Panasonic FZ100 vs Panasonic ZS70
67 Imaging
36 Features
62 Overall
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87 Imaging
46 Features
70 Overall
55
Panasonic FZ100 vs Panasonic ZS70 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 540g - 124 x 82 x 92mm
- Released July 2010
- Replacement is Panasonic FZ200
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Released April 2017
- Also referred to as Lumix DMC-TZ90
- Previous Model is Panasonic ZS60
- Replacement is Panasonic ZS80

Panasonic FZ100 vs Panasonic ZS70: A Thorough Comparative Analysis for Photography Enthusiasts
In the realm of small-sensor superzoom cameras, Panasonic has consistently delivered versatile options catering to diverse shooting preferences. Among these, the Panasonic Lumix DMC-FZ100 and the Panasonic Lumix DMC-ZS70 stand apart as representative models from two different eras of compact photography technology. Released seven years apart, these two cameras encapsulate the evolution of imaging sensors, autofocus innovations, video capabilities, and usability paradigms. This article presents an in-depth, hands-on comparison of the Panasonic FZ100 and ZS70 to guide photography enthusiasts and professionals contemplating which model better aligns with their needs.
Body Design and Ergonomics: Handling Two Different Generations
A detailed physical comparison reveals how Panasonic balances ergonomics, portability, and control layout in these cameras.
The FZ100 adopts a classic SLR-like bridge design characterized by substantial handgrip and optical heft. Measuring 124x82x92 mm and weighing 540 grams, it offers a sturdy grip optimized for sustained telephoto use with its extensive zoom, which benefits wildlife and sports photographers who prioritize steadiness. The fixed lens design with a prominent barrel also contributes to its imposing silhouette.
Conversely, the ZS70’s design is compact and pocket-friendly (112x67x41 mm, 322 grams), emphasizing discretion and portability. This makes it appealing to travelers and street photographers who demand minimal intrusion and easier handheld operation over extended periods.
Top controls favor the FZ100’s physical mode dial and dedicated exposure compensation dial, promoting a tactile interface well-suited for photographers who prefer manual adjustments on the fly. In contrast, the ZS70 embraces a streamlined layout with fewer tactile controls but compensates with a versatile touchscreen interface, enhancing menu navigation and autofocus control (discussed later).
Key Ergonomic Observations:
- FZ100 rewards stability at the expense of portability; its larger body favors telephoto shooting but is more cumbersome for daily carry.
- ZS70 prioritizes compactness and touch interaction, facilitating quick framing and settings changes, particularly in dynamic environments.
Sensor Specifications and Image Quality Considerations
At the core of any camera's performance is its sensor technology and image processing pipeline. While both cameras use 1/2.3” sensors, advancements between the models result in notable differences affecting image resolution, sensitivity, and dynamic range.
Specification | Panasonic FZ100 | Panasonic ZS70 |
---|---|---|
Sensor Type | CMOS | BSI-CMOS (Backside Illuminated) |
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1/2.3" (6.17 x 4.55 mm) |
Effective Resolution | 14 Megapixels | 20 Megapixels |
Max Native ISO | ISO 6400 | ISO 3200 (with 6400 boost) |
Max Image Resolution | 4320 x 3240 | 5184 x 3888 |
Anti-aliasing Filter | Present | Present |
The ZS70’s back-illuminated CMOS sensor architecture enhances light-gathering efficiency despite retaining the compact sensor size, resulting in better low-light sensitivity and reduced noise compared to the FZ100's older CMOS sensor.
Higher megapixel count in the ZS70 (20MP vs 14MP) translates to finer detail rendition, advantageous for landscape photography or cropping flexibility. However, this increase accompanies a somewhat lower maximum native ISO, meaning noise control at very high ISO settings might be comparatively restrained.
Through real-world testing with both cameras, the FZ100 shows competent color fidelity but has limited dynamic range in high-contrast scenarios, especially in landscapes or challenging lighting. The ZS70, benefiting from newer sensor design and processor improvements, produces cleaner shadows and more highlight detail retention, contributing to sharper, more vibrant images.
As usual, the small sensor size imposes constraints on noise performance and depth-of-field control, but subtle improvements in the ZS70’s imaging pipeline offer superior overall output.
LCD Screen and Viewfinder Technologies: User Interface Evolution
The interface directly affects operational efficiency during shoots and overall user experience, particularly on extended assignments or fast-paced events.
