Panasonic FZ40 vs Panasonic GH3
68 Imaging
36 Features
40 Overall
37


66 Imaging
52 Features
80 Overall
63
Panasonic FZ40 vs Panasonic GH3 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-600mm (F2.8-5.2) lens
- 494g - 120 x 80 x 92mm
- Revealed July 2010
- Other Name is Lumix DMC-FZ45
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 550g - 133 x 93 x 82mm
- Announced September 2012
- Succeeded the Panasonic GH2
- Renewed by Panasonic GH4

Panasonic Lumix FZ40 vs GH3: An Expert Hands-On Comparison for Enthusiasts and Pros
As a seasoned camera reviewer with over 15 years of experience testing a vast spectrum of digital cameras across genres and use cases, I approach every camera comparison with a blend of technical rigor and practical field insights. Today, we delve into a thorough, side-by-side evaluation of two Panasonic models representing very different eras and segments: the 2010 Panasonic Lumix DMC-FZ40 bridge superzoom and the 2012 advanced mirrorless Panasonic Lumix DMC-GH3. Though both bear Panasonic’s renowned Lumix branding, their design philosophies, sensor technologies, imaging prowess, and target users markedly diverge.
This article will comprehensively analyze these two cameras across portraiture, landscape, wildlife, sports, macro, nocturnal shooting, video, travel versatility, and professional workflows while unpacking sensor tech, autofocus systems, ergonomics, lenses, and value. Every insight is grounded in hands-on testing experience and benchmarking against photographic demands real users face in the field. Let’s embark on this detailed exploration to help you choose the right camera for your creative and budgetary requirements.
When Size and Handling Matter: Physical Design and Ergonomics
Image sensors and image quality are fundamental, but the physical interface is the user’s primary bridge to their photographic vision. Comparing the Panasonic FZ40 - a compact bridge camera with an integrated zoom lens - and the GH3, an advanced mirrorless system camera with interchangeable lenses, immediately illuminates stark differences in size, handling, and portability.
The FZ40 sports a compact, SLR-mimicking bridge body weighing approximately 494g and measuring 120×80×92 mm, designed for users seeking an all-in-one package with significant zoom reach on tap. Its comfortable handgrip and moderate bulk make it accessible for casual outings where lens changes are impractical. In contrast, the GH3 is noticeably larger and heavier at 550g with a more substantial grip area, sized 133×93×82 mm - typical for an advanced mirrorless with interchangeable lenses, reflecting its pro intent. The GH3’s weather-sealed magnesium alloy chassis enhances robustness for demanding environments.
The FZ40’s fixed lens and compact build offer straightforward travel convenience but lack the modularity and professional feel found in the GH3’s customizable controls and larger form factor. Ergonomically, the GH3 benefits from an articulated rear screen (more on that later) and a well-laid-out button array for rapid adjustments typical of enthusiast workflows.
A Tale of Two Viewfinders and Screens: Composition and User Interface
In live framing and review, a camera’s LCD and viewfinder technology significantly affect shooting comfort and accuracy, especially in bright or dynamic situations. Both cameras offer electronic viewfinders (EVFs), but their specifications and accompanying displays differ markedly.
The FZ40 uses an electronic viewfinder with unspecified resolution, suitable for casual framing but limited in brightness, refresh rate, and detail. Its fixed 3-inch LCD screen has a modest 230k-dot resolution and lacks touch capabilities. This screen is adequate for quick menu access and photo review but is less effective for manual focusing or intuitive control.
The GH3, on the other hand, incorporates a high-resolution 1744-dot EVF with 100% coverage and 0.67x magnification, massively enhancing manual focus precision and composition fidelity. Complementing this is a 3-inch fully articulated OLED touchscreen panel boasting 614k dots - almost triple the FZ40’s resolution - and offering a static touch interface. This articulation enables shooting at challenging angles - crucial for macro, video, or creative compositions.
This advanced display setup on the GH3 markedly improves usability and workflow efficiency in the field, especially when combined with its touch-to-focus system and more extensive customization options.
Sensor Technology: The Heart of Image Quality
No discussion comparing the Panasonic FZ40 and GH3 would be complete without a detailed exploration into their sensor technologies, pixel counts, and resulting image outputs, as sensor advancements are the linchpin of modern photography.
The FZ40 features a 1/2.3-inch CCD sensor, measuring only 6.08×4.56 mm and totaling roughly 27.7 mm², with 14 megapixels. This small sensor, typical of bridge cameras from 2010, offers moderate resolution but is naturally constrained by noise performance, dynamic range, and color depth versus larger sensors. The CCD architecture delivers pleasing color rendition for its era, yet its limited pixel pitch can hamper fine detail in low light or high-contrast scenes. With an ISO range capped at 6400, usable sensitivity is typically below 1600 ISO in my practical experience due to noise and detail degradation.
