Panasonic FZ70 vs Panasonic GF1
63 Imaging
39 Features
53 Overall
44


85 Imaging
46 Features
47 Overall
46
Panasonic FZ70 vs Panasonic GF1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 20-1200mm (F2.8-5.9) lens
- 606g - 130 x 97 x 118mm
- Revealed July 2013
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- Micro Four Thirds Mount
- 385g - 119 x 71 x 36mm
- Announced October 2009
- New Model is Panasonic GF2

Panasonic Lumix DMC-FZ70 vs. Panasonic Lumix DMC-GF1: An Expert Comparative Review for Enthusiasts and Professionals
In an era marked by rapid innovation, understanding how different camera models cater to distinct photographic needs is essential for making informed equipment choices. Panasonic’s Lumix lineup spans from versatile bridge cameras to compact mirrorless systems, and today, I bring you his hands-on comparison between two notable models from their portfolio: the Panasonic Lumix DMC-FZ70 and the Panasonic Lumix DMC-GF1.
Released four years apart, these cameras embody divergent design philosophies and technological priorities - one being a superzoom bridge camera and the other an entry-level mirrorless with interchangeable lenses. My review draws on extensive real-world testing, technical rigor, and practical use-case scenarios tailored to photographers ranging from beginners to seasoned professionals.
Let’s explore how these two devices stack up across a broad spectrum of criteria and photographic disciplines.
Physical Design and Ergonomics: Bridging Versatility with Portability
Starting with the form factor, the Panasonic FZ70 adopts a traditional bridge camera silhouette - bulky but ergonomic with a prominently positioned grip and intuitive button layout. The GF1, by contrast, embraces a compact, rangefinder-style mirrorless design, emphasizing portability and discretion.
The FZ70’s dimensions (130 x 97 x 118 mm) and weight (606g) reflect its ambitious 60x zoom lens system. This size demands a more deliberate shooting setup, favoring users who prioritize reach and versatility over pocketability. Meanwhile, the GF1’s compact body (119 x 71 x 36 mm) and lightweight 385g build enable comfortable handheld shooting and easy transport - ideal for street, travel, and candid photography.
Holding the FZ70, one notices the deep grip and solid plastic construction that balances substantial lens mass. The GF1, though diminutive, offers a satisfying tactile experience through its metallic finish and minimalistic controls. However, the absence of a built-in viewfinder in the GF1 means reliance on the rear LCD for composition, which may affect outdoor usability.
Examining the top panel layouts, the FZ70 includes a robust dial for exposure compensation and mode selection, alongside dedicated buttons for ISO and effects - a boon for quick adjustments during active shooting. The GF1 keeps the control scheme minimal, with a mode dial and function button, reflecting its entry-level mirrorless status.
Overall, the choice here boils down to preference: a heavier, feature-rich bridge body versus a compact, modular system camera.
Sensor Technology and Image Quality: The Heart of the Matter
Arguably, the most fundamental difference lies in the sensor architecture - affecting image quality, dynamic range, and low-light performance.
The FZ70 employs a 1/2.3" CMOS sensor measuring 6.17 x 4.55 mm, covering a surface area of approximately 28 mm², and houses 16 megapixels. Conversely, the GF1 integrates a substantially larger Four Thirds sensor of 17.3 x 13 mm, yielding a sensor area close to 225 mm², but with 12 megapixels.
This size advantage for the GF1 is critical. Larger sensors can capture more light, which translates to improved image quality, higher dynamic range, and superior high-ISO performance. The FZ70’s smaller sensor, while capable of capturing decent images in good lighting, exhibits more aggressive noise at elevated ISO settings, affecting clarity especially in shadow detail.
According to DxOMark testing, the GF1 achieves an overall score of 54, with a color depth of 21.2 bits and a dynamic range of 10.3 EVs, outperforming the FZ70, which scores 41 overall, with color depth at 19.4 bits and dynamic range slightly higher at 10.8 EVs, although this is influenced by specific measurement parameters.
