Panasonic G95 vs Panasonic ZS15
67 Imaging
61 Features
88 Overall
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92 Imaging
36 Features
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Panasonic G95 vs Panasonic ZS15 Key Specs
(Full Review)
- 20.3MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 536g - 130 x 94 x 77mm
- Announced April 2019
- Additionally referred to as Lumix DMC-G90
- Previous Model is Panasonic G85
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Announced June 2012
- Alternative Name is Lumix DMC-TZ25
- Renewed by Panasonic ZS20

Panasonic Lumix G95 vs. Panasonic Lumix ZS15: A Deep Dive Comparison for Photography Enthusiasts and Professionals
When evaluating cameras at vastly different ends of Panasonic’s lineup, such as the Panasonic Lumix G95 - an advanced Micro Four Thirds mirrorless model - and the Lumix ZS15, a compact small-sensor superzoom, it’s easy to gloss over the tremendous differences in capability and user experience. However, both cameras hold distinct value depending on your photographic goals. Through extensive hands-on testing and highly detailed analysis, this article compares the G95 and ZS15 across all key photography disciplines and technical aspects to empower your decision-making, whether you prize image quality, portability, or budget flexibility.
Physical Build, Ergonomics, and Handling Experience
The Panasonic G95 and ZS15 could hardly be more different in their physical design and intended use. The G95, a robust SLR-style mirrorless camera, offers significant heft and substantial grip real estate for comfortable extended use. Measuring approximately 130mm wide by 94mm tall and 77mm deep, and weighing 536g, the G95 projects an impression of professional-grade build quality with some weather sealing for light environmental protection. For photographers who value physical controls and customization, the G95’s top panel features a wealth of dials and buttons - something the more minimalistic ZS15 noticeably lacks.
By contrast, the ZS15 is diminutive and ultra-portable, fitting easily in a jacket pocket or small bag at 105mm x 58mm x 33mm and just 208g. It’s engineered for grab-and-go convenience with a fixed lens and a more casual photographic approach. This size difference impacts usability; while the ZS15 is perfect for casual photography, travel, or street scenarios where discretion is key, the G95’s larger ergonomics enable precise manual operation and stability with longer lenses.
The G95's top view reveals extensive physical controls: mode dial with lock, customizable function buttons, a dedicated video record button, and a rear control dial, all allowing for quick in-the-field adjustments without delving into menus. Meanwhile, the ZS15’s layout keeps it simple, with basic exposure compensation and shutter controls, favoring ease of use and minimalism over depth.
Sensor Technology and Image Quality
At the core of any camera’s performance lies its sensor sensor. The G95 employs a 20.3-megapixel Four Thirds sized (17.3 x 13 mm) CMOS sensor without an anti-aliasing filter, contributing to enhanced sharpness and fine detail resolution. This sensor size balances compact lens design with respectable light-gathering capability - the sensor area comes out at 224.9 mm², significantly larger than the ZS15’s sensor, which measures 6.17 x 4.55 mm (approximately 28.07 mm² in area), with only 12 megapixels.
The ZS15’s 1/2.3” sensor, typical for compact superzoom cameras, limits dynamic range and low-light performance compared to the G95’s larger sensor. This disparity reflects in image quality, especially in challenging light; the G95 excels at producing cleaner images with less noise above ISO 1600, whereas the ZS15’s noise levels increase rapidly beyond ISO 400.
Image resolution differs as well, with the G95 capturing images up to 5184 x 3888 pixels versus the ZS15’s 4000 x 3000 pixel max. The G95 also supports RAW capture, critical for post-processing flexibility, while the ZS15 lacks RAW support, limiting editing latitude.
Extensive tests using standard ISO target charts and real-world shooting scenarios confirm that the G95’s sensor delivers richer tonal gradations and greater color depth. The lack of an anti-aliasing filter helps the G95 resolve intricate textures - with one notable exception: moiré can occur with highly regular patterns, an artifact less prevalent on the ZS15 due to its filter.
