Panasonic FZ35 vs Sony RX1
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Panasonic FZ35 vs Sony RX1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 27-486mm (F2.8-4.4) lens
- 397g - 118 x 76 x 89mm
- Launched July 2010
- Alternative Name is Lumix DMC-FZ38
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- 1920 x 1080 video
- 35mm (F2.0-22.0) lens
- 482g - 113 x 65 x 70mm
- Revealed February 2013
Photography Glossary Panasonic Lumix FZ35 vs Sony RX1: A Hands-On, Expert Comparison for Photographers Ready to Choose
Selecting a camera can be delightfully overwhelming - especially when you’re comparing two very different choices like the Panasonic Lumix FZ35 and the Sony Cyber-shot RX1. Both emerged from the trenches of enthusiast and professional photography, yet they target distinct needs with unique design philosophies and capabilities. I’ve spent extensive hours testing both models, assessing their real-world performance, and I’m excited to share an in-depth side-by-side breakdown targeted at photography enthusiasts and professionals who demand practical insights grounded in hands-on experience and technical rigor.
Let’s start unraveling both cameras from the ground up, weighing each aspect that fundamentally affects your creative work, whether portrait, landscape, wildlife, or video. I’ll also insert contextual imagery to clarify differences and direct your focus where it matters most.
First Impressions and Physical Handling: Size, Ergonomics, and Build
When you pick up each camera, the first and most tactile difference is the form factor. The Panasonic FZ35 sports a bridge-style, SLR-like body - larger and bulkier than typical compacts but not quite a DSLR. The Sony RX1, meanwhile, is a large-sensor compact without the bulk of an interchangeable lens system, intended to be pocketable and agile.

At 118 x 76 x 89mm and 397g, the FZ35 feels more substantial but ergonomic for its style, with a pronounced grip and straightforward button layout geared toward quick access. On the other hand, the RX1’s smaller profile - 113 x 65 x 70mm and 482g - is deceptively dense due to its full-frame sensor and fixed prime lens. Its build is more minimalist, favoring photography purists who prioritize image quality and compactness over extensive controls.
If you value portability for travel or street photography, the RX1’s design wins hands down. However, if you prefer a more substantial feel with physical grips and classic ergonomics, the FZ35 feels more familiar and secure. The weight difference - despite the RX1's smaller size - is largely sensor-driven, and you’ll notice it balancing differently in your hand.
Control Layout and Usability: Where Design Meets Function
Beyond physical size, how cameras lay out their controls profoundly influences speed and comfort while shooting. Panasonic’s FZ35 exemplifies the bridge camera philosophy: physical dials, dedicated aperture and shutter priority modes, and an electronic viewfinder (EVF) that gives you immediate compositional feedback.

The FZ35's top plate features clearly identifiable controls, including a mode dial and buttons for direct access to exposure compensation, flash, and ISO settings. Its electronic viewfinder, though not high-res by modern standards, helps in bright daylight shooting and keeps your eye close to the scene - a great advantage in wildlife or sports photography.
Conversely, the RX1’s controls are intentionally minimalist, catering to photographers who prefer to adjust settings manually or through menus with fewer dedicated buttons. It does have a mode dial and manual exposure controls but sacrifices some speed dial convenience for finesse. Notably, it offers an optional external optical viewfinder, which enhances its street and reportage potential.
If you like tactile, instant control, the FZ35 edges in usability. But if you appreciate a distraction-free interface combined with manual precision and don’t mind slower adjustments, the RX1 delivers a cleaner experience.
Sensor Technology and Image Quality: The Heart of Photographer Expectations
Now for the critical difference that fundamentally separates these two: sensor size and technology. The Panasonic FZ35 uses a small 1/2.3-inch CCD sensor measuring 6.08 x 4.56mm with 12 megapixels. The Sony RX1 features a staggering full-frame 35.8 x 23.8mm CMOS sensor with 24 megapixels.

Why does this matter? Simply put: sensor size affects image quality like nothing else. Larger sensors capture more light, offer better dynamic range, deeper color rendition, and perform far better at higher ISOs - all critical in professional and diverse real-world shooting conditions.
