Panasonic G5 vs Pentax Q10
74 Imaging
51 Features
66 Overall
57


92 Imaging
36 Features
56 Overall
44
Panasonic G5 vs Pentax Q10 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Released July 2012
- Previous Model is Panasonic G3
- Successor is Panasonic G6
(Full Review)

Panasonic Lumix G5 vs Pentax Q10: An Expert Guide to Choosing Your Entry-Level Mirrorless Camera
When I first began testing entry-level mirrorless cameras over a decade ago, models like the Panasonic Lumix G5 and Pentax Q10 encapsulated the exciting promise of lightweight, versatile systems for enthusiasts stepping up from compact cameras or trying digital photography seriously for the first time. Now, looking back and comparing these two that debuted closely in 2012, I find that each represents a very different philosophy of mirrorless design with distinct strengths and compromises. I want to share my in-depth hands-on experiences and technical insights aimed at photographers seeking to understand the real-world practicalities behind the spec sheets and marketing blurbs.
This article is structured around major photographic applications, critical technical aspects, and overall usability to help you decide which might suit your style, priorities, and budget best.
Size, Handling, and Ergonomics: Comfort Meets Control
Let’s start with how these cameras feel in hand - a foundational part of photography often underestimated in spec comparisons. The Panasonic Lumix G5 sports a classic SLR-style mirrorless body, offering substantial grip and intuitive button placement. In contrast, the Pentax Q10 opts for a much smaller, rangefinder-style design, almost pocketable.
The Panasonic G5 measures 120x83x71mm and weighs 396g, while the Pentax Q10 is significantly smaller at 102x58x34mm and about half the weight (200g). When taking the Panasonic G5 out on a landscape hike or street shoot, I appreciate the secure grip and larger, illuminated controls that make adjustment in low light seamless. The Q10’s diminutive size is alluring for those prioritizing portability above all - and I often found it easy to conceal for candid street photography.
Looking at the top layout of each camera confirms their ergonomic intent:
The G5 has dedicated dials for exposure and shutter speed along with an exposure compensation dial - perfect for tweaking settings on the fly. The Q10 keeps things streamlined with fewer external controls, which may appeal to beginners but can slow down experienced photographers needing quick access to adjustments.
Ultimately, if you favor tactile feedback and robust handling, the G5 wins hands down. For ultra-light travel or casual shooting, the Q10’s diminutive form factor is hard to beat.
Sensor and Image Quality: Sensor Size Begins the Story
Pixel count and sensor megapixels only tell part of the story - sensor size and technology define image quality more crucially. Here the two cameras are fundamentally different beasts.
The Panasonic G5 uses a Four Thirds sensor measuring 17.3x13 mm with 16 megapixels, while the Pentax Q10 sports a tiny 1/2.3” sensor (6.17x4.55mm) at 12 megapixels. This size difference is enormous; the Panasonic sensor area is roughly 8x larger. A larger sensor collects more light, which directly translates into better dynamic range, improved color depth, and lower noise, especially in low light.
DXO Mark ratings confirm this with the G5 scoring overall 61 points versus only 49 for the Q10. Notably, the low-light ISO score is dramatically different: 618 for G5 vs 183 for Q10, meaning the Panasonic maintains usable image quality at much higher ISO settings - a critical advantage for night, event, and indoor photography.
The Q10’s sensor size confers a huge lens focal length multiplier of 5.8x, making it excellent for super-telephoto reach from small lenses but at the cost of image noise and narrow dynamic range. The G5’s more moderate 2.1x crop offers more versatile image quality.
If you prioritize image quality, especially for portraits, landscape, and low-light scenarios, I would strongly favor the Panasonic G5’s sensor, which delivers noticeably cleaner files and richer tonality.
LCD Screens and Viewfinders: Composing Your Vision
Composing images and reviewing captures is where display quality matters for practical usability.
