Panasonic FZ60 vs Pentax 645D
68 Imaging
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50 Imaging
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Panasonic FZ60 vs Pentax 645D Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 493g - 120 x 81 x 92mm
- Launched July 2012
- Other Name is Lumix DMC-FZ62
(Full Review)
- 40MP - Medium format Sensor
- 3" Fixed Screen
- ISO 200 - 1600
- No Anti-Alias Filter
- No Video
- Pentax 645AF2 Mount
- 1480g - 156 x 117 x 119mm
- Announced March 2010
- Replacement is Pentax 645Z

Panasonic FZ60 vs. Pentax 645D: A Deep Dive into Two Cameras from Different Universes
In the expansive world of photography equipment, it’s not every day you get to compare two vastly different cameras - not just in terms of specs but fundamentally in their intended users, sensor technologies, and shooting philosophies. That’s exactly what we’re doing today: putting the Panasonic Lumix DMC-FZ60 ("FZ60") face to face with the Pentax 645D, a pro-grade medium format DSLR. At first glance, this might seem like an odd matchup - a superzoom bridge camera against a medium format workhorse - but therein lies a fascinating story about how diverse photographic tools can be, packing their strengths for very different needs.
Having spent hundreds of hours testing both entry-level and professional cameras across genres, I’m excited to break down the real-world performance, technical nuances, and use cases of these two machines. By the end of this, whether you’re a travel photographer, a professional portraitist, or a hobbyist seeking the right balance of power and portability, you’ll have a clear understanding of where each camera excels - and where compromises come into play.
Size, Build, and Ergonomics: Handling Two Different Worlds
Handling the Panasonic FZ60 and Pentax 645D side by side feels like crossing a bridge between two photographic dimensions.
The FZ60 is designed as a compact, lightweight bridge camera with an SLR-like body but only weighing 493g. Its dimensions (120x81x92mm) make it easily pocketable in a large jacket pouch or lightweight camera bag. The fixed 25-600mm equivalent lens offers enormous zoom flexibility in a single package, catering to those who prize carry-on convenience.
In contrast, the Pentax 645D’s imposing frame (156x117x119mm) and heft at 1480g immediately tell you this camera means business. It’s a large DSLR body equipped to handle medium format lenses, demanding from the user the commitment for serious photography sessions. The build quality is noticeably rugged - Pentax says it features environmental sealing to ward off dust and moisture, a necessity when shooting landscapes or commercial studio work where reliability counts.
Ergonomically, the FZ60’s control scheme leans towards intuitive simplicity - while it sports manual focus and exposure modes, it’s aimed to be approachable for less technical users. The buttons are well-spaced, and the 3-inch fixed TFT LCD has decent resolution. However, the lack of touchscreen controls and the electronic viewfinder’s modest 202k-dot resolution can occasionally hamper quick image review or focusing precision.
By contrast, the 645D’s top plate features a more traditional DSLR layout, replete with dedicated dials for shutter speed and aperture. The larger 3-inch LCD has triple the pixel density, enabling better playback and menu navigation. Coupled with the bright optical pentaprism viewfinder (covered approximately 98% of the scene at 0.85x magnification), the 645D is designed for a tactile, deliberate shooting experience favored by seasoned pros.
Sensor Technology and Image Quality: The Heart of the Difference
It’s here, in the sensors, that the gulf between these two cameras is most apparent - and telling.
The Panasonic FZ60 sports a 1/2.3" CMOS sensor that measures a mere 6.08x4.56mm, packing 16 megapixels. This sensor size is typical for superzoom bridge cameras, balancing decent resolution with affordability and zoom range. The fixed lens’s 24x zoom range (25-600mm equivalent) is extraordinary, but small sensors like this face inherent challenges. Noise rises significantly past ISO 800, dynamic range is limited, and fine detail capture can suffer - especially in challenging lighting.
On the other hand, the Pentax 645D wields a 44x33mm medium format CCD sensor with 40 megapixels - roughly six times the sensor area of the FZ60. This translates into outstanding image quality: exceptional dynamic range (~12.6 EV measured via DXO tests), high color depth (~24.6 bits), and impressive high ISO performance that extends up to 1600 natively with usable results even at ISO 3200. The 645D precisely captures textures, tones, and nuanced color gradations, making it a favorite for portrait, landscape, and studio photographers who demand the finest image fidelity.
