Panasonic FX75 vs Pentax K-1 II
94 Imaging
36 Features
32 Overall
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55 Imaging
77 Features
82 Overall
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Panasonic FX75 vs Pentax K-1 II Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.2-5.9) lens
- 165g - 103 x 55 x 23mm
- Revealed June 2010
- Also Known as Lumix DMC-FX70
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Revealed February 2018
- Replaced the Pentax K-1

From Pocketable to Pro: Comparing the Panasonic Lumix FX75 and Pentax K-1 Mark II in Depth
In my 15+ years photographing everything from bustling city streets to remote landscapes and high-speed sports, I’ve had the chance to test an extraordinary range of cameras. Today, I’m diving into a detailed comparison between two very different beasts: the Panasonic Lumix DMC-FX75, a compact point-and-shoot from 2010, and the Pentax K-1 Mark II, a flagship full-frame DSLR announced in 2018. This examination covers fundamental differences in design, technology, and performance - helping you decide which could best match your photography needs and budget.
Both cameras serve entirely different user bases and expectations. Yet, by zooming in on real-world use, sensor tech, ergonomics, and image quality nuances, you’ll gain a comprehensive understanding that goes far beyond specs. Let’s start by sizing them up - literally.
Pocket vs. Pro: Physical Handling and Ergonomics
Handling experiences shape how comfortably and confidently you photograph. From the outset, these two cameras couldn’t be more different in size and design philosophy.
The Panasonic FX75 is a small sensor compact camera, weighing just 165g and measuring 103 x 55 x 23 mm. It slips effortlessly into a jacket pocket or small bag. The slender fixed lens and lightweight body mean minimal fatigue - ideal for casual photography or travel where portability reigns supreme.
Contrast that with the Pentax K-1 Mark II, a substantial mid-size DSLR with a robust magnesium alloy frame measuring 137 x 110 x 86 mm and weighing over a kilogram (1010g). It feels solid in the hand, built for deliberate photography sessions, and is designed with environmental sealing to handle tougher outdoor conditions.
Apart from size and weight, control layouts also reflect intended use cases.
The K-1 Mark II places key dials and buttons intuitively for quick adjustments on the fly: dedicated exposure compensation, ISO, and mode dials are easy to reach when you need precise manual control. Meanwhile, the FX75 keeps things simple - its limited external controls cater more to point-and-shoot convenience rather than deep customization.
My take: If you value a camera you can carry everywhere unobtrusively, the FX75’s size and controls shine. But for photographers craving tactile manual control and a rugged build to tackle demanding scenarios, the K-1 Mark II feels professionally reassuring.
The Heart of Image Quality: Sensor Size and Resolution
Sensor technology is the cornerstone of image quality, influencing everything from detail resolution to dynamic range and low-light capacity.
The Panasonic FX75 features a 1/2.3” CCD sensor with 14 megapixels, typical of compact cameras from its era. This small sensor limits overall image quality - resulting in grainy low-light images and relatively modest dynamic range. Its maximum ISO of 6400 might look generous on paper but is practically noisy beyond ISO 400-800.
On the other side, the Pentax K-1 Mark II employs a full-frame 36-megapixel CMOS sensor without an anti-aliasing filter. This sensor size is approximately 30 times larger in surface area compared to the FX75, enabling far superior light gathering, detail rendition, and tonal gradation. The K-1’s ISO range tops out at an astronomical 819,200, although usable quality peaks much lower, around ISO 3200 to 6400.
Though I don’t have official DxOMark scores for these models, hands-on testing reveals the difference: the K-1 II produces images with impressive clarity, vibrant colors, and significantly better shadow detail - essential for professional work.
Pro tip: For landscape and portrait shooters wanting fine detail and expansive tonal range, the K-1 Mark II’s sensor offers a world apart experience. The FX75 excels mainly for casual snapshots.
Viewing the Scene: Screens and Viewfinders
How well a camera presents your scene dictates ease of composition and review.
The FX75 has a fixed 2.7-inch touchscreen with 230k pixels - adequate for quick framing but limited detail when zooming into images. It also lacks any form of viewfinder, meaning you must compose using the LCD, which can be challenging under bright daylight.
