Panasonic G95 vs Panasonic TS5
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Panasonic G95 vs Panasonic TS5 Key Specs
(Full Review)
- 20.3MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 536g - 130 x 94 x 77mm
- Released April 2019
- Also referred to as Lumix DMC-G90
- Replaced the Panasonic G85
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Launched July 2013
- Also Known as Lumix DMC-FT5
- Earlier Model is Panasonic TS4
- Newer Model is Panasonic TS6

Panasonic G95 vs Panasonic TS5: A Deep Dive Into Two Very Different Cameras
When you’re hunting for a camera, the sheer variety can be overwhelming – especially when two models share the same brand but cater to starkly different needs. Today, we’re dissecting two Panasonic cameras that couldn’t be more distinct: the Panasonic Lumix DMC-G95, an advanced mirrorless with serious photographic chops, and the Panasonic Lumix DMC-TS5, a rugged, waterproof compact designed to thrive in extreme conditions. I’ve spent extensive time in the field with both – putting them through their paces across genres, lighting, and shooting scenarios – so let’s cut to the chase and see which camera serves what kind of photographer best.
Size and Handling: Big Rig Versus Pocketable Toughness
First impressions count, and the physicality of a camera is often where enthusiasts start. The Panasonic G95 sports a traditional SLR-style mirrorless form factor, offering an ergonomically rich experience with grip comfort and a more extensive control layout. Its body measures roughly 130 x 94 x 77 mm and weighs in at 536 grams.
In contrast, the TS5 is super-compact, rugged, and stripped-down - built to misbehave in the wild. It’s nearly half the weight (214 grams) and a fraction of the size (110 x 67 x 29 mm). Perfect for slipping into a pocket or a backpack compartment without a second thought.
If you value ergonomics for long shooting days and manual controls at your fingertips, the G95’s heft and shape feel reassuring. But if you’re a spontaneous traveler or adventure seeker prioritizing portability and durability, the TS5’s compactness is unbeatable.
Controls and Interface: How You Interact Matters
Peeking from above, the G95 reveals Panasonic’s emphasis on user control. The top plate is populated with dials and buttons for shutter speed, exposure compensation, iso, and drive settings - a layout that seasoned shooters will appreciate for quick, tactile adjustments.
The TS5, on the other hand, keeps things basic with few external controls, focusing on simplicity befitting its compact, rugged design. Its interface lacks a viewfinder altogether, relying solely on the rear fixed LCD for composing and navigating menus.
From my experience, the G95’s controls align well with photographers who crave full manual exposure and rapid setting changes. Meanwhile, TS5’s minimalism caters to casual shooters or those who prefer point-and-shoot ease, especially outdoors.
Sensor Technologies and Image Quality: A Clear Divide
Here lies the heart of the matter: image quality is largely dictated by sensor size and technology. The G95 employs a 20.3-megapixel 4/3-inch (17.3 x 13 mm) CMOS sensor sans anti-aliasing filter, which helps maximize sharpness. Its Venus Engine processor ensures excellent processing speed.
The TS5 houses a much smaller 1/2.3-inch sensor (6.08 x 4.56 mm) with 16 megapixels and an anti-alias filter. Such smaller sensors are typical among compact rugged cameras but do translate into limitations on noise performance and dynamic range.
What does this mean practically? The G95 boasts cleaner images in low light, greater dynamic range (critical for landscapes or contrasty scenes), and superior fine detail retention. The TS5’s sensor is more prone to noise at higher ISOs and less forgiveness in shadow recovery.
In my testing, landscape shots from the G95 showed richer tonal gradations and vibrancy, while the TS5’s performance was respectable for casual use but unsurprisingly limited by sensor physics.
Viewing and Composing Images: Articulated Versus Fixed Screens
Both cameras feature 3-inch screens, but here the G95 pulls ahead with a fully articulating touchscreen offering 1,240k-dot resolution – crisp and versatile for shooting at awkward angles, vlogging selfie-style, or menu navigation.
The TS5 has a fixed TFT LCD with 460k-dot resolution. While adequate outdoors (helped by brightness controls), it’s a step behind in flexibility and detail compared to the G95.
If you appreciate framing with precision and want touch controls for focus and playback, the G95 delivers plenty. The TS5’s screen gets the job done for snapshots but won’t satisfy those learning focus peaking or touch-zoom nuances.
