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Panasonic G1 vs Panasonic ZS60

Portability
82
Imaging
46
Features
50
Overall
47
Panasonic Lumix DMC-G1 front
 
Panasonic Lumix DMC-ZS60 front
Portability
88
Imaging
43
Features
63
Overall
51

Panasonic G1 vs Panasonic ZS60 Key Specs

Panasonic G1
(Full Review)
  • 12MP - Four Thirds Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 1600 (Expand to 3200)
  • No Video
  • Micro Four Thirds Mount
  • 360g - 124 x 84 x 45mm
  • Launched January 2009
  • Refreshed by Panasonic G2
Panasonic ZS60
(Full Review)
  • 18MP - 1/2.3" Sensor
  • 3" Fixed Screen
  • ISO 80 - 3200 (Raise to 6400)
  • Optical Image Stabilization
  • 3840 x 2160 video
  • 24-720mm (F3.3-6.4) lens
  • 282g - 112 x 64 x 38mm
  • Announced January 2016
  • Also referred to as Lumix DMC-TZ80
  • Previous Model is Panasonic ZS50
  • Successor is Panasonic ZS70
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Panasonic G1 vs Panasonic ZS60: Which Compact Camera Suits Your Photography Needs?

As someone who’s spent over 15 years putting scores of cameras through their paces - from bulky DSLRs to tiny compacts - I know how bewildering it can be sifting through specs and marketing buzz. Today, we’re diving into a head-to-head between two very different Panasonic models: the Panasonic Lumix DMC-G1 (released 2009) and the Panasonic Lumix DMC-ZS60 (from 2016). Both carry the Lumix badge but inhabit quite different categories, so buckle up for a deep, no-fluff, practical comparison that will help you understand which camera deserves a spot in your bag.

I’ve tested both extensively, including sensor performance, autofocus reliability, handling, and real-world photo output. I’ll break down the details and offer personalized recommendations to help you pick the best match based on what and how you shoot.

A Tale of Two Lumix Cameras: Understanding Their DNA

Before we get technical, let’s get to know who’s who here:

  • Panasonic G1: The very first Micro Four Thirds mirrorless camera, the G1 was a trailblazer in 2009. It sports a larger Four Thirds sensor with interchangeable lenses, giving serious enthusiasts an affordable mirrorless option.
  • Panasonic ZS60: Known outside the US as the TZ80, it’s a compact “superzoom” camera with a tiny 1/2.3" sensor but a massive 30x optical zoom lens. It aims to be your all-in-one travel camera with 4K video and a pop-up electronic viewfinder.

In other words: G1 is a versatile mirrorless system, while ZS60 is a pocket-friendly fixed-lens zoom. They don’t compete directly but comparing them highlights how camera tech evolved and what compromises each makes. So if you’re contemplating either for your next gear investment, understanding their relative strengths and weaknesses will save you money and frustration.

Physical Feel and Ergonomics: Big Body, Small Compact?

Handling ease can make or break a shoot day, so let’s tackle this first.

Panasonic G1 vs Panasonic ZS60 size comparison

The Panasonic G1’s SLR-style mirrorless body is noticeably bigger and chunkier than the ultra-pocketable ZS60 compact. The G1 weighs around 360g compared to ZS60’s 282g and sports a substantial grip that fits big hands nicely. This makes it easier to hold steady during longer shoots, especially with heavier lenses mounted.

The G1’s physical dimensions (124 x 84 x 45 mm) give plenty of room for clubs of buttons and dials - a blessing if you like tactile control but a pain if you crave something pocketable.

The ZS60 is far more streamlined (112 x 64 x 38mm), targeting anyone who wants a “grab and go” camera. Although smaller, it’s not exactly a toy; the build feels solid and comfortable for small to medium hands, with a clever thumb-rest on the rear for stability.

It’s a classic trade-off: G1 offers better ergonomics for serious shooting, ZS60 excels at convenience and portability.

Control Layout and Usability: Putting Your Fingers Where They Belong

A camera’s interface is more than just buttons - it’s your creative workflow.

Panasonic G1 vs Panasonic ZS60 top view buttons comparison

The G1 features a traditional DSLR-inspired top plate, complete with a mode dial, dedicated exposure compensation dial, and shutter release button positioned for natural index finger access. Its articulated 3-inch screen (460k dots) can flip out for awkward angles - useful during low or high shooting.

ZS60 opts for a compact fixed-lens design with fewer dedicated dials but includes a touchscreen LCD with 1040k dots for intuitive menu navigation and focus point selection. While the rear controls are smaller and closer together, the touchscreen compensates well, especially for beginners or those who prefer tapping to twisting knobs.

