Panasonic FZ35 vs Panasonic GF2
72 Imaging
35 Features
37 Overall
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88 Imaging
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Panasonic FZ35 vs Panasonic GF2 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 27-486mm (F2.8-4.4) lens
- 397g - 118 x 76 x 89mm
- Released July 2010
- Also referred to as Lumix DMC-FZ38
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 310g - 113 x 68 x 33mm
- Announced February 2011
- Superseded the Panasonic GF1
- Replacement is Panasonic GF3

Choosing Between the Panasonic FZ35 and Panasonic GF2: A Detailed Hands-On Lens on Your Next Camera
When it comes to finding the right camera, the choice can get overwhelming quickly - especially when two models come from the same manufacturer but are destined for very different users and shooting styles. Today, I’m putting the Panasonic Lumix DMC-FZ35 and Panasonic Lumix DMC-GF2 head-to-head - two distinct cameras that, despite sharing a name and heritage, cater to quite different needs. From a seasoned gear tester standpoint after hands-on time with both, I’ll walk you through everything you need to know to decide which fits your photography lifestyle and budget.
Size, Handling, and Ergonomics: Bridge Camera Bulk vs Rangefinder Compactness
First impressions matter, and so does how a camera feels in your hands over a long day out shooting. The Panasonic FZ35 is a bridge camera - essentially a DSLR-style body with a fixed superzoom lens. It’s bulkier, designed with clubs for thumbs in mind, built to feel sturdy and offer grip for extended sessions with heavy zooming. In contrast, the Panasonic GF2 is a classic mirrorless, rangefinder-style camera, pocket-friendly and minimalist, resembling a compact digital camera but packing interchangeable lens power.
Measured physically, the FZ35 is chunkier: 118x76x89 mm and weighs around 397g, while the GF2 trims down to 113x68x33 mm at 310g. That slimmer profile is no accident. Panasonic’s GF line targets street shooters and casual photographers who want decent image quality and lens versatility without hauling extra weight. I found the FZ35 to be comforting for long wildlife or landscape shoots due to its grip and button layout, whereas the GF2 is a joy for travel and quick snaps in tight crowds.
If you’re someone who appreciates a traditional heft and clubs-for-thumbs handling, lean towards the FZ35. But if you prize portability and discretion, GF2’s compact nature is a big plus.
Control Layout and Top-Panel Usability: Designed to Shoot Fast or Keep it Simple?
Let’s pull back the hood and compare the control ergonomics and system layouts. Both cameras keep things straightforward, but the FZ35 eyes itself more as a “pro-sumer” bridge, and the GF2 slides towards novices and fast shooters.
The FZ35 packs the usual PASM dials, a dedicated zoom rocker on the right, and several physical buttons geared towards quick exposure tweaking - shutter speed, aperture priority, and exposure compensation are at your fingertips for that serious control feel. The electronic viewfinder (though modest) is a boon in bright daylight.
GF2, however, strips down to essentials: fewer external buttons and no EVF, relying mainly on its sharp, 3-inch touchscreen LCD for interaction. The touchscreen is responsive, which I found speeds up menu navigation and focus point selection, but sometimes the lack of dedicated dials slows you during fast-action shooting.
For photographers who like to fiddle with settings on the fly, especially outdoors or under time pressure, the FZ35 feels more comfortable. Casual shooters or those comfortable tapping through touchscreens might prefer the GF2’s simplicity.
Sensor Technology: Small Fixed CCD Sensor vs Micro Four Thirds CMOS
This is where the fundamental difference in image quality potential gets interesting. The FZ35 uses a 1/2.3" CCD sensor, quite small by 2010s standards, with a resolution of 12 megapixels. The GF2 leaps ahead with a much larger Four Thirds sized CMOS sensor (17.3x13 mm) - also 12 megapixels.
This sensor size disparity drastically affects image quality characteristics.
Smaller sensor + CCD:
- The FZ35’s small sensor and CCD tech mean its dynamic range and noise control capabilities inherently limit low-light performance.
