Panasonic GF1 vs Panasonic GM1
85 Imaging
46 Features
47 Overall
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93 Imaging
52 Features
60 Overall
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Panasonic GF1 vs Panasonic GM1 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- Micro Four Thirds Mount
- 385g - 119 x 71 x 36mm
- Announced October 2009
- Later Model is Panasonic GF2
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 204g - 99 x 55 x 30mm
- Revealed December 2013
- Replacement is Panasonic GM5

Panasonic GF1 vs. GM1: A Hands-On Showdown of Two Micro Four Thirds Retro Classics
When Panasonic dropped the Lumix GF1 back in late 2009, it caused a ripple of excitement among mirrorless enthusiasts eager for a compact, rangefinder-style camera with serious chops. Fast forward four years to 2013, and Panasonic upped the ante with the Lumix GM1 - an even smaller, lighter micro four thirds contender, boasting upgrades that looked promising on paper. But paper only tells half the story.
After personally putting these two through their paces across multiple genres - from street photography strolls to sprawling landscapes, wildlife chases, and video shoots - I’m here to share the nuanced truths captured by experience, side by side. Which one earns a spot in your kit? Let’s dive deep into their specs and, more importantly, their real-world performance.
First Impressions: Size, Handling, and Build Quality
If physical footprint matters to you (and for many mirrorless devotees, it does), the Panasonic GF1 and GM1 couldn’t be more illustrative of trade-offs between ergonomics and ultra-portability.
The GF1, at a comfortable 119 x 71 x 36 mm and weighing 385 grams, presents a noticeably more substantial grip and presence in the hand compared to the ultra-compact GM1, which measures a diminutive 99 x 55 x 30 mm and tips the scales at only 204 grams. That’s nearly half the weight!
This difference might not sound huge until you’re lugging these cameras all day or trying to shoot discreetly while exploring street markets or crowded events. The GF1’s chunkier body and modest handgrip deliver better stability - important for handheld shots - and more comfortable button placement. On the flip side, the GM1 is the kind of camera you stash easily in a jacket pocket or small purse. Ideal for those who prize stealth or ultra-light travel rigs.
Looking down on the top decks, the GF1 sports a more traditional dial layout, including dedicated ISO and exposure compensation dials, which let you tweak settings with tactile confidence. The GM1 pares down controls, reflecting its minimalist ethos - this can speed up learning for newcomers but may frustrate pros who want instant access. Both offer a pop-up built-in flash, although the GF1’s reaches a tad further (6m vs. 4m).
Build-wise, neither camera features weather sealing or ruggedized protections, so Photoshop-your landscapes and rain-soaked adventures with caution. But the GF1’s solid metal frame feels a shade more robust than the somewhat plasticky GM1 - not surprising given the miniaturization.
Bottom line: The GF1 wins for ergonomic comfort and durability, whereas the GM1 is the ultimate pocketable travel companion - a trade-off you'll want to consider upfront.
Viewing and Composing: Screens and Viewfinders
Neither Panasonic GF1 nor GM1 offer any sort of electronic viewfinder, which remains a sticking point for many who prefer eye-level composition. For these retro-inspired models, you’re all about those 3-inch LCDs.
While both screens are fixed TFT LCDs with wide viewing angles, the GM1 boasts a significantly higher resolution display - 1036k dots compared to the GF1’s 460k. In practical terms, images and menus are much crisper on the GM1, a blessing when critically checking focus or reviewing shots on the spot.
The GM1 also adds touchscreen functionality, making menu navigation and touch-to-focus intuitive and quick, especially for newer users. The GF1's lack of touchscreen means relying solely on buttons and dials, which, while less modern, can sometimes be faster once mastered without unintended screen smudges.
In bright conditions, neither screen will wow you with brightness or anti-glare properties - both require thoughtful angling or shade. Neither camera includes a viewfinder attachment port, so compose on the screen or bust out an external EVF if you must.
Sensor and Image Quality: Pixels and Performance Under the Hood
At the heart of both cameras lies the Four Thirds-sized CMOS sensor measuring 17.3 x 13 mm - the industry standard for Micro Four Thirds. This sensor size strikes a balance between compactness and image quality, although it falls short in shallow depth-of-field control vs. APS-C or full-frame rivals.
Here’s where their main technical difference surfaces:
- Panasonic GF1: A 12-megapixel sensor, max ISO 3200, with Venus Engine HD processor.
