Panasonic FZ60 vs Sony WX5
68 Imaging
39 Features
48 Overall
42


95 Imaging
35 Features
29 Overall
32
Panasonic FZ60 vs Sony WX5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 493g - 120 x 81 x 92mm
- Revealed July 2012
- Alternate Name is Lumix DMC-FZ62
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.9) lens
- 146g - 92 x 52 x 22mm
- Introduced July 2010

Panasonic Lumix FZ60 vs Sony Cyber-shot WX5: An Extensive Camera Comparison for Discerning Photographers
Selecting the right compact camera often poses a multifaceted challenge - balancing features, ergonomics, sensor technology, and usage scenarios while navigating varying price points. Two cameras frequently discussed in the small sensor category are Panasonic’s Lumix FZ60 and Sony’s Cyber-shot WX5, both of which appeal to photography enthusiasts seeking capable yet affordable gear. Drawing from over 15 years of rigorous camera evaluation and personal hands-on testing, this article offers an authoritative deep dive into how these two cameras compare across disciplines, technical specifications, and practical performance.
We will dissect metrics, controls, image quality, and shooting versatility to provide a nuanced, user-centered assessment. By the end, you’ll understand which model excels in specific photographic contexts and which compromises may be acceptable or not depending on your needs.
Physical Presence: Size, Handling & Control Layout
When considering portable cameras, physical ergonomics influence long-term usability more than many realize. The Panasonic FZ60 adopts a robust SLR-like bridge design, while the Sony WX5 embraces a pocket-friendly compact form factor, catering to different user priorities.
Panasonic FZ60: Measuring approximately 120 x 81 x 92 mm and weighing 493 grams, the FZ60 is notably bulkier and heftier. Its grip allows comfortable two-handed use, beneficial for steady telephoto shooting. The sturdier build, while not weathersealed, feels confident and substantial, particularly for users transitioning from DSLRs or mirrorless cameras who seek telephoto reach without investing in interchangeable lenses.
Sony WX5: In stark contrast, the WX5’s dimensions (92 x 52 x 22 mm) and lightweight 146-gram body make it eminently pocketable. Its ultra-compact architecture supports on-the-go shooting, favored by casual shooters or street photographers wanting minimal intrusion and maximum discretion.
Ergonomically, the FZ60’s physical controls and mode dial (discussed more below) facilitate tactile feedback and faster adjustments, while the WX5 prioritizes simplicity, which may frustrate users desiring manual exposure control.
Control Design and Interface Layout
Operating a camera easily and intuitively, especially under fast-paced shooting scenarios, often boils down to button placement and menu organization. Analyzing the top and back views reveals critical insight into user interaction.
FZ60: Featuring a traditional layout with a mode dial, dedicated apertures, shutter speed, and ISO controls, the FZ60 offers an interface reminiscent of enthusiast-grade bodies from its era. The electronic viewfinder (EVF) positioned above the lens bay aids composition in bright environments, where LCD visibility might suffer. Although the resolution is modest at 202k dots, it sufficiently supports framing and critical focusing tasks.
WX5: Absent an EVF, the WX5 relies entirely on its LCD screen. The top plate is uncluttered and straightforward, with minimal buttons, reflecting its beginner-friendly outlook. While this simplicity supports casual users, it also restricts rapid manual adjustments.
Regarding rear LCD, both cameras have non-touch fixed screens around 3 inches for the FZ60 and 2.8 inches for the WX5, bearing similar resolutions (~460k dots). The FZ60’s slightly larger screen size aids in manual focus precision and menu navigation, whereas the WX5 emphasizes portability over interface complexity.
Sensor Technology and Imaging Performance
At the technical heart lies the sensor - a fundamental determinant of image quality. Both cameras employ 1/2.3-inch CMOS sensors, a common size in compact and bridge cameras, but their sensor implementations and resolutions differ notably:
- Panasonic FZ60: 16 megapixels (4608 x 3456 max resolution), standard CMOS sensor, with an antialiasing filter to reduce moiré.
