Panasonic FZ200 vs Ricoh CX5
65 Imaging
36 Features
64 Overall
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92 Imaging
33 Features
35 Overall
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Panasonic FZ200 vs Ricoh CX5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Announced July 2012
- Succeeded the Panasonic FZ100
- Newer Model is Panasonic FZ300
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 205g - 102 x 59 x 29mm
- Released July 2011

Panasonic FZ200 vs Ricoh CX5: Which Small Sensor Superzoom Camera Suits Your Photography Journey?
Choosing your next camera can feel overwhelming, especially when options appear similar on paper but differ significantly in real-world use. Today, we’re diving deep into a head-to-head comparison of two small-sensor superzoom cameras: the Panasonic Lumix DMC-FZ200 and the Ricoh CX5. Both were popular choices in the bridge and compact superzoom categories during the early 2010s, boasting attractive zoom ranges and user-friendly features. But which one truly fits your style, needs, and budget?
Drawing from hands-on experience with both models and an understanding of their underlying technologies, this guide will break down their capabilities across various photography types and disciplines. We'll discuss how their specifications translate into practical performance and value - whether you're exploring landscapes, portraits, wildlife, or videography.
Let's unravel which camera earns your trust for creating stunning images.
First Impressions: Size, Handling, and Ergonomics
Before even firing a shutter, the feel and handling of a camera set the tone for a smooth photography experience. The Panasonic FZ200 adopts a “bridge” or SLR-like form factor, offering substantial grip and physical controls. In contrast, the Ricoh CX5 is a compact aimed at casual shooters seeking portability without sacrificing too much zoom reach.
Panasonic FZ200 Highlights
- Dimensions: 125 x 87 x 110 mm; weighs 588 grams
- Large, textured grip facilitating steady handheld shots
- DSLR-style layout with dedicated dials and buttons for aperture, shutter speed, and exposure compensation
- Fully articulated 3-inch TFT LCD screen helps flexible framing even at awkward angles
Ricoh CX5 Highlights
- Dimensions: 102 x 59 x 29 mm; weighs just 205 grams
- Pocketable slim profile ideal for travel and street photography
- Simple, streamlined button layout to minimize distractions
- Fixed 3-inch screen with higher resolution (920k vs 460k pixels), but no articulation
Verdict: If you prioritize ergonomics, physical controls, and a grip fit for long sessions or telephoto use, the FZ200 leads comfortably. Meanwhile, the CX5 scores for everyday carry and discreet shooting.
Understanding the Core: Sensor and Image Quality
Both cameras utilize the common 1/2.3-inch sensor size measuring 6.17 x 4.55 mm, found in many compact superzooms. Despite identical sensor size, differences in resolution, processor, and glass quality steer image quality.
Feature | Panasonic FZ200 | Ricoh CX5 |
---|---|---|
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" (6.17x4.55 mm) | Same |
Resolution | 12 Megapixels (4000x3000) | 10 Megapixels (3648x2736) |
Native ISO range | 100–3200, extendable to 6400 | 100–3200 |
Anti-aliasing filter | Yes | Yes |
Processor | Venus Engine VII FHD | Smooth Imaging Engine IV |
RAW support | Yes | No |
Image Quality Insights
- Resolution and Dynamic Range: While both cameras have similar sensor size, the FZ200’s slightly higher megapixel count and modern Venus Engine processor deliver marginally better detail and dynamic range. Panasonic claims 10.8 EV dynamic range in DxOMark tests, superior to most cameras this size from the same era.
- Low Light Performance: The FZ200 holds notable advantages here with a DxOMark low light ISO score of 114. Its maximum ISO of 3200 (expandable to 6400) offers more flexibility in dim conditions compared to the CX5's capped ISO.
- RAW vs JPEG: The FZ200’s support for RAW files is a major plus for enthusiasts wanting maximum post-processing latitude. The CX5 lacks RAW output, locking you into JPEGs, which limits exposure compensation and editing finesse.