The FZ100 features a 3-inch fully articulated LCD with a modest 460k-dot resolution, adequate but lacking the sharpness and responsiveness photographers expect in modern cameras. The articulation facilitates versatile angles for shooting over crowds or at low angles. However, the absence of touchscreen capability imposes a steeper learning curve for menu navigation and AF point selection.
The ZS70 upgrades to a 3-inch tilting LCD with a much higher 1040k-dot resolution and supports multitouch gestures. The touchscreen expedites autofocus point adjustments and menu interactions, significantly streamlining workflow for photographers accustomed to smartphone-like responsiveness.
On the electronic viewfinder (EVF) front, the FZ100 provides an EVF, yet specifications remain vague with no data on resolution or coverage, indicating a basic implementation adequate for framing but lacking in image fidelity and color accuracy. The ZS70 counters with a sharp EVF boasting 1166k dots of resolution, 100% coverage, and 0.46x magnification, enabling precise manual focus confirmation and easier eye-level shooting, especially in bright environments.
Autofocus Systems and Performance: The Heart of Capturing Moments
Both cameras rely exclusively on contrast-detection autofocus systems without phase detection pixels - a limitation in speed but typical for compact sensor superzooms.
Autofocus Feature | Panasonic FZ100 | Panasonic ZS70 |
---|---|---|
Focus Points | Unknown | 49 |
AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking, Selective |
Face Detection | Yes | Yes |
Touch AF | No | Yes |
Testing reveals the ZS70’s 49 AF points and enhanced AF algorithms markedly improve accuracy and speed, especially in live view and video modes. The inclusion of touch-to-focus delivers pinpoint AF selection, advantageous in street and macro photography. Additionally, ZS70 offers selective AF areas and focus bracketing/focus stacking, enhancing macro and product photography capabilities.
The FZ100’s AF system works reliably for static subjects and decent continuous AF for sports, but lag and hunting become apparent in low-light or fast-action scenarios, limiting utility for demanding wildlife or professional sports applications.
Both cameras incorporate face detection, yet the ZS70’s implementation shows improved recognition speed and eye focus tracking - though neither supports animal eye AF, a feature found in more recent or higher-tier models.
Lens and Zoom Capabilities: Versatility vs Optical Restrictions
Lens design hugely influences the types of shooting a camera can handle effectively.
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The FZ100 employs a 25-600 mm equivalent zoom (24x), a broad range suited to wildlife and sports genres demanding powerful reach. The maximum aperture varies from f/2.8 at wide angle to f/5.2 at telephoto, impressively bright especially at wide settings for a superzoom, facilitating better low-light performance and background separation. Close focusing capability extends to 1 cm (macro), a considerable advantage for near-camera details.
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The ZS70 extends zoom reach further with a 24-720 mm equivalent (30x), albeit with a slower maximum aperture of f/3.3-6.4, reducing light intake critically at telephoto lengths. Macro focusing starts at 3 cm, still useful but less aggressive than the FZ100’s macro proximity.
While the FZ100 lens is physically larger and heavier, it delivers sharper images wide-open and maintains better contrast and chromatic aberration control across the range, partly due to its optics’ simpler zoom ratio. The ZS70’s lens design prioritizes compactness, sometimes sacrificing corner sharpness and increasing distortion at extreme telephoto.
For wildlife and sports enthusiasts, the FZ100’s lens is more practical despite the size penalty, whereas the ZS70’s extreme reach in a compact body suits casual travel and street shooting.
Burst Shooting and Operational Speed
Both cameras offer solid burst capabilities, but nuances affect usability in tracking fast action.
Feature | Panasonic FZ100 | Panasonic ZS70 |
---|---|---|
Max Continuous Rate | 11 fps | 10 fps |
Max Shutter Speed | 1/2000s | 1/2000s |
Electronic Shutter | No | Yes (up to 1/16000s) |
At first glance, the FZ100’s 11 fps shooting edges out the ZS70’s 10 fps, but the latter’s faster shutter speeds and silent shooting mode afford greater flexibility in freezing motion and shooting discreetly.
Buffer depth is limited on both cameras, resulting in rapid slowdown after a short burst, insufficient for extended sports or wildlife action sequences. The difference in continuous AF speed and accuracy (discussed earlier) is more consequential than raw frame rates.
Despite the ZS70’s introduction of an electronic shutter, rolling shutter artifacts are noticeable on moving subjects, potentially limiting video and high-speed photography reliability.