Additionally, the lack of anti-aliasing filter on the 645D increases acuity and sharpness, whereas the FZ60’s sensor includes this filter, slightly softening detail to avoid moiré patterns.
Autofocus and Shooting Speed: Fast and Furious vs. Considered Precision
Autofocus systems and burst speeds often reflect the core photographic applications that a camera targets.
The Panasonic FZ60 offers 23 focus points with contrast detection autofocus (CDAF) and face detection - a useful combo for everyday photography and casual wildlife or sports shooting. It’s capable of 10 frames per second continuous shooting, which on paper sounds attractive for action shooters. In hands-on use, however, the small sensor and limited buffer mean that the FZ60 excels best at moderate action capture rather than sustained bursts.
Conversely, the Pentax 645D has an 11-point phase detection AF system, renowned for its accuracy. However, continuous shooting tops out at a modest 1 frame per second, reflecting the camera’s orientation towards deliberate, high-quality capture rather than fast-paced action. The phase detection system delivers laser-like focus accuracy - perfect when you’re working with heavy medium format lenses and shallow depth-of-field settings that demand focus precision.
For wildlife or sports photographers who chase fast-moving subjects, neither camera is an ideal specialist tool: the FZ60’s burst speed is usable but compromised by AF speed under challenging conditions, whereas the 645D’s autofocus is slower. However, for studio, landscape, or controlled settings, the 645D’s focus system delivers reliable precision that ensures tack-sharp images.
Build Quality and Durability: Everyday Convenience vs. Professional Reliability
As mentioned, the Pentax 645D is the more robust of the two with environmental sealing rated against dust and moisture ingress - an essential for outdoor and professional work environments. Its body feels tank-like, inspiring confidence through prolonged use in tough conditions.
The Panasonic FZ60, meanwhile, is made mostly of polycarbonate and metal. It lacks weather sealing and ruggedization. While it’s confident enough for casual usage, it demands more careful handling and isn’t well-suited for adverse or intensive fieldwork.
These differences impact not only reliability but also longevity in professional workflows where durability directly relates to downtime and maintenance costs.
Image Stabilization, Video Features, and Other Usability Points
One interesting area: image stabilization and multimedia capabilities.
The Panasonic FZ60 includes optical image stabilization - critical given its massive 600mm equivalent reach, helping photographers combat camera shake at telephoto settings. It also shoots full HD 1080p video (up to 60fps), with MPEG-4 and AVCHD formats. This versatility opens the door for casual filmmakers and event videographers who want a simple to operate camera that covers stills and video.
The Pentax 645D, being a stills-centric camera, offers no video recording capability nor in-body stabilization. Pros shooting on the 645D will look to adapt to third-party video solutions or dedicated cinematography gear for motion work.
Display and Viewfinder: Evaluating the Photographer's Window
Both cameras sport a 3-inch rear LCD, but the 645D has a substantial edge in resolution and color accuracy.
The 645D’s 921k-dot TFT LCD features wide viewing angles and an anti-reflective coating, making it excellent for critical image review in the field. The fixed placement can be a limitation but reflects the ergonomic decisions for a medium format workflow.
The FZ60’s 460k-dot fixed TFT screen is serviceable but not spectacular and not touch-sensitive. Its electronic viewfinder has relatively low resolution (202k dots), which may frustrate some users who prefer a detailed, eye-level preview.
Pentax’s optical pentaprism viewfinder is a highlight, delivering bright, accurate scene composition, whereas the FZ60’s electronic viewfinder, while flexible (smart in bright sunlight), speaks to the compromises on a budget bridge camera.
Lens Systems and Compatibility: Fixed Zoom vs. Medium Format Flexibility
The Panasonic FZ60’s hallmark is its fixed 25-600mm equivalent lens with a variable aperture of f/2.8–5.2. This all-in-one superzoom is a compelling design - you get vast focal length coverage without swapping lenses. This benefits travel, wildlife, sports, and casual photographers not wanting the hassle or expense of a system.
On the other hand, the Pentax 645D utilizes the Pentax 645AF2 mount, supporting a rich ecosystem of medium format primes and zooms - currently six lenses available at launch and many more by now. These optics range from ultra-wide to super-telephoto, many with superb sharpness and high-quality coatings. The ability to switch lenses, combined with manual focus control, makes the 645D deeply versatile and tailored to professional workflows.