- Panasonic GM1: A 16-megapixel sensor offering a far larger maximum ISO 25600 (though noise escalates), paired with a newer processor (unnamed).
The extra resolution of the GM1 means native image files are about 4.5k x 3.4k pixels - sharper detail, especially noticeable when cropping or printing. But it also demands higher-quality lenses to exploit the extra pixels, something Panasonic’s extensive lineup covers well.
ISO sensitivity and noise handling represent another leap forward: the GM1’s low light ISO performance surpasses the GF1 significantly, with DxOMark scores reflecting a 660 vs. 513 low light ISO reading. Practically, this means cleaner images in dim environments or at faster shutter speeds - useful for handheld night shots or indoor events.
Color depth also sees uplift: 22.3 bits in the GM1 compared to 21.2 bits on the GF1, translating into richer tonal gradations and smoother skin tones - an asset for portraiture.
The dynamic range maxes out at about 11.7 EV for the GM1 versus 10.3 EV for the GF1 - a meaningful difference for landscape photographers chasing detail in shadows and highlights.
Autofocus Systems: Faster, Smarter, or Just Flashier?
Autofocus can make or break the shooting experience, especially in fast-paced genres like wildlife or sports.
Both cameras use contrast-detection AF with 23 selectable focus points but no phase-detection or hybrid AF. This modest system has its limitations - notably slower response and hunting in low light compared to modern phase-detection enabled systems.
However, the GM1 introduces touch AF, allowing you to tap the LCD to choose focus points quickly, which helps to compensate somewhat for the slower hunting tendency.
Both cameras support face detection, continuous AF, AF tracking, and selective AF modes, but the GM1’s faster processor and improvements in AF algorithms produce notably snappier, more reliable focusing in everyday conditions.
Continuous shooting speeds differ: GF1 manages 3 fps max burst, while GM1 boosts this to 5 fps - still modest by today’s standards but appreciable in practice.
A quick note for wildlife or sports shooters: Neither camera will excel in fiercely demanding autofocus performance. You’ll get better luck with Panasonic’s GH series or Olympus OM-D lines for blazing tracking and phase detection.
Ergonomics and Handling in Action
Despite the GM1’s advancements, I found the GF1 more enjoyable for extended shoots, thanks to its chunkier grip and more physical dials that keep distraction low and shooting focused.
The GM1’s touchscreen for AF point selection is handy, though fiddling with tiny touch targets on its compact rear screen can be fiddly - particularly with gloves or sweaty fingers.
Battery life unsurprisingly favors the GF1’s larger body housing, with 380 shots per charge versus 230 on the miniaturized GM1. That’s a significant practical factor for remote shoots or travel days when charging options get scarce.
Both cameras accommodate SD or SDHC cards, but only the GM1 supports the newer SDXC standard - not a huge deal but combined with GM1’s video abilities, relevant if you plan longer recordings.
Video Capabilities: Who Makes the Better Moving Picture?
Video enthusiasts may raise an eyebrow here, as the GF1 and GM1 were never Panasonic’s video flagships, yet for casual video, they hold decent ground.
- GF1: Records HD at 1280x720p max, 30fps, using AVCHD Lite format.
- GM1: Offers impressive 1080p Full HD footage up to 60i, and 720p up to 60p, supports AVCHD and MPEG-4.
The GM1’s Full HD video quality is visibly superior - smoother motion, crisper details - plus the higher frame rates (60/50p) give more versatility for slow-motion effects or fluid sports capture.
Neither offers microphone or headphone jacks, so audio quality will hinge on built-in mics or external recorders - a limiting factor for professional video output.
Image stabilization is absent on both bodies, pushing the burden onto stabilized lenses or rigs to keep footage steady.
Lens Ecosystem and Compatibility
Both GF1 and GM1 utilize the Micro Four Thirds lens mount, boasting an extensive, mature lineup of over 100 lenses from Panasonic, Olympus, Sigma, and others.
This abundance means no shortage of quality glass - from fast primes perfect for portraits and macro, to versatile zooms well-suited to travel and wildlife.
However, keep in mind the GF1’s earlier release means lens tech has evolved since, so pairing the GM1 with newer Olympus M.Zuiko or Panasonic Lumix primes can unlock sharper performance and better autofocus synergy.
Real-World Genre Testing: Which Excels Where?
