Panasonic G6 vs Sony NEX-3
74 Imaging
52 Features
79 Overall
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89 Imaging
53 Features
55 Overall
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Panasonic G6 vs Sony NEX-3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 122 x 85 x 71mm
- Announced April 2013
- Succeeded the Panasonic G5
- Updated by Panasonic G7
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- 1280 x 720 video
- Sony E Mount
- 297g - 117 x 62 x 33mm
- Introduced June 2010
- Later Model is Sony NEX-C3

Panasonic Lumix DMC-G6 vs Sony Alpha NEX-3: A Comprehensive Comparison for Discerning Photographers
Selecting an entry-level mirrorless camera demands a thorough understanding of each model’s real-world capabilities beyond surface specifications. After personally testing both the Panasonic Lumix DMC-G6 and Sony Alpha NEX-3 extensively over years of field use, this comparison article synthesizes calibrated insights across all key photography disciplines. The goal is to equip enthusiasts and professionals with an expert analysis centered on practical performance, technological strengths, and usability nuances, enabling informed purchasing decisions.
First Impressions: Size, Ergonomics, and Handling Dynamics
The Panasonic G6 and Sony NEX-3 represent different ergonomic philosophies reflecting their SLR-style versus rangefinder-style mirrorless designs respectively. Handling comfort and control intuitiveness are paramount when shooting extended sessions.
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Panasonic G6: Exhibits a robust and grip-friendly SLR-type body with a sculpted handgrip and well-sized control dials. Its physical dimensions stand at 122mm x 85mm x 71mm with a weight of 390 grams, providing stability especially with longer or heavier lenses.
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Sony NEX-3: Features a notably compact, rangefinder-style chassis measuring 117mm x 62mm x 33mm at 297 grams. While highly portable, its slim profile delivers less tactile grip security under demanding shooting scenarios.
Our extensive fieldwork confirms the Panasonic G6 achieves superior ergonomics, especially for users prioritizing comfort and precision control placement. The NEX-3’s svelte design favors travel and street photography, where discretion and weight savings matter more than prolonged handling comfort.
Control Layout and Top Plate Design: Navigating Settings Efficiently
Control schemes impact the ease of accessing essential functions. Both models approach operator interface differently, reflecting their design eras and intended user interaction styles.
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Panasonic G6: Equipped with a comprehensive array of dedicated dials (exposure compensation, mode dial, command dial) and buttons arranged symmetrically on a functional top plate. The electronic viewfinder is prominently integrated with a resolution of 1440 dots and 100% coverage.
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Sony NEX-3: Top panel is minimalist with limited physical controls, leaning heavily on menu navigation and touchscreen LCD for adjustments. Notably, it lacks any electronic or optical viewfinder, relying solely on its 3-inch tilting screen.
From hands-on use, Panasonic’s extensive physical controls reduce menu diving and accelerate workflow, crucial in dynamic shooting like sports or wildlife. Meanwhile, NEX-3’s sparse layout may hinder rapid adjustments but appeals to those accustomed to simplified operation or casual shooting styles.
Sensor Technologies and Imaging Capabilities: The Heart of Image Quality
Sensor size, resolution, and underlying technology define ultimate image quality potential. Both cameras deploy CMOS sensors but differ markedly in format and pixel density, influencing low light handling, dynamic range, and resolution fidelity.
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Panasonic G6:
- Sensor Type: Four Thirds CMOS
- Dimensions: 17.3mm x 13.0mm (224.9 mm²)
- Resolution: 16MP (4608x3456)
- Pixel Density: Higher due to smaller sensor area
- ISO Range: 160-25600 (native)
- DxO Mark Scores: Overall 61, Color Depth 21.3 bits, Dynamic Range 11.5 EV, Low-Light ISO 639
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Sony NEX-3:
- Sensor Type: APS-C CMOS
- Dimensions: 23.4mm x 15.6mm (365.0 mm²)
- Resolution: 14MP (4592x3056)
- Pixel Density: Lower, larger pixels aid noise control
- ISO Range: 200-12800 (native)
- DxO Mark Scores: Overall 68, Color Depth 22.1 bits, Dynamic Range 12.0 EV, Low-Light ISO 830
In laboratory and field conditions, the Sony NEX-3’s APS-C sensor consistently outperforms the G6 in dynamic range and high ISO noise management, giving it an edge in landscapes and low-light environments such as night or astro photography. However, the G6’s resolution advantage supports finely detailed images well suited for large prints or heavy cropping, albeit with a slight noise penalty at higher ISOs.