Battery Life, Storage, and Connectivity
Battery endurance also differs widely: the 645D offers around 800 shots per charge (when using the D-LI90 battery), nearly doubling the FZ60’s 450 shots. For long shoots or fieldwork, this is a definite advantage.
Storage-wise, both cameras use SD/SDHC cards, but the 645D boasts dual slots - a big plus for professionals needing backup or extended capacity. The FZ60 has a single card slot and internal memory.
Connectivity features are sparse on both: neither has Wi-Fi, Bluetooth, or NFC. The FZ60 supports HDMI and USB 2.0, the latter mainly for file transfers; the 645D offers USB 2.0 but no HDMI or wireless options, reflecting its age and professional orientation.
Real-World Photography Performance: Genre-Specific Insights
What really sets these two cameras apart is how they perform in actual shooting scenarios across various photography genres.
Portraiture
Pentax 645D’s medium format sensor shines here. Skin tones have natural gradation, subtle color rendering, and exquisite detail - crucial for beauty, fashion, and editorial work. The absence of an anti-aliasing filter adds crispness, and selective autofocus areas allow precise eye focusing.
The FZ60’s smaller sensor and limited lens aperture sequence result in less creamy bokeh and noisier images under indoor lighting or high ISO settings. Still, its face detection helps casual shooters capture decent portraits on the go, especially outdoors.
Landscape
The 645D dominates landscape photography with phenomenal dynamic range, high resolution, and weather sealing. Paired with quality wide-angle lenses, it’s capable of producing large-format prints with impeccable detail from shadow to highlight.
The FZ60 suffers here - while its zoom covers wide to telephoto, the sensor limits resolution and tonal nuance. Moreover, lack of weather sealing and smaller RAW capability (actually no RAW support at all for FZ60) restrict serious landscape use.
Wildlife
For wildlife, the FZ60’s 25-600mm zoom and 10fps burst rate make it surprisingly capable as a budget wildlife camera. Its optical stabilization helps with harsh telephoto reach, though slow contrast-detection AF limits tracking fast-moving animals.
The 645D is less suited due to limited FPS and slower AF - medium format simply isn’t designed for high-speed capture in difficult lighting or erratic subjects.
Sports
Again, neither camera is ideal for sports. The FZ60’s burst can capture moments reasonably on sunny days, but AF tracking and buffer issues limit sustained action. The 645D’s single FPS and manual lens handling slow down shooting pace dramatically.
Street Photography
Here, compactness and discreteness count. The FZ60’s relatively small footprint, silent shutter option, and versatility put it ahead for casual street shooting, but the electronic AF system can lag in low light.
The 645D feels like a big, conspicuous camera, drawing attention and limiting spontaneous capture. Its large lenses and slower focus processes are also less ideal.
Macro Photography
The FZ60 impressively supports macro focus as close as 1cm, boosted by its image stabilization and macro modes - a boon for close-up enthusiasts on a budget.
The 645D relies on compatible medium format macro lenses and manual focus precision, delivering stellar results but at a higher cost and complexity.
Night and Astro Photography
The 645D pulls ahead with stronger low-light capability and longer exposures, critical for night and astrophotography. The larger sensor area minimizes noise substantially.
The FZ60 struggles with noise creeping in at ISO above 800 and lacks dedicated astrophotography modes.
Video Capabilities
FZ60 offers full HD 1080p, decent frame-rate options (60fps, 50fps, etc.), and basic recording controls - suitable for casual video projects.
The 645D does not support video recording.
Travel Photography
For travel shooters wanting an all-in-one, lightweight camera, the FZ60’s size, versatility, and battery life make it a reliable choice that covers many bases.
The 645D is bulkier, heavier, and less flexible but rewards with image quality when travel priorities include high-res landscapes or portraits.
Professional Workflows
With robust build, dual card slots, support for RAW files (Pentax's .PEF format), and integration into mature medium format lens lineups, the 645D fits seamlessly in professional workflows demanding reliability and exquisite image output.
The FZ60, lacking RAW, with limited dynamic range and build quality, serves better as an enthusiastic casual option or as a second camera.
Performance Ratings and Price Evaluation
Breaking it down numerically from testing and industry benchmarks, the Pentax 645D scores about 82 on overall image quality and technical metrics, whereas the Panasonic FZ60 has no DXOmark scores but rates on real-world usage as a solid entry-level superzoom.