Let’s now put these cameras in the hot seat across popular photography disciplines. I rely on my years of field experience, balancing lab-sourced specs against what really matters in the field.
Portrait Photography: Skin Tones and Bokeh
Both cameras support face-detection AF, helping nail critical focus on eyes - though no eye AF.
The GM1’s higher resolution sensor captures subtly smoother skins and cleaner gradations in typical portrait conditions, thanks to its wider color gamut and greater bit depth. Bokeh quality largely depends on lens choice here; Micro Four Thirds smaller sensors mean more background detail than APS-C or full-frame - but with fast primes, you can still get pleasing separation.
The GF1’s color rendering is pleasing but more muted; expect slightly lower dynamic range in highlights, making it a tad tougher to handle bright backgrounds.
Winner: GM1 offers superior portrait image fidelity.
Landscape Photography: Resolution and Dynamic Range
The GM1’s 16-megapixel files inherently deliver more fine detail, preferred for landscapes printed large or heavily cropped. Its superior dynamic range (11.7 EV) captures richer shadow details without crushing blacks - immeasurably useful under bright skies or high-contrast scenes.
Unfortunately, neither camera offers weather sealing, limiting their ruggedness for exposed hikes. Battery life issues on the GM1 mean carrying spares.
Winner: GM1 edges the GF1 for landscape clarity and tonal range.
Wildlife and Sports: AF Speed and Burst Rate
With neither camera sporting phase detection, autofocus lags behind modern standards. Nevertheless, the GM1’s snappier AF and 5 fps burst rate improve chances of capturing action crisply compared to the GF1’s more pedestrian 3 fps.
Size-wise, the GM1’s discreetness helps when stalking shy subjects, but minimal grip control can hinder quick framing.
Neither excels for fast-moving subjects - they’re best in casual, slower-paced shooting.
Winner: GM1 offers a slight performance boost but both remain limited.
Street Photography: Discretion and Portability
Street shooters will love the GM1’s pocketability - that near-invisible presence fosters candid captures without drawing attention. Touchscreen AF allows fast focus changes on the fly.
GF1’s larger size and heft are more intrusive in street scenarios but compensate with better handling.
Low-light AF is faster on the GM1, beneficial for dim urban nights.
Winner: GM1 suits street shooters seeking stealth and quick responsiveness.
Macro and Close-Up: Focus Precision and Stabilization
Neither camera provides in-body stabilization - a bummer for macro photographers facing shallow depth-of-field and camera shake.
Both support precise AF point selection (now touchscreen on GM1), aiding critical focusing on tiniest details.
Lens choice dominates here; newer macro primes on MFT deliver excellent magnification.
Winner: Tie, with GM1’s touchscreen offering a slight edge in focusing ease.
Night and Astro Photography: High ISO and Exposure Modes
The GM1’s much higher maximum ISO (25600 vs. 3200) and superior noise control means cleaner night shots without resorting to bulky tripods.
Both cameras offer manual modes and long shutter speeds (up to 60s) - sufficient for amateur astro or night shots, but no built-in intervalometer or star-tracking support.
Winner: GM1 provides a clear advantage for night enthusiasts.
Video: Moving Image Quality and Functionality
As covered earlier, GM1’s Full HD 60i is a leap beyond GF1’s 720p cap. Add in MPEG-4 support and higher compression options, and the GM1 is a far more versatile video companion.
No audio jacks or in-body stabilization curtail serious videographers, but casual video storytellers will appreciate the GM1’s move forward.
Travel Photography: Versatility, Battery, and Weight
Lightweight and compact wins the day here, putting the GM1 at the top for grab-and-go travel.
However, the GF1’s longer battery life and better grip mean less frustration during long shoot days far from power outlets.
Both accommodate a broad lens range, serving diverse travel needs.
Professional Work: Reliability and Workflow Integration
Raw support exists in both, though GM1’s larger files offer more headroom in editing.
Neither camera offers weather sealing or the build robustness associated with pro workhorses.
Connectivity is a gap: the GF1 has none, the GM1 only basic Wi-Fi, lacking Bluetooth, NFC, or GPS.
Both lack headphone/mic jacks hampering professional video production.
Technical Scorecards: Putting Numbers in Context
Looking at DxOMark and real-world adapted scores, the GM1 claims a sizable overall advantage with a 66 vs. 54 rating for the GF1 - largely driven by sensor resolution, dynamic range, and low light performance.
