Panasonic G85 vs Sony A7R
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54 Features
84 Overall
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Panasonic G85 vs Sony A7R Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600 (Expand to 25600)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 505g - 128 x 89 x 74mm
- Released September 2016
- Also Known as Lumix DMC-G80
- Refreshed by Panasonic G95
(Full Review)
- 36MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 25600
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 465g - 127 x 94 x 48mm
- Announced February 2014
- Successor is Sony A7R II
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic G85 vs Sony A7R: The Mirrorless Showdown through a Seasoned Photographer’s Lens
Choosing between the Panasonic Lumix G85 and the Sony Alpha A7R isn’t just a matter of specs - it’s about matching a camera’s character to your photographic style, workflow, and budget. Having spent over 15 years buried under various mirrorless systems, testing their mettle in the field, the studio, and everywhere in between, I’ve learned that a camera’s worth isn’t always measured in megapixels or frame rates alone - it’s about how all the pieces come together when you hit that shutter button.
Today, I’m diving deep into a hands-on, no-nonsense comparison of the Panasonic G85 and Sony A7R. Two cameras separated by sensor size, market tier, and era - yet both still relevant tools for certain users. So buckle up - here’s the lowdown on what these mirrorless contenders can really do across the board.
Getting to Know the Contenders: Physicality and Ergonomics
Before you even think about sensor tech or autofocus, how a camera feels in your hands can make or break your entire shooting experience. The G85 and A7R, though both SLR-style mirrorless models, offer different form factors and handling philosophies.
The Panasonic G85 is a Micro Four Thirds system camera, known for compactness and light weight without a major sacrifice in functionality. The Sony A7R sports full-frame chops in a slightly larger but still relatively trim body.
Let’s put these side by side visually:

Observing the size and grip contours, the G85’s chunkier grip and more pronounced button layout cater nicely to longer handholds. It feels reassuringly solid, and its 505-gram body encourages less hand fatigue during extensive shoots.
In contrast, the Sony A7R surprises with a slimmer profile and lighter 465 grams, yet it manages a very competent grip for its size. However, the relatively shallow grip may not be as comfortable for photographers with larger hands or when using big, heavy lenses.
Flip the cameras over to check the top decks and control layouts:

Here, the G85 shines in its thoughtful dials. Dedicated mode, exposure compensation, ISO, and shutter speed dials allow quick manual adjustments without diving into menus - a boon in action situations or outdoor shoots where you want to concentrate on composition.
The Sony A7R opts for a more minimalist look with fewer hard dials and reliance on multi-function buttons and menus. While customizable, it requires more menu navigation, which can slow you down if speed is essential.
Ergonomics verdict: For photographers who prize tactile control and grip comfort, especially those shooting extended sessions, the Panasonic G85 edges ahead. Meanwhile, the Sony A7R will appeal to users comfortable with menu-driven customization, prioritizing compactness.
Pixel Wars: Sensor Size, Resolution & Image Quality
Now, let’s get down to the megapixels and sensor physics that dictate core image potential. Sensor size and resolution are critical because they shape everything from depth of field behaviors to low-light sensitivity.
Here’s a straightforward visual comparison of the sensor footprints:

- Panasonic G85 packs a 16MP Four Thirds sensor (17.3 x 13 mm, 224.9 mm² area)
- Sony A7R rocks a 36MP full-frame sensor (35.9 x 24 mm, 861.6 mm² area)
First off, the resolution bump: Sony’s roughly double pixel count means images boast more detail, super handy for landscape or studio work where cropping or large prints are common.
Technically, the larger sensor also inherently offers a broader dynamic range and cleaner high-ISO performance - visible in DxOMark results:
| Metric | Panasonic G85 | Sony A7R |
|---|---|---|
| Overall DxOMark Score | 71 | 95 |
| Color Depth | 22.8 bits | 25.6 bits |
| Dynamic Range | 12.5 EV | 14.1 EV |
| Low Light ISO Score | 656 | 2746 |
The big sensor advantage translates to more detail retention in shadows/highlights and markedly improved noise control at elevated ISOs.
Still, don’t write off the G85. In daylight or controlled lighting conditions, its sensor produces vibrant, pleasing colors and respectable sharpness. And the absence of an anti-aliasing (AA) filter on both cameras helps preserve fine detail - no softening blur here.
For those wondering what the images actually look like from both bodies, here’s a gallery of diverse shot types:
Take note of skin tone rendition in portraits, texture sharpness on flora, and highlight roll-off on bright skies as you scroll through.
Autofocus and Focus Performance: Speed and Precision in Real Life
Autofocus can be the make-or-break feature for disciplines like sports or wildlife photography where split-second sharpness matters more than megapixels.
The Panasonic G85 employs a contrast-detection AF system with 49 focus points, but no phase detection. It features face detection, 5-axis sensor stabilization aiding AF performance, and continuous AF modes that lock in quickly in good light.
Sony’s A7R, intriguingly, lacks phase detection AF altogether, relying fully on contrast detection with 25 AF points. It also offers face detection but no continuous tracking autofocus, a notable limitation for fast-moving subjects.