Rear Screen and Electronic Viewfinder: Critical Tools for Framing and Feedback
Both cameras provide live view functionality but differ profoundly in monitoring methods.
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Panasonic G6:
- Screen: 3-inch fully articulated TFT LCD, 1036k dots, touchscreen-enabled
- Viewfinder: Electronic, 1440k dots, excellent for bright outdoor shooting and fast framing
- User Experience: Touchscreen vastly improves menu navigation and focusing flexibility, articulated screen enhances low/high angle shooting
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Sony NEX-3:
- Screen: 3-inch tilting TFT Xtra Fine LCD, 920k dots, no touchscreen
- Viewfinder: None, relying exclusively on LCD for image composition
- User Experience: Tilting screen aids awkward angles, but lack of touchscreen or EVF limits usability in bright conditions and hinders rapid AF point selection
Our hands-on testing highlights that the Panasonic G6’s articulated touchscreen combined with a high-resolution EVF significantly improves shooting efficiency and accuracy, especially in varied lighting. For photographers reliant on direct eye-level composition, G6 is preferable. NEX-3 users must adapt to the absence of a viewfinder, which can be a handicap in strong sunlight or for more traditional framing preferences.
Autofocus System: Speed, Accuracy, and Tracking Capabilities
Autofocus remains a crucial determinant of real-world performance, particularly for action, wildlife, and portraiture.
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Panasonic G6:
- AF Points: 23-point contrast-detection system with face detection, continuous AF, and AF tracking
- AF Modes: Single, continuous, selective, tracking
- Special Features: Touch autofocus, eye-detection AF (though no animal-eye AF)
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Sony NEX-3:
- AF Points: 25-point contrast-detection system with face detection, but no continuous tracking AF
- AF Modes: Single, selective, no effective continuous tracking AF
- Special Features: Lacks touch AF and animal-eye AF
In extensive autofocus trials shooting portraits and fast subjects, the Panasonic G6’s AF module presents notable advantages in speed and tracking reliability, directly due to continuous AF and tracking capabilities supported by touch AF for intuitive focus point control. The NEX-3’s AF is competent for static or slower subjects but struggles with moving subjects and lacks the eye-detection refinement found in newer models.
Image Stabilization, Burst Shooting, and Shutter Performance
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Image Stabilization: Neither camera offers in-body image stabilization (IBIS); thus, stabilization depends on lens compatibility. Panasonic’s Micro Four Thirds lenses commonly include optical stabilization, providing effective blur reduction, whereas Sony’s E-mount ecosystem at the time had fewer stabilized lenses.
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Burst Rates: Both cameras offer 7 fps continuous shooting at their maximum shutter speeds of 1/4000 sec, suitable for moderate action photography.
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Shutter Speeds: Panasonic offers longer minimum shutter speed to 60 seconds, aiding long-exposure and night photography compared to Sony’s 30 seconds.
The G6 offers practical advantages for slow shutter speed applications and benefits from matched stabilized lenses, whereas the NEX-3, with equivalent burst speed, meets entry-level demands but lags for extended night exposures or stabilized handheld telephoto work.
Lens Ecosystem and Compatibility Considerations
The lens mounts and available optics critically define system versatility.
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Panasonic G6 (Micro Four Thirds mount):
- Extensive lens line-up, currently over 100 native lenses available from Panasonic, Olympus, and third parties
- Focal length multiplier: 2.1x (effective crop factor)
- Compact, lightweight lenses provide flexibility for travel and macro work
- Strong support for stabilized optics
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Sony NEX-3 (Sony E-mount):
- Early-generation E-mount system, fewer lenses at launch, around 121 lenses exist currently including third-party options
- Focal length multiplier: 1.5x
- Favorable for portrait and landscape lenses, though initially limited in specialized optics like macro
In real-world evaluations, Panasonic’s mature Micro Four Thirds system offers an appreciable breadth of compact and cost-effective lenses, optimizing portability and focal range versatility. Sony’s NEX-3 benefits from APS-C’s superior sensor size but lens options in the early E-mount era were limited, potentially restricting specialized photography categories unless third-party adapters or future investments are considered.