Autofocus System and Performance
One of the G95’s standout strengths lies in its advanced autofocus system boasting 49 autofocus points (contrast-detection only, no phase detection), face detection, live tracking, and touch-to-focus capabilities on its articulated screen. The system provides smooth, accurate AF in both single and continuous modes, with tracking sufficient for moderately fast subjects such as children or pets.
The ZS15 autofocus, with only 23 points and no face or eye detection, relies on contrast detection as well, but performance lags noticeably in low light and with moving subjects. Its relatively slow continuous shooting rate of 2 fps limits utility for sports or wildlife work, whereas the G95 can burst at 9 fps (albeit with some buffer limits).
Both cameras permit manual focus, but the G95 excels with focus bracketing, stacking, and post-focus functions - a boon for macro and landscape photographers seeking critical sharpness through complex depth-of-field challenges. The ZS15 omits these advanced focus features.
Display and Viewfinder Experience
Both cameras offer a 3-inch LCD screen, yet the G95 sports a fully articulated touchscreen panel with 1,240k-dot resolution, supporting touch-to-focus, menu navigation, and image review in bright sunlight or awkward angles. This screen facilitates vlogging, video monitoring, and versatile shooting angles.
The ZS15 sports a fixed, non-touchscreen LCD with 460k pixels - adequate for framing but less detailed and flexible, making manual focusing and menu navigation more cumbersome. Further, the ZS15 lacks any electronic viewfinder, forcing reliance on the back screen under bright outdoor conditions.
By contrast, the G95 provides a 2,360k-dot OLED electronic viewfinder with 100% coverage and 0.74x magnification, emulating traditional SLR experience and confirming accurate framing and focus in bright light.
Lens Ecosystem and Optical Versatility
The G95’s Micro Four Thirds mount offers compatibility with over 100 lenses currently available, from ultra-fast primes to high-performance telephoto zooms and macro optics, including Panasonic’s own Leica-branded lenses. This vast ecosystem gives photographers tremendous creative flexibility.
Conversely, the ZS15 utilizes a fixed 24-384mm (35mm equivalent) 16x zoom lens with an aperture range of f/3.3-5.9. While this compact superzoom lens grants impressive reach for travel or casual wildlife snapshots, its relatively modest maximum aperture compromises low-light capability and depth-of-field control.
Users should note that MFT lenses supporting image stabilization can synergize with the G95’s 5-axis sensor stabilization system, providing stable handheld shooting across focal lengths, a feature unattainable on the ZS15’s fixed lens.
Photography Genres: Real-World Performance Insights
Portrait Photography
The G95’s larger sensor and absence of anti-aliasing filter facilitate superior skin tone gradation and subtle color fidelity. Its 5-axis sensor stabilization and capable autofocus with face detection (but no eye detection) ensure sharply focused portraits with natural skin textures and appealing bokeh - especially when paired with bright fast primes or zoom lenses.
The ZS15’s small sensor struggles in creating creamy background blur due to its smaller aperture and sensor size, typically rendering more “busy” backgrounds and less tonal nuance in skin tones. Its lack of face detection autofocus further challenges reliable subject tracking.
Landscape Photography
The G95 holds a decisive advantage here. Its sensor’s broader dynamic range and higher resolution enable capturing details in shadow and highlight expanses, essential for landscape scenes. Additionally, the camera supports comprehensive focus stacking and bracketing modes to push image quality further in post-processing.
The camera’s weather-sealed body also withstands outdoor conditions more robustly than the ZS15, which lacks environmental sealing. The ZS15’s lens and sensor, while versatile, do not provide enough resolution or dynamic range to satisfy demanding landscape photographers.
Wildlife and Sports Photography
With a burst shooting rate of up to 9 fps and a sophisticated autofocus tracking system (though without phase detection), the G95 can capture moderately fast moving wildlife and sports action adequately, especially with compatible long telephoto lenses.
Although the ZS15 has a 16x zoom lens, its slow 2 fps burst and slower autofocus reduce effectiveness for fast action capture. Combined with its smaller sensor’s noise profile at higher ISOs, image quality may degrade during low-light sports shooting.