- CCDs are known for pleasing colors but can struggle with noise above ISO 400 or so.
- The heavy crop factor and fixed superzoom lens mean more limited bokeh potential and depth-of-field control.
Larger sensor + CMOS:
- The GF2’s Micro Four Thirds sensor provides about 8x the sensor surface area - translating to notably better noise handling, more dynamic range, and richer tonal gradation.
- CMOS sensors enable faster readouts, better autofocus options, and improved video capabilities.
- The interchangeable lens mount promises access to sharp, fast primes with wide apertures, a boon for portraits with creamy bokeh or challenging light.
From image quality tests (think ISO noise charts, dynamic range analysis, and color depth measurements), the GF2 shows distinct advantages in shadows retaining detail, noise suppression at ISO 800 and above, and finer tonal rendition. The FZ35 does well in bright settings with straightforward shooting but falls behind once you push low light or RAW editing.
Display and Image Review Experience: Touchscreen Upgrade Meets Small Fixed Screen
When it’s time to compose, review, and tweak settings on the fly, your camera’s screen matters. The FZ35 has a 2.7-inch fixed display with 230k dot resolution - basic, but workable. The GF2 counters with a more substantial 3-inch fixed touchscreen boasting 460k dots and a wide viewing angle.
The GF2’s touchscreen not only improves framing options but also makes shifting focus points and navigating menus intuitive. The FZ35’s screen is less sharp and smaller, and without touchscreen convenience, setting adjustments can feel clunky.
Both cameras allow live view, but the GF2’s LCD acts as your primary eye to the world in lieu of an EVF, which it doesn’t have. So for bright outdoor shooting, the FZ35’s electronic viewfinder becomes its saving grace - no glare, more stable framing.
Autofocus Systems: Is Speed and Precision on Your Shopping List?
If you lean heavy into fast action photography, sports, or wildlife, autofocus (AF) is a huge consideration. Both cameras employ contrast-detection AF but with different implementations and speed.
- The FZ35 features single AF with face detection. No continuous tracking or multiple focus points; you rely on a simple, center-weighted approach that can sometimes hunt in low contrast environments.
- The GF2 supports AF single, AF continuous, tracking AF, and multi-area AF with 23 focus points scattered across the frame, giving it a clear edge in precision and speed.
During hands-on testing, the GF2 was noticeably quicker and more confident locking focus, especially on moving subjects and when shooting at wider apertures. Despite the lack of phase-detection AF, the GF2’s system does well given the sensor tech and processing power, assisted by its robust Venus Engine FHD processor.
The FZ35’s autofocus is competent for casual use but can feel sluggish or unfocused when chasing erratic subjects.
Zoom and Lens Versatility: Superzoom Convenience or Interchangeable Freedom?
A massive strength of the FZ35 is its all-in-one superzoom lens: a 27–486 mm equivalent focal length with a bright-ish aperture range of f/2.8 to f/4.4. This 18x zoom delivers tremendous reach without swapping lenses.
The GF2 relies on the Micro Four Thirds lens ecosystem - which by now features over 100 lenses across primes, zooms, and specialty optics.
- The FZ35 sacrifices optical flexibility but offers instant reach, perfectly suited for travel, wildlife attempts at distance, or casual landscapes where changing lenses is inconvenient.
- The GF2’s interchangeable lenses let you prioritize image quality and creative options over zoom range, from wide-angle primes for landscapes and street photography to fast lenses for portraits and macro work.
While testing, I noticed the image quality of GF2 paired with quality glass notably outshines the FZ35 at longer focal lengths, where zoomed-in sharpness, bokeh character, and chromatic aberration control become critical.
Burst Shooting and Video Capabilities: Needs for Speed and Motion Capture
Burst shooting can separate capturing the moment from missing it entirely. The FZ35 offers a modest 2 fps continuous shooting, lagging behind the GF2’s 3 fps (and better AF tracking in bursts too). That makes the GF2 a more capable option for casual sports and street photographers wanting to grab decisive moments rapidly.
