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Panasonic G2 vs Sony A9

Portability
72
Imaging
47
Features
60
Overall
52
Panasonic Lumix DMC-G2 front
 
Sony Alpha A9 front
Portability
65
Imaging
72
Features
93
Overall
80

Panasonic G2 vs Sony A9 Key Specs

Panasonic G2
(Full Review)
  • 12MP - Four Thirds Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 6400
  • 1280 x 720 video
  • Micro Four Thirds Mount
  • 428g - 124 x 84 x 74mm
  • Launched July 2010
  • Succeeded the Panasonic G1
  • Refreshed by Panasonic G3
Sony A9
(Full Review)
  • 24MP - Full frame Sensor
  • 3" Tilting Screen
  • ISO 100 - 51200 (Increase to 204800)
  • Sensor based 5-axis Image Stabilization
  • 1/8000s Max Shutter
  • 3840 x 2160 video
  • Sony E Mount
  • 673g - 127 x 96 x 63mm
  • Revealed April 2017
  • New Model is Sony A9 II
Pentax 17 Pre-Orders Outperform Expectations by a Landslide

Panasonic G2 vs Sony A9: A Hands-On Comparison for Enthusiasts and Professionals

As someone who has personally tested and evaluated thousands of cameras over 15 years, I always emphasize that choosing the right camera depends heavily on your specific photography style, budget, and professional requirements. Today, I’m taking a deep dive into two very different mirrorless cameras: the Panasonic Lumix DMC-G2 and the Sony Alpha A9. These cameras stand at opposite ends of the market spectrum, with the G2 targeting enthusiastic beginners and the A9 crafted for pro-level sports and wildlife shooters. To help you navigate the technical specifications and real-world performance, I’ll walk you through each aspect - from sensors and autofocus to ergonomics and video capabilities - sharing hands-on insights along the way.

Let’s see how Panasonic’s early mirrorless pioneer compares to Sony’s powerhouse flagship.

First Impressions and Ergonomics: Size, Controls, and Handling

When you pick up the Panasonic G2 and Sony A9 side by side, the difference in design philosophy and build quality becomes immediately apparent.

Panasonic G2 vs Sony A9 size comparison

The Panasonic G2 is compact and lightweight at just 428 grams, making it incredibly portable and easy to carry all day. Its dimensions of 124mm x 84mm x 74mm fit comfortably in one hand. The Sony A9, by contrast, weighs 673 grams and measures 127mm x 96mm x 63mm, reflecting its robust pro-level construction with environmental-sealing (dust and moisture resistance). The A9’s larger grip and more substantial body make it better suited to extended shooting sessions with heavy telephoto lenses.

Looking at the control layout from above, the gap widens further:

Panasonic G2 vs Sony A9 top view buttons comparison

The Panasonic G2 sports basic but functional dials and buttons - ideal for beginners needing easy access to modes like aperture priority, shutter priority, and manual exposure. The controls are somewhat minimalistic and lack illuminated buttons or customization options. The Sony A9, on the other hand, shines with an abundance of dedicated controls, dual command dials, a customizable multi-selector joystick, and a professional-grade top LCD panel for quick settings checks. This level of control gives pros fast tactile access without menu diving.

Takeaway: For beginners or those wanting a lightweight, straightforward camera, the Panasonic G2 excels in simplicity and portability. Professionals craving speed, durability, and ergonomic refinement will prefer the Sony A9’s build and control sophistication.

Sensor Technology and Image Quality: Micro Four Thirds vs Full Frame

Undeniably, one of the biggest factors distinguishing these cameras lies in the sensor technology:

Panasonic G2 vs Sony A9 sensor size comparison

  • Panasonic G2: 12MP Four Thirds CMOS sensor (17.3 x 13 mm sensor size) with a native ISO range of 100-6400. The smaller sensor yields a 2.1x crop factor, which affects the field of view and depth of field characteristics.
  • Sony A9: 24MP full-frame backside illuminated (BSI) CMOS sensor (35.6 x 23.8 mm) featuring an ISO range spanning 50-51200 natively, expandable to 204800.

How does this translate to real-world image quality?

Dynamic range: The A9 delivers approximately 13.3 stops of dynamic range (DXO Mark), far exceeding the G2’s 10.3 stops. This means the A9 retains more detail in shadows and highlights, an essential advantage for landscape or outdoor portraiture.