- Sony WX5: 12 megapixels (4000 x 3000), BSI-CMOS sensor, which typically exhibits enhanced low-light sensitivity compared to traditional CMOS counterparts.
Though the sensor sizes are comparable (approximately 27.7 mm² for the FZ60 versus 28.1 mm² for the WX5), the BSI (Backside Illuminated) sensor in the WX5 contributes to slightly better noise handling and dynamic range at lower ISOs, a feature often leveraged in pocketable cameras where sensor size is constrained.
The FZ60, with its higher resolution, inherently delivers more detailed images suitable for larger prints and cropping flexibility, albeit at the cost of potentially higher noise floor in dim conditions due to smaller pixel pitch.
Image Quality and Real-World Shooting
In practice, image quality depends not just on sensor specs, but also lens quality, image processing, and in-camera noise reduction algorithms.
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Color Rendition and Skin Tones: The Panasonic FZ60 renders natural skin tones with a tendency toward warm hues, beneficial for portraiture; however, the lack of RAW support relegates post-processing flexibility. The Sony WX5 colors are neutral but sometimes less vibrant, likely to appeal to preference for more faithful reproductions.
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Noise and Low-Light Capability: The WX5’s BSI sensor shines at ISO 800–1600, offering cleaner files compared to the FZ60, which struggles beyond ISO 800 due to its sensor architecture and less aggressive noise reduction. Neither camera is optimized for extreme low-light or night photography but are sufficient for casual twilight shooting.
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Dynamic Range: Both have limited dynamic ranges typical of 1/2.3-inch sensors, but the Sony’s sensor offers a marginal advantage, especially preserving highlight retention in high-contrast scenes like landscapes.
Lens Specifications and Telephoto Versatility
Optics are a defining feature for bridge cameras like the FZ60, which boasts a fixed 25–600 mm (24x optical zoom, 35mm equivalent) lens with a bright F2.8–F5.2 aperture range.
In contrast, the WX5 carries a 24–120mm (5x zoom equivalent) lens with an aperture range of F2.4–F5.9.
The vast difference in zoom range translates into practical strengths and limitations:
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Panasonic FZ60: Exceptional for wildlife, sports, and travel photography where reach matters. Its telephoto extension enables distant subject capture without supplemental gear. The brighter wide-end aperture supports lower light capture and a shallower depth of field, enhancing background separation in portraits.
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Sony WX5: The shorter zoom constrains long-distance shooting but benefits street and everyday photography by maintaining a compact lens assembly. Its slightly wider aperture at the wide end aids indoor shooting.
Notably, both lenses are fixed, precluding lens swaps, but the FZ60’s broader zoom range compensates for this by providing more framing versatility.
Autofocus Capabilities and Focusing Range
Autofocus (AF) performance influences photographic success, especially for fast-moving subjects or macro work.
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Panasonic FZ60: Offers 23 focusing points with contrast-detection AF, face detection, continuous AF, and tracking AF. It supports macro focusing as close as 1 cm, which is impressive for a bridge camera and beneficial for close-up photography.
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Sony WX5: Simplifies AF to 9 points with contrast detection but no face detection. Its macro focusing limit is 5 cm, respectable in a compact but less flexible for very tight close-ups.
Real-world tests reveal the FZ60’s contrast-detection AF is responsive though not as fast as phase detection systems found in higher-tier cameras, yet sufficient for casual wildlife and sports snapshots. The WX5’s AF is accurate for still subjects but can lag behind in tracking fast motion, partly due to fewer focus points and no continuous AF burst mode.
Burst Shooting, Shutter, and Video Features
Continuous Shooting Performance
Both cameras offer 10 fps burst rates, impressive for their class.
- Panasonic’s burst mode sustains fewer frames per burst at full resolution due to buffer limits but remains usable for action sequences.
- Sony’s burst is more limited by AF performance, thereby impacting tracking consistency during fast captures.
Shutter Speeds and Exposure Control
- FZ60 provides manual exposure modes including shutter priority, aperture priority, and full manual, with maximum shutter speed up to 1/2000 s and minimum speeds down to 4 s.