The Panasonic G5 features a 3” fully articulated touchscreen LCD with 920k dots resolution and a bright TFT color panel. This screen is exceptionally useful for shooting at odd angles or selfies - particularly because the articulating hinge allows you to flip the screen around. Touch autofocus and menu navigation also smooth my workflow in the field.
On the contrary, the Pentax Q10 has a fixed 3” LCD but with much lower resolution at 460k dots and no touchscreen capabilities. While sharp for the time, I find the lower resolution screen frustrating for checking fine focus details without zooming in.
Regarding viewfinders, the G5 incorporates a 100% coverage electronic viewfinder with 1440k dots, which delivers a sharp, bright preview – invaluable under bright sunlight conditions. The Pentax Q10 lacks an EVF, instead offering an optional optical viewfinder attachment, which provides an unaugmented, limited frameline experience not ideal for precise composition.
If you shoot outdoors frequently or like to compose carefully at eye level, the G5’s superior EVF and flexible screen are a compelling advantage.
Autofocus and Shooting Performance: Speed and Reliability in Action
After extensive testing both cameras in environments from wildlife parks to indoor parties, autofocus speed, tracking, and burst rates emerged as defining factors in how comfortable and successful I was shooting fast-moving subjects.
The Panasonic G5 has a 23-point contrast-detection AF system with face detection and tracking modes, continuous AF during video, and an impressive 6fps continuous shooting rate. During wildlife and sports shoots, the AF reliably locked onto subjects and sustained focus in bursts. Face detect autofocus significantly helped for casual portrait sessions, quickly nailing accurate focus on eyes - a feature absent in the Pentax.
The Pentax Q10’s 25 contrast-detection AF points also include face detection but lack continuous AF in live view mode, somewhat limiting video and action photography utility. Its max burst rate is 5 fps, slightly slower. In real-world use, I noticed the Q10’s AF lagged a bit in dimmer environments and occasionally hunted for focus on low-texture subjects.
Neither camera supports phase-detection AF, meaning speed is more constrained compared to hybrid or dedicated phase systems in newer models. However, for entry-level use, Panasonic’s refinements in tracking and burst speed gave it a performance edge.
Lens Ecosystem and Compatibility: What Are Your Options?
Lens selection often dictates how long a camera stays relevant to a photographer’s growth. The Panasonic G5 shares the Micro Four Thirds mount, renowned for its extensive, mature lens catalogue - with over 100 lenses available, ranging from ultra-wide, macro, to professional telephoto options.
The Pentax Q10 uses the proprietary Pentax Q mount with only 8 native lenses produced for it. While some are compact and sharp, the scarcity severely limits versatility, especially for specialized photography styles requiring wide aperture primes or long telephotos.
In practical terms, if you plan to develop your photography and try different genres - from landscapes to macro or portraiture - the Panasonic G5’s far more extensive lens ecosystem allows you to evolve without reinvesting in new systems.
Build Quality, Weather Sealing, and Durability: Ready for Life’s Adventures?
Neither camera offers professional-grade weather sealing or ruggedization, reflecting their entry-level positioning. The Pentax Q10 is less robust due to its lightweight plastic construction, making it more vulnerable to wear and environmental stress. The Panasonic G5’s build is more substantial, with a metal frame inside and better overall durability, although still not weatherproof.
For travel or outdoor enthusiasts mindful of environmental challenges, Panasonic’s sturdier body instills more confidence in unpredictable conditions.
Battery Life and Storage: How Long Will You Shoot?
Battery performance is crucial on trips and long shoots. The Panasonic G5 offers around 320 shots per battery charge, while the Pentax Q10 is rated for about 270 shots. Both use proprietary battery packs, with no major standout in terms of endurance but expect the G5 to last slightly longer during intensive use.
Each camera supports standard SD/SDHC/SDXC cards with one slot - typical for the class. Storage speed and capacity will impact buffer clearing at high fps but not differently for these two models.
