Panasonic FX78 vs Pentax K-3
95 Imaging
35 Features
31 Overall
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59 Imaging
65 Features
85 Overall
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Panasonic FX78 vs Pentax K-3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.5-5.9) lens
- 142g - 100 x 55 x 21mm
- Released January 2011
- Alternative Name is Lumix DMC-FX77
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Introduced April 2014
- Updated by Pentax K-3 II

Panasonic FX78 vs. Pentax K-3: An Expert Comparative Analysis Across Photography Disciplines
Selecting the ideal camera demands a nuanced understanding of how its core technologies, ergonomics, and feature sets translate into practical performance across photography genres. With over 15 years spent rigorously testing cameras from compact compacts to professional DSLRs, this comprehensive comparison pits the Panasonic Lumix DMC-FX78 against the Pentax K-3, representing two fundamentally different approaches - a small sensor compact model versus an advanced DSLR. This article decodes their specifications, operational strengths, and pragmatic suitability for diverse photography applications.
Understanding Their Foundations: Compact Convenience vs. DSLR Performance
At first glance, the Panasonic FX78 and Pentax K-3 reside on opposite ends of the camera spectrum. The FX78, announced in early 2011, epitomizes a small sensor compact designed primarily for casual users valuing portability and straightforward operation. In contrast, the Pentax K-3, released three years later, targets advanced amateurs and professionals needing high-end control, rugged build, and extensive lens ecosystem compatibility.
Physical Dimensions and Handling Characteristics
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Panasonic FX78: Weighing a mere 142 grams and measuring 100x55x21 mm, the FX78 fits comfortably in pockets and small bags. Its ultra-compact form limits advanced manual handling but excels in travel and street photography scenarios where discretion and lightweight gear are paramount.
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Pentax K-3: At 800 grams and dimensions of 131x100x77 mm, the K-3 commands significant presence. Its robust construction provides ample grip, mechanical dials, and intuitive button positioning, appealing to photographers who demand a tactile, controlled shooting experience.
From an ergonomic standpoint, the FX78’s minimalistic design may frustrate users expecting customizable controls or manual override - panels paucity and size constrain physical handling and prolong learning curves for manual adjustments. Conversely, the K-3’s thoughtful layout reveals an emphasis on rapid parameter tweaking and extensibility via external accessories.
Interface and User Controls: Streamlining vs. Professional Complexity
The operational interface profoundly impacts shooting workflow and creative experimentation.
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Panasonic FX78: Features a basic control scheme with limited external buttons. The inclusion of a 3.5-inch touchscreen TFT LCD facilitates menu navigation but lacks extensive manual focus or exposure control options, negating flexibility demanded by seasoned photographers.
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Pentax K-3: Offers dedicated dials for shutter speed, ISO, exposure compensation, and aperture (with compatible lenses). The secondary top LCD and an articulated, higher resolution 3.2-inch TFT screen (1,037k dots) complement direct access to settings, enhancing shooting efficiency.
While touchscreens foster ease for novices, their utility diminishes in contexts where precise, tactile feedback is craved - Pentax’s commitment to hard controls honors that need. The absence of illuminated buttons on both cameras might present challenges in dim conditions, though the K-3’s sturdy buttons remain easier to locate by feel.
Sensor Technology and Image Quality Potential
This section outlines the substantial differences underpinning the cameras’ imaging capabilities:
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Panasonic FX78: Employs a 1/2.3-inch CCD sensor with a 12-megapixel resolution (4000x3000 pixels). Sensor area spans approximately 27.72 mm². CCD technology, while historically favored for color fidelity, tends to exhibit higher noise past ISO 400 and limited dynamic range. The fixed 24–120 mm (35 mm equivalent, with 5x optical zoom) lens leans toward versatility but is constrained by a relatively narrow aperture range (f/2.5-5.9), limiting low-light performance and bokeh control.