Low-light sensitivity is where the GF1 clearly excels: its measured low-light ISO is 513 compared to the FZ70’s 171, confirming the former's stronger performance in noise control and image fidelity in darker environments.
For photographers who prioritize pixel-level detail, the difference in sensor area and resulting image quality is a paramount factor when deciding between these models.
Autofocus Systems: Precision vs. Versatility
The autofocus (AF) system is crucial for capturing sharp images, particularly when shooting fast-moving subjects or working in challenging conditions.
Both cameras employ contrast-detection AF systems but significantly differ in AF area flexibility and speed.
The FZ70 features 23 AF points (specific cross-type points unknown), with face detection and continuous AF tracking capabilities. Its autofocus excels in stationary and moderately dynamic contexts thanks to optimized algorithms, though it struggles in low light and with fast autofocus acquisition compared to modern systems. Notably, it offers no animal eye-detection or phase-detection AF technology.
In contrast, the GF1 also offers 23 contrast-detection AF points but adds the ability for selective focus area selection and performs AF tracking in live view - a critical advantage for videographers and portrait shooters. Additionally, it supports face detection. However, without an electronic viewfinder or phase-detection AF, both cameras exhibit some hunting under dim conditions.
While neither camera is tailored for professional sports or wildlife photography requiring blazing-fast autofocus, the FZ70’s continuous AF and slower servo performance limit its effectiveness for fast action. The GF1’s more manual approach, coupled with manual-focus-friendly lenses, appeals to users emphasizing precision and creative control.
Lens Ecosystem and Optical Versatility
A defining feature separating these models is lens compatibility and ultimate photographic adaptability.
Panasonic Lumix FZ70: Fixed Superzoom Magnification
The FZ70 integrates a fixed 60x optical zoom lens with a focal length equivalent to 20–1200 mm. This immense range caters to photographers seeking ultimate reach without changing lenses, perfect for wildlife, sports, and travel scenarios where compactness must be balanced with telephoto capability.
The lens’ maximum apertures range from f/2.8 at wide-angle to f/5.9 at telephoto, which, while relatively bright at the short end, gradually narrows, potentially impacting low-light telephoto shooting. Macro focusing allows for close work down to 1 cm, a rare feat for superzoom bridge cameras. The optical image stabilization inherently smooths handshakes, improving handheld usability at long focal lengths.
Panasonic Lumix GF1: Interchangeable Four Thirds Lenses
Conversely, the GF1 accepts any lens from the Micro Four Thirds mount - hundreds available from Panasonic, Olympus, and third-party manufacturers. This system supports a broad array of primes, fast zooms, specialized macro lenses, and even high-performance telephoto optics.
While the GF1 body lacks optical image stabilization (OIS), many Micro Four Thirds lenses compensate with built-in stabilization, granting sharp results in versatile scenarios.
Filters, wide apertures (f/1.2–f/2.8), and specific macro or specialty lenses open up expansive creative possibilities unavailable on a fixed-lens bridge camera.
Thus, for photographers valuing modularity and optical quality, the GF1’s ecosystem presents a compelling advantage, albeit at higher cost and complexity - requiring investment in lenses to fully unlock the system’s potential.
User Interface and Rear LCD Screens: Composition and Review Experience
Both the FZ70 and GF1 feature a 3-inch fixed TFT LCD with identical resolution of 460k dots, but their usability diverges based on viewing angles and on-screen menus.
The GF1’s wide-viewing angle LCD employs TFT color technology designed for clearer outdoor visibility, crucial when composing without an electronic viewfinder (EVF). Its touchscreen absence limits intuitive finger-based control, but tactile buttons and dials make up via fast manual adjustments.
The FZ70 includes a lower-resolution 202k-dot electronic viewfinder, serving those who prefer eye-level composition. While not the most detailed EVF on the market, it adds significant value outdoors where LCD glare hinders framing. The rear LCD, although fixed and similar in resolution, shows narrower viewing angles and less brightness, which can frustrate certain shooting scenarios.
Menu systems lean heavily on Panasonic’s Venus Engine usability model - with quick access modes, but the FZ70 has more on-body controls explicitly mapped to common shooting parameters, aiding speed and efficiency in dynamic environments.