Color depth: The A9’s 24.9-bit color depth captures richer, more nuanced skin tones and subtle gradients, which I tested extensively in portrait settings. The G2’s 21.2 bits is decent for its class but prone to slightly flatter color reproduction, especially in challenging light.

Low light performance: Perhaps the most striking difference is the low light capabilities - the A9 handles higher ISOs with less noise and better detail retention, making it outstanding for event, sports, and astrophotography. The G2’s maximum native ISO of 6400 limits low-light flexibility.

Resolution: While 12MP on the G2 is adequate for casual shooting and web use, it lacks the resolution needed for large prints or heavy cropping. The A9’s 24MP sensor hits a sweet spot for professionals balancing detail and file size.

In summary: The full-frame Sony A9 delivers superior image quality across the board thanks to its sensor size, dynamic range, and impressive ISO performance. The G2 can still produce pleasing images but is limited compared to modern professional standards.

LCD and Viewfinder: Composing Creatively and Accurately

Being able to assess your shot precisely during capture is crucial, and both cameras offer electronic viewfinders (EVFs) alongside LCD screens.

Panasonic G2 vs Sony A9 Screen and Viewfinder comparison

  • The Panasonic G2 has a fully articulated 3-inch LCD with 460k-dot resolution and touchscreen capability. This design is excellent for creative angles, vlogging, and selfie-style shooting - the articulation and touch control were revolutionary at its release.
  • The Sony A9 features a tilting 3-inch LCD with a 1440k-dot resolution, offering finer detail but less flexibility in articulation (it tilts, but doesn't flip fully).

The EVFs mark a much starker contrast:

  • Panasonic’s 1440-dot EVF with 0.55x magnification is serviceable but shows some lag and lower refresh rates, which can be distracting when tracking fast-moving subjects.
  • Sony’s high-resolution 3686-dot EVF with a 0.78x magnification offers a crystal-clear and smooth live view with excellent color fidelity and no blackout, critical for tracking sports or wildlife.

Practical impact: In my experience, the Sony A9’s EVF markedly improves manual focusing, eye detection precision, and framing confidence in fast-paced scenarios. The G2’s EVF feels dated but works well enough for casual use, especially aided by its touchscreen interface.

Autofocus Systems: Precision and Speed for Every Moment

The autofocus (AF) system is a defining feature, especially when comparing an entry-level camera and a pro workhorse.

Feature Panasonic G2 Sony A9
AF points Contrast-detection, face detection, multi-area AF; No phase detection 693 phase-detection AF points over nearly entire frame
Eye & animal eye AF Face detection only Eye AF for humans & animals
AF modes Single, continuous, tracking Single, continuous, tracking with advanced AI recognition
Burst AF performance 3 fps continuous shooting 20 fps with continuous AF/AE

The Panasonic G2 relies on contrast-detection AF, which works well in good light but struggles with fast action or low contrast scenes. AF tracking is basic and can be prone to hunting.

In contrast, the Sony A9 employs one of the world's fastest hybrid AF systems with phase detection sensors covering almost the entire frame. Its real-time Eye AF and animal eye AF deliver pinpoint focus, even in challenging lighting, tested rigorously in sports and wildlife field conditions.

The A9’s burst shooting at 20fps with continuous autofocus and exposure tracking is a game-changer for action photographers needing to capture fleeting moments - something the G2 cannot match.

Lens Ecosystem: Exploring Creative Possibilities

Lens availability can often make or break your experience with a camera system.

  • Panasonic G2 uses a Micro Four Thirds mount with over 100 native lenses available from Panasonic, Olympus, and third parties. This ecosystem is mature, affordable, and offers compact prime and zoom options.

  • Sony A9 uses the Sony E-mount, compatible with a larger range of high-quality glass. There are over 120 native lenses, including professional-grade primes and super telephotos from Sony, Zeiss, Sigma, Tamron, and others. The system excels with full-frame dedicated lenses offering superb optics.

Pricing scales accordingly: Micro Four Thirds lenses tend to be smaller and cheaper, while full-frame E-mount lenses often command higher prices reflecting their optical and build quality.

Build Quality and Environmental Resistance

The Sony A9 is built for demanding conditions with a weather-sealed magnesium alloy body resisting dust and moisture. This makes it a stalwart companion on shoots in rain or dusty environments.

The Panasonic G2 lacks environmental sealing and features a plastic body designed for casual indoor or fair-weather use. This limits its durability in professional or harsh outdoor settings.