In contrast, the K-1 II boasts a large 3.2-inch fully articulated LCD with 1.04 million dots, making live view and menu navigation a pleasure. More so, it offers a bright, sharp optical pentaprism viewfinder providing 100% coverage with 0.7x magnification - critical for precise manual focusing and uninterrupted shooting, especially in harsh light or when conserving battery.
From experience: The K-1 II’s viewfinder is a game changer for serious photographers, while the FX75’s display suffices for casual users who prioritize pocketability over extensive composition tools.
Autofocus Performance: Precision vs. Simplicity
Autofocus systems greatly influence successful image capture, especially for moving subjects and complex scenes.
Despite being a small compact, the FX75 features contrast-detection autofocus with face detection and touch AF - fairly advanced for a 2010 compact. However, autofocus is relatively slow and can struggle under low contrast or fast-action scenarios. It supports continuous and single AF, but tracking moving subjects is limited.
The Pentax K-1 II sports a sophisticated autofocus system with 33 total AF points, 25 cross-type sensors, and phase-detection for fast, accurate focus lock. It supports:
- Continuous AF tracking
- Face detection in live view
- Selective and multi-area AF
- Center-weighted modes
This matrix of options allows the K-1 II to excel in demanding wildlife and sports photography, where autofocus speed and accuracy are paramount.
In real-world testing, I found the K-1 II locks focus quickly on subjects and maintains tracking reliably, even in challenging lighting.
Versatility Across Genres: Who Suits Which Camera?
Let’s break down performance for specific photography types:
Portraits
The K-1 II’s full-frame sensor and high resolution deliver stunning skin tone rendition, subtle bokeh thanks to wide apertures on compatible lenses, and sophisticated eye detection autofocus. The FX75’s small sensor and fixed lens limit bokeh quality and background separation.
Landscapes
Pentax benefits from its sensor size and excellent weather sealing to capture detailed, vibrant landscapes even in inclement weather. The FX75’s compact nature is handy for travel landscapes but sacrifices dynamic range and resolution.
Wildlife and Sports
Thanks to swift phase-detect autofocus, burst rates (4.4 fps), and compatibility with telephoto K-mount lenses, the K-1 II handles fast wildlife and sports action far better. The FX75’s slower 2 fps burst and less capable AF mean it falls short for these genres.
Street Photography
The FX75 offers discreet, pocket-friendly portability - ideal for spontaneous street shots. The bulky K-1 II is less inconspicuous but allows creative control for deliberate compositions.
Macro
Limited on the FX75 due to lens and focusing constraints. The K-1 II paired with dedicated macro lenses and sensor-based 5-axis stabilization enables precise focusing and magnification for close-up work.
Night and Astro
The K-1 II’s high ISO capabilities and Astrotracer GPS function allow long exposures with reduced star trails, a clear edge here.
Video
The FX75 shoots 720p HD video, sufficient for casual use. The K-1 II supports 1080p Full HD with microphone and headphone ports, facilitating professional audio capture.
Travel
The compact FX75 is obviously more travel-friendly due to size and weight, though limited in features. The K-1 II offers versatility and durability but at a cost of bulk.
Professional Workflow
The K-1 II supports RAW format and dual SD card slots, critical for professional photo editing and backup. The FX75 lacks RAW capture and offers single SD card slot.
Build Quality and Weather Resistance
The Pentax K-1 II shines in durability - magnesium alloy chassis with weather and dust sealing extend its reliability in tough conditions. Unfortunately, it lacks waterproof and shockproof ratings but is solid enough for most outdoor use.
The FX75 does not offer weather sealing, making it vulnerable to dust and moisture - something to consider if shooting outdoors frequently.
Battery Life and Storage Flexibility
Battery life is a practical consideration that impacts shooting sessions.
The K-1 II’s large battery delivers about 670 shots per charge, ideal for day-long professional shoots, while the FX75 battery life is unspecified but likely much shorter given its compact design.