The G1 lacks touchscreen and illuminated buttons, so in low light you might fumble a bit. The ZS60’s touch responsiveness and higher resolution screen are big wins for ease of use and framing accuracy.

For people who love manual control and traditional layouts, the G1 feels like home. For those who prefer touchscreen quickness and compactness, the ZS60 wins here.

Panasonic G1 vs Panasonic ZS60 Screen and Viewfinder comparison

Sensor Technology and Image Quality: Size Matters (A Lot)

Camera sensors are the heart of image quality, and here the gulf between these two is wide.

Panasonic G1 vs Panasonic ZS60 sensor size comparison

The Panasonic G1 features an older but comparatively large Four Thirds CMOS sensor (17.3 x 13 mm) with 12-megapixel resolution. On the other hand, the ZS60 uses a small 1/2.3" sensor (6.17 x 4.55 mm) packed with 18 megapixels.

While the smaller sensor on the ZS60 allows it to pack a monster 30x zoom, the impact on noise, depth of field control, and dynamic range is substantial:

  • Dynamic Range: Both are decent for their categories, with ZS60’s 10.6 EV edging slightly over G1’s 10.3 EV, likely due to advancements in sensor tech and processor improvements.
  • Color Depth: G1 has an advantage here with 21.1-bit color depth over ZS60’s 19.3-bit, translating as richer tone gradients and smoother skin tones.
  • Low Light Performance: This is where the G1 shines. Its sensor supports native ISO up to 1600 with reasonable noise and usable up to 3200 ISO. In contrast, the ZS60’s small sensor pulls up short with a low-light ISO rating around 109, producing significantly more noise beyond base ISO.

In lay terms: The G1 offers better image quality, especially in challenging lighting, and more creative control over depth of field for background blur. The ZS60’s tiny sensor means images will look a bit softer and noisier, but it makes up for this with sheer reach and built-in image stabilization - critical for handheld shots at long zoom.

If pristine image quality and flexibility are top priorities for your portraits or landscapes, the G1 is the better pick. For casual shooting and travel snapshots where superzoom convenience wins, ZS60 is tempting.

Autofocus and Shooting Experience: Sharp and Fast or Compact and Clever?

Autofocus is a camera’s magic eye. I meticulously test AF performance with moving and static subjects under different lighting.

  • G1 uses contrast-detection autofocus with single, continuous, and multi-area modes. Its AF speed is adequate for entry-level mirrorless but struggles in low light and tracking moving subjects.
  • ZS60 upgrades AF with 49-point contrast detection plus face detection and AF tracking. It also adds touch-to-focus on the screen, helping you quickly lock onto subjects under diverse circumstances.

The ZS60 offers a burst shooting rate of 10 fps versus G1’s modest 3 fps. This makes ZS60 more capable at capturing sports or wildlife action, despite the smaller sensor.

Note that neither camera uses phase-detection autofocus, so they lag behind modern mirrorless rivals in speed and accuracy.

In summary:

  • For staged portraits or landscapes, G1’s AF is fine.
  • For casual wildlife, sports, or street scenes needing fast reactive focusing, ZS60’s more advanced and versatile AF system is advantageous.

Lens Ecosystem: Flexibility Versus Built-In Convenience

The G1’s Micro Four Thirds lens mount opens options to a staggering ecosystem of 107 lenses - from fast primes to rugged zooms from Panasonic, Olympus, and third parties. This tastes of freedom: you can pick lenses tailored for portrait bokeh, macro close-ups, or wide landscapes.

The ZS60’s zoom range is fixed but impressive: a 24-720mm equivalent (30x zoom) lens with maximum apertures from f/3.3 at wide angle to f/6.4 at full zoom. It also offers a realistic macro focus distance of 3cm. But you’re stuck with what’s built-in.

If you like switching lenses according to your style, the G1 is the only choice. If you want a one-lens-does-all, ultra-portable travel buddy, the ZS60 feels like a Swiss Army knife.

Build Quality and Weather Resistance: Tank or Tender?

Neither camera boasts serious weather sealing. Both are compact but delicate enough to warrant care in harsh conditions.

The G1’s body is robust for its era, with a solid chassis that can take bumps during fieldwork. The ZS60 is plastic in places but generally well-built, with the bonus of being easier to stash away inside jacket pockets or small bags.

If you plan rugged outdoor use, neither is truly weatherproof, but the G1’s heft and shape inspire more confidence for demanding shoots.

Battery Life and Storage: Keep Shooting Without Panic

Battery life is measured in shots per charge:

  • G1 offers a respectable 330 shots per battery, thanks to its mirrorless architecture and power management.
  • ZS60 is comparable with around 320 shots.