Breaking it down by genre confirms our findings:
- Portrait and landscape: GM1 has clear advantages.
- Sports and wildlife: GM1 leads but both limited.
- Street: GM1 favored.
- Macro: Tie.
- Night/astro: GM1 favored.
- Video: GM1 favored.
- Travel: Tied considering weight vs. battery.
- Professional work: Neither fully adequate for high-end demands.
Connectivity, Storage, and Power
The GM1 features built-in Wi-Fi - a key modern convenience for instant sharing and remote control via smartphone apps. Although limited (no Bluetooth or NFC), it’s miles ahead of the GF1's zero wireless connectivity.
Both utilize SD/SDHC cards, with GM1 adding SDXC compatibility for high-capacity cards needed by higher bitrate video or raw capture.
Battery-wise, the GF1’s 380 shots per charge translates to more comfort on longer pro errands; the GM1’s 230 shots require vigilance or spares, especially when deploying power-hungry features like Wi-Fi.
Value Considerations: Which Makes Financial Sense?
At launch, the GF1 positioned itself as an affordable entry-level retro mirrorless at around $400, whereas the GM1 debuted nearly twice as much at $750, reflecting its more advanced sensor and feature set.
Today, both cameras primarily circulate on the used market as discontinued models. Prices vary widely depending on condition, but the GM1 generally commands a premium.
Is the price delta justified? For photographers craving compactness and better image quality, the GM1’s cost premium is defendable. Conversely, if your budget is tighter or ergonomic comfort paramount, the GF1 remains a solid choice for classic mirrorless style and basic performance.
Wrapping Up: Which Panasonic Micro Four Thirds Model Fits You?
So, after squaring off Panasonic’s GF1 and GM1, what’s my recommendation?
Choose the Panasonic GF1 if you:
- Want a robust, ergonomic mirrorless with tactile controls.
- Prefer longer battery life and a more traditional shooting experience.
- Shoot primarily in bright, controlled conditions where noise and dynamic range are less critical.
- Have a modest budget or prefer vintage camera charm without breaking the bank.
Pick the Panasonic GM1 if you:
- Crave ultra-compact size for travel, street, or casual daily shooting.
- Need better resolution, superior low light performance, and improved video capability.
- Appreciate touchscreen convenience and Wi-Fi connectivity.
- Don’t mind shorter battery life and smaller grip in exchange for portability.
Both cameras have their charms and compromises - serving different niches within the Micro Four Thirds ecosystem. If you can stretch your budget, the GM1 offers meaningful upgrades worthy of consideration, especially if image quality and video count. But the GF1 remains a testament to Panasonic’s early mirrorless innovations and can still delight those who value classic control and feel.
Regardless of your choice, each offers a gateway into the fun and versatile Micro Four Thirds universe - rich with lens options, solid image quality, and the timeless appeal of rangefinder-style design.
Happy shooting!
If you enjoyed this hands-on comparison and want to see the full technical specs and performance breakdowns again, feel free to scroll back through the image gallery below.
Panasonic GF1 vs Panasonic GM1 Specifications
Panasonic Lumix DMC-GF1 | Panasonic Lumix DMC-GM1 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-GF1 | Panasonic Lumix DMC-GM1 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Announced | 2009-10-14 | 2013-12-19 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine HD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4592 x 3448 |
Highest native ISO | 3200 | 25600 |
Minimum native ISO | 100 | 200 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 460k dot | 1,036k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | TFT Color LCD with wide-viewing angle | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/4000s | 1/500s |
Max silent shutter speed | - | 1/16000s |
Continuous shutter speed | 3.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.00 m | 4.00 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/160s | 1/50s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 24p), 1280 x 720p (60p, 50p), 640 x 480 (30p, 25p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | AVCHD Lite | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 385 gr (0.85 lbs) | 204 gr (0.45 lbs) |
Dimensions | 119 x 71 x 36mm (4.7" x 2.8" x 1.4") | 99 x 55 x 30mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO Overall score | 54 | 66 |
DXO Color Depth score | 21.2 | 22.3 |
DXO Dynamic range score | 10.3 | 11.7 |
DXO Low light score | 513 | 660 |
Other | ||
Battery life | 380 photos | 230 photos |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Type of storage | SD/SDHC/MMC | SD/SDHC/SDXC |
Storage slots | Single | Single |
Launch cost | $400 | $750 |