Autofocus and Speed: Tracking Your Subject Reliably
The G95 relies on contrast-detection autofocus with 49 focus points and face/eye detect. While no phase detection is built-in, it achieves competent focusing speeds with good accuracy. Continuous shooting tops at a smooth 9fps, suited to moderately fast action.
In comparison, the TS5 offers contrast AF with 23 points and a faster 10fps burst. However, its simpler AF system lacks face or eye detection, and hunting can be more noticeable, especially indoors or in low light.
For wildlife or sports aficionados, the G95’s AF feels more reliable in locking onto subjects, as I found in field tests. The TS5 can grab quick shots outdoors but is better for casual or opportunistic wildlife photos rather than fast and precise tracking.
Lens Ecosystem: Fixed Versus Micro Four Thirds Versatility
If lens flexibility is your game, the G95 shines with its Micro Four Thirds mount, compatible with over 100 lenses from Panasonic, Olympus, and third-party makers. This vast range includes prime portrait lenses, telephoto zooms, macro optics, and ultra-wide-angle selections.
The TS5 has a fixed 28-128mm equivalent zoom, aperture F3.3-5.9, aimed at convenience and durability. You can’t swap lenses, but that does simplify things in rugged environments where equipment failure is a concern.
This means photographers with diverse needs - portraits, macro, wildlife - will want the G95’s modularity; for casual users or those prioritizing a simple waterproof compact, the TS5 is an all-in-one solution.
Durability and Environmental Resistance: Weatherproof Versus Waterproof
Both cameras tout environmental sealing, but the TS5 is truly ruggedized: waterproof to 15 meters, dustproof, shockproof, freezeproof. It’s built specifically for harsh conditions - diving, mountain hikes, beach days.
The G95 offers weather resistance (magnesium alloy construction, seals against dust and splashing water) but is not fully waterproof or shockproof. Basically, it’s robust for rain and light moisture but needs more care.
If your photography ventures into challenging environments where drops and water immersion are norms, the TS5 is a trustworthy companion. For studio, street, or outdoor work with occasional bad weather, the G95’s sealing is reassuring but less extreme.
Battery Life and Storage: Endurance Versus Simplicity
Battery-wise, the TS5 can capture approximately 370 shots per charge, edging out the G95’s 290. Likely, the G95’s higher processor demands and electronic viewfinder contribute to higher power draw.
On storage, both use a single SD/SDHC/SDXC card slot, with the G95 supporting faster UHS-II cards enhancing buffer clearance during continuous shooting and video.
If you plan longer shooting sessions without frequent battery swaps - and want simpler power management - the TS5 holds an advantage. That said, I always recommend carrying spares for mirrorless cameras like the G95, especially for professional use.
Video Capabilities: 4K on the G95 Versus Full HD on the TS5
Video shooters will find a stark difference here. The G95 supports 4K UHD (3840 x 2160) recording at 30p with clean 100 Mbps bitrates, external microphone and headphone ports, and in-body 5-axis stabilization - ideal for vlogging, run-and-gun filmmaking, or hybrid shooters.
The TS5 tops out at 1080p with frame rates up to 60p, no external audio options, and optical stabilization. Decent for casual video, but clearly limited compared to the G95.
My hands-on tests reveal the G95 provides cleaner, more detailed footage in varied conditions, with much better audio control and stabilization options.
Real-World Shooting Across Genres: Who Wins Where?
Let’s break down how each camera excels in key photography categories with some sample images for context.
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Portraits: G95’s larger sensor, 49-point AF with eye detection, and lens options produce creamy bokeh and accurate skin tones. TS5 struggles with background separation and has no eye detect.
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Landscapes: Dynamic range and resolution favor the G95; details and exposure latitude are superior. TS5’s compressed sensor area limits highlights and shadows.
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Wildlife: G95 autofocus tracking and burst speed support moderate wildlife action, while TS5’s fixed lens and basic AF limit reach and precision.
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Sports: G95 continuous 9fps plus predictive AF helps freeze action. TS5’s compact size and 10fps are nice, but AF speed may lag on fast subjects.
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Street: TS5’s stealthy compactness wins here; G95 is bulkier but delivers more creative control.
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Macro: G95’s lens options and focus bracketing allow macro use, TS5 can focus close (~5 cm) but less precise.
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Night/Astro: G95’s high ISO performance and sensor size shines under stars; TS5 struggles with noise.
