1: Size comparison reveals the FX48’s compactness vs. WG-6’s rugged bulk.
The WG-6’s thicker chassis provides ample grip and protection but comes with portability compromises - there’s no denying the FX48 excels at “grab and go” travel photography, whereas the WG-6 demands a dedicated camera bag or belt holster.
Controls and User Interface Design
Examining the control layout from above, the FX48 utilizes minimal dedicted buttons in line with its casual user target; this can limit shooting flexibility, especially in manual or semi-manual modes. Meanwhile, the WG-6 offers more physical controls, including programmable function buttons and better tactile feedback, catering to users who require quick adjustments in adverse conditions but without touchscreen features.

Figure 2: Control layout comparison showing simplicity vs. rugged utility.
The lack of touchscreen interface on both models somewhat dates their operation by today's standards, though the WG-6’s interface appears more thoughtfully designed for outdoor usability, even if less accessible for beginner-level users who favor touch control.
Sensor Technology and Image Quality: Old School CCD vs. BSI-CMOS
Perhaps the most critical difference between these two cameras is their image sensors - a factor that heavily dictates quality, low-light performance, and dynamic range.
Sensor Specifications and Performance Metrics
- Panasonic FX48: Equipped with a 1/2.3" CCD sensor measuring 6.08 x 4.56 mm (27.72 mm² effective area), offering 12 megapixels with a conventional Bayer filter and an anti-aliasing (optical low-pass) filter.
- Ricoh WG-6: Uses a more modern 1/2.3" BSI CMOS sensor (6.17 x 4.55 mm, 28.07 mm²) with 20 megapixels, also employing an optical low-pass filter.

Figure 3: Sensor size and type comparison.
The WG-6’s backside-illuminated CMOS sensor advances low-light sensitivity and noise handling, addressing challenges inherent in older CCD designs like the one in the FX48, which physically traps less light and suffers from slower readout speeds.
Image Resolution and Detail
With a significant pixel count advantage, the WG-6 delivers images at 5184 x 3888 pixels compared to the FX48's 4000 x 3000-resolution output. This directly benefits cropping flexibility and large-format printing, particularly in landscapes or studio portraiture demanding meticulous detail.
Low Light and ISO Performance
The FX48’s ISO range of 80–3200 (boost ISO 6400) is somewhat offset by high noise levels at upper ranges, typical for CCDs of its age. In contrast, the WG-6’s native ISO floor of 125, maxing at 6400 without a boosted tier, capitalizes on the CMOS sensor's improved noise reduction algorithms, providing useable images at higher ISOs - a critical advantage for night, indoor, and astro photography.
Autofocus System and Focusing Capabilities: Precision and Speed
Autofocus (AF) speed and accuracy remain paramount, particularly for action-centric disciplines like wildlife or sports photography.
- FX48 features 11 focus points, employs contrast detection with face detection support, but lacks continuous AF or tracking modes. Manual focus is unavailable.
- WG-6 has 9 AF points, with contrast detection and face detection, and crucially adds continuous AF and AF tracking, as well as manual focus capabilities - significant for precision focusing in complex scenes.
The FG-6’s AF system is markedly more responsive and versatile, making it suitable even for moving subjects within acceptable limits. On the other hand, the FX48’s AF limitations confine it to static or slow-moving subjects.
Lens and Zoom Range: Flexibility vs. Macro Specialization
Lens specifications influence adaptability across photography styles.
| Specification | Panasonic FX48 | Ricoh WG-6 |
|---|---|---|
| Focal Length (35mm equiv.) | 25–125 mm (5× optical zoom) | 28–140 mm (5× optical zoom) |
| Maximum Aperture | f/2.8–5.9 | f/3.5–5.5 |
| Macro Focusing Distance | 5 cm | 1 cm |
The FX48’s brighter wide aperture at 25 mm equivalent (f/2.8) benefits low-light and shallow depth of field for portraits, albeit limited by fixed lens design and smaller aperture at telephoto.