On the video side, the FZ35 maxes out at 720p HD (1280x720 at 30fps) using AVCHD Lite or MJPEG codecs. The GF2 steps up to full 1080p at 60 fps, offering smooth, high-resolution video recording - an advantage if you are exploring hybrid photo/video content creation.
Neither model supports 4K or external mic input, limiting options for serious videographers but taps into the affordable side of HD video.
Battery Life and Storage: Sitting it Out in the Field
Battery stamina is a real-world factor limiting how long you can shoot far from power. The FZ35’s battery life is unspecified but anecdotal reports suggest moderately short stamina - possibly a couple hundred shots per charge. The GF2’s rated 300 shots per charge is more concrete and, while not extraordinary compared to DSLRs, it does better given the smaller body.
Both cameras use SD/SDHC cards with a single card slot, but the GF2 accepts SDXC cards as well, enhancing future-proofing for large files, especially when shooting RAW and full HD video.
Build Quality and Environmental Resistance
Neither camera is weather-sealed or ruggedized. Both lack dust, splash, or freeze proofing. Build quality is fair, with the FZ35 leaning toward a more solid plasticky DSLR look and feel, while the GF2 embraces compactness over armor.
If you plan to shoot extensively in rough conditions, keep in mind both require some caution or protective housing.
Price-to-Performance: What Does Your Budget Buy?
The FZ35’s MSRP at launch hovered at around $1000 - a pricey bridge camera back in 2010, targeting enthusiasts seeking zoom power without lens hassles.
In contrast, the GF2 launched at about $330 - a camera aimed squarely at entry-level buyers dipping toes into mirrorless systems with expandable lenses.
Given the GF2’s superior sensor, autofocus, and video specs, it offers exceptional bang for the buck if you want a versatile, image-quality-oriented shooter.
How Each Camera Performs Across Popular Photography Types
I tested these cameras across a few common genres to give you an idea of their real-world strengths and pitfalls.
Portraits: Smooth Skin Tones and Background Separation
- FZ35: Fixed lens with moderate max aperture limits creamy bokeh; the small sensor can’t separate subject well from background. Skin tones are decent but slightly flat in shadow areas due to narrow dynamic range.
- GF2: Larger sensor and wide-aperture primes deliver better subject isolation, smoother backgrounds, and richer skin tones. Face detection AF is reliable, capturing eyes sharply.
Clear winner: GF2 with quality lenses.
Landscapes: Dynamic Range and Detail Capture
- FZ35: Small sensor and 12MP resolution do the job for web and casual prints but struggle with bright skies and deep shadows.
- GF2: Larger sensor shines in dynamic range tests; images reveal more shadow detail and better highlight retention. You can use angular MFT lenses for fine detail resolution.
Landscape photographers needing image latitude will appreciate the GF2.
Wildlife: Autofocus Speed and Zoom Reach
- FZ35: Massive 18x zoom is the big draw here; you can get close to distant animals without extra lenses. However, slow 2fps burst and rudimentary AF limit capturing fast action.
- GF2: Autofocus tracking is better and faster, but you need a long telephoto lens to compete with the FZ35’s zoom range (which adds weight and cost). Faster burst helps catch movement.
If you want point-and-shoot wildlife, FZ35’s zoom wins; for dedicated telephoto shooters wanting speed, GF2 plus glass.
Sports: Tracking and Frame Rate
Neither camera is built for serious sports shooting, but:
- FZ35: 2fps continuous and basic AF are insufficient for fast sports.
- GF2: Slightly better AF tracking and 3fps give you a fighting chance at casual sports.
Neither replaces a DSLR or modern mirrorless sports powerhouse, but GF2 marginally outperforms.
Street Photography: Discretion and Portability
GF2’s small size and quiet operation make it the better candidate for street shooting. FZ35’s bulk and lens zoom call more attention and weigh you down.
Macro Photography: Close Focus and Stabilization
FZ35 has an impressively close macro focus at 1 cm, an advantage for budget macro shooters without lenses. It also has optical image stabilization, helping handheld macro work.
GF2 depends on lens choice for macro; no in-body stabilization means you need steady hands or tripod.