In practice, this technical edge means the FZ200 produces sharper, cleaner images in varied lighting, particularly when details and highlight retention matter. The CX5 is better suited for straightforward snapshots and casual photography without heavy post-editing.
Display and Viewfinder: Composing Your Shots
Good composition tools dramatically enhance shooting comfort and framing accuracy.
Panasonic FZ200
- Fully articulated 3-inch LCD: Allows shooting from low, high, or creative angles - ideal for macro, street, and video work.
- Electronic Viewfinder (EVF): 1312K-dot resolution with 100% coverage for precise eye-level framing, excellent under bright sunlight where LCD glare might hinder visibility.
Ricoh CX5
- Fixed 3-inch LCD: Higher resolution (920K dots) but no articulation and no EVF.
- No eye-level viewfinder available, which means relying solely on the LCD.
Practical Takeaway: The FZ200’s articulated screen plus EVF combination is much more versatile for outdoors and dynamic shooting styles. The CX5’s fixed screen might limit compositional flexibility, but its bright display is adequate for casual use.
Zoom and Lens Performance: Reach and Aperture
Superzoom cameras excel by offering versatile focal lengths. Both models have fixed lenses with notable zoom ranges, but aperture behavior and maximum reach affect optical performance and shooting scenarios.
Specification | Panasonic FZ200 | Ricoh CX5 |
---|---|---|
Zoom Range | 25-600 mm (24x optical zoom) | 28-300 mm (10.7x optical zoom) |
Maximum Aperture | F2.8 (constant) | F3.5 at wide end to F5.6 tele |
Macro Focus Range | Down to 1 cm | Down to 1 cm |
Image Stabilization | Optical (lens-based) | Sensor-shift (body-based) |
Extra Features | Manual focus support, fast aperture | Manual focus, slower aperture |
What This Means for You
- The FZ200’s constant bright F2.8 aperture across the entire zoom range is exceptional in this category, enabling better subject isolation and low light shooting especially at longer focal lengths (e.g., wildlife and sports).
- The CX5’s smaller zoom range and slower aperture restricts performance in low light and limits background blur capability.
- Both offer very close macro focusing (1 cm), great for getting detailed close-ups with some stabilization help.
Autofocus and Burst Speed: Capturing Fast Action
Reliable autofocus and shooting speed help capture decisive moments in wildlife, sports, or candid street scenes.
Feature | Panasonic FZ200 | Ricoh CX5 |
---|---|---|
Autofocus Type | Contrast detection, Face detection | Contrast detection, no face detect |
Number of AF Points | 23 (includes multi-area) | Unknown, limited |
Continuous AF | Yes | No |
AF Tracking | Yes | No |
Burst Mode | 12 fps | 5 fps |
Manual Focus | Yes | Yes |
Real-World Autofocus Feel
In tests, the FZ200 consistently locks focus faster and tracks moving subjects reliably thanks to its advanced AF system and 23 selectable points. This performance gives you an edge when photographing sports, wildlife, or kids in motion.
The CX5’s autofocus is adequate for still subjects but often hunts with moving objects and lacks face or eye detection assistance. Combined with a 5 fps burst limit, it’s less ideal for action photography.
Durability, Weather Resistance, and Build Quality
Neither camera offers official weather sealing or ruggedism features like shock or freeze-proofing. However, build quality matters for frequent field use.
- Panasonic FZ200: Robust plastic and metal construction with a solid feel. The heft and grip make it feel durable and confidence-inspiring during prolonged shoots.
- Ricoh CX5: Lightweight all-plastic body designed for portability rather than rugged handling.
If you plan challenging environments such as hiking or outdoor adventures, the FZ200’s build offers more confidence despite lacking formal weather sealing.
Video Capabilities: Shooting Moving Images
Video is an increasingly vital part of modern storytelling.
Feature | Panasonic FZ200 | Ricoh CX5 |
---|---|---|
Max Resolution | Full HD 1080p at 60/50/30 fps | HD 720p at 30 fps |
Video Formats | MPEG-4, AVCHD | Motion JPEG |
Stabilization | Optical | Sensor-shift |
Microphone Input | Yes | No |
Headphone Jack | No | No |
The FZ200 clearly leads with 1080p recording at smooth frame rates plus optical stabilization and external mic input - making it practical for serious vloggers and video enthusiasts demanding quality and audio control.
