Panasonic G6 vs Panasonic ZS30
74 Imaging
52 Features
79 Overall
62


92 Imaging
42 Features
48 Overall
44
Panasonic G6 vs Panasonic ZS30 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 122 x 85 x 71mm
- Launched April 2013
- Old Model is Panasonic G5
- Replacement is Panasonic G7
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 198g - 105 x 59 x 28mm
- Revealed January 2013
- Other Name is Lumix DMC-TZ40
- Superseded the Panasonic ZS25
- Later Model is Panasonic ZS35

Panasonic Lumix DMC-G6 vs. DMC-ZS30: A Detailed Comparison for Enthusiasts and Pros
Choosing your next camera is an exciting but often overwhelming step in your creative journey. Whether you’re stepping up your photography game or seeking a versatile travel companion, understanding the nuances between models can make a world of difference. Today, we’re diving deep into two distinct Panasonic Lumix cameras released in 2013 - the Lumix DMC-G6, an entry-level mirrorless powerhouse, and the Lumix DMC-ZS30, a compact superzoom designed for portability and all-in-one convenience.
Both cameras serve very different photographers and scenarios. Our goal is to help you determine which device aligns best with your photographic ambitions, technical requirements, and budget.
First Impressions: Handling, Size, and Design
Right off the bat, the Panasonic G6 and ZS30 could not be more different in their physical nature and design philosophy.
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Panasonic G6: With dimensions of 122x85x71mm and weighing 390g, it mimics a traditional SLR body style. Its solid grip, robust build, and an articulating 3” touchscreen LCD make it more comfortable for extended shooting sessions. The camera’s viewfinder coverage is 100%, featuring a 1440-dot resolution electronic viewfinder (EVF) with 0.7x magnification, aiding precision framing and situational awareness, particularly in bright outdoor environments.
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Panasonic ZS30: At a very pocketable 105x59x28mm and just 198g, this compact camera caters to users who prize portability above all else. It lacks an EVF but sports a fixed 3” touchscreen LCD with a 920k-dot resolution. Its fixed lens and lighter body support quick grab-and-go shooting, ideal for travel and casual photography.
Ergonomics heavily influence user experience. Our testing with both revealed the G6’s DSLR-like grip and customizable control layout provide better handling for advanced compositions and professional workflows. In contrast, the ZS30’s compactness and simplicity suit street shooters and travelers who prefer less bulk.
For control comparison, take a look at the top panel layout in this next visual:
Both cameras have logical layouts, but the G6 supports physical dials and buttons for shutter speed, ISO, and aperture - vital for fast, precise adjustments in dynamic situations. The ZS30 relies more on touchscreen and limited physical controls, which can feel constrained for seasoned photographers.
Sensor and Image Quality: The Heart of the Camera
The sensor significantly impacts your photos' detail, dynamic range, noise, and overall quality. Here’s a side-by-side breakdown:
Feature | Panasonic G6 | Panasonic ZS30 |
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Sensor Size | Micro Four Thirds (17.3 x 13 mm) | 1/2.3” (6.17 x 4.55 mm) |
Sensor Area | 224.9 mm² | 28.07 mm² |
Resolution | 16 MP (4608 x 3456) | 18 MP (4896 x 3672) |
ISO Range | 160-25600 (expandable) | 100-6400 |
Antialias Filter | Yes | Yes |
Raw Support | Yes | No |
DxOMark Overall Score | 61 (Color Depth: 21.3, Dynamic Range: 11.5, Low Light: 639) | Not tested |
The G6’s larger Micro Four Thirds sensor delivers distinctly superior low-light performance, dynamic range, and color depth. This translates to cleaner images with richer tones and more retained detail in shadows and highlights. Its ability to shoot raw files unlocks maximum post-production flexibility, ideal for enthusiasts and professionals.
By comparison, the ZS30’s smaller 1/2.3” sensor is typical for a compact superzoom. While its 18MP count edges out in resolution, smaller pixels struggle with noise at higher ISO settings and limited dynamic range affects contrast and highlight recovery.
In real-world use, the G6 excels for rich landscapes, portraits, and any scenario requiring precision and high image fidelity. The ZS30 is best suited for daylight snapshots and casual photos where convenience trumps ultimate image quality.
Focusing Systems and Speed: Catch the Moment
Autofocus (AF) technology shapes how effectively your camera can lock focus on subjects, especially fast-moving ones. Here’s how these Panasonic Lumix cameras stack up:
AF Feature | Panasonic G6 | Panasonic ZS30 |
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AF Points | 23 contrast-detection AF points | 23 contrast-detection AF points |
AF Modes | Single, Continuous, Tracking, Face Detection | Continuous Tracking |
Phase-Detection | No | No |
Animal Eye AF | No | No |
Touch AF | Yes | Yes |
Burst Rate | 7 fps | 10 fps |
While both cameras use contrast-detection autofocus, the G6 benefits from advanced algorithms, face detection, and more responsive continuous AF for moving subjects. In real-world wildlife and sports shooting, the G6 offers more reliable tracking.