Battery Life and Storage Options: Sustaining Long Shoots

Battery endurance can directly influence shooting sessions, particularly for travel and professional users.

  • The Panasonic G2 uses a proprietary battery delivering about 360 shots per charge, sufficient for casual days out but limited for extended sessions.

  • The Sony A9 uses high-capacity NP-FZ100 batteries capable of approximately 650 shots per charge, almost double the G2’s stamina, with the additional benefit of USB charging support for on-the-go power top-ups.

Storage options reflect the professional design of the A9, with dual SD card slots supporting UHS-II for fast write speeds and backup, while the G2 only has a single slower SD/SDHC slot.

Video Capabilities: Evolving Needs for Moving Images

Video recording specs show how these cameras cater to different eras and user needs.

  • Panasonic G2 records up to HD 720p at 30fps in AVCHD Lite and Motion JPEG. While revolutionary at launch, these resolutions are now quite limited and show compression artifacts in real-world testing, making the G2 less suitable for serious videographers.

  • Sony A9 outputs full 4K UHD video at 30fps with support for professional codecs like AVCHD and H.264. It includes in-body 5-axis image stabilization, crucial for handheld footage smoothness, and has microphone and headphone ports for high-fidelity audio monitoring and recording.

For videographers, the difference couldn’t be more marked - the A9 offers versatile, professional-level video tools, while the G2 is limited to basic HD.

Specialized Photography Uses: Which Excels Where?

Here’s how the cameras match up across major photography genres, distilled from hands-on field tests:

Photography Type Panasonic G2 Strengths Sony A9 Strengths
Portraiture Good skin tones, natural colors Exceptional bokeh and eye/animal eye AF
Landscape Lightweight for travel; decent detail Superior dynamic range and resolution
Wildlife Affordable entry point Fast AF tracking & burst shooting
Sports Not ideal due to slow AF and fps Industry-leading tracking and frame rate
Street Compact, discreet, articulated screen Higher weight, less discreet
Macro Lightweight, good small lens options Better focusing precision and stabilization
Night/Astro Limited ISO performance Outstanding high ISO and noise control
Video Basic HD recording Professional 4K, stabilization, audio
Travel Portable, user-friendly Versatile, battery lasts longer
Professional Work Not recommended Reliable, robust, excellent workflow tools

The images above highlight the G2’s decent detail and colors for its class, but the A9 delivers richer, sharper, and more dynamic results with superior noise control.

Price and Value: Budget Constraints vs Professional Investment

  • The Panasonic G2 originally retailed around $999, now generally available used or at discount pricing. It’s an excellent stepping stone for beginners or hobbyists on a tight budget.

  • The Sony A9 launched at approximately $4500, reflecting its professional-grade components and performance. Though a significant investment, it offers capabilities that justify the price for those requiring speed, reliability, and image quality in demanding fields.

Overall Performance Ratings: Where Each Camera Scores

As expected, the DXO Mark and similar benchmarks rate the Sony A9 at the top of its category, excelling in sensor quality, AF speed, and versatility. The Panasonic G2 scores solidly for entry-level use but understandably trails far behind in all professional metrics.

This chart breaks down performance by genre, illustrating the A9’s dominance in demanding disciplines like sports and wildlife, versus the G2’s reasonable performance in street and travel scenarios.

Final Thoughts: Who Should Choose Which Camera?

Why You Can Trust My Perspective:
Over my career, I’ve logged thousands of hours testing, shooting, and comparing cameras in a variety of environments - studio portraits, high-speed action, low-light landscapes - you name it. I carefully test autofocus reliability, image quality in different conditions, battery endurance, and overall user experience to give you honest, practical advice.

Choose the Panasonic Lumix G2 if you:

  • Are starting out in photography or want an easy-to-use, budget-friendly mirrorless.
  • Prioritize portability and compact ergonomics.
  • Shoot mostly casual portraits, street photography, or travel snapshots.
  • Want a fully articulated touchscreen for vlogging or creative framing.
  • Can accept limited video resolution and slower continuous shooting.

Choose the Sony Alpha A9 if you:

  • Are a professional or serious enthusiast shooting fast action, wildlife, or sports.
  • Need cutting-edge autofocus technology with eye detection for humans and animals.
  • Demand excellent image quality, dynamic range, and high ISO performance.
  • Require robust build quality with weather sealing for challenging environments.
  • Shoot 4K video and need in-body stabilization with professional audio inputs.
  • Can invest in high-quality glass and accessories to leverage the system’s full potential.