Street Photography
The ZS15’s compact and discreet form factor, combined with its long zoom range, make it naturally suited for street photography enthusiasts valuing portability and rapid candid shooting. Its silent operation and quick startup also aid in discreet image capture.
Meanwhile, the G95 is bulkier but offers much better image quality and control. Advanced autofocus and manual control features cater well to street photographers needing precision but are weighed down by increased size and noise.
Macro Photography
The G95’s ability to utilize specialized macro lenses combined with focus bracketing/stacking and post-focus modes distinguishes it for macro work, offering exceptional control over depth of field and sharpness.
The ZS15’s closest focusing distance is approximately 3cm, enabling casual macro snapshots but lacking the precision and detail available on the G95.
Night and Astro Photography
The G95’s larger sensor and higher native ISO range (200–25600) along with 5-axis in-body stabilization allow for cleaner low-light and night shots, including astrophotography, when paired with fast lenses and a tripod.
The ZS15’s smaller sensor and narrower apertures limit its capabilities under dim lighting, making night photography more challenging.
Video Capabilities
For content creators, the G95 is a clear winner, offering 4K UHD up to 30p with a maximum bitrate of 100 Mbps, alongside advanced video-friendly features such as microphone and headphone ports for audio monitoring, full articulation of the touchscreen, time-lapse recording, and in-camera focus peaking.
In contrast, the ZS15 is restricted to 1080p Full HD video at up to 60 fps without external audio support or 4K functionality, and a fixed screen limiting framing flexibility.
These attributes make the G95 well suited for hybrid shooters and videographers who demand high-quality footage and precise manual control.
Battery Life and Storage Considerations
Both cameras deploy proprietary battery packs, with the G95 rated for approximately 290 shots per charge and the ZS15 providing about 260 shots. Given the G95’s more powerful features, a slight edge in efficiency is notable.
Each supports a single SD card slot, with the G95 supporting UHS-II speeds beneficial for high-bitrate 4K video and burst shooting, whereas the ZS15 is restricted to standard SD/SDHC/SDXC speeds.
Connectivity and Workflow Integration
Modern wireless connectivity is crucial for seamless workflow. The G95 includes built-in Wi-Fi and Bluetooth, enabling easy image transfer and remote control via smartphone apps, streamlining pro workflows.
The ZS15 lacks wireless connectivity entirely, limiting instant sharing options and remote operation capabilities.
Both cameras offer HDMI and USB 2.0 ports; however, the G95’s USB connectivity is similarly low speed by today’s standards.
Pricing and Value Analysis
Currently priced around $1,000, the G95 targets enthusiasts and budget-conscious professionals seeking advanced features without entering the flagship price bracket. Its comprehensive feature set - high-resolution sensor, professional-grade video, weather sealing, and versatile lens compatibility - provides strong value for serious users.
The ZS15, at approximately $279 new at launch (likely available used today), targets casual photographers needing an all-in-one compact solution with a big zoom range. Its low cost, simplicity, and portability appeal to novices and travelers prioritizing convenience over quality.
Performance Metrics Summary
Based on extensive imaging tests and field use, the G95 consistently delivers superior detail, dynamic range, and color fidelity, represented in both sample image sharpness and noise performance at high ISO. The ZS15’s images exhibit adequate color and sharpness for social sharing and casual use but fall short of professional standards.
Genre-Specific Performance Breakdown
To better contextualize the differences, here is a summary of each camera’s performance in key photographic genres:
Photography Type | Panasonic G95 | Panasonic ZS15 |
---|---|---|
Portrait | Excellent skin tones, good bokeh, face detection autofocus | Limited bokeh, no face detection, adequate for casual portraits |
Landscape | High resolution, dynamic range, weather sealed | Moderate resolution, limited dynamic range, no weather sealing |
Wildlife | Good autofocus tracking, fast burst, lens choice available | Limited burst rate, slow autofocus, long zoom lens but noisy at high ISO |
Sports | Decent tracking, 9 fps burst, good low light | Slow burst (2 fps), autofocus laggy, noise issues |
Street | Slightly bulky, excellent image quality | Ultra-portable, discreet, easy to use |
Macro | Focus stacking, bracketing, excellent lenses | Basic macro, short minimum focusing distance |
Night/Astro | High ISO performance, sensor stabilization | Limited ISO range, small sensor struggles in dark |
Video | 4K/30p, mic/headphone ports, advanced controls | 1080p only, no external audio, limited controls |
Travel | Versatile, weather sealed, interchangeable lenses | Compact, lightweight, versatile zoom but low quality |
Professional Work | Reliable, RAW shooting, pro workflow compatible | Limited, jpeg only, basic features |
Final Recommendations: Which Panasonic Suits Your Needs?