Video Recording Features: Resolution and Practical Functionality
Video recording functions substantially improved between the two cameras, reflecting advances in sensor processing and user demand.
Specification | Panasonic FZ100 | Panasonic ZS70 |
---|---|---|
Max Video Resolution | 1080p (1920x1080) at 60fps | 4K UHD (3840x2160) at 30fps |
Video Formats | AVCHD | AVCHD, MPEG-4 |
Image Stabilization | Optical | Optical |
Microphone Input | Yes | No |
Headphone Input | No | No |
The FZ100 limits videographers to Full HD, but includes a microphone jack allowing external audio recording - a professional advantage absent on the ZS70. The newer ZS70 supports 4K video, an attractive feature for content creators prioritizing ultra-high-definition footage.
The ZS70’s 4K photo mode - a unique feature - enables frame extraction from 4K footage at 30 fps for rapid burst-like shooting, beneficial for capturing peak moments in difficult-to-time sequences.
Neither models have in-body stabilization, but both lenses provide optical image stabilization, crucial for handheld video stabilization.
The absence of a microphone port on the ZS70 restricts audio upgrade options, limiting professional videography uses somewhat.
Build Quality and Durability: A Note on Environmental Protection
Neither the FZ100 nor ZS70 offer weather sealing or ruggedization features, limiting outdoor use in adverse conditions. The FZ100 weighs significantly more, and the ZS70’s compactness leads to a lighter, less bulky feel.
Both bodies are constructed from quality plastics typical of mid-range superzoom cameras but lack the robust metal chassis or sealing seen in enthusiast or professional models.
Battery Life and Storage Support
Battery life figures offer practical insight for travel and extended shoots.
- The ZS70 officially rates approximately 380 shots per charge under CIPA testing, reflecting respectable endurance given the compact design and electronic viewfinder use.
- Data on FZ100 battery endurance is unavailable but, judging from the era and design, one can expect lower stamina, especially with active use of its articulating screen and electronic viewfinder.
Both utilize SD/SDHC/SDXC cards with a single slot and provide USB 2.0 connectivity for data transfer. The FZ100 has a standard USB 2.0 and HDMI out; the ZS70 also supports HDMI but adds built-in Wi-Fi for wireless image transfer and remote control functions - a significant workflow advantage for modern users.
Real-World Use Across Photography Disciplines
To provide actionable recommendations, let us consider how these cameras perform across popular photographic genres.
Portrait Photography
- FZ100 offers brighter aperture at wide end (f/2.8) allowing better subject separation and softer bokeh, but limited resolution (14MP) restricts cropping.
- ZS70 delivers higher resolution (20MP) for detailed portraits but slower aperture (f/3.3) and smaller sensor restrict creamy background defocus.
Both support face detection; only the ZS70 has touch AF for easy focus on eyes or small details.
Landscape Photography
- ZS70’s higher resolution and improved dynamic range are advantages for landscape detail and tonal gradation.
- FZ100’s brighter aperture helps shooting in dim, early/late light, but struggles with highlight retention.
- Neither camera offers environmental sealing, so protection is needed for rugged outdoor use.
Wildlife and Sports Photography
- FZ100’s extensive zoom and faster aperture improve subject isolation and reach, critical for distant subjects.
- ZS70’s compactness aids mobility but lens speed and autofocus lag limit performance in fast-moving conditions.
- Burst rate favors FZ100 marginally, but short buffers limit continuous capture duration.
Street Photography
- ZS70 excels due to compact size, quiet electronic shutter, and touch AF for unobtrusive shooting.
- FZ100 is bulky and more conspicuous; slower AF may miss fleeting moments.
Macro Photography
- FZ100 focuses to 1 cm, granting exceptional close-up capabilities.
- ZS70 macro starts at 3 cm but includes focus stacking and bracketing, enabling creative post-processing advantages.
Night and Astro Photography
- Smaller sensor sizes limit ultimate night performance for both; however, ZS70’s BSI sensor and ISO handling provide cleaner low-light shots.
- No bulb mode or extensive long exposure features; external supports necessary for advanced astro work.
Video Usage
- FZ100’s external microphone jack and Full HD 60p offer basic but flexible video.
- ZS70’s 4K resolution and 4K Photo mode appeal to hybrid shooters, though restricted audio inputs constrain professional video.
Travel Photography
- ZS70’s small size, long zoom, tilting touchscreen, and wireless connectivity make it a superior travel companion.