- WX5 offers simpler exposure options, lacking priority modes and max shutter speeds topping at 1/1600 s - the slower speeds reduce creative control in bright or action contexts.
Video Capabilities
Both cameras record Full HD (1920x1080) video with AVCHD encoding.
Feature | Panasonic FZ60 | Sony WX5 |
---|---|---|
Max Video Res | 1920x1080 @ up to 60fps (varied) | 1920x1080 @ 50fps |
Formats | AVCHD, MPEG-4 | AVCHD |
Stabilization | Optical Image Stabilization (OIS) | Optical SteadyShot |
Mic/Headphone | None | None |
Additional | No 4K or advanced video modes | No 4K or advanced video modes |
The FZ60’s higher frame rate options and longer zoom lend themselves better to videographers needing telephoto reach, though the absence of external microphone inputs constrains professional sound recording.
Build Quality and Durability
Neither camera is weather-sealed or designed for harsh environments. Both should be handled with care when exposed to moisture or dust. The FZ60’s heavier body imparts impression of sturdiness, while the WX5 is more vulnerable due to its slender and lightweight chassis.
Battery Life and Storage Solutions
- The Panasonic FZ60 offers approximate battery life of 450 shots per charge, a robust figure aided by a proprietary rechargeable battery pack.
- The Sony WX5’s battery life is less clearly detailed but, due to smaller battery size, generally supports fewer shots per charge (profiled around 250-300).
Storage-wise:
- Both models accept SD/SDHC/SDXC cards, but the WX5 additionally supports Memory Stick Duo/Pro Duo, reflective of Sony's proprietary ecosystem during its release.
Connectivity and Wireless Features
Connectivity is minimal on both.
- The WX5 supports Eye-Fi wireless card compatibility, allowing image transfer over Wi-Fi when used with compatible cards - a useful feature for users wanting instant image sharing without cables.
- The FZ60 lacks wireless features entirely.
Both have HDMI output and USB 2.0 for wired transfers.
Price-Performance and Value Analysis
At launch, the Panasonic FZ60 was priced around $350, while the Sony WX5 came in closer to $250. Their aging sensor technologies and limited feature sets situate them more as entry-level alternatives today.
- FZ60’s broader zoom, manual controls, and higher resolution position it as a better value for enthusiast photographers craving creative flexibility without breaking the bank.
- WX5’s compactness and simplicity entail trade-offs but appeal to travelers and casual shooters prioritizing portability.
Performance Across Photography Genres
Tailoring recommendations to photographer types requires breaking down how these cameras suit various genres:
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Portrait Photography:
The FZ60’s 16 MP sensor and wider aperture settings at the wide end permit better subject isolation and pleasing skin tone rendition. Face detection, although basic, helps maintain focus integrity. Absence of RAW files restricts extensive editing but JPEG output is usable. WX5’s simpler AF without face detection and lower resolution limits bokeh effectiveness and subtle tonal gradations, though its small size aids candid shooting. -
Landscape Photography:
Neither camera excels due to sensor size constraints limiting dynamic range; however, the Panasonic’s higher resolution allows more detailed landscapes suitable for modest enlargements. Lack of weather sealing precludes harsh conditions. The WX5 is portable but less versatile in framing distant vistas due to narrower zoom. -
Wildlife Photography:
FZ60 is superior thanks to a 600 mm maximum equivalent focal length and continuous AF tracking, permitting better framing of fast or small subjects from a distance. Burst rate suffices for casual action sequences. WX5’s limited telephoto reach and less advanced AF preclude effective wildlife use beyond broad shots. -
Sports Photography:
While neither matches professional cameras, the FZ60’s manual controls, fast shutter, and continuous AF make it more capable for amateur sports shooters. The WX5’s slower shutter ceiling and autofocus lag reduce its effectiveness here. -
Street Photography:
Here the WX5 shines due to discrete size, light weight, and fast wide-end aperture enabling low-light handheld shooting. The FZ60’s bulk interferes with stealth and quick shooting, though its EVF can be advantageous in bright environments. -
Macro Photography:
The Panasonic’s focusing distance down to 1 cm is exceptional, supplemented by optical stabilization that aids handholding. The WX5's 5 cm minimum focus limits true macro work. -
Night/Astro Photography:
Both cameras’ small sensors limit high ISO performance and exposure flexibility. The FZ60’s manual modes are an advantage, but neither supports long-exposure bulb mode. The WX5 lacks manual exposure controls, making it unsuitable for astrophotography. -
Video Capabilities:
The FZ60’s broader frame rate spectrum and longer zoom provide better versatility for amateur videographers, while WX5 suffices for casual Full HD capture but lacks advanced features or microphone inputs. -
Travel Photography:
Weighing priorities, the WX5 is more travel-friendly, easy to carry, and discreet. The FZ60, albeit larger, is an all-in-one travel companion where telephoto reach and control matter most. -
Professional Work:
Neither camera is viable for professional assignments demanding RAW, high image quality, or robust reliability. Their value is more educational or casual usage.