The CX5 video is limited to 720p and use of less efficient Motion JPEG codec, resulting in larger file sizes and generally lower quality. The lack of external audio inputs restricts use to casual video capture.
Exploring Various Photography Genres With These Two Cameras
Let’s break down how each camera fits different photographic needs in hands-on scenarios.
Portrait Photography: Nailing Skin Tones and Backgrounds
- FZ200: The fast constant F2.8 aperture enables attractive bokeh and better subject separation. Face detection autofocusing helps nail sharp portraits. The articulated screen eases framing from creative angles.
- CX5: Slower lens aperture limits background blur; no face detection autofocus. Less forgiving for low light or creative portraiture.
Landscape Photography: Bringing Details and Dynamic Range to Life
- FZ200: 12 MP resolution and dynamic range help capture fine detail and highlight/shadow nuance. SLR-like handling aids using tripods or long exposures.
- CX5: Lower resolution and dynamic range, but compact size eases travel. Fixed screen, however, limits composition flexibility in varied terrain.
Wildlife and Sports: Catching Fast-Moving Subjects
- FZ200: 600 mm reach and 12 fps burst frame rate combined with advanced autofocus make it the better tool for spontaneous wildlife and sports shooting.
- CX5: 300 mm zoom and slower AF/tracking limit action capture ability.
Street Photography: Discreet and Nimble Shooting
- FZ200: Bulkier body may be cumbersome. However, EVF and articulated LCD aid composition.
- CX5: Compact size and quiet operation enhance portability and discretion.
Macro Photography: Squeezing Details From Tiny Subjects
- Both cameras boast excellent macro focus down to 1 cm and image stabilization, making close-ups achievable.
- The FZ200’s brighter lens allows more creative depth of field control and faster shutter speeds.
Night and Astro: Low Light Clarity
- The FZ200’s higher sensitivity, lower noise, and RAW format support make it more suitable for nightscapes and astrophotography basics.
- The CX5's limited ISO and lack of RAW reduce its quality in this domain.
Connectivity, Battery Life, and Storage
Feature | Panasonic FZ200 | Ricoh CX5 |
---|---|---|
Wireless (Wi-Fi, Bluetooth, NFC) | None | None |
HDMI Output | Yes | No |
USB Port | USB 2.0 | USB 2.0 |
Battery Life | 540 shots per charge | Not officially specified |
Storage | SD/SDHC/SDXC cards + Internal | SD/SDHC cards + Internal |
The FZ200 offers more comprehensive external connectivity and longer battery life, translating to fewer interruptions during busy shooting days. The CX5’s lightweight design lacks wireless features too but may be an acceptable tradeoff for casual users.
Price-to-Performance Analysis: Which Offers Better Value?
Aspect | Panasonic FZ200 | Ricoh CX5 |
---|---|---|
Launch Price (USD) | Approximately $499 | Approximately $399 |
Current Market Price | Lower now, often ~$250–350 | Lower, around $150–200 |
Features vs Price | Higher initial investment, better specs and versatility | Budget choice, pared-down performance |
Recommendation:
- For enthusiasts seeking versatile superzoom capabilities, better image quality, and advanced features, the FZ200 justifies the price gap with long-term value.
- For casual shooters prioritizing lightweight portability and simple operation, the CX5 remains a worthy budget option, though limited in creative potential.
Sample Images: Visualizing Real-World Output
To give you a clear idea of image rendering characteristics, here are carefully selected shots from both cameras under varying conditions - daylight landscapes, indoor portraits, and telephoto wildlife captures.
Observations
- The FZ200 images show richer color reproduction, better detail, and smoother bokeh.
- CX5 results are sharp for its class but tend to show more noise and reduced dynamic range in challenging light.
