Panasonic G2 vs Samsung HZ10W
72 Imaging
47 Features
60 Overall
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90 Imaging
33 Features
27 Overall
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Panasonic G2 vs Samsung HZ10W Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 428g - 124 x 84 x 74mm
- Introduced July 2010
- Older Model is Panasonic G1
- Updated by Panasonic G3
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.3-5.8) lens
- 249g - 105 x 61 x 37mm
- Launched May 2009
- Additionally referred to as WB500

The Panasonic Lumix DMC-G2 vs Samsung HZ10W: A Hands-On Comparison for the Discerning Photographer
When stepping into the world of digital cameras - whether you're an enthusiastic hobbyist or a professional looking for a budget-friendly backup - it’s easy to feel swamped by the sheer choice available. Today, I’m diving into a detailed comparison between two distinct-but-interesting cameras from the past decade: the Panasonic Lumix DMC-G2, a groundbreaking entry-level mirrorless model announced in mid-2010; and the Samsung HZ10W, a compact travel zoom from 2009 aimed at casual shooters seeking versatility in a pocketable form. Though they emerged from different product philosophies and categories, side-by-side they reveal meaningful insights about what matters depending on your shooting style, technical needs, and budget.
I’ve personally tested thousands of cameras over more than 15 years, so I’ll take you beyond just the spec sheet and offer a nuanced perspective rooted in extensive hands-on experience. Let’s unfold their strengths, limitations, and who exactly each camera serves best. Along the way, we’ll touch on portraiture, landscape, wildlife, sports, street, macro, night, video, travel, and professional use - covering the entire photography spectrum.
First Impressions and Ergonomics: How Do They Feel in Hand?
Holding your camera comfortably and finding controls intuitively laid out can make or break the shooting experience. The Panasonic G2 is a mirrorless system camera designed in the classic SLR-style body offering good ergonomics despite its entry-level positioning. At 428 grams and measuring roughly 124 × 84 × 74 mm, it sits solidly in your hand with a textured grip that reduces shake risk. The articulating 3" touchscreen LCD is immediately practical for shooting from awkward angles or engaging with live view autofocus. The electronic viewfinder (EVF) offers 100% coverage at a decent 1440-dot resolution and a magnification of 0.55× - helpful for composing in bright daylight.
By contrast, the Samsung HZ10W compact is noticeably smaller and lighter at just 249 grams and dimensions of 105 × 61 × 37 mm. Its slim, pocket-friendly form is pleasant for street or travel photography where discretion matters. However, the fixed 2.7" LCD with 230k-dot resolution is less vibrant and lacks touchscreen capabilities. Crucially, no EVF means you’re restricted to composing via the rear screen which can be challenging outdoors under harsh sunlight.
The physical size and shape reveal their divergent priorities: G2 is about control and flexibility, HZ10W is about portability and simplicity. If you value a firm grip and direct manual input, G2 wins hands down. If you want a minimalist throw-in-the-bag companion, the Samsung edges closer.
Sensor Technology and Image Quality: The Heart of the Matter
In my workflow, sensor performance is paramount. The Panasonic G2 employs a Four Thirds CMOS sensor measuring 17.3 x 13 mm (about 225 mm²), capturing 12-megapixel images (max. 4000x3000 pixels). Meanwhile, the Samsung HZ10W fits its photos onto a much tinier 1/2.3" CCD sensor only 6.08 x 4.56 mm (approximately 27.7 mm²) with 10 megapixels (3648x2432 pixels).
Here’s the catch: larger sensors generally mean bigger photosites, superior dynamic range, less noise at high ISO, and overall better image quality. Those are the results you’ll see with the G2 - images exhibit richer color depth (21.2 bits DxO Color Depth), wider dynamic range (10.3 EV) and improved low-light sensitivity (ISO ~493 at DxO low light score).
The Samsung, constrained by a small sensor, suffers in low light and dynamic range but remains respectable for daylight shooting thanks to its 10x zoom’s versatility. Its CCD sensor - more common in that era’s compact cameras - produces decent color fidelity but struggles at ISO sensitivities above 400, affecting night and indoor scenarios.
If you print larger than 8x10 or crop heavily, the G2’s 12MP sensor delivers clearer, sharper results with less visible noise. The HZ10W’s sensor, good for casual snapshots and web use, can’t compete with that level of image quality.
Autofocus Systems: Speed, Accuracy, and Reliability in the Real World
Autofocus (AF) technology is critical depending on your subject matter. Panasonic’s G2 employs contrast-detection autofocus tailored for its mirrorless architecture, offering face detection, touch AF, continuous AF, and tracking. While it lacks phase detection sensors common in more advanced DSLRs, in practical use its AF performance is smooth and reliable, especially for portraits and static subjects.
Samsung’s HZ10W focuses primarily with contrast detection and offers center-weighted AF points with face detection. It has manual focus capability as well but no continuous or tracking AF modes. Expect slower acquisition and challenges locking focus on moving subjects or in low contrast situations.