The ZS30’s AF does well for still or slow-moving subjects and benefits from 10 fps burst shooting, though focus and buffer performance are limited compared to the G6.
LCD and Viewfinder: Composition and Preview
Your camera's screen and viewfinder are crucial for composing shots and reviewing images - especially in varied light.
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Panasonic G6: Features a fully articulating 3” touchscreen LCD with 1036k dots and an OLED electronic viewfinder (EVF) displaying at 1440-dot resolution with 100% coverage. The EVF is a real advantage outdoors, providing clarity and detail when sunlight renders LCDs challenging to see.
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Panasonic ZS30: Comes with a static 3” touchscreen LCD with 920k dots but no EVF. While its screen is sufficient for casual photography, bright sunny days can cause viewing difficulties.
The articulating screen on the G6 opens up flexible shooting angles - essential for creative perspectives in macro, video, or low-angle shots.
Lens Ecosystem and Versatility
Compatibility with a broad range of lenses often makes or breaks a camera system’s long-term usefulness.
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Panasonic G6: Uses the Micro Four Thirds mount, one of the most versatile ecosystems, with over 100 native lenses available (ranging from ultra-wide primes to telephoto zooms, specialized macros, and fast-aperture portrait lenses). You can cover virtually every photographic discipline, enabling growth and experimentation.
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Panasonic ZS30: Sports a fixed 24–480mm equivalent zoom lens (20x optical zoom), with maximum apertures f/3.3-6.4. This all-in-one lens covers vast focal lengths but trades off speed and low-light capability. The lack of interchangeable lenses limits creative freedom but maximizes convenience for travel and casual use.
If you value adaptability, interchangeable lenses, and professional-grade glass, the G6 stands out. If you need lightweight gear capable of wide-to-telephoto shots without swapping lenses, the ZS30 is designed just for that.
Build Quality and Weather Resistance
Neither camera offers weather sealing, dustproofing, or freeze-proof construction. Both are aimed primarily at non-professional use or moderate weather environments.
- The G6's SLR-style body feels more robust and durable.
- The ZS30, as a compact travel camera, emphasizes portability over ruggedness.
Battery Life and Storage
Feature | Panasonic G6 | Panasonic ZS30 |
---|---|---|
Battery Life (CIPA) | ~340 shots | ~260 shots |
Storage | SD/SDHC/SDXC, single slot | SD/SDHC/SDXC and internal storage |
Both rely on proprietary battery packs, with the G6 offering longer shooting capacity per charge. The ZS30’s internal storage option supplements its SD card slot - useful in emergencies but limited in capacity.
Connectivity and Extras
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G6: Built-in Wi-Fi and NFC to enable smartphone pairing for remote control, image sharing, and geotagging (via connected phone).
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ZS30: Built-in Wi-Fi and GPS for location tagging without external devices but lacks NFC.
No Bluetooth on either camera.
For video recording, both offer Full HD 1080p at 60fps, but the G6 supports external microphones for improved audio capture - ideal for vloggers and hybrid shooters.
Real-World Photography Disciplines Explored
Now let's consider how each camera performs in various popular genres.
Portrait Photography
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G6: Larger sensor and manual aperture control offer superior depth of field control and softer background blur (bokeh). Its 23-point AF system with face detection locks quickly on eyes for sharp portraits. RAW support enables nuanced skin tone retouching.
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ZS30: Small sensor limits bokeh capability; background blur is minimal. Face detection is absent, making sharp eye-focus less consistent.
Landscape Photography
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G6: The wider dynamic range and higher resolution make it excellent for capturing rich details, subtle tonal gradations, and expansive scenes. Articulated screen helps with creative framing.
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ZS30: Limited dynamic range and smaller sensor make it a more casual landscape camera, best in bright daylight.
Wildlife and Sports Photography
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G6: Reliable continuous autofocus tracking and decent 7 fps burst frame rate accommodate mid-action shooting. Compatible with long telephoto lenses through the MFT mount.
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ZS30: Higher burst rate (10 fps) is attractive, but autofocus tracking and buffer limitations constrain its utility in fast-action shooting.
Street Photography
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ZS30: Compact body and zoom lens are discreet for street work. Quick start-up and portability make it a great carry-everywhere camera.
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G6: Larger and more conspicuous but delivers superior image quality. Articulating screen can help in shooting street candid shots from unusual angles.
Macro Photography
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G6: Supports dedicated macro lenses with manual focus and focus peaking for sharp close-ups. No in-body stabilization, but some lenses provide optical stabilization.