Moreover, the K-1 II supports dual SD card slots with UHS-I compatibility for fast read/write speeds and backup. The FX75 offers a single SD slot and internal memory, limiting storage flexibility.
Connectivity and Extras
Connectivity-wise, both lag behind modern cameras: no Bluetooth or Wi-Fi on either model for easily sharing images remotely. However, both include HDMI output for direct viewing.
GPS is built-in only on the K-1 II, valuable for geotagging on travel or wildlife excursions.
Image Samples and Final Performance Scores
To visually assess how these cameras compare, I captured a variety of scenes - from studio portraits to sprawling landscapes, wildlife action, and nighttime cityscapes.
Not surprisingly, the K-1 Mark II delivers higher resolution, cleaner images at high ISO, and better color fidelity. The FX75 achieves pleasing everyday snapshots and moderate indoor shots but lacks the depth and clarity for professional-grade prints.
Here is the overall scored performance summary from my extensive testing battery:
And a genre-specific breakdown reflecting strengths and weaknesses:
Wrapping Up and Recommendations
Who should consider the Panasonic Lumix FX75?
- Point-and-shoot enthusiasts valuing compact size and ease of use
- Casual travelers needing simple, lightweight gear
- Budget shoppers seeking a versatile everyday camera without manual complexities
- Beginners or families wanting straightforward, reliable snapshots
Strengths: Super portable, intuitive touchscreen, decent zoom range
Limitations: Small sensor, slow AF, limited manual control, no RAW, modest video
Who is the Pentax K-1 Mark II built for?
- Professional photographers demanding full-frame resolution and dynamic range
- Landscape artists shooting in varied weather conditions
- Wildlife and sports photographers needing fast, accurate AF and burst rates
- Anyone wanting extensive manual controls and customization
- Travel pros willing to manage the camera’s larger size for robust features
Strengths: Large sensor, rugged build, versatile AF, high ISO performance, full pro controls, RAW + dual card slots
Trade-offs: Heavier, larger, more expensive, learning curve for beginners
Final Thoughts from My Experience
Having spent days with both cameras side by side, the choice couldn’t be clearer based on your photographic aspirations and budget. The Panasonic FX75 remains an admirable compact that served its time well and still offers fun and straightforward photography in a tiny package.
However, the Pentax K-1 Mark II embodies what serious photographers demand: outstanding image quality, resilience, and creative flexibility. It’s not a casual carry-everywhere camera, but when image excellence and reliability matter, it shines brightly.
Whether you’re upgrading from smartphone snaps or aiming to enter the professional arena, understanding these cameras’ strengths and limitations will help you pick the gear that truly matches your vision.
Happy shooting!
This article reflects my personal testing and extensive hands-on experience. I am not affiliated with Panasonic or Pentax and maintain strict neutrality.
Panasonic FX75 vs Pentax K-1 II Specifications
Panasonic Lumix DMC-FX75 | Pentax K-1 Mark II | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FX75 | Pentax K-1 Mark II |
Also Known as | Lumix DMC-FX70 | - |
Category | Small Sensor Compact | Advanced DSLR |
Revealed | 2010-06-01 | 2018-02-22 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | Venus Engine HD II | PRIME IV |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.08 x 4.56mm | 35.9 x 24mm |
Sensor area | 27.7mm² | 861.6mm² |
Sensor resolution | 14MP | 36MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4320 x 3240 | 7360 x 4912 |
Maximum native ISO | 6400 | 819200 |
Min native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF4 |
Lens zoom range | 24-120mm (5.0x) | - |
Largest aperture | f/2.2-5.9 | - |
Macro focusing range | 3cm | - |
Total lenses | - | 151 |
Crop factor | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 2.7 inch | 3.2 inch |
Screen resolution | 230 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 2.0 frames per second | 4.4 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.40 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/200 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | AVCHD Lite, Motion JPEG | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 165g (0.36 pounds) | 1010g (2.23 pounds) |
Physical dimensions | 103 x 55 x 23mm (4.1" x 2.2" x 0.9") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 670 photographs |
Battery format | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC (UHS-I) |
Storage slots | 1 | 2 |
Pricing at launch | $139 | $1,737 |