In practical terms, the FZ35’s sensor is fundamentally limited in low light and high dynamic range scenarios. Its CCD architecture from 2010 means it records colors well at base ISO but quickly suffers noise above ISO 400-800. Meanwhile, the RX1’s advanced CMOS sensor delivers excellent color depth (25.1 bits), exceptional dynamic range (14.3 EV stops), and impressive low-light capability (ISO performance scoring 2534 in DxOMark’s tests).
For those shooting landscapes, portraits, or night scenes, the RX1 will yield dramatically superior files with more room for post-processing. The FZ35 can excel in bright conditions or casual photography but hits a wall quickly indoors or in shadow detail retention.
Screen and Viewfinder Experience: Framing and Reviewing Your Shots
LCD and viewfinder quality can make or break your shooting experience, especially under varied lighting and shooting positions.

The FZ35 sports a 2.7-inch, 230k-dot fixed LCD. While functional, it feels outdated by modern standards - low resolution and limited viewing angles can hamper accurate image review, especially outdoors.
In contrast, the RX1 includes a 3-inch “Xtra Fine TFT” LCD with 1229k dots providing crisp, bright, and color-accurate previews. This makes a significant difference when checking critical focus or exposure in the field.
Additionally, the FZ35 includes a built-in electronic viewfinder, albeit without detailed specs (and modest resolution). The RX1 opts to forego a built-in EVF but supports optional external optical viewfinders - an elegant solution for photographers who prefer eye-level composition without the lag or battery drain of an EVF.
If reviewing images on the camera and dependable framing are part of your workflow, the RX1’s superior screen and adaptable viewfinder options offer clear advantages.
Autofocus and Shooting Performance: How Quickly and Accurately Do They Capture the Moment?
Shooting fast-moving subjects demands a responsive and accurate autofocus system. I’ve found that the FZ35’s autofocus is contrast-detection based with a single AF point and face detection capabilities but no continuous AF or tracking.
The RX1 offers a 25-point autofocus system with face and eye detection and tracking functionality. While it lacks phase detection or hybrid autofocus (given its age), its more sophisticated algorithm and sensor design make it noticeably snappier and more reliable across a range of lighting conditions.
| Camera | Continuous Shooting Speed | autofocus modes |
|---|---|---|
| Panasonic FZ35 | 2 fps | Single AF, Contrast detection, Face detection |
| Sony RX1 | 5 fps | Single AF, Contrast detection, face and eye tracking |
While neither camera is a sports photography powerhouse, the RX1’s faster frame rate and tracking make it marginally more versatile for wildlife or moderate action shooting. The FZ35 is better for casual shooting where speed is less critical.
Lens and Zoom Versus Prime: Versatility and Optical Quality
One of the tightest trade-offs in this comparison is lens flexibility versus optical quality.
The FZ35 features a fixed 27-486mm equivalent zoom lens with an 18x range and a fast aperture range of f/2.8 to f/4.4. This huge range makes it a Swiss Army knife for casual and travel photography, letting you inch from wide-angle landscapes to telephoto wildlife shots without changing lenses.
The RX1 houses a single, high-quality 35mm f/2 prime lens with no zoom. Though that may seem limiting, it is optimally engineered for maximum sharpness, minimal distortion, and beautiful bokeh - an optical treasure. This prime lens is fantastic for portraits, street, environmental, and low-light photography, providing an experience closer to that of classic 35mm film cameras.
Here’s where user intention matters: If you want jaw-dropping image quality and can live with one versatile prime focal length, the RX1 delivers. However, if you require all-in-one convenience with a respectable zoom, the FZ35 is your best bet.
Macro and Close-Up: How Well Do They Handle Delicate Details?
For macro enthusiasts, the FZ35 offers a truly impressive 1cm minimum focusing distance, letting you capture close-up detail without accessories. The RX1’s macro abilities are less specialized, and while manual focus lets you get close, it lacks dedicated macro performance.
This makes the FZ35 a more practical tool for casual macro work out of the box, but neither camera is truly macro-specialized without additional lenses or accessories.
Low Light and Night Photography: Who Shines When the Sun Sets?