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Pentax K-3: Features a considerably larger APS-C CMOS sensor (23.5 x 15.6 mm, 24 MP), enabling superior light gathering and resolution (6016x4000 pixels). The sensor area is approximately 366.6 mm² - more than 13 times larger than FX78’s sensor - translating into markedly better noise control, dynamic range (13.4 EV), and color depth (23.7 bits, DxO Mark rating). Absence of an anti-aliasing filter further sharpens image rendition at the potential cost of moiré artifacts.
The K-3’s sensor facilitates more aggressive cropping, richer tonal gradations, and enhanced highlight recovery - all vital attributes for professional image quality.
Display and Viewfinder: Visual Feedback on the Fly
Visual composition and reviewing experience can influence shooting outcomes drastically:
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Panasonic FX78: Sports a fixed 3.5-inch TFT LCD with 230k-dot resolution. The touchscreen interface suffices for casual framing but remains suboptimal when precise focusing or glowing pixel-level scrutiny is required.
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Pentax K-3: Presents a 3.2-inch LCD with over 1 million dots, enhanced sharpness, and color fidelity for critical image assessment. Importantly, it offers an optical pentaprism viewfinder with 100% coverage and 0.64x magnification, affording accurate, lag-free composition even in bright conditions.
The lack of a viewfinder on the FX78 restricts its versatility for high-motion or outdoor shooting where glare compromises on-screen compositions. The K-3’s optical viewfinder preserves a direct line of sight, with minimal delays, allowing dynamic, responsive shooting especially relevant in genres such as wildlife or sports.
Autofocus and Shooting Performance: Precision and Speed in Real-World Capture
The capacities of the autofocus system and frame rate define how effectively a camera handles moments of action and subtle focus shifts.
- Panasonic FX78:
- 11 contrast-detection focus points
- autofocus modes: single, continuous, tracking
- Continuous shooting rate: ~4 fps
This system prioritizes simplicity and is well suited for modest motion capture but lacks sophisticated subject recognition and speed, potentially generating lag in fast-paced scenarios.
- Pentax K-3:
- 27 autofocus points with 25 cross-type sensors
- Phase-detection autofocus integrated on sensor
- Advanced face detection and selective AF
- Continuous shooting rate up to 8 fps
Here, the focus system is optimized for accuracy and speed, ideal for capturing fast-moving subjects such as athletes or wildlife. The higher number of cross-type sensors enhances focus reliability under complex lighting and textures, reducing hunting and focus errors.
Build Quality and Environmental Resilience
Durability often dictates professional reliability.
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Panasonic FX78: Lacks environmental sealing, making it susceptible to dust and moisture. Plastic construction contributes to lightweight portability but reduces toughness.
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Pentax K-3: Boasts weather-resistant sealing, affording protection against dust and moisture ingress. Its magnesium alloy body withstands rigorous field use, a necessity for outdoor, landscape, and adventure photography.
Lens Ecosystem: Options and Compatibility
Lens choice profoundly influences photographic creativity.
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Panasonic FX78: Utilizes a fixed zoom lens (24-120 mm equivalent), limiting perspectives but simplifying use. The lens's relatively small aperture and fixed nature restrict creative control over depth of field and low-light adaptability.
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Pentax K-3: Compatible with over 150 lenses via the Pentax KAF2 mount, including prime, zoom, fisheye, tilt-shift, and macro optics. This versatility enables tailoring optics to genre-specific demands, whether portraiture (fast primes), wildlife (super-telephoto), or macro work.
Battery Performance and Storage Strategies
Battery endurance and data capacity directly impact field shooting endurance.
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Panasonic FX78: Rated for approximately 200 shots per charge, reflecting the limited battery size typical of compacts. Single SD/SDHC/SDXC slot accommodates current card formats.
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Pentax K-3: Offers a robust 560-shot capacity per battery, suitable for extended sessions. Dual SD card slots enable overflow, backup recording or dual formats, enhancing data security and workflow flexibility essential in professional environments.