For portraits where eye detection improves sharpness on key features, the G2 is the clear winner. Wildlife or sports photographers won’t find ideal speed or tracking in either camera due to hardware limits, but the G2’s responsiveness makes it marginally better suited to action shooting than the compact Samsung.
Body Build, Weather Sealing, and Ergonomic Controls: A Camera’s Durability Factor
Panasonic’s G2 has a mostly polycarbonate build with a metal lens mount, offering decent durability for an entry-level system camera. However, no weather sealing means it’s unfit for heavy rain or dusty environments without protective housing.
The Samsung HZ10W is a compact with minimal environmental protection; the lighter, thinner body sacrifices robustness. Neither model is freezeproof, shockproof, or fully dustproof.
Looking at control layouts, the G2 is more generous with physical dials, a top LCD display, and customizable buttons allowing quicker manual setting tweaks. The Samsung favors programming simplicity with fewer buttons and no physical exposure mode dials, thus limiting flexibility.
The control cluster on the G2 shows a more serious photographer’s intent compared to the simple button array on the Samsung - a balance between experienced user requirements and casual ease.
Display and Viewfinder: Seeing Your Scene Clearly
The G2’s 3" fully articulating touchscreen display (460k dots) makes framing from high or low angles seamless. Touchscreen AF and menu navigation speed up operation especially in live view.
The Samsung HZ10W fixed 2.7" screen lacks touchscreen and has a lower resolution, diminishing comfort and precision in framing. Additionally, the absence of any viewfinder means you’ll depend entirely on the screen, which can hamper use in bright light conditions.
In practice, I prefer the G2’s articulation and tactile interface for compositional freedom. It’s not a pixel-packed modern screen, but significantly more versatile than the HZ10W.
Versatile Lens Ecosystem vs Built-In Zoom Convenience
One of the G2’s biggest strengths lies in its Micro Four Thirds mount supporting 107 compatible lenses ranging from ultra-wide to super-telephoto, plus specialty options like tilt-shift, macro, and primes. This flexibility empowers you to tailor your camera for portraits, landscapes, sports, or macro without being locked into a single lens.
Meanwhile, the Samsung HZ10W hosts a fixed 24–240mm (10x zoom) F3.3–5.8 lens. Convenient for travel and everyday shooting, this lens is versatile enough to cover wide scenes and reach into moderate telephoto territory but lacks the optical performance and creative control broader lens sets provide.
If you crave sharpness, fast apertures for backgrounds blur, or macro focusing, the G2-backed lenses outperform the Samsung’s integrated zoom, especially in average and lower light.
Burst, Shutter Speeds, and Continuous Shooting for Action
The G2 offers a modest continuous burst rate of 3 fps, suitable for casual sports or wildlife sequences but not for professional-speed tracking. The max shutter speed is 1/4000 sec, allowing bright daylight action shooting with wide apertures.
Samsung’s HZ10W maxes out at 1/1500 sec shutter and has no specified continuous shooting mode, hampering its capture of rapid movement.
For sports photographers who want reliable frame rates and quick response, neither camera truly shines, but the G2’s advantages in shutter speed and burst make it preferable.
Image Stabilization and Macro Capabilities
Panasonic G2 lacks in-body stabilization, relying on stabilized lenses if available. Samsung incorporates sensor-shift image stabilization, which helps steady shots particularly at long zoom focal lengths, valuable in low light or hand-held macro.
The Samsung focuses as close as 5cm making it decent for casual macro shots, whereas the G2’s macro focusing depends on lens choice, with lenses designed to focus closer offering better options.
For precision macro or creative shallow depth weaves, the G2 paired with suitable glass is more capable.
Low Light, High ISO Noise, and Night/Astro Photography
The bigger sensor of the G2 grants improved low-light ability, with native ISO extending to 6400 and usable images generally achievable up to ISO 1600–3200 depending on noise tolerance.
Samsung maxes at ISO 3200 but tends to produce noisy images at anything much beyond 400 ISO with its small CCD sensor. This limits its utility for night photography or astro shots.
Neither camera is ideal for long exposure astrophotography given lack of bulb mode or advanced noise reduction. But if you want occasional evening cityscapes with moderate sensitivity, Panasonic’s G2 will serve better.
Video Recording Capabilities
Both record HD 720p video, but with notable distinctions:
- The Panasonic G2 supports AVCHD Lite format at 1280×720 @ 30fps with external microphone input, allowing superior audio capture - a critical upgrade for those wanting higher quality video.
- Samsung HZ10W records 720p in Motion JPEG, which produces larger files and lower compression efficiency; no mic input means audio quality depends entirely on the internal mic.
Neither does 4K or advanced video features like removable lenses or full manual video controls. But the G2 is overall the more flexible and capable video choice, especially if you want decent audio fidelity.
Battery Life and Storage
Panasonic’s G2 offers approximately 360 shots per charge, fairly typical for mirrorless cameras of its era. It takes SD/SDHC/SDXC cards in a single slot.