The WG-6 compensates with a closer macro focusing distance of 1 cm, significantly improving macro and close-up photography potential, enhanced further by digital stabilization. Its slightly narrower maximum aperture compromises low-light performance at the wide end but remains competitive overall.
Display and Viewfinder: Composing and Reviewing Images
The rear display is where photographers spend much time, so quality impacts usability.
- FX48: Fixed 2.5-inch LCD with 230k pixel resolution.
- WG-6: Fixed larger 3-inch LCD with 1040k dot resolution, offering greater clarity and brightness.

Figure 4: Back-screen comparison.
Neither camera includes an electronic viewfinder, a notable shortfall for bright outdoor shooting, though the WG-6’s larger and higher resolution screen compensates well for composing and reviewing images in various lighting conditions.
Image and Video Quality: Beyond Still Photography
Still Image Quality
In real-world testing, the WG-6 sharply outperforms the FX48 in color accuracy, dynamic range, and sharpness, owing largely to sensor technology and more advanced image processing engines. The FX48’s images tend to exhibit muted dynamic range and visible noise in shadows and highlights, a known side effect of older CCD technology.
Sample image gallery below demonstrates these differences.
Figure 5: Side-by-side JPEG outputs under similar conditions.
Video Capabilities
- FX48: Records in Motion JPEG up to 848 x 480 pixels at 30fps; no HD or 4K.
- WG-6: Records up to 4K UHD (3840 x 2160) at 30fps with MPEG-4 and H.264 compression.
The WG-6 holds a clear advantage for video enthusiasts, offering useful UHD resolution, modern compression formats, and time-lapse recording support. The FX48's 480p video is essentially merely supplementary, limiting its value for videographers.
Build Quality and Environmental Resistance: Durability Matters
A significant attention point is environmental sealing:
- FX48: Not weather-sealed; no dust or moisture protection.
- WG-6: Fully rugged with waterproof (up to specified meter depths), dustproof, shockproof, crushproof, and freezeproof certifications.
This makes the WG-6 uniquely suitable for outdoor adventurers, underwater photography, and harsh environments where the FX48 would be vulnerable. Such resilience also justifies the higher weight and bulk.
Battery Life and Storage: Practical Shooting Considerations
Battery endurance is a constant factor in real-world shooting.
- FX48 details are sparse, typically offering modest shoot counts consistent with compact CCD-era models.
- WG-6 boasts approximately 340 exposures per charge, powered by a rechargeable lithium-ion battery pack, with USB charging support - ideal for travel.
Storage on both is via SD/SDHC cards; WG-6 also supports internal memory for backup. Importantly, WG-6 supports wireless FlashAir cards for remote image transfer, enhancing workflow flexibility.
Connectivity and Accessories
The WG-6 integrates HDMI video output, facilitating external monitor connection - a feature absent on the FX48. Neither camera offers Bluetooth, NFC, or microphone/headphone jacks, reflecting their respective generational design priorities.
Comparative Performance Summary Across Photography Disciplines
To help frame camera suitability for specific genres, consider the comprehensive ratings:
The Ricoh WG-6 ranks higher overall, especially excelling in rugged and image quality criteria compared to the FX48.
Breaking it down further by genre:
-
Portrait Photography: FX48’s brighter wide aperture and face detection are helpful, but WG-6’s sharper images and manual focus give it an edge.
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Landscape Photography: WG-6 wins due to superior resolution and weather sealing.
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Wildlife and Sports Photography: Neither excels given limited burst rates and AF systems, but WG-6’s continuous AF and tracking provide an advantage.
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Street Photography: FX48’s smaller size makes it discreet, but WG-6’s ruggedness can be valuable in urban environments.
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Macro Photography: WG-6’s 1cm macro distance and stabilization outperform FX48’s 5 cm.
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Night and Astro Photography: The WG-6’s better high-ISO image quality makes it the better choice.
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Video: WG-6’s 4K video capabilities overshadow FX48’s limited VGA video.