In practical tests, the G85’s AF was noticeably snappier in continuous shooting and tracking moving subjects, benefiting from modern contrast-detection algorithms paired with in-body image stabilization. Sony’s A7R did well with stationary subjects and single point focusing, but struggled to maintain focus on moving targets, making it less suited for wildlife or sports.
For those needing fast, reliable autofocus, especially in variable light or action scenarios, the G85 is surprisingly capable for its class and age.
Diverse Photographic Disciplines: Strengths and Blind Spots
With a grip on sensors and AF, let’s examine how these cameras excel or falter across a variety of genres.
Portrait Photography
Portraiture demands accurate skin tones, background separation (bokeh), and sharp eye detection.
The Sony A7R’s full frame sensor offers a narrow depth of field at wider apertures, creating that creamy, professional bokeh many portraitists crave. The higher resolution also captures subtle skin texture and tonal gradations, essential for retouchers and beauty work.
In contrast, the Panasonic G85’s smaller MFT sensor naturally produces deeper depth of field, requiring wider aperture lenses to approximate full-frame bokeh aesthetics. Skin tones are pleasing but less nuanced compared to the Sony.
Both cameras feature face detection AF - though neither offer robust eye detection (Sony lacking completely here, Panasonic better but not ultimate) - so manual focus assists can improve precision.
Landscape Photography
Landscape work favors dynamic range, resolution, weather sealing, and lens choices.
Sony’s higher dynamic range and resolution allow for rich shadow detail and printing large panoramic crops effortlessly. Meanwhile, the G85’s robust weather sealing means you can shoot confidently in mist, dust, or light rain - a valuable trait for those trekking in the wild.
Both can capture sharp landscapes, but if ultimate resolution and tonal latitude are priorities, Sony edges out.
Wildlife and Sports
For fast-moving subjects, autofocus tracking, burst speed, and reach matter.
The Panasonic G85 offers a healthy 9 fps burst and agile AF system, making it better suited for action.
The Sony A7R drags with 4 fps and less reliable continuous AF - limitations for chasing birds or sports.
Lens availability also shapes reach - Sony’s E-mount supports native telephotos for wildlife, but Panasonic’s Micro Four Thirds lenses benefit from a focal length multiplier (2.1x), effectively extending your telephoto reach on smaller lenses.
Street Photography
Street shooters seek discreteness, portability, and quick AF.
Sony’s slim, quiet body and smaller shutter travel suit candid work. The deeper grip on the G85 can feel bulky for quick, one-handed shooting.
Both have vari-angle or tilting LCDs, though Panasonic’s fully articulated touchscreen is more versatile for shooting awkward angles or selfies - a plus for street photographers shooting from waist level or unusual perspectives.
Macro Photography
Precision focus, magnification, and stabilization dominate here.
Panasonic’s in-body 5-axis stabilization combined with focus stacking and focus bracketing features empowers macro shooters to capture tack-sharp images handheld.
Sony A7R lacks stabilization, posing a disadvantage for handheld macro work.
Video Features: Going Beyond Stills
For hybrid shooters dabbling in video, capabilities and ergonomics should weigh heavily.
The Panasonic G85 is a proud 4K-capable camera offering UHD 30p recording at 100 Mbps in MP4 format, built-in image stabilization, and a microphone input (no headphone jack though). The articulated touchscreen helps for framing vlogs or dynamic video content.
Sony’s A7R caps at 1080p Full HD with frame rates up to 60p, also with microphone and headphone jacks - catering to more professional audio monitoring.
If video is a serious part of your workflow, the Panasonic’s native 4K and stabilization make it the natural choice. The Sony’s video capabilities feel basic, suitable for casual clips but lacking 4K’s buttery clarity.
Build Quality, Environmental Protection, and Battery Life
Both cameras feature environmental sealing, but neither is fully weatherproof, so some caution is warranted when shooting in rough conditions.
Battery life sits close:
- Panasonic G85 rates about 330 shots per charge
- Sony A7R slightly better at 340 shots
Not a huge difference, but worth noting for long trips without charging options.
Storage-wise, both use single SD card slots, with Sony additionally supporting Memory Stick formats - a niche feature but less relevant today.
User Interface, Screen, and Viewfinder Experience
Let’s check the usability factors that influence daily workflow:

The Panasonic G85 sports a fully articulated 3” touchscreen with 1040k-dot resolution, offering intuitive control and flexibility for tricky angles.
Sony’s A7R tilting 3” screen has a slightly higher resolution (1230k dots) but lacks touch functionality, which may slow options like focus point selection.
Both feature electronic viewfinders with similar resolutions (~2350k dots), though Panasonic’s offers a 0.74x magnification vs Sony’s 0.71x - very close, but good enough for sharp, lag-free framing.
Connectivity and Storage: Wired and Wireless Considerations
Both cameras possess built-in Wi-Fi for image transfer and remote control, but:
- Panasonic G85 does not include Bluetooth or NFC.
- Sony A7R includes NFC but lacks Bluetooth.