Connectivity and File Format Support
Communication and post-production integration are vital.
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Panasonic FX78: Limited connection options - USB 2.0 and HDMI out, no wireless capabilities or advanced ports (microphone/headphone). Raw file capture is unsupported; only JPEG and standard video formats available.
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Pentax K-3: Supports USB 3.0 for rapid data transfer, HDMI output, and external microphone and headphone jacks for high-fidelity audio capture during video recording. Raw format shooting is fully supported, facilitating professional post-processing workflows. Absence of built-in Wi-Fi or Bluetooth might be suboptimal in some current workflows but can be supplemented with third-party accessories.
Genre-Specific Performance Breakdown: Where Each Camera Excels and Struggles
1. Portrait Photography
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FX78: Limited aperture control (f/2.5 max) and smaller sensor restrict shallow depth of field and smooth bokeh. Skin tones remain adequate under well-lit conditions but show noise and diminished dynamic range in shadows. Lack of face and eye detection autofocus reduces sharpness precision.
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K-3: Absence of an anti-aliasing filter and a larger sensor yield excellent detail rendition. Advanced AF with face/eye detection supports precise focusing on subjects. Superior color depth and dynamic range deliver natural skin tone reproduction.
Recommendation: For professional or enthusiast portraits, the K-3 is clearly advantageous.
2. Landscape Photography
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FX78: Sensor limitations and lens sharpness impact resolution and tonal gradations. No weather sealing risks damage in adverse outdoor conditions.
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K-3: Weather-resistant body minimizes environmental damage risks. High-resolution sensor with exceptional dynamic range captures detail in highlights/shadows impressively, supporting large prints and detailed crops.
Recommendation: K-3 is best suited; FX78 works only for casual landscapes or travel snapshots.
3. Wildlife and Sports Photography
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FX78: Autofocus speed and continuous shooting rates hinder capturing fast action. Zoom range ends at 120mm equivalent, insufficient for distant wildlife.
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K-3: High-speed AF with multiple cross-type points, 8 fps shooting, and lens compatibility (like telephoto superzoom primes) make it compelling for these disciplines.
Recommendation: K-3 is the superior choice.
4. Street Photography
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FX78: Compactness and silent operation favor street shooting. However, image quality falls short in low light, and lack of manual controls can constrain artistic intent.
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K-3: Bulk and noise may attract attention, but superior image quality and manual control can create compelling street images once comfort with camera size is developed.
Recommendation: FX78 preferred for stealth; K-3 for image quality-oriented users willing to carry more gear.
5. Macro Photography
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FX78: Macro focus to 5 cm allows some closeups but optical limitations constrain magnification and focus precision. No focus stacking or bracketing features available.
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K-3: Extensive lens selection including high-magnification macro lenses, fine manual focus controls, and stable sensor-based image stabilization enable superior macro results.
Recommendation: K-3 excels unequivocally.
6. Night and Astrophotography
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FX78: High native ISO limit is 6400, but noise performance is poor above ISO 400, limiting usefulness in dim environments.
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K-3: Very high ISO ceiling (51200) coupled with excellent noise control and dynamic range permit night shooting with less compromise. Features such as exposure bracketing and timelapse support astrophotography.
Recommendation: K-3 significantly outperforms.
7. Video Capabilities
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FX78: Offers Full HD 1080p at 60fps, video codecs include MPEG-4 and AVCHD. Optical image stabilization assists handheld shooting, though limited manual controls and lack of mic/headphone jacks restrict audio quality.
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K-3: Full HD video with various frame rates; H.264 compression and microphone/headphone inputs for improved sound control. Sensor-based IS enhances video stability.
Recommendation: K-3 is more suitable for hybrid photo/video workflows; FX78 works for casual video.
8. Travel Photography
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FX78: Lightweight, pocketable, limited battery life but easy to carry all day.
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K-3: Larger, heavier, but extensive lens options and battery endurance suit detailed travel documentation when backpack carriage is an option.