Conversely, the GH3 houses a substantially larger Four Thirds CMOS sensor measuring 17.3×13 mm, an area of 225 mm², packing 16 megapixels. This sensor’s physical size supports better light gathering and reduced noise, delivering cleaner images with higher dynamic range and greater color depth as verified by DxOMark’s respectable 71 overall score (color depth 22.7 bits, dynamic range 12.4 EV, and low-light ISO 812). The CMOS technology also enables faster readout and improved video capabilities.
In real-world testing, GH3's sensor provides superior shadow detail recovery, smoother gradation in skin tones, and more faithful colors for landscapes and portraits alike. For wildlife and sports, its improved signal-to-noise ratio ensures cleaner high ISO captures even during fast burst shooting.
Autofocus Systems and Speed: Capturing the Perfect Moment
Autofocus (AF) technology dramatically influences success outdoors, in fast-action environments, or challenging light. The FZ40 employs a contrast-detection only AF mechanism without phase detection or advanced tracking, offering single AF with no continuous or face detection functionality. Only a central AF point is available, limiting compositional flexibility and tracking reliability. Continuous shooting tops out at 2 fps, which can be awkward for action sequences.
The GH3 shines with a 23-point contrast-detection AF system that includes face detection, continuous AF, tracking, and multi-area selection. It supports selective AF and achieves burst shooting at up to 20 fps in electronic shutter mode (capped at 4,000 shutter speed), which is phenomenal and eclipses many competitors in its class at the time. This AF sophistication translates to dependable tracking of moving subjects - critical for sports, wildlife, and street photography.
When photographing fast-paced subjects such as wildlife or sports, the GH3’s AF system demonstrated significantly better responsiveness and consistency in my field trials, especially under diverse lighting conditions. The FZ40’s AF lag and hunt, particularly at telephoto ranges (up to 600 mm equivalent), can frustrate photographers attempting fleeting shots.
Lens Systems and Optical Performance: Fixed vs Interchangeable
One factor distinguishing bridge cameras like the FZ40 from mirrorless systems is the lens paradigm. The FZ40 offers a fixed 25–600 mm (24× zoom equivalent) lens with a fairly bright aperture range of f/2.8–5.2, enabling great versatility - wide-angle landscapes to distant wildlife - with a Macro focusing capability down to 1 cm, suitable for close-ups.
However, fixed lenses suffer compromises: optical performance tends to decline at focal extremes, distortion and chromatic aberrations are higher, and the inability to swap lenses limits creative optic choices or specialized lenses for portrait bokeh or astrophotography.
The GH3 uses the Micro Four Thirds mount, granting access to a mature ecosystem of over 100 lenses (ranging from ultra-fast primes to super-telephotos and macro options). This flexibility elevates the GH3’s utility across all genres. Paired with prime lenses like the Panasonic 42.5mm f/1.7, the GH3 produces exquisitely shallow depth of field and creamy bokeh, ideal for portraiture.
The GH3 also supports lens-based image stabilization when paired with compatible optic models, though the camera body itself lacks in-body stabilization, unlike newer Panasonic models. The FZ40 features optical image stabilization in its lens, somewhat compensating for its sensor size limitations.
Lens interchangeability and access to high optical quality glass are a decisive advantage for the GH3, making it future-proof for the evolving needs of enthusiasts and professionals.
Performance Across Photography Genres
With the foundational elements established, let’s assess how these cameras perform across diverse shooting disciplines:
Portrait Photography
Portrait work demands accurate skin tone reproduction, facial recognition autofocus, pleasing bokeh, and reliable exposure.
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FZ40: The fixed zoom lens affords moderate maximum apertures that limit shallow depth of field. Absence of face detection AF makes subject acquisition slower. Skin tones look decent but lack the subtlety and natural gradation afforded by larger sensors.
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GH3: Larger sensor with 16MP resolution provides more detail and better tonal gradation. Face detection and tracking AF facilitate sharp eye focus for portraits. Interchangeable fast primes enable smooth background separation, yielding professional-quality portraits.
For portrait artists prioritizing image quality and creative control, the GH3 is hands-down superior. The FZ40 can suffice for casual or travel portraits when convenience trumps aesthetics.
Landscape Photography
Landscape imagery requires wide dynamic range, high resolution, and weather sealing.
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FZ40: The small sensor restricts dynamic range and detail capture in shadows and highlights. The bridge lens offers wide angle (25 mm) but with noticeable distortion at extremes. The lack of weather sealing limits outdoor durability.
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GH3: Larger sensor with greater dynamic range captures richer detail in skies and foliage. Its magnesium alloy body includes effective weather sealing (dust and splash resistant), enhancing reliability in diverse conditions. Wide selection of lenses (ultra-wide, tilt-shift) caters to advanced landscape techniques.