For photographers who prioritize precise composition and critical image review, the GF1’s superior LCD visibility outweighs its lack of EVF, whereas the FZ70’s EVF adds flexibility at some cost in screen clarity.
Performance in Photography Genres: Real-World Usability Breakdown
Understanding real-world strength areas clarifies which device fits your shooting style best.
Portrait Photography
- GF1: Using interchangeable lenses, photographers can pick fast primes (e.g., 25mm f/1.4), achieving beautiful background blur (bokeh) and delicate skin tone rendering. The camera’s face detection and continuous AF assure sharp eyes with precision - critical for compelling portraits.
- FZ70: The fixed lens supports decent portraits with moderate bokeh at the telephoto end, but its slower aperture limits smooth subject isolation. Face detection is present but less refined.
Landscape Photography
- GF1: Larger sensor and high image quality ensure rich dynamic range and fine detail, essential for landscape shooters. The system's compatibility with ultra-wide lenses ups the creative potential.
- FZ70: The 60x zoom provides versatility in framing distant scenery but the smaller sensor means lower dynamic range and less fine detail. Weather sealing is absent on both but the GF1’s compactness facilitates hiking and travel ease.
Wildlife Photography
- FZ70: Outstanding reach with a 1200mm equivalent lens makes it ideal for birding or distant wildlife capture, albeit the autofocus and frame rates (9 fps max) are moderate.
- GF1: Requires long telephoto lenses for wildlife, which adds bulk and expense, but focus precision is high. Continuous shooting limited to 3 fps restricts burst capture.
Sports Photography
- FZ70: Moderate burst rates (9 fps) and acceptable continuous AF let you capture moderate action, but tracking fast sports subjects is a challenge.
- GF1: Slower burst (3 fps) and contrast-based AF reduce responsiveness for sports but excel at deliberate, staged shots.
Street Photography
- GF1: Compact size, fast autofocus in good light, and lens flexibility make it superb for candid shooting.
- FZ70: Bulky size and conspicuous zoom lens make it less ideal for low-profile street work.
Macro Photography
- FZ70: Close focusing down to 1 cm and optical stabilization aids handheld macro, interesting for casual close-ups.
- GF1: Macro lenses deliver superior magnification and focusing precision but require investment and setup.
Night and Astrophotography
- GF1: Larger sensor yields cleaner high ISO noise performance, vital for starry skies and low-light scenes.
- FZ70: Smaller sensor struggles with high noise, limiting astrophotography potential.
Video Capabilities
Both cameras offer full HD video, but the FZ70 supports 1080p 60i/50i and 30p/25p, whereas the GF1 maxes out at 1280 x 720p at 30 fps. The FZ70's optical image stabilization benefits handheld video, although both lack external mic inputs and headphone jacks, reducing audio control.
Build Quality, Weather Resistance, and Battery Life
Neither camera offers environmental sealing or robust weather resistance.
The FZ70’s larger body feels sturdy with decent chassis rigidity, while the GF1’s metal construction provides premium feel despite smaller size.
Battery life is comparable: approximately 400 shots per charge on the FZ70 versus 380 on the GF1, sufficient for moderate day-long use but requiring spares for extended sessions.
Connectivity and Storage Options
Both cameras lack wireless connectivity (Wi-Fi, Bluetooth, NFC), an increasingly important feature for direct image sharing and remote control.
Storage-wise, the FZ70 supports SD/SDHC/SDXC cards and has internal memory for limited shots; the GF1 accepts SD/SDHC/MMC cards.
USB 2.0 ports and HDMI outputs are provided, allowing tethered shooting and external monitor use, though the absence of USB 3.0 or faster interfaces limits data transfer speed.
Pricing and Value Considerations
At launch, the FZ70 came in at approximately $300, positioning it as a budget-friendly superzoom solution with rich feature set for casual and enthusiast users. The GF1 was priced near $400 body-only, reflecting its mirrorless system credentials and lens ecosystem access.
Considering current used market values and the specs discussed:
- The FZ70 offers tremendous zoom versatility and basic imaging performance for price-conscious users prioritizing reach.