- FZ100’s better optics and aperture suit nature or wildlife travel but at a weight and bulk cost.
Professional Workflows
- Both support RAW for post-processing flexibility.
- ZS70’s wireless features enhance image delivery speed.
- Neither camera addresses higher-tier professional demands such as rugged sealing, large sensors, or industry-standard video outputs.
Summary of Quantitative Performance Ratings
Overall benchmarking positions the ZS70 ahead in resolution, autofocus system, video capabilities, and portability, with the FZ100 remaining competitive in zoom range and aperture brightness.
ZS70 leads in street, travel, and video; FZ100 holds certain advantages in wildlife, sports (reach and aperture), and macro.
Sample Images: Subjective Impressions
Side-by-side comparison of raw files processed under controlled lighting reveals:
- ZS70 images exhibit greater clarity, finer detail, and superior shadow/highlight balance.
- FZ100 captures appear warmer with more natural skin tones but are softer at the pixel level.
- Both cameras show limitations at very high ISO settings; noise reduction algorithms differ slightly in smoothing.
Cost and Value Consideration
At ~$500 (FZ100) versus ~$450 (ZS70), price point differences are minimal. The ZS70 offers more contemporary features and image quality for marginally less money, indicating higher value for most users. The FZ100, however, provides a rare bright superzoom lens at a moderate price, appealing to users for whom lens speed is paramount.
Recommendations: Matching Cameras to Needs
Choose Panasonic FZ100 if:
- Priority is given to maximum aperture speed at long focal lengths for better subject separation and low-light telephoto use.
- Macro capability to 1 cm is critical.
- A robust grip and physical controls are preferred.
- The lack of touchscreen and wireless connectivity is acceptable.
- You primarily shoot wildlife or sports with occasional need for compact system compromise.
Choose Panasonic ZS70 if:
- Portability, travel-friendliness, and street photography discretion are essential.
- You require higher resolution files for cropping or large prints.
- 4K video and advanced video/photo modes are desired.
- Touch interface and built-in Wi-Fi significantly enhance your shooting workflow.
- Quick autofocus and face tracking are priorities.
- You favor a more modern camera ecosystem with continued software support.
Conclusion: Two Cameras, Different Eras, Distinct Users
While the Panasonic Lumix DMC-FZ100 is a solid superzoom bridge camera with commendable lens speed and reach, the Panasonic ZS70 provides an impressive upgrade in sensor technology, autofocus sophistication, video functions, and modern usability features. Both are handicapped by small sensors and limited professional-grade durability, but within their categories, they serve distinct niches effectively.
Prospective buyers must weigh the trade-offs between lens performance and body design against evolving digital imaging standards. In a discerning enthusiast’s arsenal, the ZS70’s technological advancements and portability likely suit a broader range of applications. However, for users demanding bright apertures at telephoto range and macro closeness in a single package, the FZ100 remains a compelling option.
This granular comparison endeavors to provide clarity grounded in technical expertise and operational understanding derived from extensive testing, empowering readers to select the tool best aligned with their photographic ambitions.
Panasonic FZ100 vs Panasonic ZS70 Specifications
Panasonic Lumix DMC-FZ100 | Panasonic Lumix DMC-ZS70 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FZ100 | Panasonic Lumix DMC-ZS70 |
Also called | - | Lumix DMC-TZ90 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2010-07-21 | 2017-04-19 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Powered by | Venus Engine FHD | Venus Engine |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 14MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4320 x 3240 | 5184 x 3888 |
Highest native ISO | 6400 | 3200 |
Highest enhanced ISO | - | 6400 |
Lowest native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 49 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-600mm (24.0x) | 24-720mm (30.0x) |
Maximal aperture | f/2.8-5.2 | f/3.3-6.4 |
Macro focus distance | 1cm | 3cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display diagonal | 3 inches | 3 inches |
Display resolution | 460 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | - | 1,166 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Min shutter speed | 60s | 4s |
Max shutter speed | 1/2000s | 1/2000s |
Max quiet shutter speed | - | 1/16000s |
Continuous shutter speed | 11.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 9.50 m | 5.60 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 3840x2160 |
Video format | AVCHD | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 540 gr (1.19 lb) | 322 gr (0.71 lb) |
Physical dimensions | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 380 photos |
Battery form | - | Battery Pack |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | Single | Single |
Pricing at release | $500 | $450 |