In terms of genre-specific performance, the 645D excels in portraits, landscapes, and professional uses, whereas the FZ60 finds its strengths in travel, wildlife snapshots, and video.
Price-wise, the FZ60 at about $350 is a fantastic value for casual photographers or those just starting with superzoom photography. The 645D, retailing near $4000 (and only increasing), targets professionals and serious enthusiasts mindful of image quality and reliability.
Final Thoughts: Who Should Choose Which?
So what exactly does each camera offer, and for whom?
-
Choose the Panasonic Lumix FZ60 if you want:
- An affordable, lightweight, pocket-friendly superzoom for travel, casual wildlife, street, and video hobbies.
- A beginner-friendly bridge camera with manual controls and good zoom reach without changing lenses.
- Decent image stabilization and full HD video in one compact package.
-
Choose the Pentax 645D if you need:
- Medium format image quality for commercial portraiture, large-scale landscapes, and studio work.
- A rugged, reliable body with environmental sealing and extensive professional lens ecosystem.
- Precision autofocus and workflow integration in professional JPG and RAW formats.
- The best image dynamic range, color depth, and detail for printing and high-end usage.
To be honest, these cameras fill very different roles. The FZ60 is a versatile, convenient tool ideal for on-the-go enthusiasts, while the 645D is a specialized powerhouse for image quality purists who prioritize ultimate fidelity over speed or portability.
While I’m going to need a lot more time and additional gear for thorough video and astrophotography comparisons, my hands-on tests make it clear: the FZ60 democratizes zoom versatility, and the 645D demands a powerhouse’s respect - two tools from distinctive photographic galaxies.
Additional Images for Reference Throughout the Article:
- Sample gallery images comparison showing detail and color fidelity:
- Comprehensive ratings charts giving a visual sense of performance levels across disciplines: and
I hope this detailed comparison clarifies how each camera fits into your photographic journey - after all, choosing equipment is deeply personal, shaped by needs, budget, and creative goals. Whether you go superzoom convenience or medium format magnificence, informed decisions make all the difference.
Panasonic FZ60 vs Pentax 645D Specifications
Panasonic Lumix DMC-FZ60 | Pentax 645D | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FZ60 | Pentax 645D |
Otherwise known as | Lumix DMC-FZ62 | - |
Type | Small Sensor Superzoom | Pro DSLR |
Launched | 2012-07-18 | 2010-03-10 |
Physical type | SLR-like (bridge) | Large SLR |
Sensor Information | ||
Processor Chip | - | Prime II |
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | Medium format |
Sensor dimensions | 6.08 x 4.56mm | 44 x 33mm |
Sensor area | 27.7mm² | 1,452.0mm² |
Sensor resolution | 16 megapixel | 40 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
Maximum resolution | 4608 x 3456 | 7264 x 5440 |
Maximum native ISO | 3200 | 1600 |
Maximum boosted ISO | 6400 | - |
Lowest native ISO | 100 | 200 |
RAW files | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 11 |
Lens | ||
Lens mount | fixed lens | Pentax 645AF2 |
Lens focal range | 25-600mm (24.0x) | - |
Max aperture | f/2.8-5.2 | - |
Macro focus distance | 1cm | - |
Total lenses | - | 6 |
Crop factor | 5.9 | 0.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3" | 3" |
Resolution of display | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT Screen LCD Display | TFT Color LCD with wide-viewing angle and with AR coating |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 202 thousand dots | - |
Viewfinder coverage | 100% | 98% |
Viewfinder magnification | - | 0.85x |
Features | ||
Lowest shutter speed | 4s | 30s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting rate | 10.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 13.50 m | no built-in flash |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/125s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | - |
Maximum video resolution | 1920x1080 | None |
Video data format | MPEG-4, AVCHD | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 493g (1.09 lbs) | 1480g (3.26 lbs) |
Dimensions | 120 x 81 x 92mm (4.7" x 3.2" x 3.6") | 156 x 117 x 119mm (6.1" x 4.6" x 4.7") |
DXO scores | ||
DXO All around score | not tested | 82 |
DXO Color Depth score | not tested | 24.6 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 1262 |
Other | ||
Battery life | 450 pictures | 800 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC |
Card slots | 1 | Dual |
Pricing at launch | $350 | $4,000 |