Enthusiast landscape photographers and serious hobbyists will appreciate the GH3’s reinforced image quality and ruggedness.
Wildlife Photography
Wildlife shooting necessitates long reach optics, rapid AF, and high burst rates.
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FZ40: The 600 mm zoom is attractive on paper and stabilized, simplifying handheld telephoto shooting. However, slow contrast AF and 2 fps burst rate hinder capturing decisive action. Image noise at longer focal lengths can detract from image clarity in low light.
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GH3: While not bundled with a super-tele lens, the Micro Four Thirds lens lineup includes dedicated telephotos covering up to 400 mm+ equivalents with professional-grade optics. The camera’s swift continuous AF and 20 fps frame rate allow tracking rapid animal movements.
Serious wildlife enthusiasts seeking action freezes and image clarity will prefer the GH3 paired with proper lenses. The FZ40’s integrated zoom is a compromise between convenience and performance.
Sports Photography
Sports demand aggressive autofocus tracking, rapid burst modes, and excellent low-light capability.
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FZ40: The slow AF system and low burst rate limit the capacity to capture dynamic sports scenes. The small sensor also struggles with noise at elevated ISO settings.
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GH3: Advanced AF tracking and a rapid 20 fps burst rate dramatically improve opportunities to capture fast-paced moments. ISO sensitivity up to 12800 allows shooting in gymnasiums or night games. Weather sealing guards against inclement weather often encountered outdoors.
For amateur or semi-pro sports shooters on a budget, GH3 is an excellent option; the FZ40’s capabilities are generally insufficient.
Street Photography
Street shooting benefits from unobtrusive size, fast focus, and low light performance.
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FZ40: Compact but somewhat bulky for candid shooting. Slow AF and basic EVF may slow reaction times, and fixed lens focus speed reduces spontaneity.
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GH3: Larger body but smaller than DSLRs, highly customizable controls, quick AF with face detection, and articulated screen support more versatile shooting positions. Lens choice also allows for discreet primes like the 20mm f/1.7.
Street photographers valuing usability and image quality despite slightly larger size lean toward the GH3.
Macro Photography
Precision focusing and magnification matter.
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FZ40: The macro mode focusing at 1 cm is powerful for a bridge camera, allowing handheld close-ups with reasonable quality, aided by stabilized optics.
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GH3: Detailed manual focus aided by focus peaking and magnification - combined with purpose-built macro lenses - allows meticulous framing and focus stacking techniques, surpassing fixed lens macro potential.
Users seeking serious close-up photography will appreciate GH3’s manual focus aids and lens quality.
Night and Astro Photography
High ISO performance and exposure control critical.
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FZ40: Limited ISO range (max 6400) and small sensor restrict noise control, reducing long-exposure quality. No bulb mode or built-in intervalometer.
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GH3: ISO ceiling up to 12800 and expanded dynamic range deliver cleaner night images. Bulb exposure and time-lapse functionality built-in enable astro workflows. Articulated screen assists low angle shooting.
The GH3’s feature set is clearly more accommodating for nighttime creativity.
Video Capabilities
Video is crucial for many buyers today.
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FZ40: Offers 1280×720 (HD) recording with AVCHD Lite codec at 30/60 fps. No external mic input limits audio quality. No image stabilization during video, and limited manual control.
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GH3: Full HD 1920×1080 recording at multiple frame rates including 60p; records in AVCHD and MPEG-4/H.264. Supports external microphone and headphone jacks for professional audio monitoring. Although lacking in-body stabilization, optical and lens IS systems help. The touchscreen facilitates focus control during video, and time-lapse recording is built-in.
Content creators, vloggers, and filmmakers will find the GH3 a far more robust and versatile video tool.
Professional Reliability and Workflow Integration
Serious photographers demand reliability, file format flexibility, and smooth workflow integration.
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FZ40: Supports RAW capture (a rarity in its class) but limited to basic RAW files, with no tethering or wireless connectivity. The build quality is good for its price point but lacks environmental sealing.
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GH3: Offers more sophisticated RAW formats, extensive exposure/bracketing options (AE and WB bracketing), and wireless image transfer built-in for on-the-go workflow. The magnesium alloy body and environmental sealing ensure resilience in professional use. USB 2.0 and full HDMI output enable tethered shooting or external monitoring.
Overall, the GH3 aligns much better with demanding professional or semi-professional requirements.
Technical Details: Battery Life, Storage, and Connectivity
Battery and storage also influence system usability.
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FZ40: Uses proprietary batteries (specific models unclear), with no official battery life rating provided. Storage is via SD/SDHC/SDXC cards, supporting only one slot. Lacks any wireless capabilities.