Video Capabilities: From Family Moments to Creative Projects
If video is part of your creative toolkit, you should note differences here:
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Panasonic G5 offers Full HD 1080p recording up to 60fps with AVCHD and MPEG-4 formats, plus Full HD slow-motion capability. The lack of microphone and headphone ports means external audio options are limited, and no in-body image stabilization forces reliance on stabilized lenses or tripods. The touchscreen interface greatly simplifies focusing during video.
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Pentax Q10 provides 1080p recording at 30fps max in MPEG-4 H.264 format. It does have sensor-shift stabilization, an advantage for handheld video, but lacks audio connectors and touch controls, making manual focusing trickier.
If video is important but you shoot mostly casual or web content, the G5’s higher frame rates and touch AF give it an edge. For handheld clips, the Q10’s stabilization may smooth footage, but its low-res screen hampers playback review.
Practical Performance for Key Genres
Let me delve into how these two cameras fare across popular photographic genres to provide real-world guidance.
Portraits: Capturing Flawless Skin and Expressive Eyes
In my portrait shoots, Panasonic G5’s larger sensor delivered superior rendering of skin tones, smoother gradations, and better bokeh from wider aperture lenses. The 23 AF points with face detection locked focus crisply on eye details, critical for compelling portraits.
The Pentax Q10 struggled more with noise at ISO settings above 400, and its small sensor limited background blur capability, resulting in less pronounced separation of subject and background. Face detection AF helped, but less refined.
Winner: Panasonic G5 for natural skin tones and eye AF accuracy.
Landscapes: Chasing Dynamic Range and Resolution
Landscape photography demands high dynamic range to capture shaded areas and skies together. The Samsung G5’s Four Thirds sensor enjoyed a measured DXO dynamic range of 11.6 EV stops, outperforming the Q10’s 10.9. The higher sensor resolution (16MP vs 12MP) produced larger prints with more detail.
Weather sealing is not present on either, so care is needed in rain or dust. The Panasonic’s articulated screen assisted framing complex scenes from low or awkward angles.
Winner: Panasonic G5 for tonal range and flexibility.
Wildlife and Sports: Tracking Speed and Extension
For wildlife and sports shooting, fast autofocus and telephoto reach are paramount. The Pentax’s huge 5.8x crop factor allows smaller lenses to deliver massive equivalent focal lengths ideal for distant subjects, but these come at the cost of image noise and lower resolution.
The Panasonic G5’s more advanced AF system and higher burst rate made it easier to reliably capture action sequences. However, I found that the G5 required more investment in telephoto lenses to match the Q10’s effective reach.
Winner: Tie - with Panasonic excelling in AF speed, Q10 in super-telephoto compactness.
Street Photography: Low-Profile and Speed
For street photographers valuing discretion, the Pentax Q10’s tiny profile and palmable size make it a natural companion. It registers low on the radar for street candid shots. The G5’s larger body is more imposing but provides faster access to controls.
Low-light performance favors the G5 for nocturnal street scenes, but I appreciated the Q10’s silence and stealth for daytime city walks.
Winner: Pentax Q10 for size; Panasonic G5 for low-light image quality.
Macro Photography: Focusing Precision Matters
Neither camera has built-in macro capabilities, but sharp macro lenses are available for Micro Four Thirds. I found the G5’s more advanced autofocus and superior sensor ideal for critical focus stacking and revealing detail. The Q10’s limited lens lineup constrains macro options.
Winner: Panasonic G5 due to lens options and focusing accuracy.
Night and Astrophotography: ISO and Noise Challenges
Here, the Panasonic G5’s wider ISO range (up to 12800) and superior noise control were decisive. Dark sky exposures produced cleaner stars and less color noise. The Q10’s small sensor struggles past ISO 800 - too noisy for star fields.
Winner: Panasonic G5 clearly outperforms for night photography.
Overall Performance Ratings: Putting Scores Into Perspective
Here’s a visual snapshot of the cameras’ overall ratings combining image quality, handling, features, and value:
The Panasonic G5 leads significantly in raw image quality, build robustness, AF performance, and video specs. The Pentax Q10 is rated lower, constrained mainly by its sensor and limited lens range but scores points for compactness and battery efficiency.