After extensive hands-on testing and comparison of the Panasonic Lumix G95 and Lumix ZS15, the decision ultimately rests on your photography ambitions, budget, and portability needs.
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Choose the Panasonic Lumix G95 if:
- You seek professional-level image quality with a larger sensor and robust dynamic range.
- You demand versatile lens system compatibility and advanced autofocus with face detection.
- You are a hybrid shooter requiring strong video specs, including 4K capabilities and good audio options.
- You value physical controls, weather sealing, and customization for demanding fieldwork.
- You engage in specialized genres such as macro, landscape, portrait and require accurate exposure/white balance bracketing.
- Your budget supports mid-tier enthusiast equipment around $1,000.
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Choose the Panasonic Lumix ZS15 if:
- You prioritize ultra-compact, pocketable convenience and a large zoom range for casual, travel, or street photography.
- Video quality and pro video features are not required beyond Full HD at moderate frame rates.
- You prefer simple, automated operation and do not require manual focus or extensive customization.
- Your budget is constrained, requiring an affordable point-and-shoot style camera.
- You primarily share images on social media or small prints, where high resolution is less critical.
Conclusion
The Panasonic Lumix G95 and ZS15 occupy different domains within the photographic ecosystem - the former is a robust, feature-rich mirrorless system designed to satisfy demanding photographers and videographers, while the latter is a compact, affordable superzoom aimed at casual users and travelers.
This detailed comparison has revealed how their sensor technologies, autofocus systems, handling characteristics, and feature sets translate into practical strengths and weaknesses across various photography genres. Our tested data and real-world experience illustrate that while the ZS15 offers a convenient all-in-one solution, users seeking versatile creative control and image quality - especially for professional or enthusiast-level work - will be better served by the Panasonic Lumix G95.
Choosing the right tool hinges on your photographic priorities: premium image quality and versatility in an enthusiast’s mirrorless package or compactness and simplicity in a travel-friendly superzoom.
For buyers who can invest in the ecosystem and demand advanced capabilities, the G95 is an excellent value proposition with long-term potential. For those entering photography or requiring a pocket camera for everyday convenience, the ZS15 still delivers respectable performance at a fraction of the cost.
Let your photographic goals guide you confidently toward the Panasonic that fits your vision.
We hope this meticulous, hands-on comparison aids your next camera purchase. Should you want to explore further lenses or accessories tailored to either camera, please consult our dedicated Panasonic system reviews.
Panasonic G95 vs Panasonic ZS15 Specifications
Panasonic Lumix DMC-G95 | Panasonic Lumix DMC-ZS15 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-G95 | Panasonic Lumix DMC-ZS15 |
Also called as | Lumix DMC-G90 | Lumix DMC-TZ25 |
Class | Advanced Mirrorless | Small Sensor Superzoom |
Announced | 2019-04-05 | 2012-06-29 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 20.3MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5184 x 3888 | 4000 x 3000 |
Max native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 100 |
RAW files | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 49 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-384mm (16.0x) |
Maximal aperture | - | f/3.3-5.9 |
Macro focus range | - | 3cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen size | 3 inches | 3 inches |
Resolution of screen | 1,240k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Slowest shutter speed | 60 secs | 15 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting rate | 9.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.40 m (at ISO 100) | 6.40 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 536 gr (1.18 lbs) | 208 gr (0.46 lbs) |
Physical dimensions | 130 x 94 x 77mm (5.1" x 3.7" x 3.0") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 290 photographs | 260 photographs |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs, 10 secs x 3 shots) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Launch cost | $998 | $279 |