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ZS30: Macro focusing range down to 3cm is good for casual close-ups, with built-in optical image stabilization aiding handheld shooting.
Night and Astro Photography
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G6: The large sensor and higher maximum ISO enable sharper low-light images with less noise. Manual exposure modes support long exposures crucial for astrophotography.
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ZS30: Smaller sensor struggles with high ISO noise; limited max shutter speed reduces capability for star trails and nightscape photography.
Video Capabilities
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Both support full HD 1080p at 60fps in AVCHD and MPEG-4 codecs.
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G6: Bigger body accommodates the addition of external microphones via 3.5mm jack, critical for serious video creators. Articulating screen enhances vlogging and varied shot composition.
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ZS30: No external microphone input, limiting audio control.
Examining these sample images side-by-side illustrates how the G6’s sensor and lens advantage translates into color depth, detail, and dynamic range superiority. The ZS30 images, while decent for casual use, lack that professional polish, especially in challenging lighting.
Performance Ratings and Value Analysis
Below is a dash of performance ratings and where the cameras shine:
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The G6 scores higher overall due to sensor, AF, and build.
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The ZS30’s strengths are tied to portability and zoom range.
Focusing on genre-specific strengths:
Who Should Choose the Panasonic Lumix G6?
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You want professional-level image quality and extensive creative control.
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Your shooting involves portraits, landscapes, wildlife, macro, or video where interchangeable lenses and sensor size matter.
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You are ready for a more serious grip and the physical controls a DSLR-style mirrorless camera offers.
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You want RAW shooting for post-processing flexibility.
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You value good battery life and reliable autofocus.
Who Is the Panasonic Lumix ZS30 For?
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You prioritize ultra-compact size and convenience, ideal for travel, street, and family snapshots.
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You want a superzoom lens built-in to cover wide-to-telephoto without carrying multiple lenses.
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You need basic manual control but mostly want simple point-and-shoot functionality.
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You don’t need RAW or professional video features but desire Full HD video recording and GPS geotagging.
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Budget-conscious buyers will appreciate the ZS30’s affordable price tag at about $249 vs. $749 for the G6.
Final Thoughts: Matching Tools to Creative Goals
Both the Panasonic Lumix DMC-G6 and ZS30 are distinct tools reflecting different priorities.
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If your passion is image quality, manual control, and stepping towards professional photography, the G6 is a clear winner. Its Micro Four Thirds system unlocks serious creativity that grows with your skills and lenses.
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If you want a compact, pocketable camera with a versatile zoom, for casual or travel use with minimal fuss, the ZS30 is a convenient, budget-friendly choice.
Neither camera is weather-sealed or fully cutting-edge by today’s standards, but each offers a lot of value within their niches. We recommend handling both in person to feel which fits your grip and workflow best. Whichever you choose, these cameras can be fantastic partners in your photographic exploration.
Getting Started with Your Panasonic Camera
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For the G6, invest in a good starter lens kit, such as the 14-42mm kit lens, and consider adding a fast prime for portraits.
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For the ZS30, pick up a good-quality SD card to maximize storage and familiarize yourself with zoom controls and manual exposure modes.
Consider the accessories that complement your purchase - spare batteries, protective cases, and tripods all pave the path to creativity.
Embrace the journey ahead with the right camera in hand, and let your vision flourish!
We hope this comprehensive comparison helps you make an informed decision. If you have questions or want us to test additional models, just let us know. Happy shooting!
Panasonic G6 vs Panasonic ZS30 Specifications
Panasonic Lumix DMC-G6 | Panasonic Lumix DMC-ZS30 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-G6 | Panasonic Lumix DMC-ZS30 |
Also called | - | Lumix DMC-TZ40 |
Class | Entry-Level Mirrorless | Small Sensor Superzoom |
Launched | 2013-04-24 | 2013-01-07 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 18 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4896 x 3672 |
Highest native ISO | 25600 | 6400 |
Min native ISO | 160 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-480mm (20.0x) |
Max aperture | - | f/3.3-6.4 |
Macro focus distance | - | 3cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen sizing | 3 inches | 3 inches |
Screen resolution | 1,036k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Minimum shutter speed | 60s | 15s |
Fastest shutter speed | 1/4000s | 1/1200s |
Continuous shutter speed | 7.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.50 m | 6.40 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | 1/160s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 390g (0.86 lbs) | 198g (0.44 lbs) |
Dimensions | 122 x 85 x 71mm (4.8" x 3.3" x 2.8") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall score | 61 | not tested |
DXO Color Depth score | 21.3 | not tested |
DXO Dynamic range score | 11.5 | not tested |
DXO Low light score | 639 | not tested |
Other | ||
Battery life | 340 shots | 260 shots |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch price | $750 | $250 |