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Travel: Both model types shine here but for different users - TS5 as rugged pocket camera, G95 as versatile all-rounder.
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Professional: G95’s quality, manual controls, and file formats suit pros; TS5 is not designed for critical professional work.
Performance Ratings and Scores: Objective Meets Subjective
Here’s a comprehensive breakdown reflecting my hands-on evaluations corroborated with technical specs.
And for the genre-specific performance nuances:
You’ll notice the G95 leads in most photographic disciplines except rugged convenience and battery life, where the TS5 holds its ground or leads.
Build Quality, Connectivity, and Workflow Integration
The G95’s magnesium alloy body feels solid and weather sealed, with slots for UHS-II cards, USB 2.0, HDMI output, Wi-Fi/Bluetooth for tethering and remote control. Its connectivity is perfect for modern workflows involving mobile devices and fast file transfers.
The TS5, while waterproof and rugged, supports basic USB 2.0 and HDMI but lacks Bluetooth and has limited wireless options. It includes GPS, a neat perk for geotagging adventures, which the G95 surprisingly lacks.
For professionals or enthusiasts who weigh connectivity as vital to workflow, the G95’s modern wireless integration is a plus.
Price-to-Performance: Is the G95 Worth Triple the TS5's Price?
At current pricing (approx. $998 for G95 and $350 for TS5), the G95 commands a premium - as expected given its advanced tech, image quality, and versatility.
But price alone isn’t everything. If you need top-notch image quality, video, manual control, and lens choices, the G95 justifies its cost. Its modal versatility appeals to serious enthusiasts and hybrid shooters.
TS5 offers outstanding value if:
- You need a rugged waterproof camera built to withstand drops, dust, and cold,
- You aim for casual shooting with minimal fuss,
- Portability and durability outweigh image perfection.
Final Thoughts: Who Should Buy Which?
So, let me be blunt about it - the Panasonic Lumix G95 and the Panasonic Lumix TS5 serve almost completely different purposes. Think of these as complimentary cameras rather than competitors.
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Choose the Panasonic G95 if:
- You are a photography enthusiast or professional needing excellent image quality and manual controls.
- You want a versatile camera capable of portraits, landscapes, wildlife, and even decent video.
- You appreciate an articulated touchscreen and a large lens ecosystem.
- You don’t mind carrying a slightly larger body for better performance.
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Choose the Panasonic TS5 if:
- You need an ultra-durable, waterproof plate for diving, hiking, or extreme weather.
- You prioritize compactness and simplicity over advanced features.
- Your photography is casual – mainly snapshots or travel memories.
- Budget and ruggedness are more important than interchangeable lens options.
Hopefully, this detailed breakdown helps you pinpoint which Panasonic camera fits your photographic lifestyle and expectations. Both have strengths worthy of your time, it’s just a question of where your priorities lie.
Thanks for joining me on this in-depth journey. Remember, choosing a camera is as much about your shooting style and environment as technical specs. If you want to see more real-world examples or sample RAW files, I’d be happy to share in the comments below. Safe shooting!
- Your trusted camera reviewer
Panasonic G95 vs Panasonic TS5 Specifications
Panasonic Lumix DMC-G95 | Panasonic Lumix DMC-TS5 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-G95 | Panasonic Lumix DMC-TS5 |
Also called as | Lumix DMC-G90 | Lumix DMC-FT5 |
Class | Advanced Mirrorless | Waterproof |
Released | 2019-04-05 | 2013-07-12 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Powered by | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 20.3 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5184 x 3888 | 4608 x 3456 |
Max native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 100 |
RAW format | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 49 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 28-128mm (4.6x) |
Highest aperture | - | f/3.3-5.9 |
Macro focus distance | - | 5cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen sizing | 3" | 3" |
Screen resolution | 1,240 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/1300s |
Highest silent shutter speed | 1/16000s | - |
Continuous shooting speed | 9.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.40 m (at ISO 100) | 5.60 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 536 grams (1.18 lb) | 214 grams (0.47 lb) |
Physical dimensions | 130 x 94 x 77mm (5.1" x 3.7" x 3.0") | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 290 pictures | 370 pictures |
Battery format | Battery Pack | Battery Pack |
Battery model | - | DMW-BCM13 |
Self timer | Yes (2 or 10 secs, 10 secs x 3 shots) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch pricing | $998 | $350 |