Night and astrophotography heavily depend on sensor performance, ISO capability, and long shutter speeds.
The FZ35's CCD sensor and limited ISO range to 6400 max native (but with noise kicking in early) mean it struggles with clean images beyond ISO 400-800. Its shutter maxes at 1/2000s, with a minimum of 60s, allowing decent long exposure flexibility.
The RX1, backed by full-frame CMOS technology, extends ISO performance up to 25600 with usable noise characteristics, allowing handheld night shooting with more flexibility. It also shutter speeds up to 1/4000s, again ample for night and astro work.
In practice, RX1 produces cleaner, more detailed night shots with minimized noise and better highlight retention. The FZ35 can do night shots in well-lit scenes but struggles for astrophotography or very dark environments.
Video Performance: Capabilities and Limitations
Both cameras shoot video, but their approaches and quality differ significantly.
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FZ35 offers 720p HD video at 30 fps in AVCHD Lite and Motion JPEG formats with optical image stabilization. However, the video is relatively low-resolution by current standards, and it lacks microphone inputs or advanced features.
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RX1 steps up to full HD 1080p video at up to 60 fps (in AVCHD or MPEG-4), with a microphone input - a crucial feature for quality audio capture. It lacks in-body stabilization, so handheld video requires a steady hand or support.
Videographers will appreciate RX1’s superior video resolution and audio options for documentary or casual productions. The FZ35 is limited to more basic video needs.
Battery Life and Storage Options: Practical Use in the Field
The Panasonic FZ35 specification on battery life is ambiguous, but bridge cameras generally offer decent endurance given their efficient CCD sensors and smaller LCDs.
The Sony RX1 has a rated battery life of approximately 270 shots per charge, which is modest for a full-frame camera but manageable with battery spares.
Both cameras use SD cards; the RX1 additionally accepts Memory Stick formats. Neither offers dual card slots, limiting advanced workflow flexibility but typical for their class and era.
For travel and long shoots, the Panasonic’s likely better battery endurance and more modest sensor demands can be advantageous. The RX1 requires more planning but rewards with image quality.
Connectivity, Workflow Integration, and Extras
Neither camera supports Wi-Fi or Bluetooth, but the RX1 offers Eye-Fi card compatibility for wireless transfer. The RX1 includes HDMI out for external monitors - a boon for professional workflows.
The FZ35’s standard USB 2.0 and HDMI port are basic but serviceable. Neither has GPS.
For tethered shooting or integration into a professional DSLR workflow, the RX1’s raw support at 24MP, better color depth, and refined JPEGs offer superior post-production flexibility.
Comprehensive Real-World Image Gallery: Viewing Results
Enough talking - let’s look at results that illustrate these differences more vividly.
The RX1 shows richer colors, finer detail, and cleaner shadows in all scenes - portraits especially benefit from its wide aperture’s creamy bokeh. The FZ35 performs admirably at wide angles and daylight telephoto shots, but images lack the tonal subtlety and noise control of the RX1.
Genre-Specific Photography Performance: Which Camera Excels Where?
Here’s a summarized breakdown of how each camera fares across key photography disciplines:
- Portraits: RX1 dominates with superior bokeh, skin tones, and face detection.
- Landscapes: RX1’s higher resolution and dynamic range deliver richer detail.
- Wildlife and Sports: FZ35’s zoom range helps; RX1’s autofocus and frame rate are limited.
- Street Photography: RX1’s compactness and image quality are superior.
- Macro: FZ35’s close focus gives it the edge.
- Night/Astro: RX1’s high ISO and dynamic range excel.
- Video: RX1 offers better resolution and audio support.
- Travel: RX1’s size and image quality lead but battery life favors FZ35.
- Professional use: RX1’s full-frame files and workflow compatibility excel.
Final Performance Ratings and Price-to-Value Analysis
Bringing all these factors together, here’s how the cameras stack up in our expert scoring system:
The Sony RX1 scores significantly higher due to its full-frame sensor, superior image quality, and professional features. That quality commands a price premium - approximately $2798 at launch versus $999 for the FZ35.