Build Quality, Environmental Sealing, and Durability
Neither camera includes formal weather sealing or ruggedization features, consistent with their entry-level market placement. Both require user discretion in adverse conditions.
- Panasonic G6 uses sturdy polycarbonate materials with a relatively robust chassis.
- Sony NEX-3’s lightweight body construction prioritizes portability but feels less solid to the touch.
For photographers requiring durability in demanding environments (landscape, wildlife fieldwork), neither camera is ideal. The Panasonic G6, however, provides a slightly more substantial frame offering greater perceived resilience.
Battery Life and Storage
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Battery Endurance:
- Panasonic G6 Citations: Approximately 340 shots per charge (CIPA rating)
- Sony NEX-3: Slightly lower at 330 shots per charge
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Storage:
- Panasonic: Supports SD/SDHC/SDXC cards
- Sony: More versatile, supports SD/SDHC/SDXC and proprietary Memory Stick Pro Duo/Pro-HG Duo
While neither camera excels in battery longevity, the Panasonic’s marginally higher endurance and compatibility with broadly available SD cards streamline workflow, particularly on travel or extended shoots.
Connectivity and Media Integration
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Panasonic G6 includes built-in Wi-Fi and NFC wireless connectivity, facilitating rapid image transfer and remote control through smartphones or tablets. This feature enhances workflow efficiency and supports immediacy, particularly advantageous in travel and event photography.
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Sony NEX-3 offers Eye-Fi card compatibility for wireless transfer but lacks onboard Wi-Fi or NFC, limiting connectivity to external accessories.
Video Recording Capabilities
Video functionality is increasingly relevant in modern mirrorless cameras.
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Panasonic G6:
- Full HD 1920 x 1080 recording at up to 60p
- AVCHD and MPEG-4 formats supported
- Microphone input available, no headphone jack
- No 4K or advanced video features (typical of its release period)
- Lacks in-body image stabilization, relies on stabilized lenses
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Sony NEX-3:
- HD recording capped at 1280 x 720 at 30 fps
- MPEG-4 format only
- No microphone or headphone ports
- More limited video capability overall
Practically, G6 significantly outperforms NEX-3 for serious videographers requiring Full HD capture with higher frame rates and audio control. The NEX-3 remains a casual option for basic video usage.
Specialty Photography Fields: Genre-Specific Performance Insights
Our systematic testing across key photographic genres elucidates nuanced suitability for each camera.
Portraiture
- G6 Strengths: Reliable face and eye detection AF, excellent skin tone rendering aided by color depth, good background blur with MFT lenses despite the smaller sensor.
- NEX-3 Strengths: Larger sensor provides naturally shallower depth of field potential, resulting in smoother bokeh.
Recommendation: G6 is preferable for beginners mastering focus accuracy; NEX-3 offers aesthetic advantage but requires more deliberate focusing techniques.
Landscape
- Dynamic range and resolution favor NEX-3, allowing better highlight retention and shadow detail.
- Articulated screen and weather resistance (limited on both) slightly favor G6 for varied shooting angles.
Recommendation: NEX-3 suits landscape photographers focused on image quality; G6 appeals to those needing flexible composition aids.
Wildlife & Sports
- AF tracking and continuous autofocus enable Panasonic G6 to better capture fast-moving subjects.
- Burst rates are comparable, but G6’s autofocus system performs notably better.
Recommendation: G6 is the clear choice for wildlife and action photography; NEX-3 lags in AF responsiveness.
Street Photography
- NEX-3’s compactness and lower profile are advantageous.
- G6 is bulkier but can be operated silently with electronic shutter (though limited in speed).
Recommendation: NEX-3 is ideal for discreet street shooting; G6 trades portability for control and lens versatility.
Macro and Close-Up Work
- Lens availability and focusing precision are critical; both cameras lack focus stacking and post-focus.
- G6’s touch AF and lens stabilization favor macro shooting.
Recommendation: G6 offers better practical macro support; NEX-3 can perform adequately with dedicated macro optics.
Night & Astrophotography
- Longer minimum shutter speed (60s) on G6 versus NEX-3 (30s) supports extended exposures.
- NEX-3’s superior noise handling at high ISOs is beneficial.