Final Recommendations: Which One Should You Choose?
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Choose the Panasonic Lumix FZ60 if:
- You desire an affordable bridge camera with extensive zoom capabilities
- Manual control, aperture/shutter priority modes, and macro shooting matter
- You shoot portraits or nature subjects needing detail and moderate subject separation
- You want better video frame rates and some flexibility in exposure
- Weight and size are secondary to functionality
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Choose the Sony Cyber-shot WX5 if:
- Ultra-portability and discreetness are paramount (street, travel)
- You prefer uncomplicated operation with fewer manual settings
- You prioritize quick snapshots over intricate exposure control
- Low-light handheld images without zoom are common scenarios
Concluding Thoughts
The Panasonic Lumix FZ60 and Sony Cyber-shot WX5 occupy overlapping but distinct niches in the small sensor camera market. Both cameras reflect design philosophies from the early 2010s when sensor size and processing technologies limited overall image quality compared to current standards. However, their respective compromises - FZ60’s bulk for zoom and control, and WX5’s size for portability and simplicity - serve different user philosophies.
Assessing these models through technical parameters, real-world usability, and genre-specific capabilities delivers insights critical for discerning buyers. While neither is cutting-edge today, each retains practical value for specific photography enthusiasts who prioritize either extensive zooming and manual control or compactness and ease of use.
Photography equipment choices always hinge on balancing trade-offs and user preferences. Practical testing - such as shooting both cameras under your typical conditions - is invaluable, but this comprehensive comparison aims to narrow that decision process, clarifying strengths and limitations through an expert lens.
I hope this detailed analysis assists your photographic journey by illuminating which camera better aligns with your creative aspirations and practical needs. Happy shooting!
Panasonic FZ60 vs Sony WX5 Specifications
Panasonic Lumix DMC-FZ60 | Sony Cyber-shot DSC-WX5 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FZ60 | Sony Cyber-shot DSC-WX5 |
Also called | Lumix DMC-FZ62 | - |
Category | Small Sensor Superzoom | Small Sensor Compact |
Revealed | 2012-07-18 | 2010-07-08 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Powered by | - | Bionz |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 3200 | 3200 |
Maximum boosted ISO | 6400 | - |
Min native ISO | 100 | 125 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-600mm (24.0x) | 24-120mm (5.0x) |
Highest aperture | f/2.8-5.2 | f/2.4-5.9 |
Macro focusing distance | 1cm | 5cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3 inch | 2.8 inch |
Display resolution | 460k dots | 461k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT Screen LCD Display | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 202k dots | - |
Viewfinder coverage | 100 percent | - |
Features | ||
Lowest shutter speed | 4 secs | 2 secs |
Highest shutter speed | 1/2000 secs | 1/1600 secs |
Continuous shooting rate | 10.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 13.50 m | 5.10 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 493 gr (1.09 lb) | 146 gr (0.32 lb) |
Dimensions | 120 x 81 x 92mm (4.7" x 3.2" x 3.6") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 450 photos | - |
Battery style | Battery Pack | - |
Battery ID | - | NP-BN1 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
Card slots | One | One |
Retail pricing | $350 | $250 |