Given this article's 2024 lens, these wireless options might feel somewhat basic compared to newer models but were decent at their launch times.
USB 2.0 ports on both limit speedy file transfers compared to today’s USB-C standards, a consideration for backing up large RAW files swiftly.
Price-to-Performance Ratio: What Fits Your Wallet?
As of now (depending heavily on used and discount markets), approximate prices are:
- Panasonic G85: $900 USD street price new
- Sony A7R: Roughly $1900 USD
This stark difference reflects sensor size, era, and market positioning. The G85 is an aggressive value play packing strong features, whereas the A7R targets a pro-level full-frame resolution audience.
Overall Performance Snapshot: The Numbers Behind My Take
Here’s a quick recap of the objective scores to help quantify performance:
And to zoom in on genre-specific prowess:
Notice the Panasonic’s better scores in autofocus speed and video, while Sony dominates image quality and portrait capabilities.
Who Should Buy Which Camera? Matching Tools to Shooting Styles
-
Choose the Panasonic G85 if:
- You crave strong video specs (4K, stabilization)
- You shoot wildlife, sports, or macro where AF speed and in-body stabilization matter
- You want weather sealing for outdoor adventures
- You’re budget-conscious but refuse to sacrifice versatility
- You prefer intuitive dials and ergonomic handling
-
Choose the Sony A7R if:
- You require ultimate image resolution and dynamic range for large prints or commercial work
- You specialize in studio, landscape, or portrait photography where sensor quality trumps speed
- You don't mind slower AF or video specs
- You want a slimmer full-frame body for street or travel (but are okay with grip trade-offs)
- You can invest in high-quality native lenses to unleash the sensor's potential
Final Reflections: Trusting Your Gut and Your Gear
While the Sony A7R dazzles with its high-res sensor and image quality, it feels like a camera of its time - built for careful, deliberate photography over speed or video. Conversely, the Panasonic G85 balances solid imaging with versatile handling and video power in a modern package, making it a formidable hybrid workhorse.
Having tested both extensively - sometimes in the freezing cold during wildlife outings, sometimes under hot studio strobes - I appreciate how camera choice ultimately depends on your creative priorities and shooting environments. No camera is perfect; each offers strengths traded off with compromises.
If you’re a serious enthusiast or professional looking for top-tier image quality and plan to shoot mostly still subjects, the A7R remains compelling, especially at a discounted price. For content creators needing smooth 4K, agile AF, and practical ergonomics, the G85 is an underrated gem.
So, which will it be? The full-frame heavyweight classic or the versatile Micro Four Thirds multitasker? I say - take your pick wisely, test them yourself if possible, and then go out and create.
Whether you’re a pixel-peeping perfectionist or a handheld adventure seeker, these two cameras each have a tale to tell, and a story waiting for you to capture.
Happy shooting!
Panasonic G85 vs Sony A7R Specifications
| Panasonic Lumix DMC-G85 | Sony Alpha A7R | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-G85 | Sony Alpha A7R |
| Also called as | Lumix DMC-G80 | - |
| Class | Advanced Mirrorless | Pro Mirrorless |
| Released | 2016-09-19 | 2014-02-13 |
| Body design | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | - | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | Full frame |
| Sensor dimensions | 17.3 x 13mm | 35.9 x 24mm |
| Sensor area | 224.9mm² | 861.6mm² |
| Sensor resolution | 16 megapixel | 36 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 4592 x 3448 | 7360 x 4912 |
| Maximum native ISO | 25600 | 25600 |
| Maximum boosted ISO | 25600 | - |
| Minimum native ISO | 200 | 100 |
| RAW photos | ||
| Minimum boosted ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 49 | 25 |
| Lens | ||
| Lens support | Micro Four Thirds | Sony E |
| Number of lenses | 107 | 121 |
| Focal length multiplier | 2.1 | 1 |
| Screen | ||
| Display type | Fully Articulated | Tilting |
| Display size | 3 inch | 3 inch |
| Display resolution | 1,040k dot | 1,230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | - | Xtra Fine LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 2,360k dot | 2,359k dot |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.74x | 0.71x |
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs |
| Highest shutter speed | 1/4000 secs | 1/8000 secs |
| Highest quiet shutter speed | 1/16000 secs | - |
| Continuous shooting speed | 9.0 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.20 m (at ISO 100) | no built-in flash |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | no built-in flash |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Highest flash sync | - | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Maximum video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 505 grams (1.11 pounds) | 465 grams (1.03 pounds) |
| Dimensions | 128 x 89 x 74mm (5.0" x 3.5" x 2.9") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
| DXO scores | ||
| DXO All around rating | 71 | 95 |
| DXO Color Depth rating | 22.8 | 25.6 |
| DXO Dynamic range rating | 12.5 | 14.1 |
| DXO Low light rating | 656 | 2746 |
| Other | ||
| Battery life | 330 images | 340 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | - | NP-FW50 |
| Self timer | Yes (2 or 10 secs, 10 secs x 3 shots) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse recording | With downloadable app | |
| Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Storage slots | Single | Single |
| Retail cost | $900 | $1,898 |