Both use proprietary battery packs and support SD card storage (ZS60 adds support for SDXC cards).

Neither is exceptional by today’s standards, but results are good enough for a day’s shooting. G1’s slightly bigger body gives more room for batteries and grip add-ons.

Video Capabilities: From Silent Storytelling to 4K Adventures

The G1 is a stills-centric camera without any video recording capability, reflecting its era’s focus and hardware limits.

In massive contrast, the ZS60 excels at video:

  • It shoots Ultra HD 4K video at 30p, Full HD at up to 60p, and even has 4K photo mode, allowing still captures extracted from 4K video frames.
  • Optical image stabilization helps smooth handheld clips.
  • The ZS60’s electronic viewfinder helps video composition outdoors in bright light.
  • Unfortunately, no microphone or headphone ports limit audio control.

If video or hybrid shooting is important to you, the ZS60 clearly dominates.

Real-World Genre Performance: Which Camera Shines Where?

Let me break down how these cameras perform across common photography genres, based on hands-on tests and practical experience.

Portrait Photography

  • G1: Larger sensor delivers better subject separation and smoother skin tones. However, lack of face/eye detection and slower AF means you need to be deliberate.
  • ZS60: Smaller sensor limits bokeh; face detection aids focus, but image quality and background blur fall short for serious portraiture.

Landscape Photography

  • G1: Wins for image quality, dynamic range, and interchangeable lenses (wide-angle primes available).
  • ZS60: Versatile zoom useful, but smaller sensor hampers resolution and tonal gradation - good for casual snaps.

Wildlife Photography

  • G1: Slow burst rate and AF hold back fast action shoots.
  • ZS60: Compact and zoomy, with fast AF and 10 fps burst, better for casual wildlife or birding on the go, though sensor limits image quality at high ISO or tricky light.

Sports Photography

  • G1: Not ideal due to slow AF and burst.
  • ZS60: Surprisingly decent for quick sequences but falls short in demanding lighting.

Street Photography

  • G1: Bulky and less discreet.
  • ZS60: Compact, discreet, easy to carry; touchscreen AF makes for quick candid shots.

Macro Photography

  • G1: Dependent on lenses; no native macro in kit.
  • ZS60: Impressive 3cm macro focus distance with built-in lens and stabilization.

Night/Astro Photography

  • G1: Better high ISO and manual controls, but limited sensor tech by modern standards.
  • ZS60: Limited low-light performance despite stabilization; more prone to noise.

Video

  • G1: No video.
  • ZS60: 4K at 30p, solid choice for vloggers and casual video.

Travel Photography

  • G1: Flexible but bulky.
  • ZS60: Perfect compact all-in-one with superzoom and decent image quality.

Professional Work

  • G1: Offers raw files and broader lens choices, suited for budget pros and hobbyists who edit images extensively.
  • ZS60: Casual use or emergency second cam; not reliable enough for professional critical work.

Putting It All Together: Ratings and Performance Scores

Let’s visualize the overall performance comparison based on technical analysis and field tests.

The G1 scores higher overall in image quality, color accuracy, and professional features. The ZS60 scores excellently on portability, zoom capabilities, autofocus, and video.

Sample Images: Seeing Is Believing

Nothing compares to looking at real photos side by side.

Notice the G1’s better detail retention, smoother gradations, and controlled noise versus the ZS60’s convenient but somewhat softer results.

Connectivity and Extras: Staying Modern?

  • The G1 has no wireless connectivity, reflecting its 2009 release.
  • The ZS60 includes built-in Wi-Fi for image transfer and remote control, a big plus for social shooters.

Value for Money: Are These Cameras Worth Your Hard-Earned Cash?

The G1 is mostly available used and prized as an affordable entry to interchangeable lens mirrorless systems. Its lack of modern features and video leaves it behind current models, but it’s a solid choice for a budget-conscious cheapskate who loves lens swaps and manual control.

The ZS60 retails around $250 new (or used cheaper) and packs massive versatility in a small body with cutting-edge (for 2016) video and autofocus features. Great for travelers and casual shooters.

Who Should Buy Which?

Choose the Panasonic G1 if:

  • You want better image quality with interchangeable lenses.
  • Manual controls and traditional shooting styles appeal.
  • You shoot portraits, landscapes, or studio work.
  • Video is not a concern.
  • You prefer a camera that feels substantial in hand.

Choose the Panasonic ZS60 if:

  • You need an ultra-portable, all-in-one camera with huge zoom range.
  • You want built-in 4K video and advanced autofocus.
  • You’re a traveler or street photographer valuing discretion.
  • You prefer touchscreen controls for quick focusing.
  • You want a budget-friendly compact camera with decent stills and video.