In Conclusion

The Panasonic G2 represents a respectable entry-level mirrorless camera from the early 2010s - light, approachable, and perfect for beginners exploring photography basics. However, it shows its age in sensor technology, autofocus speed, video capability, and build robustness.

Conversely, the Sony A9 is a landmark professional mirrorless body designed to meet the demanding needs of sports, wildlife, and event photographers with blazing-fast AF, outstanding image quality, and rugged reliability.

While vastly different, both cameras have their rightful place. Your choice should align with your photographic ambitions and budget. If you want a future-proof machine ready for professional work, the Sony A9 is a worthy investment. For newcomers or casual shooters, the Panasonic G2 remains a very capable tool to get started on your photographic journey.

If you’d like a personalized recommendation based on your specific shooting style and budget, feel free to reach out - I’m here to help you pick the right gear that meets your creative goals. Happy shooting!

Panasonic G2 vs Sony A9 Specifications

Detailed spec comparison table for Panasonic G2 and Sony A9
 Panasonic Lumix DMC-G2Sony Alpha A9
General Information
Brand Panasonic Sony
Model Panasonic Lumix DMC-G2 Sony Alpha A9
Category Entry-Level Mirrorless Pro Mirrorless
Launched 2010-07-12 2017-04-19
Body design SLR-style mirrorless SLR-style mirrorless
Sensor Information
Powered by Venus Engine HD II BIONZ X
Sensor type CMOS BSI-CMOS
Sensor size Four Thirds Full frame
Sensor measurements 17.3 x 13mm 35.6 x 23.8mm
Sensor surface area 224.9mm² 847.3mm²
Sensor resolution 12 megapixels 24 megapixels
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2 and 16:9
Full resolution 4000 x 3000 6000 x 4000
Max native ISO 6400 51200
Max boosted ISO - 204800
Min native ISO 100 100
RAW support
Min boosted ISO - 50
Autofocusing
Focus manually
Touch focus
Continuous AF
AF single
Tracking AF
AF selectice
Center weighted AF
AF multi area
Live view AF
Face detect focusing
Contract detect focusing
Phase detect focusing
Number of focus points - 693
Lens
Lens mount Micro Four Thirds Sony E
Number of lenses 107 121
Crop factor 2.1 1
Screen
Range of display Fully Articulated Tilting
Display sizing 3 inches 3 inches
Display resolution 460 thousand dot 1,440 thousand dot
Selfie friendly
Liveview
Touch function
Display tech TFT Color LCD with wide-viewing angle -
Viewfinder Information
Viewfinder Electronic Electronic
Viewfinder resolution 1,440 thousand dot 3,686 thousand dot
Viewfinder coverage 100% 100%
Viewfinder magnification 0.55x 0.78x
Features
Slowest shutter speed 60s 30s
Maximum shutter speed 1/4000s 1/8000s
Maximum quiet shutter speed - 1/32000s
Continuous shooting speed 3.0 frames per second 20.0 frames per second
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Change WB
Image stabilization
Integrated flash
Flash range 11.00 m no built-in flash
Flash modes Auto, On, Off, Red-Eye, Slow Sync Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync
Hot shoe
AE bracketing
White balance bracketing
Maximum flash sync 1/160s -
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) -
Max video resolution 1280x720 3840x2160
Video file format AVCHD Lite, Motion JPEG MPEG-4, AVCHD, H.264
Microphone input
Headphone input
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 428 gr (0.94 lb) 673 gr (1.48 lb)
Physical dimensions 124 x 84 x 74mm (4.9" x 3.3" x 2.9") 127 x 96 x 63mm (5.0" x 3.8" x 2.5")
DXO scores
DXO All around score 53 92
DXO Color Depth score 21.2 24.9
DXO Dynamic range score 10.3 13.3
DXO Low light score 493 3517
Other
Battery life 360 photographs 650 photographs
Type of battery Battery Pack Battery Pack
Battery model - NP-FZ100
Self timer Yes (2 or 10 sec) Yes (2, 5, 10 secs + continuous)
Time lapse recording
Type of storage SD/SDHC/SDXC Dual SD/SDHC/SDXC slots (UHS-II compatible)
Storage slots One Dual
Pricing at launch $1,000 $4,498