Objective Performance Ratings Summarized
Industry scores give an additional perspective on camera capabilities:
- The Panasonic FZ200 enjoys higher marks on image quality, autofocus, and speed.
- The Ricoh CX5 scores lower, mainly due to fewer advanced features and older sensor technology.
Genre-Specific Performance Breakdown
For a quick glance on suitability for popular photography styles:
- The FZ200 excels in wildlife, sports, video, and portraiture.
- The CX5 performs reasonably for travel, street, and general snapshot photography.
Final Thoughts and Recommendations
After testing these two cameras extensively, here’s how to decide which model aligns best with your creative ambitions:
Choose the Panasonic Lumix FZ200 if you:
- Want a superzoom camera with DSLR-style ergonomics and controls
- Expect consistent f/2.8 aperture for artistic background blur and low-light performance
- Value full HD video recording with external microphone support
- Need fast and reliable autofocus with face detection and tracking
- Desire RAW shooting for post-production flexibility
- Are willing to invest a moderate budget for future-proof versatility
Choose the Ricoh CX5 if you:
- Prioritize pocket-friendly size and lightweight design
- Shoot mostly in good light and prefer straightforward JPEG snapshots
- Want a simple, affordable camera mainly for travel and casual use
- Are okay with limited zoom reach and slower autofocus performance
Getting the Most From Your Small Sensor Superzoom
Regardless of your choice, remember these cameras benefit greatly from complementary accessories and shooting techniques:
- Use a tripod or monopod to maximize sharpness at long telephoto focal lengths
- Explore manual controls - both cameras offer manual focus and exposure modes
- For video, practice smooth pan and tilt moves to leverage stabilization
- Take advantage of the FZ200’s articulated screen for creative angles
- Carry extra batteries and high-speed SD cards to keep shooting uninterrupted
Your photographic journey deserves gear that keeps pace with your creativity. Both the Panasonic FZ200 and Ricoh CX5 have their places - now you’re equipped to pick the one that fits your vision. Feel confident to go out, experiment, and capture moments that matter most.
Ready to dive in? Check out hands-on reviews, handle these cameras in-store, and find the right lenses and accessories to complement your kit. Happy shooting!
This article reflects insights gathered through meticulous testing and comparative analysis grounded in photography expertise and real-world use cases.
Panasonic FZ200 vs Ricoh CX5 Specifications
Panasonic Lumix DMC-FZ200 | Ricoh CX5 | |
---|---|---|
General Information | ||
Brand | Panasonic | Ricoh |
Model | Panasonic Lumix DMC-FZ200 | Ricoh CX5 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Announced | 2012-07-18 | 2011-07-19 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor Chip | Venus Engine VII FHD | Smooth Imaging Engine IV |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
Highest Possible resolution | 4000 x 3000 | 3648 x 2736 |
Maximum native ISO | 3200 | 3200 |
Maximum enhanced ISO | 6400 | - |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 23 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-600mm (24.0x) | 28-300mm (10.7x) |
Max aperture | f/2.8 | f/3.5-5.6 |
Macro focus distance | 1cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen size | 3" | 3" |
Resolution of screen | 460 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | Free-Angle TFT Screen LCD Display | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,312 thousand dot | - |
Viewfinder coverage | 100% | - |
Features | ||
Min shutter speed | 60 secs | 8 secs |
Max shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shutter speed | 12.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.50 m | 4.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/4000 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) | 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video file format | MPEG-4, AVCHD | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 588 grams (1.30 lbs) | 205 grams (0.45 lbs) |
Dimensions | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") | 102 x 59 x 29mm (4.0" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall score | 37 | not tested |
DXO Color Depth score | 19.1 | not tested |
DXO Dynamic range score | 10.8 | not tested |
DXO Low light score | 114 | not tested |
Other | ||
Battery life | 540 pictures | - |
Type of battery | Battery Pack | - |
Battery model | - | DB-100 |
Self timer | Yes (2 or 10 secs) | Yes (2, 10 or Custom) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC card, Internal |
Storage slots | Single | Single |
Launch price | $499 | $399 |