- The GF1, despite older specs, remains attractive to photographers seeking a compact, high-quality sensor with flexible lens options, suitable for creative exploration.
Performance Scores and Genre-Specific Ratings
Below is a consolidated performance grading to assist in objective comparison.
- The GF1 leads overall and in portrait, landscape, and low-light categories due to sensor advantages.
- The FZ70 shines in zoom range, burst mode, and telephoto applications.
- Both score modestly in video capabilities and connectivity.
Recommendations: Which Camera Fits Your Needs?
Based on extensive testing and analysis, I offer tailored recommendations:
Choose the Panasonic FZ70 if:
- You need an all-in-one superzoom for wildlife, sports, and travel without the hassle of multiple lenses.
- Portability is less critical than zoom reach and optical stabilization.
- You value built-in electronic viewfinder support and versatile flash features.
- Budget constraints limit investing in interchangeable lens systems.
Choose the Panasonic GF1 if:
- You prioritize image quality, creative lens options, and superior low-light performance.
- Street, portrait, macro, or landscape photography with a compact system appeals to you.
- You desire a more traditional mirrorless experience with flexibility for future upgrades.
- You are comfortable assembling a working kit via lenses and accessories.
Conclusion: Balancing Practicality and Quality in Camera Selection
The Panasonic Lumix FZ70 and GF1 exemplify divergent paradigms: one characterized by integrated convenience and zoom versatility, the other by modularity and superior imaging fundamentals. Neither is a poor choice; rather, each answers different photographic questions.
The FZ70 is a powerhouse bridge camera optimal for users embracing its zoom advantage and ready-made feature complement. The GF1 remains a compelling entry into mirrorless photography, best for those who value optics and sensor size over zoom breadth.
Photographers investing serious effort in portraits, landscapes, astrophotography, or controlled shooting environments will gain much from the GF1 platform's capabilities and lens selection. Conversely, those chasing distant action or wildlife with a single device will appreciate the FZ70’s reach and ergonomics.
By integrating detailed technical appraisal, real-world application insights, and comprehensive feature assessment, this comparison aims to empower you in making nuanced, well-informed camera choices suited to your photographic passions and workflows. If you have further questions or need lens recommendations tailored to either system, I would welcome the opportunity to assist.
Happy shooting!
Panasonic FZ70 vs Panasonic GF1 Specifications
Panasonic Lumix DMC-FZ70 | Panasonic Lumix DMC-GF1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FZ70 | Panasonic Lumix DMC-GF1 |
Class | Small Sensor Superzoom | Entry-Level Mirrorless |
Revealed | 2013-07-18 | 2009-10-14 |
Physical type | SLR-like (bridge) | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Venus Engine | Venus Engine HD |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 16MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 3200 | 3200 |
Max boosted ISO | 6400 | - |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 20-1200mm (60.0x) | - |
Maximum aperture | f/2.8-5.9 | - |
Macro focus range | 1cm | - |
Number of lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3 inch | 3 inch |
Display resolution | 460 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Screen LCD Display | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 202 thousand dots | - |
Viewfinder coverage | 100% | - |
Features | ||
Slowest shutter speed | 8s | 60s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting rate | 9.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 13.50 m | 6.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (50i/60i, 25p/30p), 1280 x 720p (50p/60p or 25p/30p), 640 x 480 (25p/30p) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | MPEG-4, AVCHD | AVCHD Lite |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 606 grams (1.34 lbs) | 385 grams (0.85 lbs) |
Physical dimensions | 130 x 97 x 118mm (5.1" x 3.8" x 4.6") | 119 x 71 x 36mm (4.7" x 2.8" x 1.4") |
DXO scores | ||
DXO All around score | 41 | 54 |
DXO Color Depth score | 19.4 | 21.2 |
DXO Dynamic range score | 10.8 | 10.3 |
DXO Low light score | 171 | 513 |
Other | ||
Battery life | 400 pictures | 380 pictures |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/MMC |
Card slots | 1 | 1 |
Retail price | $300 | $400 |