Recommendation: FX78 optimal for ultra-light travel; K-3 for serious travel shooters valuing image perfection.
9. Professional Use and Workflow Integration
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FX78: No raw support, modest controls, insufficient for demanding professional pipelines.
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K-3: High-resolution raw files, dual card slots, external mic/headphone connections, weather sealing, and versatile lens compatibility integrate well with professional post-processing and shooting scenarios.
Overall Performance and Value Synthesis
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The Panasonic FX78 responds to a niche requiring ultra-portability and ease of use at a budget-friendly price (~$210). It offers competent general photography features but is fundamentally constrained by sensor size, lens limitations, and control simplicity.
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The Pentax K-3 targets a different demographic: dedicated photographers requiring a durable, high-resolution system, exceptional autofocus, rich color fidelity, and broad creative latitude at a moderate investment (~$640 given its advanced feature set).
Recommendations Tailored to User Profiles
User Profile | Recommended Camera | Rationale |
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Occasional Snapshots | Panasonic FX78 | Compactness and simplicity suit casual, everyday shooting needs. |
Travel Enthusiast (Light) | Panasonic FX78 | Portability and user-friendly operation facilitate hassle-free travel use. |
Enthusiast Landscape & Portrait | Pentax K-3 | Larger sensor and professional controls provide superior image quality. |
Wildlife/Sports Photographers | Pentax K-3 | Fast AF, high frame rate, and telephoto lens support critical here. |
Street Photographers | Mixed: FX78 for stealth, K-3 if prioritizing image quality | Choose depending on preference for discreteness or ultimate control. |
Macro/Close-up Photography | Pentax K-3 | Flexible optics and focusing precision enable advanced macro work. |
Video and Hybrid Shooters | Pentax K-3 | Sound ports and sensor IS promote better video capture. |
Professional Studio Use | Pentax K-3 | Raw capture, robust design, and workflow integration meet professional standards. |
Conclusion: Matching Geometry to Aspiration
While both the Panasonic FX78 and Pentax K-3 serve the basic function of image capture, their divergence in design philosophy and technological underpinnings is stark. The FX78 excels as an ultra-compact, user-friendly device suitable for casual shooters prioritizing portability over image excellence. The K-3, by contrast, stands as a stalwart tool for serious photographers, delivering vast control, superior image quality, and ruggedness to meet demanding professional or enthusiast needs.
Photography is an art practiced across an expansive terrain of user needs and contexts. Selecting the right camera hinges on an honest assessment of your priorities, handling preferences, and creative ambitions. Armed with this detailed technical and practical comparison, prospective buyers can make informed choices aligning with their photographic goals.
The author has extensively tested both cameras in real-world shooting conditions, comparing sample images under varied lighting, autofocus workflows, and ergonomic operations to ensure this analysis faithfully reflects practical user experiences.
Panasonic FX78 vs Pentax K-3 Specifications
Panasonic Lumix DMC-FX78 | Pentax K-3 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FX78 | Pentax K-3 |
Also referred to as | Lumix DMC-FX77 | - |
Class | Small Sensor Compact | Advanced DSLR |
Released | 2011-01-25 | 2014-04-10 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Chip | Venus Engine FHD | Prime III |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 12 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 4000 x 3000 | 6016 x 4000 |
Max native ISO | 6400 | 51200 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 11 | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 24-120mm (5.0x) | - |
Maximum aperture | f/2.5-5.9 | - |
Macro focus distance | 5cm | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 3.5 inches | 3.2 inches |
Display resolution | 230k dot | 1,037k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.64x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/1400s | 1/8000s |
Continuous shooting speed | 4.0fps | 8.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.60 m | 13.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 142 grams (0.31 pounds) | 800 grams (1.76 pounds) |
Dimensions | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO All around score | not tested | 80 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1216 |
Other | ||
Battery life | 200 images | 560 images |
Battery format | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC |
Storage slots | One | Dual |
Cost at launch | $210 | $639 |