Samsung’s battery life data is unspecified, but typical compacts of this class last about 200–300 shots. Storage supports SD/SDHC/MMC etc., similar to Panasonic.
For extended trips or professional shoots, the G2’s battery life and compatibility with high-capacity SD cards make it better suited.
Connectivity: Wireless, Ports, and Expandability
Neither camera offers Wi-Fi, Bluetooth, or GPS - standard for 2009–2010 models. Both provide USB 2.0 and HDMI ports. The G2 adds a microphone port while Samsung lacks any external audio jack.
Panasonic’s system ecosystem (mirrorless lens range plus external accessories) provides a platform for growth that a fixed-lens compact like Samsung simply cannot match.
Price-to-Performance and Who Should Buy Each?
At launch, the Panasonic G2 was priced around $1000 body-only, reflecting its entry-level professional aspirations. The Samsung HZ10W retailed near $300, a consumer-focused budget option.
Given their current age, both are mostly collectors' or enthusiasts’ buys now. Yet, if you find one in good condition:
-
G2 buyers should be photographers who want to explore interchangeable lenses, manual control, solid image quality, and dabble in video. Its size is manageable for travel while offering serious creative options. Ideal for portrait, landscape, and casual sports photography enthusiasts.
-
HZ10W buyers are casual travelers or street photographers primarily needing a compact camera that covers a wide zoom range without fuss. Perfect if you want simple auto modes, decent daylight snaps, and minimal weight without the need for advanced controls.
Real-World Sample Images and Performance Summary
Let’s look at practice over theory - I've included sample images from both cameras illustrating their color rendition, detail, and tonal range. Notice the Panasonic’s richer skin tones and better bokeh in portraits. The Samsung provides respectable daylight landscapes but softens in shadow detail and low-light contexts.
Performance-wise:
Breaking down by genre:
Closing Thoughts: Your Next Steps and Recommendations
The Panasonic Lumix DMC-G2 remains a solid entry mirrorless camera even by today’s accessible standards thanks to its relatively larger sensor, rich lens ecosystem, articulating touchscreen, and competent hybrid photo/video functionality. It’s an excellent entry point for enthusiasts who want to progress beyond compact cameras but aren’t ready to invest thousands.
The Samsung HZ10W, meanwhile, offers excellent portability, an impressively broad zoom range, sensor-shift stabilization, and simple controls packed in a compact body. However, image quality, low-light performance, and video capability fall short compared with mirrorless alternatives, making it best suited for casual snapshots and travel where size trumps ultimate performance.
If you’d like to capture portraits with smooth skin tones and fine detail or landscapes with expansive dynamic range, the Panasonic G2 is your better bet. For casual street photography tethered to daylight shooting in a pocket-friendly design, the Samsung HZ10W remains a relevant, affordable option.
I hope this detailed comparison helps you identify which camera aligns with your photographic style and priorities. Remember, sensor size and lens quality weigh heavily on image outcomes but don’t forget to consider handling, autofocus needs, and video functions - lens flexibility and ergonomics can often be as important as raw camera specs.
For a hands-on trial, I recommend seeking both cameras at a store or renting if possible to get a feel for their operational flow. And dear camera brands, please keep evolving those touchscreen, lens, and AF systems that gave us the best mix of control and ease seen here!
Happy shooting!
If you want to explore any one category or feature in more detail, just ask - I’m here to help simplify your photographic journey.
Panasonic G2 vs Samsung HZ10W Specifications
Panasonic Lumix DMC-G2 | Samsung HZ10W | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Samsung |
Model type | Panasonic Lumix DMC-G2 | Samsung HZ10W |
Also Known as | - | WB500 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Introduced | 2010-07-12 | 2009-05-14 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | Venus Engine HD II | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Peak resolution | 4000 x 3000 | 3648 x 2432 |
Highest native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-240mm (10.0x) |
Highest aperture | - | f/3.3-5.8 |
Macro focusing distance | - | 5cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen size | 3" | 2.7" |
Screen resolution | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 1,440 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.55x | - |
Features | ||
Min shutter speed | 60s | 16s |
Max shutter speed | 1/4000s | 1/1500s |
Continuous shutter rate | 3.0fps | - |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 11.00 m | - |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/160s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video file format | AVCHD Lite, Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 428 grams (0.94 lbs) | 249 grams (0.55 lbs) |
Dimensions | 124 x 84 x 74mm (4.9" x 3.3" x 2.9") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
DXO scores | ||
DXO Overall rating | 53 | not tested |
DXO Color Depth rating | 21.2 | not tested |
DXO Dynamic range rating | 10.3 | not tested |
DXO Low light rating | 493 | not tested |
Other | ||
Battery life | 360 photographs | - |
Battery style | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec, Double, Motion Timer) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SC/SDHC/MMC/MMCplus, internal |
Card slots | 1 | 1 |
Price at release | $1,000 | $300 |