Final Thoughts: Two Cameras, Different Worlds

Comparing the Panasonic G1 and ZS60 is like comparing apples and oranges. The G1 laid groundwork for affordable mirrorless systems and still punches above its weight in image quality and creative flexibility. The ZS60, meanwhile, embodies the evolution of compact cameras - fulfilling the "travel buddy" role with extensive zoom, smart AF, and video chops, sacrificing sensor size for convenience.

Neither is a perfect all-rounder; your choice depends on whether you prioritize image quality and system versatility (G1), or compact convenience and modern hybrid capabilities (ZS60).

For beginner to intermediate photographers who want to dip toes into interchangeable lens territory without breaking the bank, I recommend hunting for a good-condition Panasonic G1 kit, paired with affordable lenses.

For travelers, vloggers, or busy folks wanting simplicity with long reach in a pocketable frame, the Panasonic ZS60 makes more sense.

I hope this rundown helps you cut through the specs jungle and zero in on a camera that fits your unique shooting style, budget, and ambitions. As always, consider renting or trying before buying if possible - the feel in your hands matters almost as much as the numbers on paper.

Happy shooting!

This article was written drawing on years of hands-on testing and real-world use of Panasonic cameras and their competitors, applying rigorous evaluation methods to uncover what really matters to photographers.

Panasonic G1 vs Panasonic ZS60 Specifications

Detailed spec comparison table for Panasonic G1 and Panasonic ZS60
 Panasonic Lumix DMC-G1Panasonic Lumix DMC-ZS60
General Information
Brand Panasonic Panasonic
Model type Panasonic Lumix DMC-G1 Panasonic Lumix DMC-ZS60
Also called as - Lumix DMC-TZ80
Category Entry-Level Mirrorless Small Sensor Superzoom
Launched 2009-01-19 2016-01-05
Body design SLR-style mirrorless Compact
Sensor Information
Processor - Venus Engine
Sensor type CMOS CMOS
Sensor size Four Thirds 1/2.3"
Sensor dimensions 17.3 x 13mm 6.17 x 4.55mm
Sensor surface area 224.9mm² 28.1mm²
Sensor resolution 12MP 18MP
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Highest Possible resolution 4000 x 3000 4896 x 3672
Maximum native ISO 1600 3200
Maximum enhanced ISO 3200 6400
Lowest native ISO 100 80
RAW files
Autofocusing
Focus manually
Touch to focus
Continuous autofocus
Single autofocus
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detect focus
Contract detect focus
Phase detect focus
Total focus points - 49
Lens
Lens support Micro Four Thirds fixed lens
Lens zoom range - 24-720mm (30.0x)
Largest aperture - f/3.3-6.4
Macro focusing distance - 3cm
Available lenses 107 -
Focal length multiplier 2.1 5.8
Screen
Range of display Fully Articulated Fixed Type
Display size 3" 3"
Display resolution 460 thousand dot 1,040 thousand dot
Selfie friendly
Liveview
Touch capability
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder resolution - 1,166 thousand dot
Viewfinder coverage 100% 100%
Viewfinder magnification - 0.46x
Features
Min shutter speed 60 seconds 4 seconds
Max shutter speed 1/4000 seconds 1/2000 seconds
Max quiet shutter speed - 1/16000 seconds
Continuous shutter speed 3.0 frames per second 10.0 frames per second
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change white balance
Image stabilization
Inbuilt flash
Flash distance 10.50 m 5.60 m (at Auto ISO)
Flash modes Auto, On, Off, Red-Eye, Slow Sync Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off
External flash
AEB
WB bracketing
Max flash sync 1/160 seconds -
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions - 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p)
Maximum video resolution None 3840x2160
Video file format - MPEG-4, AVCHD
Mic input
Headphone input
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 360 grams (0.79 lbs) 282 grams (0.62 lbs)
Physical dimensions 124 x 84 x 45mm (4.9" x 3.3" x 1.8") 112 x 64 x 38mm (4.4" x 2.5" x 1.5")
DXO scores
DXO Overall rating 53 37
DXO Color Depth rating 21.1 19.3
DXO Dynamic range rating 10.3 10.6
DXO Low light rating 463 109
Other
Battery life 330 pictures 320 pictures
Type of battery Battery Pack Battery Pack
Self timer Yes (2 or 10 sec) Yes (2 or 10 sec, 3 shots / 10 secs)
Time lapse recording
Type of storage SD/MMC/SDHC card SD/SDHC/SDXC
Storage slots One One
Retail pricing $0 $248