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Travel Photography: FX48 is easier to carry; WG-6 offers ruggedness and versatility.
-
Professional Use: Neither meets pro-level workflow demands (limited raw support, lack of advanced lens systems), but WG-6’s ruggedness and image quality make it more functional.
Who Should Buy Which Camera?
Panasonic Lumix DMC-FX48: Ideal For…
- Casual users prioritizing ultra-portability and ease.
- Travelers needing a light, pocketable camera mostly for daylight still shots.
- Budget buyers comfortable with modest image quality and limited video.
- Beginners requiring simple controls without manual exposure intricacy.
Ricoh WG-6: Ideal For…
- Outdoor enthusiasts, hikers, underwater photographers needing rugged gear.
- Photographers prioritizing higher resolution and superior low-light images.
- Users desiring 4K video and more video-oriented features.
- Macro shooters and those requiring manual focus and continuous AF tracking.
- Adventurers requiring weather sealing and robust build.
Final Thoughts: Decade Apart Yet Serving Different Worlds
Evaluating the Panasonic Lumix FX48 and Ricoh WG-6 side-by-side highlights more than just generational disparity; it elucidates how compact cameras can be purpose-built around specialized needs - from casual travel ease to extreme durability and advanced imaging.
While the FX48’s CCD sensor and streamlined design may appeal to entry-level users or those on tight budgets prioritizing portability, the WG-6’s innovations in sensor technology, weather-proofing, manual focus options, and video capabilities position it as a versatile, go-anywhere camera with far broader photographic horizons.
In conclusion, carefully match your camera choice to your shooting style, environment, and feature priorities. Neither camera will replace a professional DSLR or mirrorless camera with interchangeable lenses and full manual controls, but within their compact categories, the Ricoh WG-6 notably pushes the limits of performance while the Panasonic FX48 maintains charm as an uncomplicated point-and-shoot from an earlier era.
By scrutinizing these models through firsthand testing and technical metrics, this analysis empowers photographers to make well-informed, practical decisions tailored to their photographic journey.
For further reading and hands-on sample images comparing these cameras in natural and challenging conditions, please refer to our dedicated galleries and performance charts linked throughout the article.
Panasonic FX48 vs Ricoh WG-6 Specifications
| Panasonic Lumix DMC-FX48 | Ricoh WG-6 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Ricoh |
| Model type | Panasonic Lumix DMC-FX48 | Ricoh WG-6 |
| Also called as | Lumix DMC-FX40 | - |
| Category | Small Sensor Compact | Waterproof |
| Released | 2009-01-27 | 2018-02-21 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
| Highest resolution | 4000 x 3000 | 5184 x 3888 |
| Highest native ISO | 3200 | 6400 |
| Highest boosted ISO | 6400 | - |
| Minimum native ISO | 80 | 125 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 11 | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-125mm (5.0x) | 28-140mm (5.0x) |
| Highest aperture | f/2.8-5.9 | f/3.5-5.5 |
| Macro focusing range | 5cm | 1cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 2.5" | 3" |
| Display resolution | 230 thousand dot | 1,040 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 60 secs | 4 secs |
| Maximum shutter speed | 1/3000 secs | 1/4000 secs |
| Continuous shooting speed | 2.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.00 m | 5.50 m (with Auto ISO) |
| Flash options | Auto, On, Off, Red-Eye reduction, Slow Sync | Flash on, flash off |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840x2160 |
| Highest video resolution | 640x480 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Supports FlashAir SD cards |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | DB-110 lithium-ion battery & USB charger |
| GPS | None | Built-in |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 150g (0.33 lbs) | 246g (0.54 lbs) |
| Dimensions | 95 x 53 x 22mm (3.7" x 2.1" x 0.9") | 118 x 66 x 33mm (4.6" x 2.6" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 340 photographs |
| Type of battery | - | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Type of storage | SD/MMC/SDHC card, Internal | Internal + SD/SDHC/SDXC card |
| Storage slots | 1 | 1 |
| Price at launch | $325 | $271 |