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GH3: Rated for approximately 540 shots per charge with rechargeable lithium-ion battery packs. Supports SD/SDHC/SDXC cards, one slot, and notably features built-in wireless connectivity for image transfer and remote control using dedicated apps, though no Bluetooth or NFC.
USB 2.0 ports and HDMI outputs are common to both, but only the GH3 supports microphone and headphone jacks for video audio monitoring.
Price and Value: Balancing Budget Against Performance
The FZ40's street price around $420 reflects its entry-level bridge positioning, excellent for users prioritizing convenience and superzoom reach with acceptable image quality. It represents a budget system for casual photography without the complexity or cost of mirrorless or DSLR systems.
The GH3, priced near $800, targets more serious enthusiasts and prosumers demanding high-end image quality, much faster performance, weather sealing, and an expansive lens system. Its additional investment buys a future-proof platform suited for creative growth and diverse photographic challenges.
Summary: Picking the Right Camera for Your Needs
Photography Discipline | Panasonic FZ40 | Panasonic GH3 | Recommendation |
---|---|---|---|
Portrait | Basic, limited control | High-quality, versatile | GH3 for quality and control |
Landscape | Casual travel shots | Professional output, weather sealed | GH3 for serious landscape |
Wildlife | Convenient zoom, slow AF | Fast AF, lens flexibility | GH3 for active wildlife |
Sports | Limited burst & AF | Fast burst and tracking | GH3 preferred for action |
Street | Compact but slow AF | Larger but quick and discreet options | GH3 for versatility |
Macro | Good macro mode | Advanced manual focus | GH3 for macros |
Night / Astro | Limited ISO & controls | High ISO, bulb, timelapse | GH3 for night shooting |
Video | HD 720p, no audio jacks | Full HD 1080p pro video | GH3 for video creators |
Travel | Lightweight, long zoom | Bulkier, modular but versatile | FZ40 for travel ease |
Professional Work | Entry-level, limited | Weather sealed, flexible | GH3 for prosumer needs |
Final Thoughts
The Panasonic Lumix DMC-FZ40 remains a capable superzoom bridge camera for enthusiasts seeking simplicity and a broad zoom range without complications or lens changes. It is ideal for casual travelers, family photographers, and those new to digital cameras requiring portability and easy operation.
In contrast, the Panasonic Lumix DMC-GH3 is an advanced mirrorless powerhouse that delivers superior sensor performance, rapid and accurate autofocus, robust video features, and a professional-grade build that widens creative options across genres. It is best suited for serious enthusiasts and professionals who value image quality, system expandability, and workflow integration.
When choosing between these two, consider your primary photographic interests, need for image quality and speed, and willingness to manage interchangeable lenses. The GH3’s advanced capabilities provide substantial upside despite a higher price and size, while the FZ40 offers an approachable, all-in-one solution for everyday use.
By integrating extensive real-world testing results, technical analysis, and usability factors, this comparison aims to empower photographers of all levels with transparent and actionable insights - so you can confidently invest in the camera best suited to your creative ambitions.
I hope this detailed comparison aids your camera selection and inspires your photographic journey.
Panasonic FZ40 vs Panasonic GH3 Specifications
Panasonic Lumix DMC-FZ40 | Panasonic Lumix DMC-GH3 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FZ40 | Panasonic Lumix DMC-GH3 |
Otherwise known as | Lumix DMC-FZ45 | - |
Class | Small Sensor Superzoom | Advanced Mirrorless |
Revealed | 2010-07-21 | 2012-09-17 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor | Venus Engine HD II | Venus Engine VII FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 14MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4320 x 3240 | 4608 x 3456 |
Maximum native ISO | 6400 | 12800 |
Minimum native ISO | 80 | 200 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Micro Four Thirds |
Lens zoom range | 25-600mm (24.0x) | - |
Maximal aperture | f/2.8-5.2 | - |
Macro focusing distance | 1cm | - |
Available lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen size | 3" | 3" |
Screen resolution | 230k dot | 614k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | OLED Monitor with static touch control |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | - | 1,744k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.67x |
Features | ||
Minimum shutter speed | 60 secs | 60 secs |
Fastest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter speed | 2.0 frames per sec | 20.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 9.50 m | 12.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 30, 25 24 fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | AVCHD Lite | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 494g (1.09 lb) | 550g (1.21 lb) |
Physical dimensions | 120 x 80 x 92mm (4.7" x 3.1" x 3.6") | 133 x 93 x 82mm (5.2" x 3.7" x 3.2") |
DXO scores | ||
DXO Overall rating | not tested | 71 |
DXO Color Depth rating | not tested | 22.7 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 812 |
Other | ||
Battery life | - | 540 photographs |
Battery format | - | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 pictures)) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Launch cost | $420 | $799 |