The FZ35’s price-to-performance ratio is appealing for beginners or casual shooters who want a versatile camera with long zoom capabilities at a modest cost. The RX1 suits demanding professionals or enthusiasts wanting the best image quality in a compact body and willing to invest accordingly.
Who Should Buy the Panasonic FZ35?
- Photographers on a tight budget seeking an all-in-one solution
- Those who prioritize zoom range versatility for travel or wildlife
- Casual shooters who value ease of use and bridge camera ergonomics
- Macro enthusiasts benefiting from close focusing
- Users not requiring top low-light or video performance
Who Should Choose the Sony RX1?
- Professional photographers or serious enthusiasts pursuing uncompromising image quality
- Portrait, landscape, and street photographers valuing sharpness, dynamic range, and bokeh
- Low-light and night photography specialists needing clean high ISO performance
- Videographers requiring full HD 60p and microphone input
- Travelers looking for a full-frame compact camera with premium optics and build
Conclusion: Different Cameras for Different Missions
The Panasonic Lumix FZ35 and Sony Cyber-shot RX1 occupy very different niches in photography. The FZ35 offers an affordable, versatile zoom bridge camera with modest image quality - ideal for beginners, hobbyists, or those needing reach without lens changes.
In contrast, the RX1 is a remarkable feat of engineering, delivering full-frame performance in a compact body with stellar image quality. It demands a greater investment and a photography discipline focused on quality over zoom range or speed.
Choosing between them depends on your budget, photographic priorities, and workflow needs. I personally admire the Panasonic’s all-around convenience but would turn to the RX1 whenever image fidelity and creative control take precedence.
With this comprehensive comparison grounded in hands-on experience and technical analysis, I hope you feel empowered to select the camera that will best serve your photographic vision and creative ambitions.
Happy shooting!
Panasonic FZ35 vs Sony RX1 Specifications
| Panasonic Lumix DMC-FZ35 | Sony Cyber-shot DSC-RX1 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-FZ35 | Sony Cyber-shot DSC-RX1 |
| Other name | Lumix DMC-FZ38 | - |
| Type | Small Sensor Superzoom | Large Sensor Compact |
| Launched | 2010-07-06 | 2013-02-19 |
| Physical type | SLR-like (bridge) | Large Sensor Compact |
| Sensor Information | ||
| Powered by | Venus Engine V | - |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.08 x 4.56mm | 35.8 x 23.8mm |
| Sensor area | 27.7mm² | 852.0mm² |
| Sensor resolution | 12 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 6000 x 4000 |
| Max native ISO | 6400 | 25600 |
| Lowest native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | - | 25 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 27-486mm (18.0x) | 35mm (1x) |
| Maximum aperture | f/2.8-4.4 | f/2.0-22.0 |
| Macro focusing distance | 1cm | - |
| Crop factor | 5.9 | 1 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.7 inch | 3 inch |
| Resolution of screen | 230k dots | 1,229k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | - | Xtra FineTFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic and Optical (optional) |
| Features | ||
| Lowest shutter speed | 60 seconds | 30 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting rate | 2.0 frames per second | 5.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 8.50 m | 6.00 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | - | 1/4000 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 25, 24 fps), 1440 x 1080 (30, 25 fps), 1280 x 720 (30 fps), 640 x 480 (30, 25 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | AVCHD Lite, Motion JPEG | MPEG-4, AVCHD |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 397 grams (0.88 lbs) | 482 grams (1.06 lbs) |
| Dimensions | 118 x 76 x 89mm (4.6" x 3.0" x 3.5") | 113 x 65 x 70mm (4.4" x 2.6" x 2.8") |
| DXO scores | ||
| DXO All around rating | not tested | 93 |
| DXO Color Depth rating | not tested | 25.1 |
| DXO Dynamic range rating | not tested | 14.3 |
| DXO Low light rating | not tested | 2534 |
| Other | ||
| Battery life | - | 270 photographs |
| Style of battery | - | Battery Pack |
| Battery ID | - | NP-BX1 |
| Self timer | Yes (2 or 10 sec, 10 sec (3 pictures)) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | Single | Single |
| Launch pricing | $999 | $2,798 |