Looking closer by photography type:
This summary clarifies that the Panasonic G5 is more versatile and capable across nearly every genre, while the Q10 suits specific niches like street and super-telephoto wildlife.
Sample Image Gallery: Real-World Visual Comparison
Nothing communicates sensor and lens quality like seeing actual photographs at various apertures and ISO settings.
Left images shot with Panasonic G5: rich tonal range, crisp detail in shadows.
Right images shot with Pentax Q10: softer details and more noise at higher ISOs.
For detailed analysis, the G5 files retain subtle gradations and fine details, while Q10 images show more aggressive noise reduction and less dynamic nuance.
Connectivity and Workflow: Keeping Pace with Modern Requirements
Neither camera supports WiFi, Bluetooth, or NFC, unsurprising given their age and market segment. Both rely on USB 2.0 for data transfer and HDMI for external output.
The Panasonic G5’s more advanced image processor and file handling make importing large RAW files faster and smoother in pro workflows. Its compatibility with mature Micro Four Thirds software ecosystems eases post-processing.
The Price-to-Performance Equation: Value for Your Investment
The Panasonic Lumix G5 launched at approximately $699, reflecting its more sophisticated technology and extensive features. The Pentax Q10 debuted at roughly half that price ($349.95), targeting budget buyers or those valuing extreme portability.
Given used market conditions today, the G5 generally commands a premium but justifies it through superior image quality, control, and expandability. For photographers on a tight budget prioritizing a lightweight system for casual use, the Q10 remains attractive.
Final Takeaways: Which Camera Fits Your Vision?
Deciding between the Panasonic Lumix G5 and the Pentax Q10 depends mainly on your priorities:
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Choose the Panasonic G5 if:
- Image quality and low-light performance are paramount.
- You want a versatile lens ecosystem to cover varied genres.
- You prefer better ergonomics and faster autofocus.
- Video and articulated touchscreen usability matter.
- You shoot portraits, landscapes, night, macro, or sports frequently.
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Opt for the Pentax Q10 if:
- Ultra-compact size and portability top your checklist.
- You primarily shoot everyday street photography or travel light.
- You want a cost-effective entry into interchangeable-lens cameras.
- You shoot mostly in good light and moderate sensitivity.
Both cameras reflect their era’s entry-level design philosophies but with marked differences. In my thorough field-testing, the Panasonic G5 emerged as the clear all-rounder for enthusiasts aiming to grow, while the Pentax Q10 serves as a niche tool with unique portability advantages.
I hope this comprehensive comparison steers you toward a camera that sees your creative visions come to life with ease and joy. As always, hands-on testing with your own style and prime shooting scenarios is the best way to confirm the right fit.
Happy shooting!
Panasonic G5 vs Pentax Q10 Specifications
Panasonic Lumix DMC-G5 | Pentax Q10 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model | Panasonic Lumix DMC-G5 | Pentax Q10 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2012-07-17 | 2012-09-10 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine VII FHD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 12800 | 6400 |
Lowest native ISO | 160 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 23 | 25 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax Q |
Available lenses | 107 | 8 |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display size | 3 inches | 3 inches |
Resolution of display | 920 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | TFT Color LCD with wide-viewing angle | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (optional) |
Viewfinder resolution | 1,440 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shutter speed | 6.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 10.50 m | 7.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash sync | 1/160 secs | 1/2000 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 396 grams (0.87 pounds) | 200 grams (0.44 pounds) |
Dimensions | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall score | 61 | 49 |
DXO Color Depth score | 21.4 | 21.1 |
DXO Dynamic range score | 11.6 | 10.9 |
DXO Low light score | 618 | 183 |
Other | ||
Battery life | 320 photographs | 270 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | D-LI68 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at release | $699 | $350 |