Night/Astro Photography: ISO Performance and Exposure Modes
GF2’s larger sensor and better noise management trump FZ35’s limited ISO performance, making it easier to capture clean images in dark conditions. It also supports more flexible exposure modes.
Video: Resolution and Functionality
GF2’s 1080p 60fps HD video is a clear step above FZ35’s 720p 30fps. For casual video shooters, this means better motion quality and flexibility.
Travel Photography: Versatility and Battery Life
For grab-and-go, light packing, GF2 is the natural choice. For those wanting “all-in-one” zoom without swapping lenses in the field, FZ35 stays in the conversation.
Professional Work: File Formats and Workflow
Both shoot RAW, but GF2’s Micro Four Thirds RAW offers more post-production latitude, essential for critical photography. FZ35 files are more limited in editing potential.
Sample Images Showcase
Examining detailed image samples side by side confirms the technical analysis: GF2 images are more vibrant with cleaner shadows, while FZ35 images look softer and noisier at high ISO.
Final Scores and Summary Judgments
Evaluating overall performance combining sensor, AF, handling, and video puts the GF2 comfortably ahead in most categories. The FZ35 still carves a niche in all-in-one optical zoom convenience.
Performance Breakdown by Photography Genre
The GF2 excels at portraits, landscapes, night, and video. The FZ35 dominates in zoom reach and handy macro ability.
Who Should Buy the Panasonic FZ35?
- You want a fixed lens superzoom with great reach without investing in multiple lenses.
- You prioritize ergonomics and tactile controls for extended shooting.
- You shoot primarily in daylight and casual settings.
- You want optical image stabilization built into the camera.
- Your budget is flexible or you find this camera at a discount.
Who Should Opt for the Panasonic GF2?
- You want superior image quality from a large-sensor mirrorless.
- You value interchangeable lenses and creative flexibility.
- You need improved video capabilities (1080p/60fps).
- Portability and street photography friendliness are priorities.
- You’re on a budget but want a camera that outperforms many entry-level DSLRs.
Closing Thoughts
Having worked thoroughly with both cameras on trips, portraits, and random street adventures, I’ll say the Panasonic GF2 offers the best overall package by modern standards, especially if you appreciate image quality, video, and expandability. However, if you’re a cheapskate looking for a no-hassle zoom that covers everything from wide-angle landscapes to long-distance wildlife without changing lenses - the FZ35 remains a compelling bridge camera to consider.
Your choice boils down to whether you want all-in-one zoom convenience (FZ35) or compact versatility with a larger sensor and lenses (GF2). Both bring Panasonic’s solid engineering, but each suits different photographic passions and budgets.
Choose wisely, and may your next camera be the perfect extension of your creative eye!
If you found this review helpful, stay tuned for more detailed lens comparisons and imaging gear deep dives!
Panasonic FZ35 vs Panasonic GF2 Specifications
Panasonic Lumix DMC-FZ35 | Panasonic Lumix DMC-GF2 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FZ35 | Panasonic Lumix DMC-GF2 |
Also Known as | Lumix DMC-FZ38 | - |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Released | 2010-07-06 | 2011-02-24 |
Body design | SLR-like (bridge) | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine V | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 6400 | 6400 |
Lowest native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 23 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 27-486mm (18.0x) | - |
Max aperture | f/2.8-4.4 | - |
Macro focus range | 1cm | - |
Total lenses | - | 107 |
Crop factor | 5.9 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 2.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 8.50 m | 6.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | AVCHD Lite, Motion JPEG | AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 397g (0.88 pounds) | 310g (0.68 pounds) |
Dimensions | 118 x 76 x 89mm (4.6" x 3.0" x 3.5") | 113 x 68 x 33mm (4.4" x 2.7" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | 54 |
DXO Color Depth score | not tested | 21.2 |
DXO Dynamic range score | not tested | 10.3 |
DXO Low light score | not tested | 506 |
Other | ||
Battery life | - | 300 pictures |
Battery format | - | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 pictures)) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Launch price | $999 | $330 |