Recommendation: NEX-3 leads for noise-sensitive astro shots; G6 allows more exposure flexibility.
Travel Photography
- G6 balances size versus function; longer battery life and Wi-Fi are advantages.
- NEX-3 excels in portability and compactness.
Recommendation: Users prioritizing size and light weight lean toward NEX-3; those valuing full control and connectivity prefer G6.
Professional Work and Workflow Integration
- Both support RAW, but G6’s broader lens system, external flash support, and wired connectivity aid professional settings.
Recommendation: G6 fits better for semi-pro workflows demanding greater versatility; NEX-3 is entry-level with limitations in advanced workflows.
Quantitative Performance Ratings Summary
Aggregated scoring from DxO Mark and empirical tests shows Panasonic G6 scores respectably for its sensor size and control suite, while Sony NEX-3 leads in sensor performance but trails in operational ergonomics.
Genre-Specific Performance Visualized
This graph visually corroborates the strengths and compromises outlined, illustrating how each camera ranks in critical categories.
Final Considerations: Price-to-Performance and Value Assessment
At the time of release and current used market positioning:
- Panasonic G6 (~$750 at launch) offers superior video, AF tracking, more versatile controls, and extensive lens options.
- Sony NEX-3 (retired and generally budget-priced) provides better sensor quality for static subjects and low-light images but lacks modern conveniences and robustness.
For buyers prioritizing actionable features, control precision, and multimedia versatility, the Panasonic Lumix G6 presents the stronger overall value despite its older sensor size. Conversely, image quality purists who prioritize dynamic range and low noise above all may find the Sony NEX-3’s APS-C sensor advantageous, conditioned on accepting its ergonomic compromises.
Summary Recommendations
User Profile | Recommended Camera | Justification |
---|---|---|
Enthusiast video and hybrid shooting | Panasonic Lumix G6 | Full HD video @60p, mic input, articulated screen, and controls |
Landscape and static subject shooter | Sony NEX-3 | Larger APS-C sensor provides better image quality and DR |
Wildlife and sports photographer | Panasonic Lumix G6 | Superior autofocus tracking and burst shooting |
Street and travel minimalist | Sony NEX-3 | Compact size and light weight for discreet shooting |
Macro photographer | Panasonic Lumix G6 | Better AF precision and lens ecosystem coverage |
Budget-conscious entry-level buyer | Sony NEX-3 | Lower cost with respectable sensor performance |
Closing Expert Remarks
Choosing between these two pioneering mirrorless entries should be governed by explicit photographic intentions. Extensive hands-on testing affirms that the Panasonic Lumix G6 excels at operational control, autofocus efficiency, and video capability, making it a more versatile tool in demanding scenarios. The Sony NEX-3’s larger sensor bestows it with inherent image quality advantages under controlled shooting conditions but is limited by fewer physical controls and weaker AF tracking.
Understanding these trade-offs through the prism of experience ensures photographers select a camera tailor-made to their specific creative demands and shooting environments.
This detailed evaluation draws on years of comparative testing protocols and real-world shooting sessions to deliver an authoritative, balanced guide for both new users and seasoned professionals investing in entry-level mirrorless systems.
Panasonic G6 vs Sony NEX-3 Specifications
Panasonic Lumix DMC-G6 | Sony Alpha NEX-3 | |
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General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-G6 | Sony Alpha NEX-3 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Announced | 2013-04-24 | 2010-06-07 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor area | 224.9mm² | 365.0mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4592 x 3056 |
Highest native ISO | 25600 | 12800 |
Min native ISO | 160 | 200 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | 25 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony E |
Number of lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Tilting |
Display diagonal | 3" | 3" |
Resolution of display | 1,036k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT Color LCD with wide-viewing angle | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter speed | 7.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 10.50 m | 12.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/160 seconds | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, AVCHD | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 390g (0.86 pounds) | 297g (0.65 pounds) |
Physical dimensions | 122 x 85 x 71mm (4.8" x 3.3" x 2.8") | 117 x 62 x 33mm (4.6" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | 61 | 68 |
DXO Color Depth rating | 21.3 | 22.1 |
DXO Dynamic range rating | 11.5 | 12.0 |
DXO Low light rating | 639 | 830 |
Other | ||
Battery life | 340 pictures | 330 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Retail price | $750 | $0 |